Authors: Dan Brown
The group migrated from the stuffy control room into the gallery space just outside, where sunlight poured through large windows offering a spectacular view of Piazza della Signoria below. Although he was still at gunpoint, Langdon felt relieved to be out of the enclosed space.
Marta motioned him over near the window and handed him the phone.
Langdon took it, uncertain, and raised it to his ear. “Yes? This is Robert Langdon.”
“Signore,”
the woman said in tentative, accented English. “I am Eugenia Antonucci, the secretary of Ignazio Busoni. You and I, we meet yesterday night when you arrive his office.”
Langdon recalled nothing. “Yes?”
“I’m very sorry to say you this, but Ignazio, he die of heart attack yesterday night.”
Langdon’s grip tightened on the phone.
Ignazio Busoni is dead?!
The woman was weeping now, her voice full of sadness. “Ignazio call me before he die. He leave me a message and tell me to be sure you hear it. I will play it for you.”
Langdon heard some rustling, and moments later, a faint breathless recording of the voice of Ignazio Busoni reached his ears.
“Eugenia,” the man panted, clearly in pain. “Please be sure Robert Langdon hears this message. I’m in trouble. I don’t think I’ll make it back to the office.” Ignazio groaned and there was a long silence. When he began speaking again, his voice was weaker. “Robert, I hope you escaped. They’re still after me … and I’m … I’m not well. I’m trying to reach a doctor, but …” There was another long pause, as if
il Duomino
were mustering his last bit of energy, and then … “Robert, listen carefully. What you seek is safely hidden. The gates are open to you, but you must hurry. Paradise Twenty-five.” He paused a long moment and then whispered, “Godspeed.”
Then the message ended.
Langdon’s heart raced, and he knew he had just witnessed the final words of a dying man. That these words had been directed at him did nothing to relieve his anxiety.
Paradise 25? The gates are open to me?
Langdon considered it.
What gates does he mean?!
The only thing that made any sense at all was that Ignazio had said that the mask was safely hidden.
Eugenia came back on the line. “Professor, do you understand this?”
“Some of it, yes.”
“Is there something I can do?”
Langdon considered this question a long moment. “Make sure nobody else hears this message.”
“Even the police? A detective arrives soon to take my statement.”
Langdon stiffened. He looked at the guard who was aiming a gun at him. Quickly, Langdon turned toward the window and lowered his voice, hurriedly whispering, “Eugenia … this will sound strange, but for Ignazio’s sake, I need you to delete that message and do
not
mention to the police that you spoke to me. Is that clear? The situation is very complicated and—”
Langdon felt a gun barrel press into his side and turned to see the armed guard, inches away, holding out his free hand and demanding Marta’s phone.
On the line, there was a long pause, and Eugenia finally said, “Mr. Langdon, my boss trusted you … so I will, too.”
Then she was gone.
Langdon handed the phone back to the guard. “Ignazio Busoni is dead,” he said to Sienna. “He died of a heart attack last night after leaving this museum.” Langdon paused. “The mask is safe. Ignazio hid it before he died. And I think he left me a clue about where to find it.”
Paradise 25
.
Hope flashed in Sienna’s eyes, but when Langdon turned back to Marta, she looked skeptical.
“Marta,” Langdon said. “I can retrieve Dante’s mask for you, but you’ll need to let us go. Immediately.”
Marta laughed out loud. “I will do no such thing! You’re the one who
stole
the mask! The police are arriving—”
“Signora Alvarez,”
Sienna interrupted loudly.
“Mi dispiace, ma non le abbiamo detto la verità.”
Langdon did a double take.
What is Sienna doing?!
He had understood her words.
Mrs. Alvarez, I’m sorry, but we have not been honest with you
.
Marta looked equally startled by Sienna’s words, although much of her shock seemed to be over the fact that Sienna was suddenly speaking fluent, unaccented Italian.
“Innanzitutto, non sono la sorella di Robert Langdon,”
Sienna declared in an apologetic tone.
First off, I am not Robert Langdon’s sister
.
Marta Alvarez took an unsteady step backward and folded her arms, studying the young blond woman before her.
“Mi dispiace,”
Sienna continued, still speaking fluent Italian.
“Le abbiamo mentito su molte cose.” We have lied to you about many things
.
The guard looked as perplexed as Marta, although he held his position.
Sienna spoke rapidly now, still in Italian, telling Marta that she worked at a Florence hospital where Langdon had arrived the previous night with a bullet wound to the head. She explained that Langdon recalled nothing of the events that had brought him there, and that he was as surprised by the security video as Marta had been.
“Show her your wound,” Sienna ordered Langdon.
When Marta saw the stitches beneath Langdon’s matted hair, she sat down on the windowsill and held her face in her hands for several seconds.
In the past ten minutes, Marta had learned not only that the Dante death mask had been stolen during her watch, but that the two thieves had been a respected American professor and her trusted Florentine colleague, who was now dead. Furthermore, the young Sienna Brooks, whom Marta had imagined to be the wide-eyed American sister of Robert Langdon, turned out to be a doctor, admitting to a lie … and doing so in fluent Italian.
“Marta,” Langdon said, his voice deep and understanding. “I know it must be hard to believe, but I truly don’t remember last night at all. I have no idea why Ignazio and I took the mask.”
Marta sensed from his eyes that he was telling the truth.
“I’ll return the mask to you,” Langdon said. “You have my word. But I can’t retrieve it unless you let us go. The situation is complicated. You need to let us go, right away.”
Despite wanting the priceless mask returned, Marta had no intention
of letting anyone go.
Where are the police?!
She looked down at the lone police car in the Piazza della Signoria. It seemed strange that the officers had not yet reached the museum. Marta also heard a strange buzzing noise in the distance—it sounded like someone was using a power saw. And it was getting louder.
What is that?
Langdon’s tone was beseeching now. “Marta, you
know
Ignazio. He would never have removed the mask without a good reason. There’s a bigger picture here. The owner of the mask, Bertrand Zobrist, was a very confused man. We think he may be involved in something terrible. I don’t have time to explain it all, but I’m begging you to trust us.”
Marta could only stare. None of this seemed to make any sense at all.
“Mrs. Alvarez,” Sienna said, fixing Marta with a stony look. “If you care about your future, and that of your baby, then you need to let us leave, right now.”
Marta folded her hands protectively across her abdomen, not at all pleased by the veiled threat to her unborn child.
The high-pitched buzz outside was definitely getting louder, and when Marta peered out the window, she couldn’t see the source of the noise, but she did see something else.
The guard saw it, too, his eyes widening.
Down in the Piazza della Signoria, the crowds had parted to make way for a long line of police cars that were arriving without sirens, led by two black vans, which now skidded to a stop outside the palace doors. Soldiers in black uniforms jumped out, carrying large guns, and ran into the palace.
Marta felt a surge of fear.
Who the hell is that?!
The security guard looked equally alarmed.
The high-pitched buzzing sound grew suddenly piercing, and Marta withdrew in distress as she glimpsed a small helicopter rising into view just outside the window.
The machine hovered no more than ten yards away, almost as if it were staring in at the people in the room. It was a small craft, maybe a yard long, with a long black cylinder mounted on the front. The cylinder was pointed directly at them.
“It’s going to shoot!” Sienna shouted.
“Sta per sparare!
Everybody down!
Tutti a terra!
” She dropped to her knees beneath the windowsill, and Marta went cold with terror as she instinctively followed suit. The guard dropped down, too, reflexively aiming his gun at the little machine.
From Marta’s awkward crouch below the windowsill, she could see that Langdon was still standing, staring at Sienna with an odd look, clearly not believing there was any danger. Sienna was on the ground for only an instant before she bounded back up, grabbed Langdon by the wrist, and began pulling him in the direction of the hallway. An instant later, they were fleeing together toward the main entrance of the building.
The guard spun on his knees and crouched like a sniper—raising his weapon down the hallway in the direction of the departing duo.
“Non spari!”
Marta ordered him.
“Non possono scappare.” Don’t shoot! They can’t possibly escape!
Langdon and Sienna disappeared around a corner, and Marta knew it would be only a matter of seconds before the duo collided with the authorities coming in the other way.
“Faster!” Sienna urged, rushing with Langdon back the way they’d come in. She was hoping they could make it to the main entrance before running into the police head-on, but she now realized the chances of this were close to zero.
Langdon apparently had similar doubts. Without warning, he skidded to a full stop in a wide intersection of hallways. “We’ll never make it out this way.”
“Come on!” Sienna motioned urgently for him to follow. “Robert, we can’t just stand here!”
Langdon seemed distracted, gazing to his left, down a short corridor that appeared to dead-end in a small, dimly lit chamber. The walls of the room were covered with antique maps, and at the center of the room stood a massive iron globe. Langdon eyed the huge metal sphere and began nodding slowly, and then more vigorously.
“This way,” Langdon declared, dashing off toward the iron globe.
Robert!
Sienna followed against her better judgment. The corridor clearly led deeper into the museum, away from the exit.
“Robert?” she gasped, finally catching up to him. “Where are you taking us?!”
“Through Armenia,” he replied.
“What?!”
“Armenia,” Langdon repeated, his eyes dead ahead. “Trust me.”