Authors: Mervyn Peake
Tags: #Art, #Performance, #Drama, #European, #English; Irish; Scottish; Welsh, #General, #Performing Arts, #Theater
But if what they said was true, he would, at any time of the day or night, be able to emerge from behind that statue in the corridor of carvings, to find the gaunt anatomy of the place laid bare about him.
FORTY-FIVE
The days flowed on, and the walls of Gormenghast grew chill to the touch as the summer gave way to autumn, and autumn to a winter both dark and icy. For long periods of time the winds blew night and day, smashing the glass of windows, dislodging masonry, whistling and roaring between towers and chimneys and over the castle's back.
And then, no less awesome, the wind would suddenly drop and silence would grip the domain. A silence that was unbreakable, for the bark of a dog, or the sudden clang of a pail, or the far cry of a boy seemed only real in that they accentuated the universal stillness through which, for a moment, they rose, like the heads of fish, from freezing water - only to sink again and to leave no trace.
In January the snow came down in such a way that those who watched it from behind countless windows could no longer believe in the sharper shapes that lay under the blurred pall, or the colours that were sunk in the darkness of that whiteness. The air itself was smothered with flakes the size of a child's fist, and the terrain bulged with the submerged features of a landscape half-remembered.
In the wide, white fields that surrounded the castle, the birds lay dead or leaned sideways stiffening for death. Here and there was the movement of a bird limping, or the last frantic fluttering of a small ice-gummed wing.
From the castle windows it seemed that the dazzling snow had been scattered with small coals, or that the fields had become smallpox'd with the winter-murder'd hosts. There was no clear stretch of snow untriturated by this widespread death; no drift without its graveyard.
Against the blind brilliance of their background, the birds, whatever their natural plumage, appeared as black as jet, and differed only in their silhouette, whose meticulous contours might have been scored with a needle so exquisite was the drawing of their beaks, like thorns, the hairs of their feathers, their delicate claws and heads.
It seemed that, upon the vast funeral linen of the snowscape, each bird of all these hosts had signed, with an exquisite and tragic artistry, the proof of its own death, had signed it in a language at once undecipherable and eloquent - a hieroglyphic of fantastic beauty.
And the snow that had killed them, covered them; covered them with a touch that was the more terrible for its very tenderness. But for all its layer on layer of blinding powder, there were always birds upon the point of death - always this scattered, jet-black multitude. And on every side there were still those that limped, or stood shivering, or pushed their agonizing way, breast deep through the voluminous and lethal pall, leaving behind them their little trenches in the snow to show where they had been.
And yet, for all this mortality, the castle was full of birds. The Countess, her heart heavy in the knowledge of so much thirst and pain, had taken every opportunity to encourage the wildfowl to enter. No sooner had the ice formed in the hundreds of baths and basins set about the castle than it was broken again. Meat, bread crumbs and grain were laid in trails to encourage the birds to enter the warmer air within the castle. And yet, in spite of these enticements (and, fearless with hunger, thousands of birds, including owls, heron and even birds of prey were to be found within the walls), the castle was yet surrounded with the dead and dying. The severity of the weather had made of the castle a focal point. Not only had the bird-life of the immediate region been drawn to Gormenghast, but the forests and moors of far distant places had become empty. The sheer numbers of these migratory birds, descending snow-blind, famished and deadly weary upon the castle - descending hourly, out of the snow-thick sky, was sufficient for so great a death-roll, even though Gormenghast was open sanctuary.
The Countess had proclaimed (to the great inconvenience of those concerned) the dining hall to be their hospital. There, huge, red-haired and solitary, she moved among them, nursing them back to strength. Branches of trees were brought in and propped against the walls. The tables were turned upside down so that those birds that cared to, could perch upon the upturned legs. After some while the place was loud with birdsong, with the strident shouting of crows and jackdaws, and with a hundred various thin or mellow voices.
What birds could be saved from the snow were saved, but it lay too deep and soft for it to be possible for any rescuing beyond the reach of an outstretched hand from a low window.
For a month or more the castle was snowbound. A number of the doors opened on the outside world had been broken by the piled up weight. Of those that stood the strain, none were usable. Lights burned everywhere within the walls of Gormenghast, for every window was either boarded up or heavily coated.
What Mr Flay would have done had the underground tunnel never been discovered, or had Titus never told him of it, it is hard to say. The drifts about his cave were of such dangerous and voluminous dimensions, that it is doubtful whether he could have escaped being drawn sooner or later out of his depth. Apart from this, his chances of surviving the cruel cold, and of keeping himself from starving, would have been slender, for all his knowledge.
But all these problems were solved by the existence of the tunnel. It was now a commonplace for him to make his way, a candle in his hand, along its earth-smelling length, with its miles of roots and its floor littered with the skulls and bones of small animals. For many parts of the tunnel had been the retreat of foxes, rodents and vermin of all kinds. It had been used both as a refuge from such weather as they were now experiencing and from their foes. His candle, held at arm's length before him, would light up familiar root formations that told him of a spinney overhead, or would disclose the secret cities of the ants.
Free of snow and invaluable as it was as a means of gaining access to the castle, yet the darkness was foul with death and decay, and there was no cause for Flay to linger on those long and friendless journeys below ground.
On the first occasion that he had emerged at the castle end of the tunnel and had followed the passageway and had come upon the outskirts of that region of lifeless halls and corridors, and when he had moved further into the silence, as Titus had done, he had felt something of the awe that had so terrified the boy and he had lifted his bony shoulders up to his ears and thrust his jaw forward as his eyes turned this way and that as though he were being threatened by some invisible foe.
But when after a dozen daylight journeys he had explored a section of the deserted tract to his satisfaction, he retained no vestige of the apprehension that first affected him.
On the contrary, he began to make the silent halls peculiarly his own, in the way that he had unconsciously identified himself with the mood of Gormenghast forest.
It was not in his nature to proceed hot-foot upon his quest for the castle's evil. These things could not be hurried. He must establish his position as he went along.
And so (after he had found the few steps that led up to the rear of the monument in the corridors of carvings), he confined his midnight journeys, for the first few weeks, to discovering what changes had taken place since he was last in Gormenghast, in the nocturnal habits of the populace. His life in the woods had taught him patience and had made even more remarkable that power, which he had always had, of losing himself against his background. Saving for broad daylight he had no need to hide; he had only to stand still and he was absorbed into a wall, into a shadow or into rotten wood-work. When he lowered his head, his hair and beard were but another cobweb in the gloom, and his rags the sunless hart's-tongue that flourished in the dank grey corridors.
It was a strange experience for him to watch, from one point of vantage or another, the familiar faces he had once known so well. Sometimes they would pass within a few feet of him, some a little older, some a little younger, some a little different from what he remembered; others, who were youths or boys when he was exiled, now hardly recognizable.
But for all his ability to conceal himself, he took no risks, and it was a long time before he made his long midnight journeys of reconnaissance and began to discover where almost everyone of interest to him was likely to be found at various hours of the day or night.
His late master's room had never been opened since his death. Flay had noticed this with grim approval. He had gazed down at the floor outside Sepulchrave's door, where, for over twenty years, he stretched himself for sleep. And he had looked along the corridor and the dreadful night returned to his mind - the night when the earl had walked in his sleep, and had later given himself up to the owls - and the night when he, Flay, had fought the chef of Gormenghast and put him to, the sword.
And Flay was forced to turn himself into both a thief and a hoarder.
This gave him little pleasure, but was necessary in order that he should keep alive at all. Within a short time he had discovered how to enter the cat-room through the door of a loft, and to arrive at the kitchen by way of the Stone Lanes.
It had become an absurdity for him to make his return journey every morning along the tunnel and to spend the day in his cave. There was little he could do at the cave surrounded as it was with the deep snow-drifts. He could neither hunt for food nor gather enough fuel with which to warm himself. But in the lifeless Halls there was all that he needed.
He had come across a small room, voluptuously soft with dust; a small, square place with a carved mantelpiece and an open grate. There were several chairs, a bookcase and a walnut table on which, beneath the dust, the silver, glass and crockery were laid out for two.
It was here that Flay established himself. His larder consisted of little more than bread and meat, fresh supplies of which were always plentiful in the Great Kitchen.
He took no advantage of the ample opportunities he had to vary his diet. As for his drinking water, it was only necessary for him to make his way at any hour after midnight and dip his iron can into the rain-water of a near-by cistern.
Judging by the distances he had to cover during his journeys to and fro among the empty halls, and judging in particular by the distance between the room with the fireplace and the opening in the corridor of carvings (the only entrance he had found to the world he had previously known), he knew that lighting fires in his room involved no risk. Had smoke, for sake of argument been seen to rise into the air above a forgotten tract of the castle and were it to have caused any interest, it would have been as easy for the hypothetical observer to have found the chimney and then to have found a way into the compartment, fathoms below, as for a frog to play the fiddle.
There, on the bitter winter evenings, Mr Flay enjoyed a comfort he had never experienced before. Had his exile in the woods not inured him to loneliness, then he must surely have found these long days insupportable. But isolation was now a part of him.
The silence of the lifeless Halls, like the silence of the snow-bound world outside, was limitless. It was a kind of death. The very extent of the hollow expanses, the uncharted labyrinth that made, as it were, the silence visible, was something to raise the hairs upon the neck of any but those long used to loneliness. And Mr Flay, in spite of his numerous expeditions through this dead world, this forgotten realm of Gormenghast, was nevertheless unable to locate its boundaries. It is true that after a long search, guided to some extent by Titus' instructions, he had found the steps that led up the corridor of carvings, but save for this and the few locked doors through which he had heard voices, he had found no other frontier points between his world and theirs.
But in the small hours of one morning, as he returned to his room after a raid upon the kitchen, something happened which turned the rest of his winter into something less isolated but more terrible. He had left the corridor of carvings a mile or more behind, and was deep in his own realm, when he decided that instead of taking his usual path along the narrow and extended passageway to the east, he would explore an alternative corridor which, he imagined, would in its own good time lead to his own district.
As he proceeded he made, upon the wall, following his usual custom, the rough marks with white chalk which had more than once helped him to find his way back to familiar ground.
After about an hour of twisting and turning, of crossing the open junctions of radiating alleyways, of making a hundred arbitrary choices between this entrance and that, this winding descent and that cold incline to a wider passageway - he began to sweat with fear at the very thought of having taken no precautions for his return journey. He knew that he would never have found his way back without the chalk marks. Suddenly he began to feel hungry. At the same time, noticing that his candle was burning low, he drew another from the half-dozen or more that were always in his belt, and sitting down on the floor, placed his freshly lit candle carefully on the ground before him, and opening a long, narrow-bladed knife, began to cut himself a slice of bread.
To his right and left the darkness was as thick as ink. He sat illumined within the aura of candle flame, his face and rags and hands and hair dramatically lit. Behind him on the wall his shadow hovered heavily. He had stretched out his legs before him and was about to sink his teeth for the second time into the bread when he heard the peal of laughter.
Had it not been for its terrible strength and for the fact that it came from behind him - from the other side of the wall against which he leaned - he would have had no option but to recognize it as a cry of madness in his own brain - something that he had heard with the ears of his mind.