How to Live (61 page)

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Authors: Sarah Bakewell

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16.2
Charles Cotton, lithograph after painting by Sir P. Lely, in I. Walton,
The Compleat Angler
. Private Collection/Ken Walsh/The Bridgeman Art Library.

16.3
Diagram of digressions in each volume, from L. Sterne,
The Life and Opinions of Tristram Shandy
, Vol. 6, Chap. 40 (New York: J. F. Taylor, 1904).

17.1
The “Bordeaux Copy” of Montaigne’s
Essais
(Paris: A. L’Angelier, 1588), v. I, fol. 34r.
Reproduction en quadrichromie de l’Exemplaire de Bordeaux des
Essais
de Montaigne
, ed. Philippe Desan (Fasano-Chicago: Schena Editore, Montaigne Studies, 2002).

18.1
Marie de Gournay. Title-page portrait in her
Les Advis
(Paris: T. du Bray, 1641).

18.2
Michel Iturria, “Enfin—une groupie!” Sud-Ouest/Michel Iturria.

18.3
H. Wallis,
Montaigne in His Library
, 1857. Oil on canvas. Photograph from J. Sawyer sale catalogue; present location of original unknown. A nineteenth-century fantasy, with Marie de Gournay at Montaigne’s feet taking dictation.

18.4
Pierre Charron. Frontispiece to his
De la sagesse
(Paris: Douceur, 1607).

18.5
L’Esprit des Essais de Michel, seigneur de Montaigne
(Paris: C. de Sercy, 1677), and
Pensées de Montaigne
(Paris: Anisson, 1700).

18.6
Romulus and Remus suckled by the she-wolf. Engraving by A. Lafreri from a 4th century
BC
Etruscan bronze, in his
Speculum Romanae magnificentiae
(Rome: A. Lafreri, 1552). University of Chicago Library, Special Collections Research Center.

20.1
Joseph Robert-Fleury,
Derniers moments de Montaigne
, 1853. Oil on canvas. Collections Ville de Périgueux, Musée d’art et d’archéologie du Périgord (Maap), France. Inv. No. B.438. Photograph by Maap.

20.2
Montaigne’s tomb. From F. Strowski,
Montaigne
(Paris: Nouvelle Revue Critique, 1938)

20.3
Montaigne’s cat: marginal sketch in a copy of Montaigne’s
Essais
(Paris: A. L’Angelier, 1602) owned by the Dutch jurist Pieter Van Veen (b. 1561 or 1562), and illustrated by him, perhaps as a gift for his son. British Library, London.

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