First Daughter (30 page)

Tolkan nodded. "The truth is once I was old enough to understand how my father could afford all the luxuries I enjoyed as a kid, I stayed as far away from him as I could. It sickened me the way he'd take us all to church on Sunday, how he'd kneel, say his prayers to Jesus, quote from the Bible, and then go out and do . . . the things he did. I wanted no part of him, his contacts, his blood money. I worked my way through college, got an MBA from Georgetown."

Nina came down off the sofa arm. "So how come you wound up here?"

"I worked for Goldman Sachs for a year and hated every minute of it. When I quit, I decided I wanted to be my own boss. The bakery was still going, more or less. I saw an opportunity. I stepped in, invested in advertising, in a community-outreach program. Gradually I built up the business to the point where I needed to expand."

"And look at you now," Nina said.

Jack put his fists on the desk. "So you expect us to believe that you never joined E-Two."

"I didn't," Tolkan said, shying away. "I swear it."

"What happened?" Nina asked.

"I felt ashamed of myself. I went back to FASR, but they wouldn't have me. Chris said I could no longer be trusted."

Jack said, "This friend of yours—"

"He isn't a friend."

"Colleague, whatever." Jack pulled himself up. "Does he have a name?"

"Ron Kray."

Nina checked the printout Armitage had given them. "He's here," she said, and read off his home address.

"That's a phony. Kray told me. He's very private."

Jack wondered why the name seemed familiar to him. He racked his brain, but the answer remained frustratingly out of reach. "So where does Mr. Kray live?" he said.

"He never told me and I never asked," Tolkan answered. "But he said he works at Sibley Memorial Hospital."

"I've heard of it," Jack said. "It's a rehab place for the elderly. Physical and psychiatric."

Tolkan nodded. "Ron's a nurse there. A psychiatric nurse."

T
HE MODERN
layer cake of Sibley Memorial occupied a wide swath of real estate on Sleepy Hollow Road outside of Falls Church. Nina suggested they call to see if Kray was on duty, but Jack disagreed.

"First off, I don't want to take any chance of him being tipped off we're coming. Secondly, even if he's not there, the HR department is bound to have a current photo of him."

As it turned out, Kray wasn't on duty. In fact, the head of the psychiatric department told them he hadn't worked there for over two years.

They were directed to the HR department, where they obtained Kray's last known address, which matched the one on the list Chris Armitage had given them. Kray's photo ID, however, had been destroyed.

K
RAY LIVED
on Tyler Avenue, not more than six minutes away. Nina was silent during most of the drive. At length, she turned to Jack.

"You must think I'm quite the neurotic."

Jack concentrated on his driving. This was somewhat of a new area for him, and he wanted to make sure he read every road sign.

Nina took his silence for assent. "Yeah, you do."

"What do you care what I think?"

"For one thing, we're working together. For another, I like you. Your mind doesn't work like anyone else's I've ever met."

"I'll take that as a compliment."

She offered a nod of assent. "In a very short time, I've come to trust what you call your hunches."

"Would you call them something else?"

She nodded. "I would, yes, if I had a word to describe them. Whatever they are, they're far more than hunches, though." She put her head back. "You know, if I spend any more time with you, I'll start to doubt everything I thought was true."

She put a hand over his. "We had a moment there under the old oaks where Emma escaped from school at night." Her forefinger curled, the nail scratched lightly, erotically along his palm. "Why don't we take it from there?"

He braked until he could decipher a street sign. Also, to clear the air between them.

"Listen, Nina, I'm flattered. But just so there's no misunderstanding, I'm not into on-the-job screwing."

"Too many complications?"

The image of Sharon was beside him, with her long tanned legs, hair swept across her face, that mysterious look in her eyes he loved because he never quite knew what it meant or foretold. "Among other things."

"What if we weren't partners? I could arrange—"

"It wouldn't matter."

"Well, that's candor for you." Nina removed her hand. "Your ex still under your skin?"

He swung onto Tyler, slowed to a crawl.

"Okay, forget it. Privacy's something I respect. There is, in any case, a kind of privilege in loneliness. It makes you feel alive, introduces you to yourself."

Jack felt annoyed. "I didn't mean that."

"You just didn't say it." She took out a clove cigarette, lit up. "I have a question. D'you have any idea who Emma met underneath the oaks?"

"My daughter's life was a closed book to me. It was as well hidden as a spy's dead drop."

"You never followed up on it?"

"With who?" A nerve she had nicked flared up. "My daughter's dead."

J
ACK WENT
up the flagstone path, knocked on the door. Immediately, a dog began to bark. He heard a scuffling inside, then the patter of feet. The door opened, revealing a middle-aged woman in a housecoat. A cigarette was dangling from her mouth.

"Yeah?" She looked Jack square in the eye without a trace of apprehension.

Jack cleared his throat. "I'm wondering if Ron Kray is home."

The dog continued barking inside the house. The woman squinted through the smoke trailing up from her cigarette. "Who?"

"Ron Kray, ma'am." Nina stepped up.

"Oh, him." The woman expelled a phlegmy cough. "He used to live here. Moved out about, oh, six months ago."

"Do you know where he went?"

"Nah." The dog's barking had become hysterical. The woman ducked her head back inside. "For God's sake, Mickey, shut the fuck up!" She turned back. "Sorry about that. People make him nervous. He's probably gonna leave a deposit on the kitchen linoleum." She grunted. "At least the carpet'll be spared."

"You wouldn't happen to still get any of Kray's mail," Jack said.

"Not a one." The woman took a mighty drag on her cigarette, let out a plume of smoke like Mount Saint Helens. "Sorry I can't be of more help."

"You did fine," Jack said. "Can you tell me the address of the local post office?"

"I'll do better than that." The woman pointed the way, giving him detailed directions.

Jack thanked her, and they picked their way back down the flagstone walk.

"The post office?" Nina said as they climbed back into the car.

Jack glanced at his watch. "We just have time to get there." He pulled out, drove down the street. "Tolkan said that Kray was a private man. He wouldn't have wanted anyone else getting his mail. I'm betting he filed a change-of-address form before he left."

They headed east on Tyler, while Nina finished her cigarette, turned right onto Graham Road, right again on Arlington Boulevard, then a left onto Chain Bridge Road. The post office occupied a one-story pale brick building. It looked like every other post office Jack had been to, outside and in.

He walked up to the counter, asked to see the postmistress. Ten minutes later, a hefty woman in her mid-fifties appeared, walking none too quickly. It seemed to Jack that all postal employees were constitutionally incapable of moving at anything but a sluggish pace. Then again, maybe they learned it at some secret government academy.

Jack and Nina showed their credentials, asked for a forwarding address for Ron Kray. The postmistress, who had a face like a boxing glove, told them to wait. She disappeared into the mysterious bowels of the building. Time passed, people walked in, got on line, waited, inched forward. Forms were filled out, packages were rubber-stamped, more forms were filled out, letters and more packages were rubber-stamped. People who failed to fill out the proper forms were sent to
the corner stand to correct their mistakes. Jack was at the point of risking a federal offense by hurdling the counter to go after the postmistress, when she reappeared, inching snail-like toward them.

"No Ron Kray," she said in her laconic manner. She spoke like a character straight out of a Raymond Chandler novel.

Jack took a pad and a pen, laboriously wrote down Kray's last known address, the house they'd just come from. Tearing off the top sheet, he handed it to the postmistress, who looked as if her recent labors had tired her out. "How about a forwarding from this address?"

The postmistress peered down at the slip of paper as if it might possibly do her harm. "I don't think I can—"

"From six months ago, give or take a week."

The postmistress looked at him bleakly. "Gonna take some time, this."

Jack smiled. "We'll be waiting."

"I get off work in twelve minutes," she pointed out.

"Not today, you don't," Nina said.

The postmistress glared at her, as if to say,
Et tu, Brute?
Then, in a huff, she shuffled off.

More time passed. The line gradually dwindled down, the last customer finally dealt with. A collective sigh of relief could be felt as the postal workers totaled up, locked their drawers, and followed their leader into the rear of the building.

"I wouldn't be surprised if she was having a cup of tea back there," Jack said. "She looks the vindictive type."

"Jack, about Emma—I was just trying to help."

He looked away, said nothing.

She bit her lip. "You're a hard man."

She waited a moment. They were alone in the front of the post office, the entry doors having been locked.

She peered into his face. "Could we start over?"

Jack returned slowly from the black mood of last night. "Sure. Why not?"

She caught the tone of his voice. "You're not very trusting, are you?"

"Trust has nothing to do with it," he said, a wave of leftover anger washing over the wall of his normal reserve. "Life has taught me how not to love."

At that moment, shuffling footsteps forestalled further discussion. The postmistress had reappeared and was heading straight toward them. She was holding a handful of forms. Nina snatched them out of her hand just as she was saying, "There are six—well, I never!"

Nina was scrutinizing them, for which Jack was grateful. Considering the tense circumstances and the watchful eyes of the postmistress, he'd have had a difficult time focusing.

Nina went through the forms one by one, shook her head. "We're going to have to run all of these people down." Suddenly, her eyes lit up. "Wait a minute!" She flipped back to the fifth form. "Charles Whitman. Now that's odd. Charles Whitman was the name of the sniper who climbed the University of Texas tower in August of 1966 and in an hour and a half killed fourteen people and injured a whole lot more. Someone at the scene, I forget who, said, 'He was our initiation into a terrible time.' "

"I remember, that was a local shopowner. I saw him interviewed." Then Jack snapped his fingers. "
That's
why Ron Kray sounded familiar to me. Ronnie Kray and his twin brother, Reggie, were a pair of notorious psycho killers in the East End of London during the fifties and sixties."

"We've got him!" Nina said. "Our man's using both Kray and Whitman as aliases."

Jack took Kray/Whitman's change-of-address form from her. Concentrating hard, he began to read the new address. It was in Anacostia; that much he got right away. But the street and the number
eluded him, swimming away on a sea of anxiety. Of course, the street name was simplicity itself, and part of his brain had recognized it at once. The problem was, it had shied away from recognition.

"He's at T Street SE," Nina said.

Then she read off the number, and Jack's hand began to shake. Their target, Ron Kray, Charles Whitman, whatever his real name was, the man who might very well have abducted Alli Carson, was living in the Marmoset's house.

F
EW PEOPLE
know where Gus and Jack live; even fewer come to visit. So when Detective Stanz shows up one evening at the Maryland end of Westmoreland Avenue, Jack has cause for a certain degree of alarm. For a time, Stanz and Gus stand out on the porch, jawing away. Stanz lights a Camel, and smoke comes out his nostrils. He looks like a bull in one of those Warner Bros. cartoons, except there's nothing funny about him. He seems to carry death around with him under his left armpit, where his service revolver is holstered.

Jack, lurking inside, hears the words "McMillan Reservoir," so he's reasonably certain that after the Marmoset's murder, whoever Gus put on the double murders hasn't come up with enough to satisfy Stanz. But apparently he's come up with something, because Jack hears Stanz say, "I say let's go now. There're questions I want to ask him."

Gus nods. He walks into the house, uses the phone out of Jack's hearing. He returns to tell Jack that he's going off with Stanz, that he'll be back in a couple of hours. As he watches the two men step off the porch, Jack hurries to the desk where Gus keeps an extra set of car keys. Slipping out of the house, he just has time enough to start the
white Lincoln Continental, put it in gear as he's seen Gus do, roll out after Stanz's dark-colored Chevy. Jack deliberately keeps the headlights off until there's enough traffic so that neither man will pick up the Continental. He's only ever driven around the near-deserted streets of the house, with Gus beside him talking softly, correcting his errors or overcompensations. The sweat rolls into his eyes, pours from his armpits. His mouth is dry. If a cop stopped him right this moment, he wouldn't be able to say a word.

With a desperate effort, he finds his equilibrium. Thankfully, he only has to concentrate on the Chevy and the colors of the traffic lights. If he needed to read street signs, he'd be completely lost. He pushes a button on the dashboard, and James Brown starts shouting "It's a Man's Man's Man's World." Singing along, he thinks fleetingly of how far he's come since "California Dreamin' " sent ugly shivers up his spine.