Going to Meet the Man (14 page)

Sonny didn’t play the piano that day. By evening, Isabel’s mother had calmed down but then there was the old man to deal with, and Isabel herself. Isabel says she did her best to be calm but she broke down and started crying. She says she just watched Sonny’s face. She could tell, by watching him, what was happening with him. And what was happening was that they penetrated his cloud, they had reached him. Even if their fingers had been a thousand times more gentle than human fingers ever are, he could hardly help feeling that they had stripped him naked and were spitting on that nakedness. For
he also had to see that his presence, that music, which was life or death to him, had been torture for them and that they had endured it, not at all for his sake, but only for mine. And Sonny couldn’t take that. He can take it a little better today than he could then but he’s still not very good at it and, frankly, I don’t know anybody who is.

The silence of the next few days must have been louder than the sound of all the music ever played since time began. One morning, before she went to work, Isabel was in his room for something and she suddenly realized that all of his records were gone. And she knew for certain that he was gone. And he was. He went as far as the navy would carry him. He finally sent me a postcard from some place in Greece and that was the first I knew that Sonny was still alive. I didn’t see him any more until we were both back in New York and the war had long been over.

He was a man by then, of course, but I wasn’t willing to see it. He came by the house from time to time, but we fought almost every time we met. I didn’t like the way he carried himself, loose and dreamlike all the time, and I didn’t like his friends, and his music seemed to be merely an excuse for the life he led. It sounded just that weird and disordered.

Then we had a fight, a pretty awful fight, and I didn’t see him for months. By and by I looked him up, where he was living, in a furnished room in the Village, and I tried to make it up. But there were lots of other people in the room and Sonny just lay on his bed, and he wouldn’t come downstairs with me, and he treated these other people as though they were his family and I weren’t. So I got mad and then he got mad, and then I told him that he might just as well be dead as live the way he was living. Then he stood up and he told me not to worry about him any more in life, that he
was
dead as far as I was concerned. Then he pushed me to the door and the other people looked on as though nothing were happening, and he
slammed the door behind me. I stood in the hallway, staring at the door. I heard somebody laugh in the room and then the tears came to my eyes. I started down the steps, whistling to keep from crying, I kept whistling to myself,
You going to need me, baby, one of these cold, rainy days.

I read about Sonny’s trouble in the spring. Little Grace died in the fall. She was a beautiful little girl. But she only lived a little over two years. She died of polio and she suffered. She had a slight fever for a couple of days, but it didn’t seem like anything and we just kept her in bed. And we would certainly have called the doctor, but the fever dropped, she seemed to be all right. So we thought it had just been a cold. Then, one day, she was up, playing, Isabel was in the kitchen fixing lunch for the two boys when they’d come in from school, and she heard Grace fall down in the living room. When you have a lot of children you don’t always start running when one of them falls, unless they start screaming or something. And, this time, Grace was quiet. Yet, Isabel says that when she heard that
thump
and then that silence, something happened in her to make her afraid. And she ran to the living room and there was little Grace on the floor, all twisted up, and the reason she hadn’t screamed was that she couldn’t get her breath. And when she did scream, it was the worst sound, Isabel says, that she’d ever heard in all her life, and she still hears it sometimes in her dreams. Isabel will sometimes wake me up with a low, moaning, strangled sound and I have to be quick to awaken her and hold her to me and where Isabel is weeping against me seems a mortal wound.

I think I may have written Sonny the very day that little Grace was buried. I was sitting in the living room in the dark, by myself, and I suddenly thought of Sonny. My trouble made his real.

One Saturday afternoon, when Sonny had been living with us, or, anyway, been in our house, for nearly two weeks, I found myself wandering aimlessly about the living room, drinking from a can of beer, and trying to work up the courage to search Sonny’s room. He was out, he was usually out whenever I was home, and Isabel had taken the children to see their grandparents. Suddenly I was standing still in front of the living room window, watching Seventh Avenue. The idea of searching Sonny’s room made me still. I scarcely dared to admit to myself what I’d be searching for. I didn’t know what I’d do if I found it. Or if I didn’t.

On the sidewalk across from me, near the entrance to a barbecue joint, some people were holding an old-fashioned revival meeting. The barbecue cook, wearing a dirty white apron, his conked hair reddish and metallic in the pale sun, and a cigarette between his lips, stood in the doorway, watching them. Kids and older people paused in their errands and stood there, along with some older men and a couple of very tough-looking women who watched everything that happened on the avenue, as though they owned it, or were maybe owned by it. Well, they were watching this, too. The revival was being carried on by three sisters in black, and a brother. All they had were their voices and their Bibles and a tambourine. The brother was testifying and while he testified two of the sisters stood together, seeming to say, amen, and the third sister walked around with the tambourine outstretched and a couple of people dropped coins into it. Then the brother’s testimony ended and the sister who had been taking up the collection dumped the coins into her palm and transferred them to the pocket of her long black robe. Then she raised both hands, striking the tambourine against the air, and then against one hand, and she started to sing. And the two other sisters and the brother joined in.

It was strange, suddenly, to watch, though I had been seeing
these street meetings all my life. So, of course, had everybody else down there. Yet, they paused and watched and listened and I stood still at the window. “
Tis the old ship of Zion
,” they sang, and the sister with the tambourine kept a steady, jangling beat, “
it has rescued many a thousand!
” Not a soul under the sound of their voices was hearing this song for the first time, not one of them had been rescued. Nor had they seen much in the way of rescue work being done around them. Neither did they especially believe in the holiness of the three sisters and the brother, they knew too much about them, knew where they lived, and how. The woman with the tambourine, whose voice dominated the air, whose face was bright with joy, was divided by very little from the woman who stood watching her, a cigarette between her heavy, chapped lips, her hair a cuckoo’s nest, her face scarred and swollen from many beatings, and her black eyes glittering like coal. Perhaps they both knew this, which was why, when, as rarely, they addressed each other, they addressed each other as Sister. As the singing filled the air the watching, listening faces underwent a change, the eyes focusing on something within; the music seemed to soothe a poison out of them; and time seemed, nearly, to fall away from the sullen, belligerent, battered faces, as though they were fleeing back to their first condition, while dreaming of their last. The barbecue cook half shook his head and smiled, and dropped his cigarette and disappeared into his joint. A man fumbled in his pockets for change and stood holding it in his hand impatiently, as though he had just remembered a pressing appointment further up the avenue. He looked furious. Then I saw Sonny, standing on the edge of the crowd. He was carrying a wide, flat notebook with a green cover, and it made him look, from where I was standing, almost like a schoolboy. The coppery sun brought out the copper in his skin, he was very faintly smiling, standing very still. Then the singing stopped, the tambourine turned into a collection
plate again. The furious man dropped in his coins and vanished, so did a couple of the women, and Sonny dropped some change in the plate, looking directly at the woman with a little smile. He started across the avenue, toward the house. He has a slow, loping walk, something like the way Harlem hipsters walk, only he’s imposed on this his own half-beat. I had never really noticed it before.

I stayed at the window, both relieved and apprehensive. As Sonny disappeared from my sight, they began singing again. And they were still singing when his key turned in the lock.

“Hey,” he said.

“Hey, yourself. You want some beer?”

“No. Well, maybe.” But he came up to the window and stood beside me, looking out. “What a warm voice,” he said.

They were singing
If I could only hear my mother pray again!

“Yes,” I said, “and she can sure beat that tambourine.”

“But what a terrible song,” he said, and laughed. He dropped his notebook on the sofa and disappeared into the kitchen. “Where’s Isabel and the kids?”

“I think they went to see their grandparents. You hungry?”

“No.” He came back into the living room with his can of beer. “You want to come some place with me tonight?”

I sensed, I don’t know how, that I couldn’t possibly say no. “Sure. Where?”

He sat down on the sofa and picked up his notebook and started leafing through it. “I’m going to sit in with some fellows in a joint in the Village.”

“You mean, you’re going to play, tonight?”

“That’s right.” He took a swallow of his beer and moved back to the window. He gave me a sidelong look. “If you can stand it.”

“I’ll try,” I said.

He smiled to himself and we both watched as the meeting
across the way broke up. The three sisters and the brother, heads bowed, were singing
God be with you till we meet again.
The faces around them were very quiet. Then the song ended. The small crowd dispersed. We watched the three women and the lone man walk slowly up the avenue.

“When she was singing before,” said Sonny, abruptly, “her voice reminded me for a minute of what heroin feels like sometimes—when it’s in your veins. It makes you feel sort of warm and cool at the same time. And distant. And—and sure.” He sipped his beer, very deliberately not looking at me. I watched his face. “It makes you feel—in control. Sometimes you’ve got to have that feeling.”

“Do you?” I sat down slowly in the easy chair.

“Sometimes.” He went to the sofa and picked up his notebook again. “Some people do.”

“In order,” I asked, “to play?” And my voice was very ugly, full of contempt and anger.

“Well”—he looked at me with great, troubled eyes, as though, in fact, he hoped his eyes would tell me things he could never otherwise say—“they
think
so. And
if
they think so—!”

“And what do
you
think?” I asked.

He sat on the sofa and put his can of beer on the floor. “I don’t know,” he said, and I couldn’t be sure if he were answering my question or pursuing his thoughts. His face didn’t tell me. “It’s not so much to
play.
It’s to
stand
it, to be able to make it at all. On any level.” He frowned and smiled: “In order to keep from shaking to pieces.”

“But these friends of yours,” I said, “they seem to shake themselves to pieces pretty goddamn fast.”

“Maybe.” He played with the notebook. And something told me that I should curb my tongue, that Sonny was doing his best to talk, that I should listen. “But of course you only know the ones that’ve gone to pieces. Some don’t—or at least they
haven’t
yet
and that’s just about all
any
of us can say.” He paused. “And then there are some who just live, really, in hell, and they know it and they see what’s happening and they go right on. I don’t know.” He sighed, dropped the notebook, folded his arms. “Some guys, you can tell from the way they play, they on something
all
the time. And you can see that, well, it makes something real for them. But of course,” he picked up his beer from the floor and sipped it and put the can down again, “they
want
to, too, you’ve got to see that. Even some of them that say they don’t—
some
, not all.”

“And what about you?” I asked—I couldn’t help it. “What about you? Do
you
want to?”

He stood up and walked to the window and remained silent for a long time. Then he sighed. “Me,” he said. Then: “While I was downstairs before, on my way here, listening to that woman sing, it struck me all of a sudden how much suffering she must have had to go through—to sing like that. It’s
repulsive
to think you have to suffer that much.”

I said: “But there’s no way not to suffer—is there, Sonny?”

“I believe not,” he said and smiled, “but that’s never stopped anyone from trying.” He looked at me. “Has it?” I realized, with this mocking look, that there stood between us, forever, beyond the power of time or forgiveness, the fact that I had held silence—so long!—when he had needed human speech to help him. He turned back to the window. “No, there’s no way not to suffer. But you try all kinds of ways to keep from drowning in it, to keep on top of it, and to make it seem—well, like
you.
Like you did something, all right, and now you’re suffering for it. You know?” I said nothing. “Well you know,” he said, impatiently, “why
do
people suffer? Maybe it’s better to do something to give it a reason,
any
reason.”

“But we just agreed,” I said, “that there’s no way not to suffer. Isn’t it better, then, just to—take it?”

“But nobody just takes it,” Sonny cried, “that’s what I’m
telling you!
Everybody
tries not to. You’re just hung up on the
way
some people try—it’s not
your
way!”

The hair on my face began to itch, my face felt wet. “That’s not true,” I said, “that’s not true. I don’t give a damn what other people do, I don’t even care how they suffer. I just care how
you
suffer.” And he looked at me. “Please believe me,” I said, “I don’t want to see you—die—trying not to suffer.”