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Authors: James Patterson

NYPD Red (26 page)

BOOK: NYPD Red
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AT THE OPPOSITE end of the rail station, inside the men’s room now, Hala had again taken a stall that featured a duct grate above it. She waited until the stalls adjacent to hers emptied, and then, for the second time in the past few minutes, removed already loosened screws. She turned the grate sideways and pushed it deep into the duct.

She had to stand there for several minutes while an old man came in and urinated, but then he left and the place fell silent.

Slight in stature, Hala had been a highly competitive gymnast as a girl and still maintained her agility and limberness. After shoving the tool kit in after the grate, she stood up on the exposed pipe of the toilet, grasped the stall walls on either side of her, tightened her abdomen, and swung her legs up into a pike position, toes pointed almost at the ceiling.

The split second she felt her hips about to fall, she snapped her heels and calves forward into the open duct. Wriggling, she was completely inside the ventilation system within ten seconds. She kept wriggling and scooting, pushing the tool bag and the grate ahead of her, deeper into the duct.

Three feet in was an intersection of four ducts. She turned her upper body into the right-side passage, pulled herself totally in, and then inched back across the one she’d just left. It took some straining with her left hand, but she was able to retrieve the grate.

Looking toward the light shining in through the open hole in the wall to the restroom, she crabbed back to it and then peered out. A boy was peeing with his father. Hala looked at them from the darkness of the ductwork, wondering if this was something Tariq had ever done with their son, Fahd. Had her boy ever been that young?

When they left, Hala shook off whatever regrets she had and pulled the grate back over the open duct, securing it with an eight-inch length of picture-frame wire she’d brought along for that purpose. Two minutes later, she’d gotten herself turned around again, and she pushed on, straight down the main duct, smelling the odor of pizzas cooking at Sbarro pouring into the air-vent system from her left.

She felt her stomach grumble, ignored it, and kept wriggling. Twenty-five feet farther on, Hala reached a second intersection in the ductwork; she arched and pulled her way into the one that broke right, heading north. When she was fully inside that duct, she stopped, chest heaving, got out the disposable cell from the pocket of the workman’s suit, and hit Redial.

“Why?” she whispered.

“Four and zero,” the male voice replied.

Her allies were close to the target now—it would have taken them no more than twelve minutes to get there on an ordinary day, but the snow had changed everything. Still, she trusted his judgment.

“Go with God,” she said, and hung up.

After stowing the cell phone, she slid on another ten feet, to where the duct made a ninety-degree left turn. In the north wall there was another grate. Cold air was blowing through it. Hala shivered; she paused for only a second to look through the grate, finding herself high above dimly lit loading platforms and two commuter trains sitting dark on the suburban rail tracks.

Hala crawled on toward a third grate. She moved stealthily, as if she were sliding into position for a sniper’s shot, which she was. The last ten feet took nearly ten minutes, leaving her twenty-eight minutes before her role turned crucial.

Irritating Christmas music blared from somewhere. Hala peered through the grate. She was fifteen feet up the east wall of a loading dock platform owned by the U.S. Postal Service. Directly below her were large canvas hampers holding canvas bags that were filled with mail. A skeleton crew of three men worked on the dock, transferring the mailbags from the hampers into an open compartment at the rear of a railcar.

Hala flashed on an image of herself much younger, out in the desert with Tariq, before the children came. He was teaching her how to shoot a pistol. How odd it had been, that aiming and firing a gun came so naturally to her. Then again, shooting was something precise, like medicine, where attention to technique and detail came together to create a little miracle. And wasn’t that what a perfectly placed shot was? A little miracle? A gift from God?

Hala thought so. She got the silenced Glock out of the tool bag and aimed down through the slats of the grate at a fat Latino guy with muttonchops. He was farthest from her, closest to the tracks. The one most likely to get away.

 

JAMES PATTERSON has created more enduring fictional characters than any other novelist writing today. He is the author of the Alex Cross novels, the most popular detective series of the past twenty-five years, including
Kiss the Girls
and
Along Came a Spider.
Mr. Patterson also writes the bestselling Women’s Murder Club novels, set in San Francisco, and the top-selling New York detective series of all time, featuring Detective Michael Bennett. James Patterson has had more
New York Times
bestsellers than any other writer, ever, according to
Guinness World Records.
Since his first novel won the Edgar Award in 1977, James Patterson’s books have sold more than 240 million copies.

James Patterson has also written numerous #1 bestsellers for young readers, including the Maximum Ride, Witch & Wizard, and Middle School series. In total, these books have spent more than 220 weeks on national bestseller lists. In 2010, James Patterson was named Author of the Year at the Children’s Choice Book Awards.

His lifelong passion for books and reading led James Patterson to create the innovative website
ReadKiddoRead.com
, giving adults an invaluable tool to find the books that get kids reading for life. He writes full-time and lives in Florida with his family.

 

MARSHALL KARP has written for stage, screen, and TV and is the author of
The Rabbit Factory
and three other mysteries featuring LAPD detectives Mike Lomax and Terry Biggs.

  

jamespatterson.com

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Books by James Patterson

Featuring Alex Cross

Kill Alex Cross

Cross Fire

I, Alex Cross

Alex Cross’s
Trial (with Richard DiLallo)

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