Inferno (26 page)

Lo Studiolo.

Positioned behind a glass door, directly opposite the hidden words
cerca trova
in the Hall of the Five Hundred, was nestled a tiny windowless chamber. Designed by Vasari as a secret study for Francesco I, the rectangular Studiolo rose to a rounded, barrel-vaulted ceiling, which gave those inside the feeling of being inside a giant treasure chest.

Fittingly, the interior glistened with objects of beauty. More than thirty rare paintings adorned the walls and ceiling, mounted so close to one another that they left virtually no empty wall space.
The Fall of Icarus … An Allegory of Human Life … Nature Presenting Prometheus with Spectacular Gems …

As Langdon peered through the glass into the dazzling space beyond, he whispered to himself, “The eyes of death.”

Langdon had first been inside Lo Studiolo during a private secret passages tour of the palazzo a few years back and had been stunned to learn about the plethora of hidden doors, stairs, and passageways that honeycombed the palazzo, including several hidden behind paintings inside Lo Studiolo.

The secret passages, however, were not what had just sparked Langdon’s interest. Instead he had flashed on a bold piece of modern art that he had once seen on display here—
For the Love of God
—a controversial piece by Damien Hirst, which had caused an uproar when it was shown inside Vasari’s famed Studiolo.

A life-size cast of a human skull in solid platinum, its surface had been entirely covered with more than
eight thousand
glittering, pavé-set diamonds. The effect was striking. The skull’s empty eye sockets glistened with light and life, creating a troubling juxtaposition of opposing symbols—life and death … beauty and horror. Although Hirst’s diamond skull had long since been removed from Lo Studiolo, Langdon’s recollection of it had sparked an idea.

The eyes of death
, he thought.
A skull certainly qualifies, doesn’t it?

Skulls were a recurring theme in Dante’s
Inferno
, most famously Count Ugolino’s brutal punishment in the lowest circle of hell—that of being sentenced to gnaw eternally on the skull of a wicked archbishop.

Are we looking for a skull?

The enigmatic Studiolo, Langdon knew, had been built in the tradition
of a “cabinet of curiosities.” Nearly all of its paintings were secretly hinged, swinging open to reveal hidden cupboards in which the duke had kept strange possessions of interest to him—rare mineral samples, beautiful feathers, a perfect fossil of a nautilus shell, and even, allegedly, a monk’s tibia decorated with hand-pounded silver.

Unfortunately, Langdon suspected all the cupboard items had been removed long ago, and he had never heard of any skull on display here other than Hirst’s piece.

His thoughts were cut short by the loud slam of a door on the far side of the hall. The brisk click of footsteps approached quickly across the salon.

“Signore!”
an angry voice shouted.
“Il salone non è aperto!”

Langdon turned to see a female employee marching toward him. She was petite, with short brown hair. She was also extremely pregnant. The woman moved snappily toward them, tapping her watch and shouting something about the hall not yet being open. As she drew near, she made eye contact with Langdon, and immediately stopped short, covering her mouth in shock.

“Professor Langdon!” she exclaimed, looking embarrassed. “I’m so sorry! I didn’t know you were here. Welcome back!”

Langdon froze.

He was quite certain he had never seen this woman before in his life.

“I almost didn’t recognize you, Professor!” the woman gushed in accented English as she approached Langdon. “It’s your clothing.” She smiled warmly and gave Langdon’s Brioni suit an appreciative nod. “Very fashionable. You look almost Italian.”

Langdon’s mouth went bone dry, but he managed a polite smile as the woman joined him. “Good … morning,” he stumbled. “How are you?”

She laughed, holding her belly. “Exhausted. Little Catalina kicked all night.” The woman glanced around the room, looking puzzled. “
Il Duomino
didn’t mention you were coming back today. I assume he’s with you?”

Il Duomino?
Langdon had no idea who she was talking about.

The woman apparently saw his confusion and gave a reassuring chuckle. “It’s okay, everybody in Florence calls him by that nickname. He doesn’t mind.” She glanced around. “Did he let you in?”

“He did,” Sienna said, arriving from across the hall, “but he had a breakfast meeting. He said you wouldn’t mind if we stayed to look around.” Sienna enthusiastically extended her hand. “I’m Sienna. Robert’s sister.”

The woman gave Sienna’s hand an overly official handshake. “I’m Marta Alvarez. Aren’t you the lucky one—having Professor Langdon as a private guide.”

“Yes,” Sienna enthused, barely hiding the roll of her eyes. “He’s so smart!”

There was an awkward pause as the woman studied Sienna. “Funny,” she said, “I don’t see
any
family resemblance at all. Except perhaps your height.”

Langdon sensed an impending train wreck.
Now or never
.

“Marta,” Langdon interrupted, hoping he had heard her name correctly, “I’m sorry to trouble you, but, well … I guess you can probably imagine why I’m here.”

“Actually, no,” she replied, her eyes narrowing. “I can’t for the life of me imagine what you would be doing here.”

Langdon’s pulse quickened, and in the awkward silence that followed, he realized his gamble was about to crash and burn. Suddenly Marta broke into a broad smile and laughed out loud.

“Professor, I’m joking! Of course, I can guess why you returned. Frankly, I don’t know why you find it so fascinating, but since you and
il Duomino
spent almost an hour up there last night, I’m guessing you’ve come back to show your sister?”

“Right …” he managed. “Exactly. I’d love to show Sienna, if that’s not … an inconvenience?”

Marta glanced up to the second-floor balcony and shrugged. “No problem. I’m headed up there now.”

Langdon’s heart pounded as he looked up to the second-story balcony at the rear of the hall.
I was up there last night?
He remembered nothing. The balcony, he knew, in addition to being at the exact same height as the words
cerca trova
, also served as the entrance to the palazzo’s museum, which Langdon visited whenever he was here.

Marta was about to lead them across the hall, when she paused, as if having second thoughts. “Actually, Professor, are you sure we can’t find something a bit less grim to show your lovely sister?”

Langdon had no idea how to respond.

“We’re seeing something grim?” Sienna asked. “What is it? He hasn’t told me.”

Marta gave a coy smile and glanced at Langdon. “Professor, would you like me to tell your sister about it, or would you prefer to do so yourself?”

Langdon nearly jumped at the opportunity. “By all means, Marta, why don’t you tell her all about it.”

Marta turned back to Sienna, speaking very slowly now. “I don’t know what your brother has told you, but we’re going up to the museum to see a very unusual mask.”

Sienna’s eyes widened a bit. “What kind of mask? One of those ugly plague masks they wear at Carnevale?”

“Good guess,” Marta said, “but no, it’s not a plague mask. It’s a much different kind of mask. It’s called a death mask.”

Langdon’s gasp of revelation was audible, and Marta scowled at him, apparently thinking he was being overly dramatic in an attempt to frighten his sister.

“Don’t listen to your brother,” she said. “Death masks were a very
common practice in the 1500s. It’s essentially just a plaster cast of someone’s face, taken a few moments after that person dies.”

The death mask
. Langdon felt the first moment of clarity he’d felt since waking up in Florence.
Dante’s Inferno … cerca trova … Looking through the eyes of death. The mask!

Sienna asked, “Whose face was used to cast the mask?”

Langdon put his hand on Sienna’s shoulder and answered as calmly as possible. “A famous Italian poet. His name was Dante Alighieri.”

The Mediterranean sun shone brightly on the decks of
The Mendacium
as it rocked over the Adriatic swells. Feeling weary, the provost drained his second Scotch and gazed blankly out his office window.

The news from Florence was not good.

Perhaps it was on account of his first taste of alcohol in a very long time, but he was feeling strangely disoriented and powerless … as if his ship had lost its engines and were drifting aimlessly on the tide.

The sensation was a foreign one to the provost. In his world, there always existed a dependable compass
—protocol
—and it had never failed to show the way. Protocol was what enabled him to make difficult decisions without ever looking back.

It had been protocol that required Vayentha’s disavowal, and the provost had carried out the deed with no hesitation.
I will deal with her once this current crisis has passed
.

It had been protocol that required the provost to know as little as possible about all of his clients. He had decided long ago that the Consortium had no ethical responsibility to judge them.

Provide the service
.

Trust the client
.

Ask no questions
.

Like the directors of most companies, the provost simply offered services with the assumption that those services would be implemented within the framework of the law. After all, Volvo had no responsibility to ensure that soccer moms didn’t speed through school zones, any more than Dell would be held responsible if someone used one of their computers to hack into a bank account.

Now, with everything unraveling, the provost quietly cursed the trusted contact who had suggested this client to the Consortium.

“He will be low maintenance and easy money,” the contact had assured him. “The man is brilliant, a star in his field, and absurdly wealthy. He
simply needs to disappear for a year or two. He wants to buy some time off the grid to work on an important project.”

The provost had agreed without much thought. Long-term relocations were always easy money, and the provost trusted his contact’s instincts.

As expected, the job had been very easy money.

That is, until last week.

Now, in the wake of the chaos created by this man, the provost found himself pacing in circles around a bottle of Scotch and counting the days until his responsibilities to this client were over.

The phone on his desk rang, and the provost saw it was Knowlton, one of his top facilitators, calling from downstairs.

“Yes,” he answered.

“Sir,” Knowlton began, an uneasy edge in his voice. “I hate to bother you with this, but as you may know, we’re tasked with uploading a video to the media tomorrow.”

“Yes,” the provost replied. “Is it prepped?”

“It is, but I thought you might want to preview it before upload.”

The provost paused, puzzled by the comment. “Does the video mention us by name or compromise us in some way?”

“No, sir, but the content is quite disturbing. The client appears on-screen and says—”

“Stop right there,” the provost ordered, stunned that a senior facilitator would dare suggest such a blatant breach of protocol. “The
content
is immaterial. Whatever it says, his video would have been released with or without us. The client could just as easily have released this video electronically, but he hired
us
. He paid
us
. He trusted
us
.”

“Yes, sir.”

“You were not hired to be a film critic,” the provost admonished. “You were hired to keep promises. Do your job.”

On the Ponte Vecchio, Vayentha waited, her sharp eyes scanning the hundreds of faces on the bridge. She had been vigilant and felt certain that Langdon had not yet passed her, but the drone had fallen silent, its tracking apparently no longer required.