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Authors: Constance Fenimore Woolson

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BOOK: Miss Grief and Other Stories
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“It was a free gift, madam,” replied my cousin; “I wish you a good afternoon.”

“Say, will yer be coming again to-morrow?” asked the woman as I took my departure.

“Very likely; good by.”

The door closed, and then, but not till then, the melancholy dog joined us and stalked behind until we had crossed the meadow and reached the gate. We passed out and turned up the hill; but looking back we saw the outline of the woman's head at the upper window, and the dog's head at the bars, both watching us out of sight.

In the evening there came a cold wind down from the north, and the parlor, with its primitive ventilators, square openings in the side of the house, grew chilly. So a great fire of soft coal was built in the broad Franklin stove, and before its blaze we made good cheer, nor needed the one candle which flickered on the table behind us. Cider fresh from the mill, carded gingerbread, and new cheese crowned the scene, and during the evening came a band of singers, the young people of the Community, and sang for us the song of the Lorelei, accompanied by home-made violins and flageolets. At length
we were left alone, the candle had burned out, the house door was barred, and the peaceful Community was asleep; still we two sat together with our feet upon the hearth, looking down into the glowing coals.

“Ich weisz nicht was soll es bedeuten

Dasz ich so traurig bin,”

I said, repeating the opening lines of the Lorelei; “I feel absolutely blue to-night.”

“The memory of the sulphur-woman,” suggested Ermine.

“Sulphur-woman! What a name!”

“Entirely appropriate, in my opinion.”

“Poor thing! How she longed with a great longing for the finery of her youth in Sandy.”

“I suppose from those barbarous pictures that she was originally in the flesh,” mused Ermine; “at present she is but a bony outline.”

“Such as she is, however, she has had her romance,” I answered. “She is quite sure that there was one to love her; then let come what may, she has had her day.”

“Misquoting Tennyson on such a subject!” said Ermine, with disdain.

“A man's a man for all that and a woman's a woman too,” I retorted. “You are blind, cousin, blinded with pride. That woman has had her tragedy, as real and bitter as any that can come to us.”

“What have you to say for the poor man, then?” exclaimed Ermine, rousing to the contest. “If there is a tragedy at the
sulphur-house, it belongs to the sulphur-man, not to the sulphur-woman.”

“He is not a sulphur-man, he is a coal-man; keep to your bearings, Ermine.”

“I tell you,” pursued my cousin, earnestly, “that I pitied that unknown man with inward tears all the while I sat by that trap-door. Depend upon it, he had his dream, his ideal; and this country girl with her great eyes and wealth of hair represented the beautiful to his hungry soul. He gave his whole life and hope into her hands, and woke to find his goddess a common wooden image.”

“Waste sympathy upon a coal-miner!” I said, imitating my cousin's former tone.

“If any one is blind, it is you,” she answered, with gleaming eyes. “That man's whole history stood revealed in the selfish complainings of that creature. He had been in the Community from boyhood, therefore of course he had no chance to learn life, to see its art-treasures. He has been shipwrecked, poor soul, hopelessly shipwrecked.”

“She too, Ermine.”

“She!”

“Yes. If he loved pictures, she loved her chany and her feather-beds, not to speak of the big looking-glass. No doubt she had other lovers, and might have lived in a red brick farmhouse with ten unopened front windows and a blistered front door. The wives of men of genius are always to be pitied; they do not soar into the crowd of feminine admirers who circle round the husband, and they are therefore called ‘grubs,' ‘worms of the earth,' ‘drudges,' and other sweet titles.”

“Nonsense,” said Ermine, tumbling the arched coals into chaos with the poker; “it's after midnight, let us go up stairs.” I knew very well that my beautiful cousin enjoyed the society of several poets, painters, musicians, and others of that ilk, without concerning herself about their stay-at-home wives.

The next day the winds were out in battle array, howling over the Strasburg hills, raging up and down the river, and whirling the colored leaves wildly along the lovely road to the One-Leg Creek. Evidently there could be no rambling in the painted woods that day, so we went over to old Fritz's shop, played on his home-made piano, inspected the woolly horse who turned his crank patiently in an underground den, and set in motion all the curious little images which the carpenter's deft fingers had wrought. Fritz belonged to the Community, and knew nothing of the outside world; he had a taste for mechanism, which showed itself in many labor-saving devices, and with it all he was the roundest, kindest little man, with bright eyes like a canary-bird.

“Do you know Solomon the coal-miner?” asked Ermine, in her correct, well-learned German.

“Sol Bangs? Yes, I know him,” replied Fritz, in his Würtemberg dialect.

“What kind of a man is he?”

“Good for nothing,” replied Fritz, placidly.

“Why?”

“Wrong here”; tapping his forehead.

“Do you know his wife?” I asked.

“Yes.”

“What kind of a woman is she?”

“Too much tongue. Women must not talk much.”

“Old Fritz touched us both there,” I said, as we ran back laughing to the hotel through the blustering wind. “In his opinion, I suppose, we have the popular verdict of the township upon our two
protégés
, the sulphur-woman and her husband.”

The next day opened calm, hazy, and warm, the perfection of Indian summer; the breezy hill was outlined in purple, and the trees glowed in rich colors. In the afternoon we started for the sulphur-spring without shawls or wraps, for the heat was almost oppressive; we loitered on the way through the still woods, gathering the tinted leaves, and wondering why no poet has yet arisen to celebrate in fit words the glories of the American autumn. At last we reached the turn whence the lonely house came into view, and at the bars we saw the dog awaiting us.

“Evidently the sulphur-woman does not like that melancholy animal,” I said, as we applied our united strength to the gate.

“Did you ever know a woman of limited mind who liked a large dog?” replied Ermine. “Occasionally such a woman will fancy a small cur; but to appreciate a large, noble dog requires a large, noble mind.”

“Nonsense with your dogs and minds,” I said, laughing. “Wonderful! There is a curtain.”

It was true. The paper had been removed from one of the windows, and in its place hung some white drapery, probably part of a sheet rigged as a curtain.

Before we reached the piazza the door opened, and our hostess appeared. “Glad to see yer, ladies,” she said. “Walk right in this way to the keeping-room.”

The dog went away to his block-house, and we followed the woman into a room on the right of the hall; there were three rooms, beside the attic above. An Old-World German stove of brick-work occupied a large portion of the space, and over it hung a few tins, and a clock whose pendulum swung outside; a table, a settle, and some stools completed the furniture; but on the plastered walls were two rude brackets, one holding a cup and saucer of figured china, and the other surmounted by a large bunch of autumn leaves, so beautiful in themselves and so exquisitely arranged that we crossed the room to admire them.

“Sol fixed 'em, he did,” said the sulphur-woman; “he seen me setting things to rights, and he would do it. I told him they was trash, but he made me promise to leave 'em alone in case you should call again.”

“Madam Bangs, they would adorn a palace,” said Ermine, severely.

“The cup is pretty too,” I observed, seeing the woman's eyes turn that way.

“It's the last of my chany,” she answered, with pathos in her voice,—“the very last piece.”

As we took our places on the settle we noticed the brave attire of our hostess. The delaine was there; but how altered! Flounces it had, skimped, but still flounces, and at the top was a collar of crochet cotton reaching nearly to the shoulders; the hair, too, was braided in imitation of Ermine's sunny coronet, and the Roman scarf did duty as a belt around the large flat waist.

“You see she tries to improve,” I whispered, as Mrs. Bangs went into the hall to get some sulphur-water for us.

“Vanity,” answered Ermine.

We drank our dose slowly, and our hostess talked on and on. Even I, her champion, began to weary of her complainings. “How dark it is!” said Ermine at last, rising and drawing aside the curtain. “See, Dora, a storm is close upon us.”

We hurried to the door, but one look at the black cloud was enough to convince us that we could not reach the Community hotel before it would break, and somewhat drearily we returned to the keeping-room, which grew darker and darker, until our hostess was obliged to light a candle. “Reckon you'll have to stay all night; I'd like to have you, ladies,” she said. “The Community ain't got nothing covered to send after you, except the old king's coach, and I misdoubt they won't let that out in such a storm, steps and all. When it begins to rain in this valley, it do rain, I can tell you; and from the way it's begun, 't won't stop 'fore morning. You just let me send the Roarer over to the mine, he'll tell Sol; Sol can tell the Community folks, so they'll know where you be.”

I looked somewhat aghast at this proposal, but Ermine listened to the rain upon the roof a moment, and then quietly accepted; she remembered the long hills of tenacious red clay, and her kid boots were dear to her.

“The Roarer, I presume, is some faithful kobold who bears your message to and from the mine,” she said, making herself as comfortable as the wooden settle would allow.

The sulphur-woman stared. “Roarer's Sol's old dog,” she answered, opening the door; “perhaps one of you will write a bit of a note for him to carry in his basket.—Roarer, Roarer!”

The melancholy dog came slowly in, and stood still while she tied a small covered basket around his neck.

Ermine took a leaf from her tablets and wrote a line or two with the gold pencil attached to her watch-chain.

“Well now, you do have everything handy, I do declare,” said the woman, admiringly.

I glanced at the paper.

“M
R
. S
OLOMON
B
ANGS
: My cousin Theodora Wentworth and myself have accepted the hospitality of your house for the night. Will you be so good as to send tidings of our safety to the Community, and oblige,

“E
RMINIA
S
TUART
.”

The Roarer started obediently out into the rain-storm with his little basket; he did not run, but walked slowly, as if the storm was nothing compared to his settled melancholy.

“What a note to send to a coal-miner!” I said, during a momentary absence of our hostess.

“Never fear; it will be appreciated,” replied Ermine.

“What is this king's carriage of which you spoke?” I asked, during the next hour's conversation.

“O, when they first come over from Germany, they had a sort of a king; he knew more than the rest, and he lived in that big brick house with dormel-winders and a cuperler, that stands next the garden. The carriage was hisn, and it had steps to let down, and curtains and all; they don't use it much now he's dead. They're a queer set anyhow! The women look like meal-sacks. After Sol seen me, he couldn't abide to look at 'em.”

Soon after six we heard the great gate creak.

“That's Sol,” said the woman, “and now of course Roarer'll come in and track all over my floor.” The hall door opened
and a shadow passed into the opposite room, two shadows,—a man and a dog.

“He's going to wash himself now,” continued the wife; “he's always washing himself, just like a horse.”

“New fact in natural history, Dora love,” observed Ermine.

After some moments the miner appeared,—a tall, stooping figure with high forehead, large blue eyes, and long thin yellow hair; there was a singularly lifeless expression in his face, and a far-off look in his eyes. He gazed about the room in an absent way, as though he scarcely saw us. Behind him stalked the Roarer, wagging his tail slowly from side to side.

“Now, then, don't yer see the ladies, Sol? Where's yer manners?” said his wife, sharply.

“Ah,—yes,—good evening,” he said, vaguely. Then his wandering eyes fell upon Ermine's beautiful face, and fixed themselves there with strange intentness.

“You received my note, Mr. Bangs?” said my cousin in her soft voice.

“Yes, surely. You are Erminia,” replied the man, still standing in the centre of the room with fixed eyes. The Roarer laid himself down behind his master, and his tail, still wagging, sounded upon the floor with a regular tap.

“Now then, Sol, since you've come home, perhaps you'll entertain the ladies while I get supper,” quoth Mrs. Bangs; and forthwith began a clatter of pans.

The man passed his long hand abstractedly over his forehead. “Eh,” he said with long-drawn utterance,—“eh-h? Yes, my rose of Sharon, certainly, certainly.”

“Then why don't you do it?” said the woman, lighting the fire in the brick stove.

“And what will the ladies please to do?” he answered, his eyes going back to Ermine.

“We will look over your pictures, sir,” said my cousin, rising; “they are in the upper room, I believe.”

A great flush rose in the painter's thin cheeks. “Will you,” he said eagerly,—“will you? Come!”

“It's a broken-down old hole, ladies; Sol will never let me sweep it out. Reckon you'll be more comfortable here,” said Mrs. Bangs, with her arms in the flour.

BOOK: Miss Grief and Other Stories
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