Orson Welles: Hello Americans (86 page)

1
‘May I direct your attention …’ Letter from Nichols and Phillips
to Orson Welles, 13 September 1946.

2
‘I have written to Orson …’ Letter from Ted Thackrey to Richard Wilson, 26 December 1946.

3
‘as the audience is caught in the grip …’ Hermine Rich Isaacs,
Theatre Arts
, June 1946.

4
‘“Dear Bill,” he wrote to Castle …’ Letter from Orson Welles to William Castle, n.d., quoted in
Step Right Up!
.

5
‘Glennie darling, get on the next …’ ibid.

6
‘Orson, an insomniac
…’ William Castle,
Step Right Up!
.

7
‘Flynn joked, cajoled, needled …’ Memorandum by Richard Wilson, n.d., from internal evidence,
c
. November 1946.

8
‘there’s too much stalling …’ Interview with Orson Welles by Thomas A. Brady,
New York Times
, 8 December 1946.

9
‘we have nothing to fear but Fier himself’. Barbara Leaming,
Orson Welles
.

10
‘something off-centre, queer, strange’. Memorandum
from Orson Welles to Harry Cohn, n.d., mid-1947.

11
‘Rudolph [Maté] took a whole day …’ Memorandum by Richard Wilson, op. cit.

12
‘I have a small public …’ Interview with Orson Welles by Thomas A. Brady, op. cit.

13
‘According to Mary Pacios …’ Mary Pacios,
Childhood Shadows
.

14
‘The Scar never fails …’ Anonymous letter sent to Rita Hayworth, quoted in
If This was Happiness
.

1
‘
RE POSSIBILITY OF YOUR APPEARING
…’ Telegram from Vinton Freedley 24 January 1947.

2
‘Shakespeare was very close to the origins …’ Interview with Orson Welles by
Cahiers du Cinéma
.

3
‘the greatest thing that ever happened to Utah’. Press release 28 May 1947.

4
‘His sense of theatre …’ Jeannette Nolan interviewed by François Thomas in ‘Mésaventures d’un Bande Sonore’.
Positif
, July/August 1992.

5
‘last night’s show was about as much …’ Gladys Goodall,
Salt Lake Telegram
, 29 May 1947.

6
‘Shakespearian stand-by
Macbeth …’ Variety
, 4 June 1947.

7
‘The Wellesian stage settings …’
New York Times
, 29 May 1947.

8
‘Jeanette Nolan “of the radio” …’ ibid.

9
‘ANTA has completed a project …’ Press release, 28 May 1947.

10
‘
OUR APPRECIATION
…’ Telegram from Helen
Hayes to Orson Welles, 28 May 1947.

11
‘offered an opportunity …’ Programme note from Salt Lake City production.

12
‘Again I urge …’ Memorandum from Orson Welles to Richard Wilson.

13
‘to “everyone” …’ Peter Bogdanovich,
This is Orson Welles
.

14
‘
RUN
! Don’t walk! Remember, this is …’ Alan Napier quoted in Richard Maurice Hurst,
Republic Studios
.

15
‘One eye was on you …’ Roddy MacDowall interviewed
by the author, Los Angeles, June 1990.

16
‘The important thing to me …’ Letter from Jerry Wald to Orson Welles, 14 July 1947.

17
‘From the human side …’ Letter from Herbert J. Yates to Orson Welles, 18 July 1947.

1
‘
DEAR ORSON
…’ Telegram from Gregory Ratoff to Orson Welles, 8 September 1947.

2
‘
BELIEVE ME AS YOUR FRIEND
…’ Telegram from Johnny
Maschio to Orson Welles, 15 September 1947.

3
‘You will readily see …’ Letter from Michael Curtiz to Orson Welles, 20 September 1946.

4
‘John Perry of the West End Management …’ Telegram from John Perry to Orson Welles, 29 August 1947.

5
‘
SORRY
, Welles replied …’ Telegram from Orson Welles to John Perry, 30 August 1947.

6
‘
I HOPE GALILEO IS
…’ Telegram from Orson Welles to Charles Laughton,
30 July 1947.

7
‘
ARRIVING SEPTEMBER 15TH
…’ Telegram from Orson Welles to Alexander Korda, 4 September 1947.

8
‘“Please answer, urgently …’ Letter from Maurice Bessy to Orson Welles, 6 October 1947.

9
‘
IT IS ALMOST CERTAIN
…’
Telegram
from Alexander Korda to Orson Welles, 15 January 1947.

10
‘
YOU TOLD ME YOU COULD
…’ Telegram from Alexander Korda to Orson Welles, 3 March 1947.

11
‘Q: Mr Welles
…’ Transcript of court case, 8 May 1947.

12
‘largely because your name topped …’ Letter from Stella Holt to Orson Welles, 17 June 1946.

13
‘The people is heroic and suicidal …’ Recorded speech made by Orson Welles
c
. July 1946.

14
‘to let the people of the world know …’ Speech by Henry A. Wallace, 19 May 1947.

15
‘literally seared the ears off …’ Gordon Kahn,
Hollywood on Trial
.

16
‘
TERRIBLY
SORRY BUT MY MONEY IS SPENT
…’ Telegram from Orson Welles to Citizens Committee on Displaced Persons, 9 June 1946.

17
‘
THE MIGHTY
“
WE
”
LIKE YOU
…’ Telegram from Citizens Committee on Displaced Persons to Orson Welles, 17 June 1946.

18
‘after weeks of haggling begging bargaining …’ Letter from Orson Welles to Louis Dolivet, undated,
c
. December 1946.

19
‘
HOLLYWOOD STARS ARE BLASTED
…’
Hollywood
Reporter
, 30 September 1946.

20
‘I shall continue in the future …’ ibid., 2 December 1946.

21
‘I definitely intend …’ ibid.

22
‘a grave injustice has been done …’ ibid.

23
‘Shall the studios remain open …’ ibid.

24
‘the group of bigots …’ Speech by Henry A. Wallace, Los Angeles, 19 May 1947.

25
‘
THIS INDUSTRY IS NOW DIVIDING ITSELF
…’ Telegram from Billy Wilder, William Wyler and John Huston
to Orson Welles, 2 October 1946.

26
‘the year 1947 was dominated by …’ Eric Barnouw,
The Golden Web
.

27
‘with a small-town Robespierre …’ John Cromwell, quoted in Gordon Kahn,
Hollywood on Trial
.

28
‘even my few remaining friends …’ Letter from Orson Welles to Arthur Margetson, 24 February 1947.

29
‘
FROM THE WAY YOU SOUND
…’ Telegram from Bruce Elliott to Orson Welles, 3 September 1947.

1
‘All of this stuff of lighting candles …’ Letter from Orson Welles to Richard Wilson, 3 September 1947.

2
‘Good news is that picture …’ Letter from Orson Welles to Bernard Herrmann, 12 September 1947.

3
‘Some of the individual scenes …’ Orson Welles, quoted in Frank Brady,
Citizen Welles
.

4
‘Being a director at heart …’ Memorandum from Warren Doane
to Edward Small, 23 April 1948.

5
‘There is too much
footage
…’ SoundScriber message from Orson Welles to Richard Wilson, 4 November 1947.

6
‘Several sections of Republic …’ Letter from Richard Wilson to Orson Welles, 14 November 1947.

7
‘the whole lot – executives and artisans …’ ibid.

8
‘for Christ’s sake write! …’ Letter from Richard Wilson to Orson Welles, 26 November 1947.

9
‘“Dearest
Chuck,” he calls him …’ Letter from Richard Wilson to Orson Welles, 10 February 1948.

10
‘low and generally confused …’ ibid.

11
‘When I talked to Feldman …’ Letter from Richard Wilson to Orson Welles, 24 March 1948.

12
‘Please send some generalisations at least …’ Letter from Richard Wilson to Orson Welles, 14 March 1948.

13
‘Dear Old Hank Cinq …’ Letter from Richard Wilson to Orson Welles,
19 April 1948.

14
‘For your information, Charles K. Feldman …’ Letter from Richard Wilson to Orson Welles, 13 March 1948.

15
‘There’s no reason why the witches …’ Memorandum from Norman Corwin to Orson Welles, n.d,
c
. June 1948.

16
‘[Welles’s] own opinion …’
Daily Telegraph
, 6 September 1948.

17
‘[It] … grabs the audience …’
Il Tempo
, quoted in Frank Brady, op. cit.

18
‘Coiffed with horns
and crowns …’ Jean Cocteau,
The Art of Film
.

19
‘fake light and cardboard settings’. Robert Bresson, quoted in Frank Brady, op. cit.

20
‘It may come as something …’ Bosley Crowther,
New York Times
, 30 September 1948.

21
‘The scene opposite is not …’
Life
, 11 October 1948.

22
‘If Welles has failed utterly …’
Newsweek
, 18 October 1948.

23
‘There is no doubt …’
Fortnight
, 5 November 1948.

24
‘had exhausted themselves …’ Letter from Richard Wilson to Orson Welles, 10 October 1948.

25
‘Of course I think the whole thing …’ ibid.

26
‘for the first time in my life I got …’ Peter Bogdanovich,
This is Orson Welles
.

27
‘What I am trying to do …’
Cahiers du Cinéma
, September 1958.

28
‘he that plays the king …’ Foreword to
He That Plays The King
by Kenneth Tynan, 1950.

29
‘a prehistoric
universe …’ André Bazin,
Orson Welles
.

30
‘I don’t think films made on a small budget …’ Quoted in Peter Noble,
The Fabulous Orson Welles
.

31
‘I have had the considerable disillusionment …’ Letter from Richard Wilson to Orson Welles, 7 May 1949.

32
‘it has a great deal in its favour …’
New York Times
, 28 October 1950.

33
‘They don’t review my films any more …’ Profile by Kenneth Tynan in
Show
, October/November 1961.

34
‘an imaginative and highly
stylised
…’
Herald Tribune
, 28 December 1950.

35
‘a terrific piece of melodramatic …’
New York Times
, 10 January 1948.

36
‘though Mr Orson Welles’s film …’
The Times
, 23 May 1951.

37
‘the brilliant Mr Welles …’
Daily Telegraph
, 28 May 1951.

38
‘The temptation with the long-awaited …’
Punch
, 6 June 1951.

39
‘a more powerful effect
…’
Sight and Sound
, September 1951.

40
‘It is uncouth, unscholarly, unmusical …’
Observer
, 27 May 1951.

41
‘Welles’s
Macbeth
is nothing if not …’ Henry Raynor
Sight and Sound
, June 1952.

42
‘What is needed is more pictures …’ Quoted in Peter Noble,
The Fabulous Orson Welles
.

43
‘Some years later …’ Henry Raynor, op. cit.

44
‘Welles’s finest work …’ Letter from Richard Wilson to Jerome Hyams,
16 September 1947.

45
‘couldn’t put up with his genius any more …’
Daily News
, 10 November 1947.

99th Pursuit Squadron 324

Abbey Theatre (Dublin) 168

Abbott and Costello Meet the Invisible Man
(film) 415

ABC 290, 309, 339, 340, 342

Abednego
(radio) 343

Acapulco 356, 362–3, 370,
404

Adelphi Theatre (New York) 300–1, 306, 308, 310, 318, 322, 323, 326

Admiral of the Ocean Sea
(radio) 156

Adorno, Theodor 423

Agee, James 168

Aiken (South Carolina) 328–9, 333–5, 337, 338, 339

Aino Da Noite
(newspaper) 46, 96, 121

Airborne Symphony 287

Albuquerque, Chico 134

All That Money Can Buy
(Dieterle) 5

Alland, William ‘Bill’ 356, 385, 388, 394, 432

Allen, Fred 203

Allenberg,
Bert 315

Ambler, Eric 6, 13–14, 50

American National Theatre and Academy (ANTA) 382, 391–3, 403, 424

American Student Union’s Peace Ball 10

Americans All
(documentary) 64

Amsterdam News
336

Anderegg, Michael,
Orson Welles: Shakespeare and Popular Culture
429

Anders, Glenn 356, 367

Anderson, Dame Judith 396

Andrei Rublev
(film) 427

Andreyev, Leonid 27

Annie Get Your Gun
(musical) 311

Anouilh, Jean 311

Antheil, George 362

Antigone
(Anouilh) 3 11

Antony and Cleopatra
(Shakespeare) 418

Argentina 136

Armour, Reg 33, 93, 94, 96, 107, 115, 124, 131

Around the World in Eighty Days
(musical) xiii, 287–302, 290, 323, 334, 343, 357, 392, 424; cost of production 305–6, 321–2, 348; critics views of 303–5, 308, 310–11; failure of 303–22; inception and production 280, 281, 283–4, 284,
285; Todd’s abandonment of 316–19; Welles’s promotion of 308–10

Art of Illusion, The
192

Atkinson, Brooks 391

Atlas Mountains 83

Atlee, Clement 239

Aviso
newspaper 135

Bahia 135, 147

Bainter, Fay 385

Bakaleinikoff, Constantin 109

Bakhtin, Mikhail 386, 387

Ball, Lucille 204–5

Ballad for Americans
(song) 10

Ballet Russes de Monte Carlo 288, 296

Bankhead, Tallulah 396

Barbette 289,
298–9

Barclift, Nelson 288–9

Barlow, Joyce 389

Barnes, George 166–7

Barnouw, Eric 413

Barra Da Tijuca 120, 132

Barrier, Edgar 17, 309, 388, 391, 433

Barry, Iris 266

Barrymore, John xvii, 26, 231–2

Batesburg (South Carolina) 336, 339, 341

Batista, Linda 129

Baxter, Anne 27, 88, 112

BBC 96

Beaton, Cecil 345

Beck, Martin 289

Ben-Hur
(film) 269

Benamou, Catherine xvi, 74, 379

Bennett,
Barbara 27

Bennett, Constance 27

Bennett, Joan 27

Bennett, Richard 26–7, 37, 49, 51

Benny, Jack 170–2, 203, 246–7

Bérard, Christian (Bébé) 345

Berg-Allenberg Agency 315

Berkeley, Busby 36

Bernstein, Dr Maurice (‘Dadda’) 4, 22, 23, 47, 106, 117–19, 194, 198, 201, 248, 416

Bernstein, Leonard 287

Berry, John 106

Bert Wheeler’s Circle of Magic 191

Bessy, Maurice 404

Best Years of Our
Lives, The
(film) 411

Between Americans
(radio) 55

Biarritz 421

Big Sleep, The
(film) 382

Biroc, Joe 59

Black Cat
(film) 35

Black Dahlia murders 377–9

Black Irish see Lady from Shanghai, The
(film)

Black Magic
(film)
see Cagliostro

Blake, Nicholas 14

Blitzstein, Marc 10, 178, 179, 183, 283, 287, 417

Bloch, Richard 193

Blue Network 239

Bluebeard
(film) 7

Blunt, Anthony 184

Bogdanovich,
Peter xv, 25, 26, 37, 49, 52, 130, 137, 284, 320, 393, 405, 427, 432, 437, 438

Bolivia 136

Bombay Clipper
(film) 36

Bonito the Bull
(aka
My Friend Bonito
) (film) 2, 9, 12–13, 31–4, 38–9, 44, 45, 46, 48, 80, 102, 143, 146

Bonito the Bull
(radio) 259

Booth, Clare Luce 10

Borba, Emilinha 129

Borzage, Frank 383

Boston Daily Globe
293, 294, 295

Boyer, Charles 13

Bracken, Eddie 86

Brady,
Frank 45

Brady, Thomas A. 360

Brando, Marlon 163, 311

Brasseur, Pierre 366

Braun, Bob 243–4

Brazil 58–67, 82–4, 159–60, 190, 210, 219, 369

Brecht, Bertolt 13, 282–4, 296, 315, 316, 318, 320, 321, 363, 404

Breen, Bob 392–3

Breen, Joseph 5–6, 13, 18, 41, 45, 67, 77, 345, 418

Bridges, Harry 10

Brigadoon
(musical) 311

Bright Lucifer
(Welles) 384, 385

Britannicus
(Racine) 379

Broadcast
439

Broadway 265, 306–7, 310, 321, 324, 391

Brook, Peter 384, 403

Browder, Earl 10

Bryson, Lyman 172–3

Büchner, George 178

Buenos Aires 98, 99, 136

Burgess, Guy 184

Byrnes, Jimmy 251

Cabinet of Dr Caligari, The
(film) 356

Caesar
(film) 442

Cagliostro
(film) 405, 415–16, 418, 425

Cagney, James 31, 86, 410

Cahiers du Cinéma
386, 427

Cahn, Irving 303, 321

Calder-Marshall, Arthur 14

California 301

Camacho, General Maximo 230

Campbell Playhouse, The
(radio series) 18, 162, 344

Candida
(theatre) 311

Cansino, Margaret
see
Hayworth, Rita

Cansino, Volga 256

Capra, Frank 17, 38, 267

Captain’s Chair, The
(film) 9

Carmen
(film) 291, 345, 349

Carmen Jones
(musical) 324

Carné, Marcel 418, 422

Carnival (Rio de Janeiro) 57–67, 69–71, 74–5, 81–4, 85, 103, 114, 443

Carnival
in Rio
(film) 93

Carousel
(musical) 311

Carringer, Robert L. 22, 23, 24, 52, 107

Carter, Jack 384

Casablanca
(film) 403

Cassidy, Jack 289

Castle, William 233, 349, 356, 358;
Step Right Up
350

Cat and the Canary, The
(film) 417

Catherine the Great
(film) 417

Cavalcade of America
(radio series) 155, 156–7

CBS Records 32, 47, 155, 156, 172, 203, 204, 241, 384.

Ceiling Unlimited
(radio)
157, 158–9, 287

Chaliapin, Fedor 232, 418

Chandler, Fred 151

Chaplin, Charlie 7–8, 17, 68, 118, 149, 150, 173, 267, 320, 379, 412

Chapman, John 304, 305, 306, 308

Charlie Chan
(film series) 12

Chávez, Carlos 55, 146

Cherkassov, Nikolai 366

Chestnut Street Theatre (Philadelphia) 297

Chiang Kai-shek, Madame 185

Chicago 123, 192, 208, 210, 280, 325, 335, 351

Chile 136

Chimes at Midnight
(film) 322

Chimney Sweep
(radio) 340

Chirello, George ‘Shorty’ 166, 194, 359, 396, 420

Cimino, Michael 30

Cinedia 150–1

Circus, The
(film) 379

Citizen Kane
(film) xi, xiii, xvii, 10, 28, 29, 31, 36, 37, 41, 46, 48, 88, 89, 96, 109, 123, 126, 135, 149, 165, 167, 191, 197, 198, 212, 213, 224, 267, 268, 272, 276, 282, 313, 367, 385, 392, 394, 397, 403, 417, 421, 426, 435; awards for 76, 122;
cost of 117; Los Angeles premiere 3; success of 3–6

Citizens Committee on Displaced Persons 10, 409

Civil Rights Statute 341

Clark, Don 243

Clark, Tom 327, 341

Clemente, José 234

Clifton’s Cafeteria (Los Angeles) 250

Clurman, Harold 320

Clyde, Vander
see
Barclift, Nelson

Cochran, Charles B. 321–2, 404

Cockburn, Claud 236

Cocteau, Jean 288, 345, 421–2

Cohn, Harry 197, 198, 212, 223,
290, 291, 299, 336, 347, 348, 349, 350, 355, 356, 360, 361–2, 365, 369, 372, 382, 386, 377, 402, 409, 439

Colbert, Claudette 224, 337

Cold War 251, 408, 410

Collier, William 207

Colliers’ Magazine
194, 195, 198

Collins, Ray 29, 38, 309, 367

Colombia 136

Colt, Alvin 288, 305

Columbia Pictures 93, 197, 290, 348, 350, 357, 360, 377, 402

Columbia (Tennessee) 327

Comédie-Française 404

Comedia
Balletica
288

Commonwealth Pictures 442

Communism 219, 235–6, 259, 410, 413

Communist International 184

Communist Party of America 10, 178

Compton, Dick 207, 209, 210

Compton’s Agency 201, 203–4, 206

Conference of Studio Unions (CSU) 411, 412

Conried, Hans 49, 51

Cooper, Gary 13, 172

Cooper, Stephen 379

Copland, Aaron 208

Corey, Don 358

Cornell, Katharine 122, 165, 311

Coronet Theatre
(Los Angeles) 321

Corrêa, Horacina 129

Cortez, Stanley 35–6, 37, 38, 40, 48, 52, 139, 320

Corwin, Norman 47, 260, 344, 420

Costa, Rui 69

Costello, Dolores 26, 37, 88, 111

Cotten, Joseph 17, 27, 28, 48, 49, 50, 90, 91, 104, 106, 108, 111, 161, 172, 194, 258, 367

Cotten, Lenore 258

Coulouris, George 367

Cover Girl
(film) 197, 198

Coward, Noël 149, 204, 277;
Middle East Diary
237

Cradle
Will Rock, The
(musical) 10, 283

Craig, Gordon 212

Cranston, Geneva 187, 226, 235, 258

Craxton, William 300

Crime Doctor’s Warning, The
(film) 350

Critic, The
300

Cromwell, John 413

Crosby, Bing 314

Crosby, Floyd 33–4

Crowther, Bosley 138, 422, 438, 440

Crummles, Vincent 295

Cuban Love Song
(film) 71

Cultural Front, The
(Denning) 30

Culver City 91

Curtiz, Michael 403

Cyrano de Bergerac
(film) 207, 345, 405, 418

D’Agostino, Albert 49

Daily News
137, 304, 314

Daily Telegraph
38, 421, 440

Daily Worker
323, 329

Damaged Goods
(film) 26

Danger on the Air
(film) 35

Daniell, Henry 168

Daniels, Walter 93, 120, 136

Daniels, William 58–9

Danton’s Death
397

Danton’s Death
(play) 178

Date with Destiny see The Stranger

Davies, Marion 222, 383, 397

Davison, Robert 288

De Gaulle,
Charles 185

De Moraes, Vinicius 98

Dead of Night
(film) 348

Decca 265

Del Rio, Dolores 31–2, 34, 46, 48, 49, 50, 113, 194, 196, 406, 444

DeMille, Cecil B. 17

Denning, Michael 9–10, 30

Denver Post
412

Dewey, Thomas E. 213, 215, 216, 332

Diamond as Big as the Ritz, The
(radio) 242

Diary of a Doctor
(film) 402

Diary of Welles Group Activities
114

Dickens, Charles 191

Dies Committee 412

Dieterle, William 5

Dietrich, Marlene 197, 199

Disney, Walt 189, 242–3

Dixon, Campbell 38, 421, 440

Doane, Warren 415

Doctor Faustus
, film 161–2; Unit 891 production 191

Dolivet, Louis 183–6, 201, 211, 220, 223–4, 238, 252, 284, 409

Don Quixote
(film) 418

Donne, John 207

Don’t Catch Me
(film) 243, 379

Douglas, Melvyn 412

Down to Earth
(film) 443

Dr Faustus
(Marlowe) 265, 385, 418

Dracula
(radio play) 28, 168

Drake, Herb 17, 41, 49, 57, 60, 63, 66, 80, 82, 83, 93, 97, 99, 101, 104, 106, 122, 123, 128, 137, 138, 140, 163

Dreiser, Theodore 185

Dreyer, Carl Theodor 360

Drunkard, The
(W.H. Smith) 312

Dublin 258

Duffield, Brainerd 289, 389, 394, 397, 404, 432

Dumas, Alexandre,
Diary of a Doctor
402

Dumbarton Oaks Conference 227, 238

Dunning, Decla 267

Durante, Jimmy
307

Eagle Squadron
(film) 36

Ecuador 136

Edinburgh International Festival 393, 418, 419

Edwards, Hilton 183, 431

Ehrenburg, Ilya 239

Einstein, Albert 185

Eisenhower, Dwight D. 209, 240

Eisenstein, Sergei Mikhailovich 5, 133, 190, 245–6

Elhirst, Ruth 201

Eliot, Bruce,
Magic
281

Ellington, Duke 11–12, 324

Elliott, Bruce 413;
Magic as a Hobby
192

Ellis, Anita 362

Elmhirst, William 201

Emerson University 424

Emily Brady
(D.O. Stewart) 218–19, 307

Enfield, Cy 92, 107

Epstein, Jacob 403

Evans, Maurice 315, 396

Ewald, Carl 54

Exiled Writers’ Committee 44

Famous Artists Agency 382

Fanfare
301

Fante, John 9, 12;
Love Story
379

Fanto, George 133, 134, 219

Farber, Jerry 431

Farewell to Arms, A
(radio play) 47

Farley, Morgan 397

Fast, Howard,
Citizen Thomas Paine
218

Fay, Frank 412

Federal Bureau of Investigation (FBI) 175, 178, 235–6, 254, 255, 329, 333, 334, 413

Federal Theatre Project 10, 43–4, 53, 301

Feigay, Paul 265, 290

Feldman, Charles K. 382, 383, 418–19, 420, 436, 437

Ferguson, Perry 268

Ferrer, José 405

Feydeau, Georges 203

Fields, W.C. 200

Fier, Jack 359, 360, 361

Fifth Avenue
(film) 25