Little, Big (26 page)

"Art pictures like what?" George said, working the bones where her wings would he if she had wings.

As though she couldn't help it she raised the cover, put it down again. "
He
didn't know," she said. "
He
didn't think they were dirty. Oh, they're not." She opened the book. "Lower. There. Lower more."

"Oho," George said. George had once known these naked, pearl-gray children, abstracted here and more carnal for not being flesh at all. "Let's take this shirtie off," he said. "That's better. . . ."

She turned the album's pages with abstracted slowness, touching certain of the pictures as though she wished to feel the texture of the day, the past, the flesh.

Here were Alice and she on the stippled stones by a waterfall which plunged madly out-of-focus behind them. In the hazy foreground leaves, some law of optics inflated droplets of sunlight into dozens of white disembodied eyes round with wonder. The naked children (Sophie's dark aureoles were puckered like unblown flowers, like tiny closed lips) looked down into a black, silken pool. What did they see there that kept their lashy eyes lowered, that made them smile? Below the image, in a neat hand, was the picture's title:
August
. Sophie's fingers traced the ray of lines where Alice's thigh creased at the pelvis, lines tender and finely-drawn as though her skin were thinner then than it would become. Her silver calves lay together, and her long-toed feet, as though they were beginning to be changed into a mermaid's tail.

Small pictures clipped to the pages with black corners. Sophie wide-eyed, open-mouthed, feet wide apart and arms high, all open, a Gnostic's X of microcosmic child-woman-kind, her yet-uncut hair wide too and white—thus golden in fact—against an obscure cave of summer-dark trees. Alice undressing, stepping one-footed from her white cotton panties, her plump purse already beginning to be clothed with crisp fair hair. The two girls opening through time like the magic flowers of nature films as George hungrily looked through Auberon's eyes, double-peeping at the past. Stop here a minute. . . .

She held the page open there, while he went on, shifting his position and his hands; her legs opening across the sheets made a certain sound. She showed him the Orphan Nymphs. Flowers twined in their hair, they lay full length entwined on the grassy sward. They had their hands to each other's cheeks, and their eyes were heavy and they were on the point of kissing open-mouthed: acting out lonely consolation, it might be, for an art-picture of innocence at once orphaned and faëry, but not acting; Sophie remembered. Her nerveless hand slipped from the page and her eyes too lost their grasp of it; it didn't matter.

"Do you know what I'm going to do," George asked, unable not to.

"Uh-huh."

"Do you?"

"Yes." An exhalation only. "Yes."

But she didn't, not really; she had leapt across that gap Consciousness again, had saved herself from falling there, had landed safely (able to fly) on the far side, within that pearl-toned afternoon that had no night.

"As in any deck," Cloud said, taking their velvet bag from the tooled case and then the cards themselves from the bag, "there are fifty-two cards for the fifty-two weeks of the year, four suits for the four seasons, twelve court cards for the twelve months and, if you count them right, three hundred and sixty-four pips for the days of the year."

"A year's got three-sixty-five," George said.

"This is the old year, before they knew better. Throw another log on the fire, will you, George?"

She began to lay out his future as he fooled with the fire. The secret he had within him—or above him asleep actually— warmed his center and made him grin, but left his extremities deathly cold. He unrolled the cuffs of his sweater and drew his hands within. They felt like a skeleton's.

"Also," said Cloud, "there are twenty-one trumps, numbered from zero to twenty. There are Persons, and Places, and Things, and Notions." The big cards fell, with their pretty emblems of sticks and cups and swords. "There's another set of trumps," Cloud said. "The ones I have here are not as great as those; those have oh the sun and the moon and large notions. Mine are called—my mother called them—the Least Trumps." She smiled at George. "Here is a Person. The Cousin." She placed that in the circle and thought a moment.

"Tell me the worst," George said. "I can take it."

"The worst," said Daily Alice from the deep armchair where she sat reading, "is just what she can't tell you."

"Or the best either," said Cloud. "Just a bit of what might be. But in the next day, or the next year, or the next hour, that I can't tell either. Now hush while I think." The cards had grown into interlocking circles like trains of thought, and Cloud spoke to George of events that would befall him; a small legacy, she said, from someone he never knew, but not money, and left him by accident. "You see, here's the Gift; here the Stranger in this place."

Watching her, chuckling at the process and also helplessly at what had occurred to him that afternoon (and which he intended to repeat, creeping quiet as a mouse when all were asleep), George didn't notice Cloud fall silent before the completing pattern; didn't see her lips purse or her hand hesitate as she placed the last card in the center. It was a Place: the Vista.

"Well?" George said.

"George," she said, "I don't know."

"Don't know what?"

"Exactly." She reached for her box of cigarettes, shook it and found it empty. She had seen so many displays, so many possible falls had grown into her consciousness that sometimes they overlapped; with a sense like
déjà vu
, she felt she was looking not at a single arrangement but at one of a series, as though some old display she had made were to be labeled "Continued," and here, without warning, was the continuation. Yet it was all George's fall too,

"If," she said, "the Cousin card is you." No. That wouldn't do. There was something, some fact she didn't know.

George of course knew what it was, and felt a sudden strangulation, a fear of discovery absurd on the face of it but intense anyway, as though he had walked into a trap. "Well," he said, finding voice. "That's enough anyway. I'm not sure I want to know my every future move." He saw Cloud touch the Cousin card; then the Thing called Seed. Oh Christ, he thought; and just then the station wagon's hoarse horn was heard in the drive.

"They'll need help unloading," Daily Alice said, struggling to rise from the grasp of her armchair. George jumped up. "No no, honey, oh no, not in your condition. You sit tight." He went from the room, cold hands thrust in his sleeves like a monk.

Alice laughed and picked up her book again. "Did you scare him, Cloud? What did you see?"

Cloud only looked down at the pattern she had made.

For some time now she had begun to think she had been wrong about the Least Trumps, that they were not telling her of the small events of lives close to her-or rather that those small events were parts of chains, and the chains were great events; very great indeed.

The Vista card in the center of her pattern showed a meeting of corridors or aisles. Down each corridor was an endless vista of doorways, each one different, an arch then a lintel then pillars and so on till the artist's invention ran out and the fineness of his woodcutting (which was very fine) could no longer make distinctions. You could see, down those aisles, other doors which led off in other directions, perhaps each showing vistas as endless and various as this one.

A juncture, doorways, turnings, a moment only when all the ways could be seen at once. This was George—all this. He was that vista, though he didn't know it and she couldn't think how to tell him. The vista wasn't
his
: he was the vista. It was
she
who looked down it at the possibilities. And could not express them. She only knew—for sure now—that all the patterns she had ever cast were parts of one pattern, and that George had done or would do—or was at that moment doing—something that made an element in that pattern. And in any pattern, the elements do not stand alone; they are repeated, they are linked. What could it be?

Around her in the house the sounds of her family came, calling and hauling and treading the stairs. But it was into this place that she stared, into the prospect of endless branchings, corners, corridors. She felt that perhaps she was in that place; that there was a door just behind her, that she sat here between it and the first of the doors pictured on the card; that if she turned her head she might see an endless prospect of arch and lintel behind her too.

All night especially in cold weather the house was accustomed to speak softly to itself, perhaps because of its hundreds of joints and its half-floors and its stone parts piled on wooden. It tocked and groaned, grunted and squeaked; something gave way in an attic and fell, which caused something to come loose in a cellar and drop. The squirrels in the airspaces scratched and the mice explored the walls and halls. One mouse late at night went on tiptoe, a bottle of gin under his arm and a finger on his lips, trying to remember where Sophie's room might be. He nearly tripped on an unexpected step; all steps in this house were unexpected.

Within his head it was still noon. The Pellucidar had not worn off, but it had turned evil, as it will do, not prodding flesh and consciousness any the less, but now with a cruel malice and not in fun. His flesh was contracted and defensive and he doubted that it would uncoil even for Sophie supposing he could find her. Ah: the lamp over a painting had been left on, and by it he saw the doorknob he wanted, he was sure of it. He was about to step quickly to it when it turned, spookily; he stepped back into the shadows, and the door opened. Smoky came out, an old dressing gown over his shoulders (the kind, George noticed, that has a braided edge of dark and light hues around the collar and pocket) and shut the door carefully and silently. He stood for a moment then, and seemed to sigh; then he went off around the corner.

Wrong damn door, George thought; imagine if I'd gone into their room, or is it the kids' room? He went away, utterly confused now, searching hopelessly through the coiled nautilus of the second floor, tempted once to go down a floor; maybe in his madness he had gotten onto a matching upper floor and forgotten he had done so. Then Somehow he found himself in front of a door that Reason told him must be hers, though other senses disputed it. He opened it in some fear and stepped inside.

Tacey and Lily lay sweetly asleep beneath the sloping ceiling of a dormer room. By the nightlight he could see spectral toys, the glittering eye of a bear. The two girls, one still in a jailhouse crib, didn't stir, and he was about to shut the door on them when he knew there was someone else in the room, near Tacey's bed. Someone . . . He peered around the edge of the door.

Someone had just drawn from within the fine folds of his night-gray cloak a night-gray bag. George couldn't see his face for the wide Spanish night-gray hat he wore. He stepped to the crib where Lily lay, and with fingers clothed in night-gray gloves took from his bag a pinch of something, which delicately he dispensed from between thumb and finger above her sleeping face. Sand descended in a dull-gold trickle to her eyes. He turned away then and was putting away his bag when he seemed to sense George turned to stone at the doorway. He glanced at him over the tall collar of his cloak, and George looked into his placid, heavy-lidded, night-gray eyes. Those eyes regarded him for a moment with something like pity, and he shook his heavy head, as who should say
Nothing for you, son; not tonight.
Which was after all only fair. And then he turned around, the tassel swinging on his hat, and went away with a low snap of his cloak to elsewhere and others more deserving.

So when George at last found his own cheerless bed (in the imaginary bedroom as it happened) he lay sleepless for hours, his withered eyeballs starting from his head. He cradled the gin bottle in his arms, tugging now and again at its cold and acid comfort, the night and day growing confused and raggedy on the still-burning Catherine-wheel of his consciousness. Only he did come to understand that the first room he had tried to enter, the one he saw Smoky come out of, was indeed Sophie's, had to be. The shudder-starting rest of it dissolved as the sparkling synapses one by one mercifully began to bum out.

Toward dawn he watched it begin to snow.

Heaven in ordinarie, man well drest,

The milkie way, the bird of Paradise,

Church-bels beyond the starres heard,

the souls blood,

The land of spices; something understood.

—George Herbert

"Christmas," said Doctor Drinkwater as his red-cheeked face sped smoothly toward Smoky's, "is a kind of day, like no other in the year, that doesn't seem to succeed the days it follows, if you see what I mean." He came close to Smoky in a long, expert circle and slid away. Smoky, jerking forward and backward, hands not neatly clasped behind like Doc's but extended, feeling the air, thought he saw. Daily Alice, whose hands were inside an old tatty muff, went by him smoothly, glancing once at his unprogress and making, just to be mean, a laughing, swooping figure as she went away, which was however outside his ken, since his eyes couldn't seem to leave his own feet.

"I mean," Doctor Drinkwater said, reappearing beside him, "that every Christmas seems to follow immediately after the last one; all the months that came between don't figure in. Christmases succeed each other, not the falls they follow."

"That's right," said Mother, making stately progress around. Behind her, like the wooden ducklings attached to wooden ducks, she drew her two granddaughters. "It seems you just get through one and there's another."

"Mmm," said Doc. "Not what I meant exactly." He veered off like a fighter plane, and slipped an arm through Sophie's arm. "How's every little thing," Smoky heard him say, and heard her laugh before they swept off, listing both together.