Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (108 page)

BOOK: Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
10.6Mb size Format: txt, pdf, ePub
Appendix P:
My Fair Lady
(1956)
 

Act I

Scene 1:

Outside the Opera House, Covent Garden. A cold March night.

 

Overture and Street Entertainers (The Three Buskers)

 

“Why Can’t the English?” (Higgins)

 

“Wouldn’t It Be Loverly” (Eliza and Costermongers)

Scene 2:

A Tenement Section—Tottenham Court Road. Immediately following.

 

“With a Little Bit of Luck” (Doolittle, Harry, and Jamie)

Scene 3:

Higgins’s Study. The following morning.

 

“I’m an Ordinary Man” (Higgins)

Scene 4:

Tenement Section—Tottenham Court Road. Three days later.

 

“With a Little Bit of Luck” (reprise) (Doolittle and Friends)

Scene 5:

Higgins’s Study. Later that day.

 

“Just You Wait” (Eliza)

 

“The Rain in Spain” (Higgins, Eliza, and Pickering)

 

“I Could Have Danced All Night” (Eliza, Mrs. Pearce, and Maids)

Scene 6:

Near the Race Meeting, Ascot. A July afternoon.

Scene 7:

Inside a Club Ten, Ascot. Immediately following.

 

“Ascot Gavotte” (Spectators at the Race)

Scene 8:

Outside Higgins’s House, Wimpole Street. Later that afternoon.

 

“On the Street Where You Live” (Freddy)

Scene 9:

Higgins’s Study. Six weeks later.

Scene 10:

The Promenade of the Embassy. Later that night.

 

“Promenade” (underscoring)

Scene 11:

The Ballroom of the Embassy. Immediately following.

 

“The Embassy Waltz” (Higgins, Eliza, Karpathy, and Guests)

Act II

Scene 1:

Higgins’s Study. 3:00 the following morning.

 

“You Did It” (Higgins, Pickering, Mrs. Pearce, and Servants)

 

“Just You Wait” (reprise) (Eliza)

Scene 2:

Outside Higgins’s House, Wimpole Street. Immediately following.

 

“On the Street Where You Live” (reprise) (Freddy)

 

“Show Me” (Eliza and Freddy)

Scene 3:

Flower Market of Covent Garden. 5:00 that morning.

 

“Wouldn’t It Be Loverly” (reprise) (Eliza and Costermongers)

 

“Get Me to the Church on Time” (Doolittle, Harry, Jamie, and Costermongers)

Scene 4:

Upstairs Hall of Higgins’s House. 11:00 that morning.

 

“A Hymn to Him” (Higgins)

Scene 5:

The Conservatory of Mrs. Higgins’s House. Later that day.

 

“Without You” (Higgins and Eliza)

Scene 6:

Outside Higgins’s House, Wimpole Street. Immediately following.

 

“I’ve Grown Accustomed to Her Face” (Higgins)

Scene 7:

Higgins’s Study. Immediately following.

Appendix Q:
West Side Story
(1957)
 

Act I

Prologue:

The Months Before.

 

1. Prologue (Instrumental)

Scene 1:

5:00
P.M
. The Street.

 

2. “Jet Song” (Riff and Jets)

Scene 2:

5:30
P.M
. A Back Yard.

 

3. “Something’s Coming” (Tony)

Scene 3:

6:00
P.M
. A Bridal Shop.

Scene 4:

10:00
P.M
. The Gym.

 

4. The Dance and the Gym (Instrumental)

 

5. “Maria” (Tony)

Scene 5:

11:00
P.M
. A Back Alley.

 

6. Balcony Scene (“Tonight”) (Maria and Tony)

 

7. “America” (Anita, Rosalia, and Girls)

Scene 6:

Midnight. The Drugstore.

 

8. “Cool” (Riff and Jets)

The Next Day

Scene 7:

5:30
P.M
. The Bridal Shop.

 

9. “One Hand, One Heart” (Tony and Maria)

Scene 8:

6:00 to 9:00
P.M
. The Neighborhood.

 

10. “Tonight” (Quintet) (Maria, Tony, Anita, Riff, and Bernardo)

Scene 9:

9:00
P.M
. Under the Highway.

 

11. The Rumble (Instrumental)

Act II

Scene 1:

9:15
P.M
. A Bedroom.

 

12. “I Feel Pretty” (Maria and the Girls)

 

13. Ballet Sequence (Instrumental, Tony, Maria and a Girl)

Scene 2:

10:00
P.M
. Another Alley.

 

14. “Gee, Officer Krupke” (Jets)

Scene 3:

11:30
P.M
. The Bedroom.

 

15. “A Boy Like That/I Have a Love” (Maria and Anita)

Scene 4:

11:40
P.M
. The Drugstore.

 

16. Taunting (Instrumental)

Scene 5:

11:50
P.M
. The Cellar.

Scene 6:

Midnight. The Street.

 

17. Finale (Maria and Tony)

Libretto Drafts 1 (January 1956) and 2 (Spring 1956)
 

Act I

Scene 1:

An Alleyway. Sundown.

 

“Rumble Song” [“Mix” ?] (Jets and “Tonio”)

Scene 2:

The Crystal Cave. Night.

 

Mambo (Pantomime)

 

“Maria” (“Tonio”)

Scene 3:

Back of the Tenements. Night.

 

“Maria” (second chorus) (“Tonio”)

 

“Love Song” [“One Hand, One Heart” ?] (“Tonio” and Maria)

 

“Song for Anita and Girls” [“America” ?]

Scene 4:

Drugstore. Night.

 

“Cool” (Riff and Jets)

Scene 5:

The Neighborhood. The Next Day.

 

“Tonight” (Quintet) (Maria, Tony, Anita, Riff, and Bernardo)

Scene 6:

Bridal Shop. Late Afternoon.

 

“Love Song” [“Oh, Happy We” from Candide ?] (“Tonio” and Maria)

 

“Rumble Song” [“Mix” ?] (Instrumental)

Scene 7:

The Park. Sundown.

 

“Rumble Song” [“Mix” ?] (Jets)

Act II

Scene 1:

An Apartment. Early Evening.

 

“I Feel Pretty” (Maria and Girls)

Scene 2:

A Street. Night.

Scene 3:

Police Station. Night.

 

“Love Song” (reprise) [“One Hand, One Heart” ? ] (“Tonio” and Maria)

Scene 4:

Outside the Bridal Shop. Night.

 

“Duet” [“I Have a Love” ?] (Anita and Maria)

Scene 5:

Drugstore. Night.

 

“Duet” (continuation) [“I Have a Love” ?] (“Tonio”)

Scene 6:

A Street. Night.

Scene 7:

Bridal Shop. Night.

 

“This scene will be almost entirely to music. Maria comes in the back door, the music has brief theme of her love with Tonio” [“One Hand, One Heart”?]

Appendix R:
Follies
: Broadway 1971 and London Revival 1987
 
Broadway 1971
*
 

SCENE
: A party on the stage of the Weismann Theatre
TIME
: Tonight
There will be no Intermission

“Prologue” [Based on “All Things Bright and Beautiful” from
The Girls Upstairs
, second draft, preceding “Could I Leave You?” and “It Wasn’t Meant to Happen,” planned in 1966 as a second duet for Ben and Sally]

“Beautiful Girls” (Roscoe and Company) [
The Girls Upstairs
, first and second drafts]

“Don’t Look at Me” (Sally, Ben) [
The Girls Upstairs
, second draft]

“Waiting for the Girls Upstairs” (Buddy, Ben, Phyllis, Sally, Young Buddy, Young Ben, Young Phyllis, Young Sally) [
The Girls Upstairs
, first and second drafts]

“Rain on the Roof” (The Whitmans) [
Follies
, January 2, 1971]

“Ah, Paris!” (Solange) [
Follies
, January 2, 1971]

“Broadway Baby” (Hattie) [
Follies
, January 2, 1971]

“The Road You Didn’t Take” (Ben) [
Follies
, January 2, 1971; replaced in London
Follies
1987 by “Country House”]

“Bolero d’Amour” (Vincent and Vanessa) [added in 1971 rehearsal; cut in London
Follies
1987]

“In Buddy’s Eyes” (Sally) [
Follies
, January 2, 1971]

“Who’s That Woman?” (Stella and Company) [Mirror Dance Routine in
The Girls Upstairs
, first and second drafts]

[“Can That Boy Fox-trot!” in
The Girls Upstairs
, second draft, cut in 1971 rehearsals]

“I’m Still Here” (Carlotta) [replaced “Can That Boy Fox-trot!” during 1971 rehearsals]

[“Pleasant Little Kingdom” in
The Girls Upstairs
, first draft; cut in 1971]

“Too Many Mornings” (Ben, Sally) [
The Girls Upstairs
, first and second drafts]

[“That Old Piano Roll” (Buddy) in
Follies
, September 1970 draft]

“The Right Girl” (Buddy) [added in 1971 rehearsals]

“One More Kiss” (Heidi, Young Heidi) [
The Girls Upstairs
, first and second drafts]

“Could I Leave You?” (Phyllis) [
The Girls Upstairs
, second draft]

*
Includes songs retained from
The Girls Upstairs
(1965).


See Carol Ilson,
Harold Prince
, 177–97; Mandelbaum,
“A Chorus Line,”
66–78; Prince, 158–70; Sondheim, “Musical Theater,” 231–32; and Zadan,
Sondheim & Co
. 135–53.


Sondheim mentions a predecessor to “Beautiful Girls” called “Bring on the Girls” that Michael Bennett asked him to change when he “joined the show.” See Mandelbaum,
“A Chorus Line,”
71.

LOVELAND

1. The Folly of Love

“Loveland” (Sung by The Ensemble) [rewritten in London
Follies
1987]

The Spirit of First Love (Miss Kathie Dalton)

The Spirit of Young Love (Miss Margot Travers)

The Spirit of True Love (Miss Suzanne Briggs)

The Spirit of Pure Love (Miss Trudy Carson)

The Spirit of Romantic Love (Miss Linda Perkins)

The Spirit of Eternal Love (Miss Ursula Maschmeyer)

2. The Folly of Youth

Other books

Filthy Wicked Games by Lili Valente
Immortal by Glenn Beck
Stepping Up by Culp, Robert
Eight Christmas Eves by Curtis, Rachel
Nightmare Academy by Frank Peretti
Kiss and Tell by Tweed, Shannon
8 Antiques Con by Barbara Allan
Rapture in His Arms by Lynette Vinet