Of Time and the River (6 page)
He never knew if fury had lain dormant all those years, had worked secret, silent, like a madness in the blood. But later it would seem to him that fury had first filled his life, exploded, conquered, and possessed him, that he first felt it, saw it, knew the dark illimitable madness of its power, one night years later on a train across Virginia.
III
It was a little before midnight when the youth entered the smoking room of the Pullman where, despite the lateness of the hour, several men still sat. At just this moment the train had entered the State of Virginia, although, of course, none of the men who sat there talking knew this.
It is true that some of them might have known, had their interest and attention been directed toward this geographic fact, had they been looking for it. Just at this moment, indeed, as the train, scarcely slackening its speed, was running through the last of the Catawba towns, one of the men glanced up suddenly from the conversation in which he and the others were earnestly engaged, which was exclusively concerned with the fascinating, ever-mounting prices of their property and the tempting profits undoubtedly to be derived from real-estate speculation in their native town. He had looked up quickly, casually, and absently, with that staggering indifference of prosperous men who have been so far, so often, on such splendid trains, that a trip across the continent at night toward the terrific city is no longer a grand adventure of their lives, but just a thing of custom, need, and even weariness, and who, therefore, rarely look out of windows any more:
“What is this?” he said quickly. “Oh, Maysville, probably. Yes, I guess this must be Maysville,” and had then returned vigorously from his brief inspection of the continent of night, a few lights, and a little town, to the enticing topic which had for several hours absorbed the interests of the group.
Nor was there any good reason why this traveller who had glanced so swiftly and indifferently from the window of the train should feel any greater interest than he showed. Certainly the briefest and most casual inspection would have convinced the observer that, in Baedeker’s celebrated phrase, there was “little here that need detain the tourist.” What the man saw in the few seconds of his observation was the quiet, dusty and sparsely lighted street of a little town in the upper South. The street was shaded by large trees and there were some level lawns, more trees, and some white frame-houses with spacious porches, gables, occasionally the wooden magnificence of Georgian columns.
On everything—trees, houses, foliage, yards, and street—there was a curious loneliness of departure and October, an attentive almost mournful waiting. And yet this dark and dusty street of the tall trees left a haunting, curiously pleasant feeling of strangeness and familiarity. One viewed it with a queer sudden ache in the heart, a feeling of friendship and farewell, and this feeling was probably intensified by the swift and powerful movement of the train which seemed to slide past the town almost noiselessly, its wheels turning without friction, sound, or vibrancy on the pressed steel ribbons of the rails, giving to a traveller, and particularly to a youth who was going into the secret North for the first time, a feeling of illimitable and exultant power, evoking for him the huge mystery of the night and darkness, and the image of ten thousand lonely little towns like this across the continent.
Then the train slides by the darkened vacant-looking little station and for a moment one has a glimpse of the town’s chief square and business centre. And as he sees it he is filled again with the same feeling of loneliness, instant familiarity, and departure. The square is one of those anomalous, shabby-ornate, inept, and pitifully pretentious places that one finds in little towns like these. But once seen, if only for this fraction of a moment, from the windows of a train, the memory of it will haunt one for ever after.
And this haunting and lonely memory is due probably to the combination of two things: the ghastly imitation of swarming life and metropolitan gaiety in the scene, and the almost total absence of life itself. The impression one gets, in fact, from that brief vision is one of frozen cataleptic silence in a world from which all life has recently been extinguished by some appalling catastrophe. The lights burn, the electric signs wink and flash, the place is still horribly intact in all its bleak prognathous newness, but all the people are dead, gone, vanished. The place is a tomb of frozen silence, as terrifying in its empty bleakness as those advertising backdrops one saw formerly in theatres, where the splendid buildings, stores, and shops of a great street are painted in the richest and most flattering colours, and where there is no sign of life whatever.
So was it here, save that here the illusion of the dead world gained a hideous physical reality by its stark, staring, nakedly concrete dimensions.
All this the boy had seen, or rather sensed, in the wink of an eye, a moment’s vision of a dusty little street, a fleeting glimpse of a silent little square, a few hard lights, and then the darkness of the earth again—these half-splintered glimpses were all the boy could really see in the eye-wink that it took the train to pass the town. And yet, all these fragmentary things belonged so completely to all the life of little towns which he had known, that it was not as if he had seen only a few splintered images, but rather as if the whole nocturnal picture of the town was instantly whole and living in his mind.
Beyond the station, parked in a line against the curb, is a row of empty motor cars, and he knows instantly that they have been left there by the patrons of the little moving-picture theatre which explodes out of the cataleptic silence of the left-hand side of the square into a blaze of hard white and flaming posters which seem to cover the entire façade. Even here, no movement of life is visible, but one who has lived and known towns like these feels for the first time an emotion of warmth and life as he looks at the gaudy, blazing bill-beplastered silence of that front.
For suddenly he seems to see the bluish blaze of carbon light that comes from the small slit-like vent-hole cut into the wall and can hear again—one of the loneliest and most haunting of all sounds— the rapid shuttering sound of the projection camera late at night, a sound lonely, hurried, unforgettable, coming out into those cataleptic squares of silence in the little towns—as if the operator is fairly racing through the last performance of the night like a weary and exhausted creature whose stale, over-driven life can find no joy in what is giving so much joy to others, and who is pressing desperately ahead toward the merciful rewards of food, sleep, and oblivion which are already almost in his grasp.
And as he remembers this, he also suddenly sees and knows the people in the theatre, and in that instant greets them, feels his lonely kinship with them, with the whole family of the earth, and says farewell. Small, dark, lonely, silent, thirsty, and insatiate, the people of the little town are gathered there in that one small cell of radiance, warmth, and joy. There for a little space they are united by the magic spell the theatre casts upon them. They are all dark and silent leaning forward like a single mind and congeries of life, and yet they are all separate too.
Yes, lonely, silent, for a moment beautiful, he knows the people of the town are there, lifting the small white petals of their faces, thirsty and insatiate, to that magic screen: now they laugh exultantly as their hero triumphs, weep quietly as the mother dies, the little boys cheer wildly as the rascal gets his due—they are all there in darkness, under immense immortal skies of time, small nameless creatures in a lost town on the mighty continent, and for an instant we have seen them, known them, said farewell.
Around the four sides of the square at even intervals, the new standards of the five-bulbed lamps cast down implacably upon those cataleptic pavements the cataleptic silence of their hard white light. And this, he knows, is called “the Great White Way,” of which the town is proud. Somehow the ghastly, lifeless silence of that little square is imaged nowhere else so cruelly as in the harsh, white silence of these lights. For they evoke terribly, as nothing else can do, the ghastly vacancy of light without life. And poignantly, pitifully, and unutterably their harsh, white silence evokes the moth-like hunger of the American for hard, brilliant, blazing incandescence.
It is as if there may be in his soul the horror of the ancient darkness, the terror of the old immortal silences, which will not down and must be heard. It is as if he feels again the ancient fear of—what? Of the wilderness, the wet and lidless eye of shame and desolation feeding always on unhoused and naked sides. It is as if he fears the brutal revelation of his loss and loneliness, the furious, irremediable confusion of his huge unrest, his desperate and unceasing flight from the immense and timeless skies that bend above him, the huge, doorless and unmeasured vacancies of distance, on which he lives, on which, as helpless as a leaf upon a hurricane, he is driven on for ever, and on which he cannot pause, which he cannot fence, wall, conquer, make his own.
Then the train, running always with its smooth, powerful, almost noiseless movement, has left the station and the square behind it. The last outposts of the town appear and vanish in patterns of small, lonely light, and there is nothing but huge and secret night before us, the lonely, everlasting earth, and presently Virginia.
And surely, now, there is little more to be seen. Surely, now, there is almost nothing that by day would be worthy of more than a glance from those great travellers who have ranged the earth, and known all its wild and stormy seas, and seen its rarest glories. And by night, now, there is nothing, nothing by night but darkness and a space we call Virginia through which the huge projectile of the train is hurtling onward in the dark.
Field and fold and gulch and hill and hollow, forest and stream and bridge and bank and cut, the huge earth, the rude earth, the wild, formless, infinitely various, most familiar, ever-haunting earth, the grand and casual earth that is so brown, so harsh, so dusty, so familiar, the strange and homely earth wrought in our blood, our brain, our heart, the earth that can never be forgotten or described, is flowing by us, by us, by us in the night.
What is it that we know so well and cannot speak? What is it that we want to say and cannot tell? What is it that keeps swelling in our hearts its grand and solemn music, that is aching in our throats, that is pulsing like a strange wild grape through all the conduits of our blood, that maddens us with its exultant and intolerable joy and that leaves us tongueless, wordless, maddened by our fury to the end?
We do not know. All that we know is that we lack a tongue that could reveal, a language that could perfectly express the wild joy swelling to a music in our heart, the wild pain welling to a strong ache in our throat, the wild cry mounting to a madness in our brain, the thing, the word, the joy we know so well, and cannot speak! All that we know is that the little stations whip by in the night, the straggling little towns whip by with all that is casual, rude, familiar, ugly, and unutterable. All that we know is that the earth is flowing by us in the darkness, and that this is the way the world goes—with a field and a wood and a field! And of the huge and secret earth all we know is that we feel with all our life its texture with our foot upon it.
All that we know is that having everything we yet hold nothing, that feeling the wild song of this great earth upwelling in us we have no words to give it utterance. All that we know is that here the passionate enigma of our lives is so bitterly expressed, the furious hunger that so haunts and hurts Americans so desperately felt—that being rich, we all are yet so poor, that having an incalculable wealth we have no way of spending it, that feeling an illimitable power we yet have found no way of using it.
Therefore we hurtle onward in the dark across Virginia, we hurtle onward in the darkness down a million roads, we hurtle onward driven by our hunger down the blind and brutal tunnel of ten thousand furious and kaleidoscopic days, the victims of the cruel impulse of a million chance and fleeting moments, without a wall at which to thrust the shoulder of our strength, a roof to hide us in our nakedness, a place to build in, or a door.
IV
As the boy entered the smoking compartment, the men who were talking together paused, and looked up at him briefly with the intent, curious, momentary stare of men interrupted in a conversation. The boy, a leggy creature racing into unfledged lengths of shank and arm and shoulder, fumbled nervously in his coat pocket for a package of cigarettes and then sat down abruptly on the upholstered leather seat beside one of the men.
The boy’s manner betrayed that mixture of defiance and diffidence which a young man going out into the world for the first time feels in the presence of older and more experienced men. And this was the way he felt. And for this reason in the sharp and casual stare which the men fixed briefly on him there may have been unconsciously something affectionate and tender as each one recalled a moment of his own lost youth.
The boy felt the powerful movement of the train beneath him and the lonely austerity and mystery of the dark earth outside that swept past for ever with a fanlike stroke, an immortal and imperturbable stillness. It seemed to him that these two terrific negatives of speed and stillness, the hurtling and projectile movement of the train and the calm silence of the everlasting earth, were poles of a single unity—a unity coherent with his destiny, whose source was somehow in himself.
It seemed to him that this incredible and fortunate miracle of his own life and fate had ordered all these accidental facts into coherent and related meanings. He felt that everything—the powerful movement of the train, the infinite mystery and lonely wildness of the earth, the feeling of luxury, abundance, and unlimited wealth that was stimulated by the rich furnishings of the Pullman, and the general air of affluence of these prosperous men— belonged to him, had come out of his own life, and were ready to serve him at his own behest and control.
