Everything but the Squeal (21 page)

‘Turkey,” Jessica read. “Inthe. Straw. Hollered. Begged. Hotwater.” She looked at both of us and shrugged.

‘They're code words,” Morris said. “If this is a bulletin board, which I think it is, these are the words people use to access the board. All the users have secret words. Without them, they can't get into the data base.”

“What's a bulletin board?” Jessica said.

“It's just a data base that people reach by telephone. See all the phone numbers? You use the modem in your computer to dial a number and then you've got to give a code to get to the information. If you use the wrong code, the bulletin board disconnects. There are dating services that work like that,” Morris said, blushing becomingly. “The people who called this board probably typed in these names, and that was their code.”

“Look at the other disks,” I said, getting up.

Morris dealt disks into the slots like an old Vegas hand playing a new form of computer poker. Each of the other disks contained six records, just like the first. The same six words, or combinations of words, came after number three on each disk.

“They're duplicates,” I said, feeling disappointed.

“Turkey in the Straw,” Morris said suddenly, looking at the page. “That's a kind of folk song, some kind of hillbilly music.”

“Yeah?” I said, grasping literally at straws. “How does it go?”

“
Mom
,” Morris bellowed. I quailed nervously, and Jessica retreated a step. “She'll know,” Morris said in explanation. “She and my dad are into hayseed music. They're old-fashioned liberals.”

“Poor you,” Jessica said with the new conservatism of the American teenager.

Elise Gurstein came to the door. “More coffee?” she asked.

“Sing, Mom,” Morris commanded. ” Turkey in the Straw.’ ”

“Morris,” Elise Gurstein said, looking flustered. “Surely you jest. It's nine-fifteen. I can barely talk at this hour.”

“Then get Dad.”

“He's asleep. They shot until three last night. Morris’ father is in television,” she said to me.

“You get the part, then,” Morris said mercilessly. ” Turkey in the Straw.’ You and Dad know all those chestnuts.”

“This is more than a trifle embarrassing,” Elise Gurstein said to me. “Especially since I don't know the words.”

“Just ‘deedle, deedle,’ ” Morris said. “This could be important.”

“It had better be,” said his mother. “Okay, but all of you have to turn your backs.” We did, and I heard her draw a deep breath. “Ohhh,” she sang in a pure soprano, “De deedle deedle deedle and de deedle deedle de. And de deedle deedle deedle, deedle de de de.”

“Again,” Morris commanded.

“I know the words,” Jessica said, cutting Elise off in mid-deedle. “My dad used to sing it sometimes when he was carrying Luke and me around on his back.” She looked down at the pad. “Oh, Jesus,” she said.

“What?” I asked. “What is it?”

“They're here, sort of,” she said. Then she sang:  Oh, the little chickie hollered And the little chickie begged, And they poured hot water Up and down his leg.

“That's pretty morbid,” Elise Gurstein said reprovingly. Words like those weren't in the Liberals' Children's Songbook.

“It's a children's song,” Jessica said. “Or that's what Daddy says.”

“Hot water,” I said. Something connected in my mind, with the force of a bolt lock being shot home. I heard the gush of water echoing on a tape cassette, almost drowning out Aimee Sorrell’s screams.

“They've left out Chickie,” Jessica observed, scanning the words I'd written.

“Is the concert finished?” Elise Gurstein asked. “Can I go back upstairs now?”

“I guess so,” I said. She left.

“So that's it,” Morris said. “Maybe they're all folk singers. Maybe this is a folk singers' bulletin board. They all get together on Saturday nights and clog-dance.”

“They're not anything that dull,” I said. “Look, we've got one sequence already. The words occur in the song in the same order as the records. One is ‘Turkey,’ two is ‘Inthe,’ and so forth. Let's look for other sequences, numbers, this time.”

“There aren't any,” Jessica said. “We already did that.”

“Not on a single disk, there aren't. But what about if we look from disk to disk?”

“Wait,” Morris said. “I'll load them onto the hard disk and then we can look at them all without having to change disks all the time.” He did some magic at the keyboard, and two minutes later we were able to page from disk to disk as well as from record to record.

“Look at the numbers at the top,” I said, “the ones we were looking at before.”

After five minutes we'd found the progression.

The disk I'd labeled one had in parentheses the numbers (186-486). There were similar numbers in parentheses on each of the records on the disk. The disk I'd numbered two identified all the records on it as spanning (586-986). three began with (1086-187). Morris hadn't copied them to the hard disk in numerical order, so it took a little longer than it would have otherwise.

“They're dates,” I said conjecturally. “One-eighty-six means January 1986. Look at them all. They're a continuous record. Disk one ends with April 1986, and disk two begins with May 1986. They're not duplicates, they're some sort of chronological record. ’ ’

We all looked at the screen.

“Yes,” Morris said, rubbing his chin with an oddly middle-aged gesture. “Yes.”

“Yes, what?” Jessica demanded, sounding like her old self.

“Then some of the numbers following the orders and the special orders are dates too,” Morris said. “Just put a slash in between the first or second number and the last two. Look, all the numbers to the right are sequential top to bottom. Special order A lasted from April 22 to April 27. Special order B goes from May 17 to May 22, and special order C is May 23 to May 29. I think you're right.”

“It's Simeon's job to be right,” Jessica said.

“Why no years in those fields?” I asked, thinking out loud.

“Because the year is at the top,” Morris said in the patient tone of one who had to break the news to a half-wit. “This disk covers January 1988 to October 1988.”

“Wooey,” Jessica said, staring at the screen.

“There's another sequence,” Morris announced to the room at large, paging through the records and the disks. “Look: 1200 orders of fingers, 2800 orders of parts: 4,000 orders of paper. So fingers and parts equal paper. See? The amount of paper equals the number of parts and fingers added together.”

“Son of a bitch,” I said, moderating my awe at Morris’ expertise. Addition had never been a comfortable subject. “Can you print this one out?”

“Sure,” Morris said confidently, “no prob.”

“Before you do, type in the dates.”

Humming to himself, Morris typed for a few minutes, then hit a couple of keys, and said, “Here it comes.”

Something behind me panted and then whirred. I turned to see a laser printer. After a moment it stuck out a tongue of white paper at us.

“This is really
neat
,” Jessica said, grabbing the sheet. She put it on the desk and we all gathered around it. Now it looked like this:

RECORD 1. (April 88-October 88)

1.  3088 Compton Blvd., Bellflower, CA 90266 (213) 555-1296

2.  4 yrs

3.  Turkey

4.  CURRENT

5.  ORDERS

a. Fingers, 1200 orders, last order 1000 (September 13)

b. Parts, 2800 orders, last order 2300 (September 13)

c. Paper, 4000 orders, last order 3300 (September 13)

d. Drinks, “A” category (no change) (September 11)

6.   SPECIAL ORDERS

a. 188,u.r., January 88 (April 22-April 27) JX6

b. 217, c.r., January 88 (May 17-May 22) CP1

c. 217, c.r., January 88 (May 23-May 29) UI

d. 202, u.l., June 87 (unavailable) BX

e. 226, u.r., January 88 (July 4-July 11) BX

f.  226, u.r., January 88 (July 12-July 18) UI

g. 193,l.c.,January88(October l-October 10) BX

“What the hell happens only in January or June? And what are the numbers on the left? What's u.l.? What's u.r.?” I asked. There was a long silence, followed by a mutual shrug.

“Look at the other disks,” I said, and Jessica and I looked over Morris’ shoulder as he toggled some key or another to bring disk after disk to the screen. As he did so, a number caught my eye.

“Back up,” I said. “No, not that one, the one before it.”

The record I wanted came obediently back to the screen and sat there glowing a comfortable green. “Well, I'll be damned,” I said.

“Which number?” Morris said, eyeing the screen intently.

“The phone number,” I said. “At the top.”

“What about it?” That was Jessica.

“I picked it up off Birdie's memory dialing buttons. I called it a couple of times.”

“And?” Morris said, popping his knuckles in his eagerness.

“The guy who answered it said ‘Captain's.’ When I asked him Captain who, he hung up. Find me a number with an L.A. area code.”

Morris found two. “That one,” I said, stopping him at the Bellflower screen. “I got the same answer there.”

Morris did something, and I found myself looking at another screen with an L.A. address and area code.

“I didn't have that number.”

“You've got it now,” he said. “Fingers, parts, paper, drinks. The Captain.” Suddenly he giggled. “
Chickie
. Oh, my gosh, chickie. Come on, Jessica,” he said. “What's there? Sixty-one-sixty Sunset. Fingers, parts, paper, drinks, chickie, the Captain. What's there? Think single-digit I.Q.”

“How should I know?” she said defensively.

“Full of idiots. Wearing masks. The most bogus place to eat in the whole wide world.
Fingers
, Jessica.”

“Morris,” she said reverently. It was a tone I hadn't heard from her since Wyatt explained how the world was round, when she was six. “That's brilliant.”

Morris glowed modestly while I sat there feeling like a floor lamp. “Listen,” I said after they'd simpered at one another for a few moments, “I hate to intrude on the communing of true spirits, but what's there?”

“The Captain's,” Morris said. Then he extended a hand, vaudeville-style, to Jessica, and said, “Ta-
da.
”

“Cap’n Cluckbucket’s,” she said, slapping his palm. “The world's corniest fast-food restaurant.” She gave Morris a blinding smile, and he ducked back toward the keyboard as if he were afraid her smile would blow his head off.

“Cap’n Cluckbucket’s,” I repeated in complete incomprehension, but even before I breathed in I knew what they meant. “Chicken,” I said. “Chicken fingers. Chicken parts. Drinks. Paper for serving all that crap on. Guys in chicken suits.”

“Paper masks. Cute little beaks and rooster combs,” Morris said.

I got up. “Listen, Morris,” I said, “can you get into this data base and screw around with it? Change it around, make it do things?”

“Probably.” He looked at Jessica for approval. “Why?”

“I don't know yet. I just need to know that you can do it.”

He hesitated and then decided on bravado. “Sure I can,” he said.

“Where are you going?” Jessica said.

“I'm hungry,” I said, going through the door and up the stairs and into the nonfractal world. As I'd promised, I dropped Jessica at home. As a bonus I fended off her ferocious parents before heading Alice into Hollywood.

21 - At the Cap’n’s

C 
onsidering that it was Hollywood, absolutely nothing was going on. Anywhere else, the big guy in the chicken suit would have been news.

Cap'n Cluckbucket's hunkered down on a littered square of asphalt in the 6100 block of Sunset, between a new coppery-glass office building and a once-elegant 1930’s apartment house with paper trash from Cap'n Cluckbucket's heaped against its walls like a postindustrial snowdrift. Even for a detective who had to have his work done for him by a teenage kid with a voice like Minnie Pearl's, it was easy to tell which building was Cap'n Cluckbucket's: it was the one with the eighteen-foot-high yellow chicken on the roof and the 270-pound chicken walking around outside.

I'd been in the vicinity for a few hours, mostly watching and trying not to attract attention. First, I'd parked across the street until the occupants of an LAPD cruiser had checked me out twice. Then I'd driven around the block ten or twelve times. Finally I'd abandoned the car out of sight in the Starlite Bagels parking lot down the street, hiked to the restaurant, and sat under the interior neon, cheek to jowl with a rain forest of plastic ferns, eating greasy fried chicken from an orange tray until my cholesterol count zoomed into the red zone. I also took the “Chicken Trivia Quiz” that was printed on my napkin. I scored in the Big Cluck range.

A beefy individual in a gaudy rooster outfit stood at the curb outside and waved the cars in. And in they came, drawn from the flow of Sunset by the promise of noise and company and a quick meal on a day that probably already seemed too long. The cars were full of Mommies and Daddies and Kiddies. Many of them, more than you see in any other country on earth, were overweight. And no wonder. The chicken breasts I'd ordered were so puffed up with batter and oil that they could have been dinosaur thighs. From a very greasy dinosaur.

Cops ate there too. The occasional black-and-white pulled in and two guys, or a guy and a girl, dressed in blue and packing iron, jingled in through the crush of families and named their poison. I didn't see any of them pay. Fast-food joints are cash-intensive businesses, and they like to have the cops on their side. That was worrisome.

The seed of cop paranoia had been planted by good old Marco and watered by the Mountain. On the whole, it seemed to me that there were more cops patronizing the Cap'n's than the Cap'n's food warranted, even given that it was free. If the restaurant was involved in child prostitution, it was possible that some of the folks in uniform were too. I kept my eyes on my food and wallowed in anxiety.

The bunch behind the counter was the usual L.A. minimum-wage mixture of legal and illegal Hispanic immigrants, none of them much over high-school age. They took the orders and punched them up on forbiddingly complicated cash registers. The registers totaled the price, calculated the sales tax, and printed out a receipt that itemized every dreadful thing you'd ordered, three-pak, mine said, meaning three pieces of something that might have begun life as a chicken, biscuit, lg. soft drink. And to the right were the prices, and at the bottom, the total, followed by
have a nice day.
Fat chance, I thought. Fat, polysaturated chance.

The registers, I mused, might also be feeding data into the console on Birdie's desk.

The manager, an obese, untidy Anglo with skin the color of pancake batter, moved back and forth frantically behind the counter, clapping his hands together like a demented cheerleader to spur on his tropically indolent staff. He wore a chicken costume like the one on the outsize bruiser who was working the curb, and every time he clapped his hands the rubber rooster comb on top of his head quivered. His face was uncovered so we could all see his smile. It was a pretty ghastly smile. The sign on his chest, or, rather, breast, since he was masquerading as a fowl, said
Marty
.

I was sure that I didn't want to talk to Marty. In addition to the bustling kitchen crew, who didn't have time to talk to anybody, there were three young Hispanic women who took the orders, largely ignoring Marty. I might have spoken to them, but didn't: it was only Thursday, the third day since Mrs. Sorrell had paid the ransom for Aimee, and I couldn't risk starting anything. I had a full day to go.

So I choked down my lg. soft drink and picked at my three-pak and hefted my biscuit, which might have been made out of reconstituted iron filings, and tried to figure out what, if anything, was going on.

At the table across from me a family of four, Vietnamese immigrants from the look and sound of them, were working their way through a meal that at least some of them would surely regret. The mother and father, both of them brown and delicate, stared dolefully at their plates, obviously missing their noodles and their odorous but delicious fish sauce, but the kids tucked in with the gleeful appetites of new Americans. They were, as near as I could tell, a boy and a girl. Both of the children had come back from the counter wearing paper chicken masks that terminated in little yellow beaks just below their noses and paper chicken bibs decorated with printed feathers. I was trying to determine how old they were when I realized that the mother was staring at me. As a rule, Vietnamese don't stare. It's considered impolite. I smiled at her, and saw that the father was staring at me too. I'd been looking too long at their children.

“Beautiful kids,” I said.

The father glanced at the mother and then returned my smile. “How you knowing?” he asked. “Them look like bird.”

“A boy and a girl, right?”

“This one girl,” he said, pulling at the mask on the child nearer to me. A pert little face peeked brownly out at me and then the child reached up a hand made of fragile bird-bones and firmly replaced her mask. “Other one boy,” the father said. He looked happy not to have to eat. “Boy number one.”

“Firstborn?” I asked. The boy, who was gnawing at a wing that could have come off a pterodactyl, was marginally larger.

“Number one,” the father repeated. “Born Vietnam.”

“Where in Vietnam?”

The father grew watchful. For all he knew I was a Vietnam burnout with an Uzi under my shirt. “You been Vietnam?” he asked carefully.

“No,” I said, “but I hear it is very beautiful.”

“Was,” he said, still on guard. “Near Hue.”

“Hue.” I had no idea where that was.

“Farm,” he said. “Cows and chickens. Chickens not like this.” He gestured at his plate.

“No chicken was ever like this,” I said.

“American chicken no good,” said his wife with the air of one who was testing her English. She sat back at the end of the sentence and allowed herself a private smile. She'd talked to an American. She had a story to tell when she got back to the Vietnamese enclave in what used to be Chinatown. It was now one of several Little Saigons. The Chinese had moved to Monterey Park.

“I like it,” the boy said from behind his mask. His English was as unaccented as mine. “Hell, I think it's great.”

“Language,” his father said reprovingly. “Watching language, please.”

“Let me see your face,” I said to the boy. He pulled up his mask and let it rest on his forehead. A lock of straight black hair was captured beneath it. Two dark eyes winked out at me like raisins in a rice pudding. He was about nine.

“You like this better than Vietnamese chicken?” I asked.

“Vietnamese chicken stinks,” he said. “I'm an American. My name is Tony.”

Tony's parents looked at him with loss in their eyes. His mother said something in Vietnamese. Even his sister stared at him, her paper beak turning in his direction.

“Um,” I said, and then the conversation was interrupted by a high-pitched squabble from the counter.

Two boys were fighting. The one parent with them, the mother, tossed out pleading smiles in all directions as the boys threw looping roundhouse punches at each other. At issue, it would seem, was a torn, brightly colored piece of paper. Each of them had approximately half of it in his hand. The smaller of the two fell to the floor in self-defense and clutched his half of the trophy to his stomach. The larger boy administered what looked like a persuasive kick to the smaller one's backside.

“Whoa,” said an adult male's voice, and I saw the big rooster named Marty wade into the fray. “What's the problem here?”

“Willie took my mask,” said the little one, still hunched over. Outraged righteousness rang in his voice.

“Forget it,” Marty said gruffly from under his rubber rooster's comb.

“But it's mme,” the little one said. “Willie is a dork.”

“Ho, ho, ho,” Marty laughed with all the rich and hearty sincerity of a Macy's Santa. “We got lots of them.” He snapped his fingers in the direction of the nearest of the Hispanic girls, and she reached under the counter and came up with what looked like fifty chicken masks.

“Two,” Marty said with a new note of command in his voice. “Two, stupid.” He apparently couldn't be bothered with remembering her name, even though it said
Alicia
on her name tag.

Blushing in anger, Alicia dropped all but two of the masks under the counter and handed the pair to the big rooster. Then, biting her underlip, she turned to the soft-drink machine and yanked the handle down, filling a cup that no one had ordered. Rooster Marty kept a watchful eye on her as he handed the masks to the two boys, giving each of them an awkward, ham-handed pat on the head. Then he turned his head and looked at me. He'd looked at me before.

“Sorry,” I said to the Vietnamese couple, “I think I've had enough chicken.” I got up and headed for the sidewalk.

Watery sunlight sparkled off leftover Easter decorations in the shops as I walked east, toward Western Boulevard. Western, as its name suggests, used to be the western edge of L.A.; now it's somewhere in the middle. The foot traffic here was made up of the class of Los Angeles residents who don't own cars: bus stops were crowded with stolid, fatalistic-looking Hispanic women going to, or coming home from, domestic jobs, and street crazies mumbled and jabbered their messages to the world, walking as though they were propelled by a system of contradictory and overwound springs. Out-of-work men sat on the low wall surrounding a parking lot, talking and smoking cigarettes. Women and children went in and out of a discount shoe store or stared longingly at the large-screen color television sets in the windows of an appliance-rental center. It was the kind of neighborhood where people rented things. Several children who had either been parked in front of the window by their mothers or had gathered of their own accord gazed gravely at the images on the screen.

This was a neighborhood in its last throes. Above the little run-down thrift shops and
clinicas
medicos
and four-story apartments, the new office building next to the Cap'n's loomed like a coppery finger pointing toward the future. The neighborhood in which these people lived and worked and raised children was a tax deduction for incorporated dentists on some business manager's books in Beverly Hills, and somewhere some computer was running a rentals-versus-land-values equation that would eventually bring in the bulldozers and then the architects and steelworkers and concrete pourers, and, penultimately, the interior decorators. Then would come the executives and junior executives in their BMW's and Cherokees, most of them white, and the old brown neighborhood would recede north and south, away from the Boulevard and into the decaying side streets, and finally it would pull up stakes completely and reroot itself somewhere farther east and south, wherever the accountants' equation translated into Let the Neighborhood Go. I preferred this one the way it was, full of noisy, sloppy life spilling onto the sidewalks, quarreling and laughing and spending and dreaming and falling in love and shooting each other on occasion.

The thought of BMW's made me stop walking. Children were expensive merchandise. People didn't pick up expensive merchandise in dumped, primered Plymouths from the mid-sixties. The place to be was Cap'n Cluckbucket's parking lot. I went the long way around the block and retrieved Alice. Then I changed my shirt, put on my Jerry Lewis glasses, black horn-rims with white adhesive tape over the nose, combed my hair forward, and drove Alice into the Cap'n's lot.

With a tray of chicken so oily that Saudi Arabia would have gone to war for the mineral rights and yet another lg. soft drink, I sat and watched the traffic go in and out of the Cap'n's lot. There was a system, of sorts. After the rooster on the curb waved them in, cars went either into a parking slot or into the drive-through lane. Once in a while a kid would get out of a car in the drive-through lane and go into the bathroom, but he or she always came back in due time, so I figured the cars to watch were the fancy ones whose occupants went into the restaurant.

I was there an hour, which was as long as I dared to stay. I saw only four expensive cars the whole time I was there. A Cadillac convertible with a male in it who arrived solo, ate solo, and left solo; a big Jeep Cherokee with a family of six who left without ordering because the place was too busy and they didn't want to wait in line; a Maserati driven by a man who had a little boy in tow and who left twenty minutes later with him still in tow; and a Buick Reatta containing a man and a little girl of twelve. When the man came out alone, I sat up so jerkily that I spilled part of the drink into my lap, adding to the already plentiful scars and stains of the day, but a moment later the little girl came running out of the rest room and climbed into the Buick and the two of them drove away. With a lump in my stomach that was compounded equally of disappointment and indigestible chicken, I headed into the rush-hour traffic and pointed Alice toward Topanga. The sun, as I drove west, glared through the clouds like a luminescent bottle of milk.

I wanted to call the Sorrells when I got home, but I couldn't. Daddy would be there. I wanted to call Hammond and ask whether they'd found Marco, but I couldn't. It might have endangered Aimee. I wanted to find out where Mrs. Brussels lived and break into her house, but I couldn't, for the same reason. In all, there wasn't a hell of a lot I
could
do.