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Authors: Craig Lightfoot
and the way Harry smiles at him makes the nickname apt.
They eat breakfast at the table, tea and toast and cold feet knocking
together. They‟re quiet, and Louis finds himself just watching Harry. It
feels silly, that just watching someone else eat breakfast could make his
heart swell, but Louis is starting to feel like he‟s going to be spending a
long time being very silly indeed.
It‟s just that Harry is a real person—who takes his tea like an idiot and
uses two separate knives for the butter and the jam—and he has flaws
too and he gets scared too and he loves too, loves with that same
screaming intensity as Louis does. He‟s just had more practice, or
maybe less. Louis watches Harry eat breakfast and doesn‟t want to go
home tonight with anything left unsaid.
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“Want to see something cool?” Harry says out of the blue, and Louis
can just nod, because he‟s in love with a toddler.
Harry doesn‟t explain further, just nods happily and clears the table.
They get dressed quickly, Louis putting on his own trousers but
slipping into one of Harry‟s shirts, a soft cotton long-sleeved number
that‟s loose around the collar and has Harry looking at him with
promise in his eyes. He grabs his camera bag and an umbrella, and then
they‟re out the door.
Louis expects for them to head towards the tube again, but they walk in
another direction, Harry‟s arm tight around his waist to keep them both
under the umbrella.They walk for less than ten minutes, winding
around corners and crossing streets, until they reach a massive block of
flats. It‟s covered with graffiti and could only generously be described
as upright, and Louis is beginning to question Harry‟s common sense.
“As romantic as this is, love,” he says, shivering slightly in the rain.
“I‟m not sure we‟re at the „drug deal‟ point in our relationship. Don‟t
wanna rush that, that‟s really a second anniversary sort of thing.”
“Piss off,” Harry says, nudging Louis with his shoulder, and steps up to
the door, keying in the access code.
“Do you also live here?” Louis says, peering over Harry‟s shoulder as
they walk through the door. “Do you have secret identity? Are you a
superhero with a shit real estate agent?”
Harry just laughs, slinging an arm around Louis‟ neck and pulling him
towards the elevator. “Got it in one, Tommo. We‟re heading to my
lair.” He presses floor number 14, and they‟re headed up.
When Harry actually has a key to number 1426, Louis starts to actually
get a little nervous. “If you have, like, a secret wife or something, this
is really not the way to tell me,” he jokes, leaning against the doorframe
and watching Harry struggle with the lock. The whole hallway looks
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like it‟s falling apart, peeling paint and bare light bulbs like a horror
movie set.
With a victorious laugh, Harry finally gets the lock to work, letting the
door swing open. Before he walks in, though, he turns and pins Louis
against the doorframe, kissing him with a thorough sweetness before
dropping one last peck on his cheek. “I haven‟t got a secret wife,”
Harry says, and then grabs his hand and pulls him inside.
It‟s just a normal flat, clearly lived-in, but Harry pulls him past the bed
in the main room and towards what should be the bedroom. “This is my
friend Benji‟s flat,” he says. “He was in the photography department at
Manchester and moved out here at around the same time.”
“Why do you have a key to Benji‟s flat?” Louis asks, watching Harry
pull out another key to open the door of the not-bedroom.
“This is why,” Harry says, and lets the door swing open. It‟s dark, and
Louis steps cautiously inside. When his eyes adjust, he realizes why
Harry hasn‟t turned the light on.
It‟s a darkroom.
There aren‟t any prints up now, which must be why Harry was able to
open the door and let the light of the flat inside, but Louis can still
recognize it for what it is. There are sinks and trays and stacks of photo
paper and bottles of chemicals that Louis couldn‟t identify with a gun
to his head, all surrounded by criss-crosses of string and clothespins for
prints to hang later.
Louis spins and looks at Harry accusingly. “You liar,” he says with a
grin. “This is totally your wife.”
Harry laughs, stepping inside the room. It‟s small, but there‟s space for
the two of them. “Ah, but you said secret wife. You can‟t pretend to be
surprised.”
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“I suppose that‟s fair,” Louis says.
“Don‟t worry,” Harry says, taking his camera out of the bag and setting
it down on the bench. “She‟s Benji‟s, really. I just get to come by when
he‟s away.” He pulls the door closed, plunging them into darkness. “I
was thinking I would develop some of the prints from yesterday in the
park?” he says. In the pitch black his voice seems somehow louder.
“The first bit has to be in the dark, sorry.”
“S‟alright,” Louis says. “What shall I do in the meantime?” He feels a
bit at sea. He knows the room is small, but standing alone, touching
nothing in the darkness, he could be in outer space.
“There‟s cushions in the corner if you‟d like to sit,” Harry says, and
Louis can hear the sounds of him fiddling with equipment. “Or if you
want—I could sort of tell you about what I‟m doing?”
“I‟d like that,” Louis says, “Though I can‟t really see anything.”
“C‟mere,” Harry says, and Louis jumps at the sudden feeling of Harry‟s
hand finding him in the dark. His hand fumbles until it reaches Louis‟
and he pulls him closer. Lacing their fingers, Harry reaches down until
both their hands find the camera. “Ok, so this is where you start,” he
says, opening the back and taking the negatives out clumsily with
Louis‟ fingers still tangled in his.
Louis presses up against Harry‟s back and slides his other hand down
Harry‟s other arm until he finds his hand. He rests his head against
Harry‟s shoulder and feels him move, listening to the soft sound of his
voice and feeling the vibrations of it through his ribs. He listens to what
Harry says as he narrates what he‟s doing, he really does, because he
wants to understand, but he finds himself distracted by the way Harry
floods his senses in the dark. The clean sweat boy smell of him, the
living warmth coming through his t-shirt. Every hitch of his breath,
every shift of his shoulderblades is telegraphed to Louis as he does this
thing that he loves. It‟s not sexual, but it feels a lot like sex. It‟s
intimate.
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Harry clears his throat after some time, and Louis blinks back to
alertness. “This next bit doesn‟t have to be in the dark,” he says,
shifting away from Louis and moving back toward the door. “Careful
of your eyes.” He flips a switch.
The room comes alive with dark red light, Harry reappearing before
Louis‟ eyes picked out in crimson. Like magic.
“There‟s still a decent bit left to do,” he says. “If you‟re bored we can
do something else?”
Louis thinks suddenly of the first time he set foot inside Harry‟s flat in
Manchester, the feeling he had that he was standing inside Harry‟s
brain. Here, bathed in dark red light, he thinks he might be inside
Harry‟s heart.
“I‟m not bored,” he says, leaning in to kiss the corner of Harry‟s mouth
as it curves into a smile.
He moves back and settles into the corner, curling up on the few
cushions that have been piled there, and watches idly as Harry goes
back to work. He can‟t pretend that he follows what Harry is doing,
what causes him to move pieces of film from one chemical to another
or how the picture ends up on the photo paper, but it‟s nice to just
watch Harry be in his element, just like it was nice to feel him earlier.
It‟s remarkably similar to how Harry is in the kitchen, now that he
thinks of it: puttering around, starting sentences he‟ll never finish,
singing snatches of songs that Louis half-remembers. Safe, Louis
thinks, and opens his mouth.
“Can I tell you the stuff you wanted to know?” he asks, sitting up on
the cushions. “The stuff I said I would tell you.”
Harry turns, putting down a set of tongs. “Yeah, of course,” he says,
starting to peel off a pair of gloves. “As long as you—”
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“I‟m sure,” Louis says, biting down on his cheek to keep from smiling.
“And you should keep working. I want you to, actually, it makes it
easier for me. If you‟re doing something else.”
“Okay,” Harry says, looking a little unsure, and rolls the gloves back
down his hands before turning back to work.
Louis tries to collect his thoughts, to figure out what he wants to say,
but can‟t quite find the words. So he starts there, instead, starts from his
own hesitancy. “Have you ever had things that you didn‟t talk about,”
he says, voice small but loud in the tiny room, “Because it felt like too
much? Like, it felt like it was the stuff that defined you, defined your
life, and so there was no point to talking about it because it was like—I
don‟t know, like it was more than could ever be explained to anybody
else. Like a fish trying to explain what water is.”
Harry sort of nods, but doesn‟t turn around, and Louis thanks him
silently for giving him the space to do this his way.
“And then you try to talk about it,” he continues. “And it just—when
you put it into words, or even write it down, it just feels so small. Like,
it doesn‟t matter that it felt like the world was ending. The second it
comes out of your mouth it feels small, and stupid, and like you
shouldn‟t even be complaining at all. And like it shouldn‟t have
mattered, that if you were better it wouldn‟t have mattered. So when
you talk about it you‟re just giving yourself away, you‟re just showing
people how weak you are.”
Harry is gripping the edge of the sink hard as he flips a print over, but
still doesn‟t turn. Louis loves him so much.
“There‟s a lot of stuff like that for me, stuff that matters and hurts and
is important, but I never really talk about it. Not just because it hurts or
because I don‟t trust people, but because—it doesn‟t make me feel sad
anymore, not like it used to. It makes me feel stupid. I feel stupid that it
happened, and I feel stupid that I cared, and I feel stupid that I still care
now. But I think that maybe you‟ll be nicer to me than I am. You have
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a habit of doing that. And it still is important, to understand why I do
some of the weird shit that I do, so I want you to know it. Even if it
feels small.”
He takes a moment to catch his breath, watching Harry begin to pin
prints to the line with barely-shaking hands, and then he begins.
He starts from the beginning, the story of little teenage Louis
Tomlinson in his closet made of paper. Harry‟s already heard most of
this part, because it was always relevant to the whole Stuart
conversation they sometimes used to have, and his high school years
feel somehow detached from everything that came after, so talking
about that time never seemed quite so dangerous. He talks about how
he‟d wanted to just be normal, to be liked, to make his parents proud of
him, even though his dad had been out of the picture for years and
Mark was about as close as he had to an actual father figure.
He came out to his mum when he was eighteen, and he‟d hated himself
for putting that on her when she was only beginning to process the
divorce, but lying to her felt even worse. She‟d been wonderful about
it, told him she loved him always and that it never made a difference to
her, made him promise to bring any suitable boys „round for her to
meet them. That had been the one great mercy of that whole situation,
how much closer he felt to his mother after telling her.
The end of sixth form was great, though, because it was finally
finishing school and feeling like the whole world was spread out before
him waiting for him to wreak havoc. He tells Harry about landing the
starring role in Grease, which he‟d loved since childhood (John
Travolta in tight trousers had perhaps been a revelatory experience),
and how much it had boosted his confidence. He remembers joy back
then, despite everything else, because he was young and on top of the
world and anything was possible. And he wanted to fall in love so, so
badly.
After graduation it was off to university with Stan in tow, signed up on
a three-year plan for an extended diploma in musical theatre. They
decided against rooming together, but they did live on the same hall
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