Authors: Mervyn Peake
Tags: #Art, #Performance, #Drama, #European, #English; Irish; Scottish; Welsh, #General, #Performing Arts, #Theater
It was through such motions as this, and the movements of her small shoulders and in the quickness of her fingers that she conveyed to Titus, more vividly than any expression of the features could ever do, the quality of her fanatical independence.
As he watched she tossed the bones of the magpie over her shoulder, and dipping her hand into the shadows at her side drew up, out of the darkness that she cast, the little carving of the raven. Turning it round and round in her hand she stared at it intently, but no vestige of an expression crossed her face. She placed it on the ground at her side, but the earth was uneven and it fell forwards upon its face. Without a moment's hesitation she struck it with her clenched fist as a child might strike a toy in anger, and then, rising in a smooth and single action to her feet, she flicked it out of her way with her foot so that it lay upon its side against the wall.
Upon her feet she had become another thing. It was difficult to reconcile her with the creature who had squatted by the fire. She had become a sapling. Her face was turned to where the water streamed across the cave-mouth. For a few moments she stared expressionlessly at the rain-filled opening and then she moved towards it, but at her third step she stopped and as her body tautened her head gyrated on her neck. Her shoulders had not moved, but as her head swivelled, her eyes sped around the walls of the cave. Something had disturbed her.
Her slender body was poised for instantaneous action. Again her eyes flew across the walls piercing every shadow, and then for a moment they stayed their flight and Titus could see from his dark recess that she had seen his shirt where it lay, torn and sodden, on the floor of the cave.
She turned and with a tread both light and apprehensive approached the garment that lay in a pool of its own making. She sat down on her heels at its side, and again she was a frog, an almost repellent thing. Her eyes still moved about the cave, suspiciously. For a little while they lingered upon the giant ferns that, arching over Titus, hid him in their shadows.
Swivelling her head she stared backwards to the mouth of the cave, but only for a second; for the next moment she had taken the shirt, and held it up before her. A stream of rain water slid from its folds to the floor; she crushed the cloth together and then began to wring it out with a surprising strength and then spreading it out upon the ground she gazed at it, her expressionless head upon one side like a bird's.
Titus, half numbed by his cramped position, was forced to lie back and rest his arms and straighten his leg. When he rose again upon his elbow she was no longer by the shirt but was standing at the cave-mouth. He knew that he could not stay where he was for ever. Sooner or later he must make his presence known - and he was about to get to his feet whatever the consequences when a glare of lightning showed him the Thing silhouetted against the brilliance, her backbone arched a little, her head thrown back to catch the stream of translucent rain that golden as the lightning itself was falling directly into her upturned mouth. For that split second of time she was something cut out of black paper, her head meticulous in its contour, the mouth wide open as though to drink the sky.
And then the dark came down, and he saw her appear out of the gloom and grow more visible as she approached the embers of the fire. It was evident that the shirt fascinated her, for she paused when she reached it, and stared at it now from one angle, now from another. Finally she took it up and pulling it over her head and thrusting her arms through the sleeves she stood as though in a nightgown.
Titus, whose conception of the Thing had been flung from one side of his mind to the other, so that he hardly knew whether she was a frog, a snake, or a gazelle, was now powerless to assimilate the bizarre transfiguration that now stood within a few feet of him.
All he knew was that what he had so avidly sought was with him in the cave, had sheltered, like himself, from the storm and was now standing like a child, staring down at his shirt that fell in wet folds almost to the ankles.
And he forgot the wilderness within her. He forgot her ignorance. He forgot the raw blood and the speed. He only saw the stillness. He only saw the deceptive grace of her head as it hung forward. And seeing only this he pushed aside the ferns and rose to his feet.
II
The effect of his sudden appearance upon the Thing was so violent that Titus took a step backwards. Encumbered as she was with her new garment she leapt to the side of the cave where the floor was littered with loose stones, and all in a breath she had snatched at one and flung it with a vicious speed at Titus. He jerked his head to one side but the rough stone scraped his cheek-bone and stung him badly, the blood running down his neck.
The pain and surprise which lit his face were in contrast to her inscrutable features. But it was his body that was still, and hers that moved.
She had swarmed up the rockface on her side of the cave and was leaping from ledge to ledge in an attempt to circumscribe the rough circle of wall beneath the dome. Titus had been between her and the entrance tunnel, and she was even now springing to a position from which she could swing herself over his head and drop on the stormward side - and so away.
But Titus, just in time to realize what she was doing, retreated further down the tunnel, so that he blocked the way for her escape. But he was still in a position to observe her. Thwarted in her plan, she sprang backwards to one of the higher ledges that she had already used, and there, twelve feet above him, her head among the ferns that hung downwards from the roof, she directed her gaze upon him, her freckled face expressionless, but her head moving continuously from side to side like an adder's.
The effect of the blow on his cheek was to waken Titus out of his adulation.
His temper flared out, and his fear of her lessened, not because she was not dangerous, but because she had resorted to so ordinary a means of warfare as the flinging of a stone. That was something he could understand.
Had she been able to pluck out rocks from the fern-cloaked roof she would even now be doing so, and hurling them down upon him. But even as he stared up at her with angry amazement, he felt an irrational longing for her, for what was she doing but defying, through him, the very core of Gormenghast? And it was this solitary insurrection that had first affected him with wonder and excitement. And while the stinging of his cheek-bone angered him so that he wished to shake her, strike her and subdue her, at the same time the ease with which she had flitted from ledge to perilous ledge, the long wet garment slapping on the rocks as she sped, had made him lust for her small breasts and her slender limbs. He yearned to crush and master them. And yet he was angry.
How it was that she had been able to move at all across the rockface with his shirt impeding the freedom of her legs, let alone travel so speedily, he could not tell. The long sleeves flapped about her hands, but somehow or other she had been able to flick out her fingers from the folds, time after time, to grasp the cavern outcrops.
Now, as she crouched in the upper shadows, the damp cloth clinging to her and taking the form of her narrow limbs as though it had been sculptured, Titus, watching from below, cried out suddenly in a voice that seemed not his own.
'I am your friend! Your friend! Can't you understand? I am Lord Titus! Can't you hear me?'
The face like a robin's egg stared down at him from among the ferns, but there was no reply, save what sounded like a distant hissing.
'Listen to me,' he shouted again, more loudly than before, although his heart beat wildly and the words were difficult to form.
'I have followed you. Don't you see?... followed you... O, can't you understand! I've run away...'
He took a step nearer the wall so that she was almost directly overhead... 'And I've found you! So speak to me, for God's sake, can't you? Can't you?' He saw her mouth open above him, and at that moment she might have been a giant phantom, something too earthless to be held in by the worldly dimensions of this cave, something beyond measurement. And her open mouth gave him the answer to his question.
'So 'speak',' he shouted, 'can't you?' And this is what she could not do, for the first sound which Titus heard her utter bore no relation to human speech. Nor did the tone of it convey that he was being answered even in a language of her own. It was a sound, quite solitary and detached. It had no concern with communication. It was inward and curiously pitched.
So divorced was it, this nameless utterance from the recognized sounds of the human throat, that it left Titus in no doubt that she was incapable of civilized speech and not only this but that she had not understood a word he had said.
What could he do to show her he was not her enemy, that he had no wish to avenge himself for the blood on his cheek? The thought of his wound gave him an idea, and he immediately lowered himself to his knees, never taking his eyes off her, and felt about him for a stone, her eyes following his every movement with the concentration of a cat. He could see the tenseness of her body vibrating through the shirt. When his fingers closed upon a stone he rose to his feet, stretched out his hand with the missile displayed upon his open palm. Surely she must realize that it was now in his power to fling the thing at her. For a moment or two he showed her the stone, and then tossed it backwards over his shoulder where it clanged on the solid rock of the wall behind him.
But no expression crossed the freckled face. She had seen everything but as far as Titus could tell it had meant nothing to her. But as he stared up he became conscious that she was preparing to change her position, or to make some kind of attempt at escape. For the hundredth part of a second her eyes had flicked away as though to remind herself of the surrounding footholds and the dangerous ledges, and then again her eyes switched from his face, but this time it was to something that lay behind Titus on the other side of the cave. Quick as thought he turned his head and saw what he had forgotten all about, the two wide natural chimneys through the rock, that, twelve feet above the entrance of the cave, led to the outer air.
So that was what she would try and do. He knew that she could not reach these rounded vents from where she was, but that if she could circle the cave, she might spring from the opposite side into the upper chimney, and so, out into the open, where, no doubt, she would be able to swarm across the moss-grey walls of streaming rain.
For the rain was still pounding. It was an inevitable background to all they did. They were no longer conscious of the steady roaring, of the shouts of the thunder or of the intermittent lightning. It had become normality.
And then, from where she crouched, the Thing rose in the air, and was all at once upon a broader ledge six feet to her right. There seemed to have been no muscular effort. It was flight. But once there, she tore at Titus' shirt, hauling it over her head as though she were freeing herself of a sail, but somehow it had become entangled about her, during her leap, and, blinded for a moment by its folds across her face, she had, in a momentary panic, shifted her foothold and, misjudging the area of the ledge, she had overbalanced in the darkness and, with a muffled cry, had toppled from the height.
Involuntarily, as she had leapt to the broader shelf of rock, Titus had moved after her, as though drawn by the magic of her mobility, so that as she overbalanced he was within a few feet of where she would have struck the floor. But before she had fallen more than her own length he was stationed beneath her, his knees flexed, his hands raised, his fingers spread, his head thrown back.
But what he caught was so unsubstantial that he fell with it to the floor from the very shock of its lightness. His legs weakened beneath him with surprise, as though they had been cheated of the weight, however slight, that they were prepared to sustain. He had caught at a feather and it had struck him down. But his arms closed about the sprite that struggled in the cold wet linen, and Titus gripped her with an angry strength, the full weight of his body lying across hers, for they had rolled over one another and he had forced her under.
He could not see her face; it was closely shrouded in the wet linen, but the shape of it was there as her head tossed to and fro; it was like the head of sea-blurred marble long drowned beneath innumerable tides, save where a ridge of cloth was stretched across the forehead and took the shape of the temples. Titus, his body and his imagination fused in a throbbing lust, gripping her even more savagely than before with his right arm, tore at the shirt with his left until her face was free.
And it was so small that he began to cry. It was a robin's egg, and his whole body weakened as the first wild virgin kiss that trembled on his lips for release died out. He laid his cheek along hers. She had ceased to move. His tears ran. He could feel her cheek grow wet with them. He raised his head. He had become far away and he knew that there would be no climax. He was sick with a kind of glory.
Her head was turned to one side upon the ground and her eyes were fixed upon something. Her body had become rigid. For a moment it had melted and was like a stream in his arms, but now it was frozen once more, like ice.
Slowly he turned his head, and there was Fuchsia, the rain water streaming from her to the ground, her drenched hair hanging snake-like over her face, and her face in her hand.
III
All of a sudden Titus knew that he was lying alone. The sleeve of the shirt was clenched in his hands but the Thing had gone.
He had forgotten there was any other world. A world in which he had a sister and a mother, in which he was an earl. He had forgotten Gormenghast.