Endgame Vol.1 (77 page)

The website continues, “Using . . . stolen technical data, [rebel] Alliance tacticians were able to pinpoint a crucial flaw in the Death Star’s design. A small
ray-shielded thermal exhaust port led directly from the surface of the station into the heart of its colossal reactor. If the port could be breached by proton torpedoes, then the resulting chain reaction would destroy the station.”
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We all know what happened next: By using the force, and with the help of Han Solo and Chewbacca, as well as the spirit of Obi-Wan Kenobi, Luke Skywalker was able to drop a proton torpedo right down the tiny port, and blow up the Death Star.

One small proton torpedo destroyed the Death Star. This would be a prime example of leveraging your power by using a properly placed fulcrum. In our case, to switch metaphors, where do we place the charges? Where is the correct thermal exhaust port? How do we start a chain reaction that will cause the “Death Star” before us to self-destruct?

You know, don’t you, that this wasn’t the movie’s original ending. I have in my hands an extremely rare early draft of the
Star Wars
film script, never before published.
⁴⁶⁸
It may surprise you to learn that the early drafts were written by environmentalists.
⁴⁶⁹
In this version, the rebels do not of course blow up the Death Star, but instead prefer to use other tactics to slow the intergalactic march of Empire. For example, they set up programs for people on planets about to be destroyed to produce luxury items like hemp hacky sacks and gourmet coffee for sale to inhabitants of the Death Star. Audience members will also discover that there are plans afoot to encourage loads of troopers and other citizens of the Empire to take ecotours of doomed planets. The purpose will be to show to one and all that these planets are economically important to the Empire and so should not be destroyed. In a surprise move that will rivet viewers to the edges of their seats, other groups of rebels file lawsuits against the Empire, attempting to show that the Environmental Impact Statement Darth Vader was required to file failed to adequately support its decision that blowing up this planet would cause “no significant impact.” Viewers will thrill to learn of plans to boycott items produced by corporations that have Darth Vader on the board of directors, and will leap to their feet in theaters worldwide when they see bags full of letters written directly to Mr. Vader himself asking that he please not blow up anymore planets. (Scribbled in the margin is a note from one of the screenwriters: “For accuracy’s sake, when we show examples of these letters, it is
imperative
that all letters to Mr. Vader be respectful and courteous, and that they stress the need to find cooperative solutions to the differences between the rebels and
the Empire. Under no circumstances should the letters be such that they would alienate or anger Mr. Vader. If the letters upset Mr. Vader, the rebels’ letter campaign to the Grand Moff Tarkin would certainly fail as well.”) Other plans include sending petitions and filing lawsuits.

Now, you and I both know that all of this should be sufficient not only to bring the Empire to its knees but to make a damn fine and exciting movie. The thing is: there’s more. Thousands of renegade rebels, unhappy with what they perceive as toadying on the part of the mainstream rebels, decide, in a scene guaranteed to bring tears to the eyes of even the most cold-hearted theatergoers, to stand on the planets to be destroyed, link arms (or, in some cases, tentacles), and sing “Give Peace a Chance.” They send DVDs of this to both Darth Vader and his boss the Grand Moff Tarkin, to whom they also send wave after wave of lovingkindness™. Some few rebels sneak aboard the Death Star and lock themselves down to various pieces of equipment. (Early in this draft of the film, the screenwriters included a long scene showing the extensive training in nonviolent communication that is a prerequisite to joining the rebels. Most writers had originally, by the way, called it a rebel army, but several objected to the violence inherent in that word. Next came “rebel force,” but nearly as many objected to that word as well. In any case, the nuanced scene of nonviolence training was dropped in later drafts and the infamous [and horribly violent] Cantina scene was, incomprehensibly to some, put in its place.
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) Stirring debates are held onscreen among these rebels as to whether they should voluntarily surrender on approach of the troopers, or whether they should remain locked down to the end. In a brilliant and brave touch of authenticity, the rebels are never able to come to consensus.

The writers themselves entered into a debate as to whether the troopers should decapitate the locked-down rebels on or off screen, with one writer pleading that instead rebels must be explicitly shown being taken alive to interrogation cells: “Showing,” he wrote in the margin, “or even implying that the troopers would ever commit these acts of violence, even in response to such obvious challenges to their authority as rebels
invading
their space and doing
violence
to their machinery by interfering with that machinery’s lawful use would send absolutely the wrong message to theatergoers, and would give the wrong impression of Mr. Vader’s ultimately peaceful intentions.”

Once inside the Death Star, a splinter group breaks off from those about to lock themselves down. They rush down long hallways, somehow avoiding the myriad troopers. They burn a couple of transport ships, and use chemicals to etch “Galaxy Liberation Front” on the walls of the Death Star. This group miraculously
escapes back to the planet about to be destroyed, where they’re held by the peaceful protesters so they can be immediately and rightly turned over to troopers. That same writer comments in the margin, “Not only is it vital, once again, that the right message be sent to audience members by showing these rebels being put in a position to take responsibility for their actions, but it would also be terribly unrealistic to expect these peaceful rebels to put up with these actions that would simply give Darth Vader the excuse he needs to blow up the planet. The disrespectful hooligans
must
be turned over to the Empire promptly and without question.”

Near the end of the movie another debate is held among the rebels. (One problem I had with this environmentalist screenplay was that there was a bit too much debate and not quite enough action.
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) As the Death Star looms directly overhead, a few of the rebels advocate picking up weapons to fight back. These rebels are generally shouted down by pacifist rebels, who argue that attacking those who run the Death Star is “just another example of the Empire’s harmful philosophy coming in by the back door.” They state that the rebels who want to fight back are simply being co-opted by the need to control things. If we want to change Darth Vader, they say, we must all first
become
the change. To change Darth Vader’s heart, we must first change our own. We must above all else have compassion for Darth Vader, and remember that he, too, was once a child. One writer put in the margins: “Excellent! This will be sure to moisten the cheeks of sensitive people everywhere!” He did not mention whether or not these tears would be of frustration. Finally Leia, Luke, Han, Chewbacca, and a couple of robots show up and tell these others they’ve found a way to blow up the whole Death Star. The rest of the rebels—even those who’d previously been in favor of surgical strikes aimed at “removing” Darth Vader—are horrified. They point out that blowing up the Death Star will do nothing to change the hearts and minds of those who create Death Stars, and so will accomplish nothing. Han Solo replies, “It will stop this Death Star from destroying this planet.” The pacifist rebels are unmoved. They remind the unruly four that the Death Star has a crew of 265,675, plus 52,276 gunners, 607,360 troops, 25,984 stormtroopers, 42,782 ship support staff, and 167,216 pilots and support crew.
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Each of these people on the Death Star has a family. Do you want to make their children orphans? The pacifists themselves begin to cry. (That same screen-writer comments: “If that doesn’t yank the tears out of audience members’ tiny ducts, I don’t know what will!”) They say, voices firm behind the sobs, “You cannot blow up the Death Star. What about the custodial engineers? What about the cooks? What about the people who work the shopping malls? What about
those who joined the empire’s armed services just so they could go to college? You—Leia, Han, Luke, and Chewbacca—are heartless and cruel.”

In the exciting final scene of the environmentalist version, a scuffle breaks out between Leia, Luke, Han, and Chewbacca on one side, and the pacifists on the other. At last the pacifists chase those four from the room and from the film. They’re never seen again, which isn’t really important since in this version they’re minor characters anyway. The Death Star looms closer and closer. Audience members chew their fingernails as they wait to see whether the letters and petitions and lawsuits will work their magic. Viewers see lasers inside the Death Star warming up to destroy the planet. The lasers glow a hellish red. The camera switches to cover the endangered planet. Suddenly a cheer will rise up from the audience as they see a small bright speck emerge from the planet’s surface and speed into space. “Yes!” they will roar, as they learn that all of the intrepid environmentalist protesters were able to get off the planet moments before it got blown up!

Coda: The final shot of the movie, revealing what a complete triumph this was for the rebels, will be a still showing an article on the lower-left of page forty-three of the
New Empire Times
devoting a full three sentences to the destruction of the planet. Yes! The protesters got some press!
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During the Q & A of a talk I gave last week, someone asked, “How many environmentalists does it take to change a lightbulb?”

“I’ll bite,” I said, “How many?”

“None,” he replied. “They just sit in the dark and whine about fossil fuel emissions.”

I didn’t get it. Evidently, neither did anyone else in the audience. Nobody laughed. I, as well as the rest of the audience, ended up more or less scratching our heads.

Later that night, an answer came to me: Ten. One to write the lightbulb a letter requesting that it change. Four to circulate online petitions. One to file a lawsuit demanding it change. One to send the lightbulb lovingkindness™, knowing that this is the only way real change occurs. One to accept the lightbulb precisely the way it is, clear in the knowledge that to not accept another is to do great harm to oneself. One to write a book about how and why the lightbulb needs to change. And finally, one to smash the fucking lightbulb, because we all know it’s never going to change.

AS ALWAYS, MY FIRST AND MOST IMPORTANT DEBT OF GRATITUDE is to the land where I live, which sustains and supports me. Equal to this is my debt to the muse, who gives me these words, and without whom I cannot imagine my life. Thanks also to the source of my dreams.

My thanks to the redwoods, red and Port Orford cedars, alders, and cascara; the Del Norte, Olympic, slender, and Pacific giant salamanders; the Pacific tree and northern red-legged frogs; the rough-skinned newts; the spotted and barred owls, the phoebes, pileated woodpeckers, hummingbirds, herons, mergansers, and so many others; the coho and chinook salmon, the steelhead; the banana slugs, the flying ants, and the solitary bees. Thank you to the reeds, rushes, sedges, grasses, and ferns, the huckleberries, thimbleberries, salal, and salmonberries. The chanterelles, turkey tails, amanitas, and so many others. My thanks to the gray foxes, the black bears, Douglas squirrels, the moles, the shrews, the bats, the woodrats, the mice, the porcupines, and the shy aplodontia. My thanks to all the others who graciously allow me to share their home, and who teach me how to be human.

There are others who have helped with this book. They include, among others: Melanie Adcock, Roianne Ahn, Anthony Arnove, Tammis Bennett, Gabrielle Benton, Werner Brandt, Karen Breslin, Julie Burke, Leha Carpenter, George Draffan, Bill and Mary Gresham, Felicia Gustin, Alex Guillotte, Nita Halstead, Tad Hargraves, Phoebe Hwang, Mary Jensen, Lierre Keith, Casey Maddox, Marna Marteeny, Mayana, Aric McBay, Dale Morris, Theresa Noll, John Osborn, Sam Patton, Peter Piltingsrud, Karen Rath, Remedy, Tiiu Ruben, Terry Shistar and Karl Birns, Dan Simon, Julianne SkaiArbor, Shahma Smithson, Jeff and Milaka Strand, Becky Tarbotton, Luke Warner, Bob Welsh, Belinda, Rob, Brian, Dean, my military friends, John D., Narcissus, Amaru, Yeti, Persephone, Shiva, Emmett.