Malgudi Days (14 page)

I made preparations to leave the town in a couple of days, leaving the engine to its fate, with all its commitments. However, nature came to my rescue in an unexpected manner. You may have heard of the earthquake of that year which destroyed whole towns in North India. There was a reverberation of it in our town, too. We were thrown out of our beds that night, and doors and windows rattled.

Next morning I went over to take a last look at my engine before leaving the town. I could hardly believe my eyes. The engine was not there. I looked about and raised a hue and cry. Search parties went round. The engine was found in a disused well nearby, with its back up. I prayed to heaven to save me from fresh complications. But the owner of the house, when he came round and saw what had happened, laughed heartily and beamed at me. ‘You have done me a service. It was the dirtiest water on earth in that well and the municipality was sending notice to close it, week after week. I was dreading the cost of closing, but your engine fits it like a cork. Just leave it there.'

‘But, but . . .'

‘There are no buts. I will withdraw all complaints and charges against you, and build that broken wall myself, but only leave the thing there.'

‘That's hardly enough.' I mentioned a few other expenses that this engine had brought on me. He agreed to pay for all that.

When I again passed that way some months later I peeped over the wall. I found the mouth of the well neatly cemented up. I heaved a sigh of great relief.

Shanta could not stay in her class any longer. She had done clay-modelling, music, drill, a bit of alphabets and numbers, and was now cutting coloured paper. She would have to cut till the bell rang and the teacher said, ‘Now you may all go home,' or ‘Put away the scissors and take up your alphabets—' Shanta was impatient to know the time. She asked her friend sitting next to her, ‘Is it five now?'

‘Maybe,' she replied.

‘Or is it six?'

‘I don't think so,' her friend replied, ‘because night comes at six.'

‘Do you think it is five?'

‘Yes.'

‘Oh, I must go. My father will be back at home now. He has asked me to be ready at five. He is taking me to the cinema this evening. I must go home.' She threw down her scissors and ran up to the teacher. ‘Madam, I must go home.'

‘Why, Shanta Bai?'

‘Because it is five o'clock now.'

‘Who told you it was five?'

‘Kamala.'

‘It is not five now. It is—do you see the clock there? Tell me what the time is. I taught you to read the clock the other day.' Shanta stood gazing at the clock in the hall, counted the figures laboriously and declared, ‘It is nine o'clock.'

The teacher called the other girls and said, ‘Who will tell me the time from that clock?' Several of them concurred with Shanta and said it was nine o'clock, till the teacher said, ‘You are seeing only the long hand. See the short one, where is it?'

‘Two and a half.'

‘So what is the time?'

‘Two and a half.'

‘It is two forty-five, understand? Now you may all go to your seats—' Shanta returned to the teacher in about ten minutes and asked, ‘Is it five, madam, because I have to be ready at five. Otherwise my father will be very angry with me. He asked me to return home early.'

‘At what time?'

‘Now.' The teacher gave her permission to leave, and Shanta picked up her books and dashed out of the class with a cry of joy. She ran home, threw her books on the floor and shouted, ‘Mother, Mother,' and Mother came running from the next house, where she had gone to chat with her friends.

Mother asked, ‘Why are you back so early?'

‘Has Father come home?' Shanta asked. She would not take her coffee or tiffin but insisted on being dressed first. She opened the trunk and insisted on wearing the thinnest frock and knickers, while her mother wanted to dress her in a long skirt and thick coat for the evening. Shanta picked out a gorgeous ribbon from a cardboard soap box in which she kept pencils, ribbons and chalk bits. There was a heated argument between mother and daughter over the dress, and finally mother had to give in. Shanta put on her favourite pink frock, braided her hair and flaunted a green ribbon on her pigtail. She powdered her face and pressed a vermilion mark on her forehead. She said, ‘Now Father will say what a nice girl I am because I'm ready. Aren't you also coming, Mother?'

‘Not today.'

Shanta stood at the little gate looking down the street.

Mother said, ‘Father will come only after five; don't stand in the sun. It is only four o'clock.'

The sun was disappearing behind the house on the opposite row, and Shanta knew that presently it would be dark. She ran in to her mother and asked, ‘Why hasn't Father come home yet, Mother?'

‘How can I know? He is perhaps held up in the office.'

Shanta made a wry face. ‘I don't like these people in the office. They are bad people—'

She went back to the gate and stood looking out. Her mother shouted from inside, ‘Come in, Shanta. It is getting dark, don't stand there.' But Shanta would not go in. She stood at the gate and a wild idea came into her head. Why should she not go to the office and call out Father and then go to the cinema? She wondered where his office might be. She had no notion. She had seen her father take the turn at the end of the street every day. If one went there, perhaps one went automatically to Father's office. She threw a glance about to see if Mother was anywhere and moved down the street.

It was twilight. Everyone going about looked gigantic, walls of houses appeared very high and cycles and carriages looked as though they would bear down on her. She walked on the very edge of the road. Soon the lamps were twinkling, and the passers-by looked like shadows. She had taken two turns and did not know where she was. She sat down on the edge of the road biting her nails. She wondered how she was to reach home. A servant employed in the next house was passing along, and she picked herself up and stood before him.

‘Oh, what are you doing here all alone?' he asked. She replied, ‘I don't know. I came here. Will you take me to our house?' She followed him and was soon back in her house.

 

Venkat Rao, Shanta's father, was about to start for his office that morning when a
jutka
passed along the street distributing cinema handbills. Shanta dashed to the street and picked up a handbill. She held it up and asked, ‘Father, will you take me to the cinema today?' He felt unhappy at the question. Here was the child growing up without having any of the amenities and the simple pleasures of life. He had hardly taken her twice to the cinema. He had no time for the child. While children of her age in other houses had all the dolls, dresses and outings that they wanted, this child was growing up all alone and like a barbarian more or less. He felt furious with his office. For forty rupees a month they seemed to have purchased him outright.

He reproached himself for neglecting his wife and child—even the wife could have her own circle of friends and so on: she was after all a grown-up, but what about the child? What a drab, colourless existence was hers! Every day they kept him at the office till seven or eight in the evening, and when he came home the child was asleep. Even on Sundays they wanted him at the office. Why did they think he had no personal life, a life of his own? They gave him hardly any time to take the child to the park or the pictures. He was going to show them that they weren't to toy with him. Yes, he was prepared even to quarrel with his manager if necessary.

He said with resolve, ‘I will take you to the cinema this evening. Be ready at five.'

‘Really! Mother!' Shanta shouted. Mother came out of the kitchen.

‘Father is taking me to a cinema in the evening.'

Shanta's mother smiled cynically. ‘Don't make false promises to the child—' Venkat Rao glared at her. ‘Don't talk nonsense. You think you are the only person who keeps promises—'

He told Shanta, ‘Be ready at five, and I will come and take you positively. If you are not ready, I will be very angry with you.'

He walked to his office full of resolve. He would do his normal work and get out at five. If they started any old tricks of theirs, he was going to tell the boss, ‘Here is my resignation. My child's happiness is more important to me than these horrible papers of yours.'

All day the usual stream of papers flowed onto his table and off it. He scrutinized, signed and drafted. He was corrected, admonished and insulted. He had a break of only five minutes in the afternoon for his coffee.

When the office clock struck five and the other clerks were leaving, he went up to the manager and said, ‘May I go, sir?' The manager looked up from his paper. ‘You!' It was unthinkable that the cash and account section should be closing at five. ‘How can you go?'

‘I have some urgent private business, sir,' he said, smothering the lines he had been rehearsing since the morning: ‘Herewith my resignation.' He visualized Shanta standing at the door, dressed and palpitating with eagerness.

‘There shouldn't be anything more urgent than the office work; go back to your seat. You know how many hours I work?' asked the manager. The manager came to the office three hours before opening time and stayed nearly three hours after closing, even on Sundays. The clerks commented among themselves, ‘His wife must be whipping him whenever he is seen at home; that is why the old owl seems so fond of his office.'

‘Did you trace the source of that ten-eight difference?' asked the manager.

‘I shall have to examine two hundred vouchers. I thought we might do it tomorrow.'

‘No, no, this won't do. You must rectify it immediately.'

Venkat Rao mumbled, ‘Yes, sir,' and slunk back to his seat. The clock showed 5:30. Now it meant two hours of excruciating search among vouchers. All the rest of the office had gone. Only he and another clerk in his section were working, and of course, the manager was there. Venkat Rao was furious. His mind was made up. He wasn't a slave who had sold himself for forty rupees outright. He could make that money easily; and if he couldn't, it would be more honourable to die of starvation.

He took a sheet of paper and wrote: ‘Herewith my resignation. If you people think you have bought me body and soul for forty rupees, you are mistaken. I think it would be far better for me and my family to die of starvation than slave for this petty forty rupees on which you have kept me for years and years. I suppose you have not the slightest notion of giving me an increment. You give yourselves heavy slices frequently, and I don't see why you shouldn't think of us occasionally. In any case it doesn't interest me now, since this is my resignation. If I and my family perish of starvation, may our ghosts come and haunt you all your life—' He folded the letter, put it in an envelope, sealed the flap and addressed it to the manager. He left his seat and stood before the manager. The manager mechanically received the letter and put it on his pad.

‘Venkat Rao,' said the manager, ‘I'm sure you will be glad to hear this news. Our officer discussed the question of increments today, and I've recommended you for an increment of five rupees. Orders are not yet passed, so keep this to yourself for the present.' Venkat Rao put out his hand, snatched the envelope from the pad and hastily slipped it in his pocket.

‘What is that letter?'

‘I have applied for a little casual leave, sir, but I think . . .' ‘You can't get any leave for at least a fortnight to come.'

‘Yes, sir. I realize that. That is why I am withdrawing my application, sir.'

‘Very well. Have you traced that mistake?'

‘I'm scrutinizing the vouchers, sir. I will find it out within an hour ...'

It was nine o'clock when he went home. Shanta was already asleep. Her mother said, ‘She wouldn't even change her frock, thinking that any moment you might be coming and taking her out. She hardly ate any food; and wouldn't lie down for fear of crumpling her dress . . .'

Venkat Rao's heart bled when he saw his child sleeping in her pink frock, hair combed and face powdered, dressed and ready to be taken out. ‘Why should I not take her to the night show?' He shook her gently and called, ‘Shanta, Shanta.' Shanta kicked her legs and cried, irritated at being disturbed. Mother whispered, ‘Don't wake her,' and patted her back to sleep.

Venkat Rao watched the child for a moment. ‘I don't know if it is going to be possible for me to take her out at all—you see, they are giving me an increment—' he wailed.

Little over a year ago Rama Rao went out of work when a gramophone company, of which he was the Malgudi agent, went out of existence. He had put into that agency the little money he had inherited, as security. For five years his business brought him enough money, just enough, to help him keep his wife and children in good comfort. He built a small bungalow in the Extension and was thinking of buying an old Baby car for his use.

And one day, it was a bolt from the blue, the crash came. A series of circumstances in the world of trade, commerce, banking and politics was responsible for it. The gramophone company, which had its factory somewhere in North India, automatically collapsed when a bank in Lahore crashed, which was itself the result of a Bombay financier's death. The financier was driving downhill when his car flew off sideways and came to rest three hundred feet below the road. It was thought that he had committed suicide because the previous night his wife eloped with his cashier.

Rama Rao suddenly found himself in the streets. At first he could hardly understand the full significance of this collapse. There was a little money in the bank and he had some stock on hand. But the stock moved out slowly; the prices were going down, and he could hardly realize a few hundred rupees. When he applied for the refund of his security, there was hardly anyone at the other end to receive his application.