Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (107 page)

BOOK: Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber
8.25Mb size Format: txt, pdf, ePub

Act II

Scene 1:

Theatre alley.

 

“Too Darn Hot” (Paul, Fred Davis, and Eddie Sledge. Danced by Fred Davis, Eddie Sledge, Bill Calhoun and Dancing Ensemble)

Scene 2:

Before the curtain.

Scene 3:

Petruchio’s house.

 

“Where Is the Life That Late I Led?” (Petruchio)

Scene 4:

The corridor backstage.

 

“Always True to You in My Fashion” (Lois)

Scene 5:

Lilli’s dressing room.

Scene 6:

The corridor backstage.

 

“Bianca” (Bill Calhoun and Singing Girls. Danced by Bill Calhoun and Dancing Girls)

 

Reprise: “So in Love” (Fred)

Scene 7:

Before the asbestos curtain.

 

“Brush Up Your Shakespeare” (First Man and Second Man)

Scene 8:

Baptista’s home.

 

Pavane (Dancing Ensemble)

 

“I Am Ashamed That Women Are So Simple” (Katherine) Finale (Petruchio, Katherine, and Company)

Spewack Libretto Draft (May 28, 1948)
 

Act I

  Scene 1:

The bare stage of Ford’s Theater, Baltimore.

  Scene 2:

Connecting dressing rooms of Fred and Lilli.

 

Background music: “Another Opnin’[Op’nin’], Another Show”

 

“Wunderbar” (Fred and Lilli)

 

“It Was Great Fun” [No. 2] (Fred and Lilli)

  Scene 3:

Iron stairs and landing.

 

“Why Can’t You Behave?” (Lois and Bill)

  Scene 4:

Exterior of Ford Theater.

 

“Another Opnin’, Another Show”

  Scene 5:

Dressing rooms of Lilli and Fred.

 

Background music: “Another Opnin’, Another Show”

 

“We Shall Never Grow Younger”

  Scene 6:

Same.

 

Background music: “We Shall Never Grow Younger” (Counterpoint, “It Was Great Fun”)

  Scene 7:

Shrew curtain.

 

“We Open in Venice” (Shrew players)

 

“If Ever Married I’m” (Bianca) [crossed out]

 

“I Sing of Love” (Lucentio and Petruchio) [crossed out]

 

“I’ve Come to Wive It Wealthily in Padua” (Petruchio) [crossed out]

 

“Were Thine That Special Face” (Petruchio) [crossed out]

  Scene 8:

Wings.

  Scene 9:

Opposite wings.

Scene 10:

On stage.

 

Bill does his specialty with Ballet.

Scene 11:

Exterior of Baptista’s house and church.

Scene 12:

Same.

Scene 13:

Walled garden of Baptista’s house.

 

“Tom, Dick or Harry” (Bianca and her suitors, Gremio, Tranio, and Lucentio) [crossed out]

Scene 14:

Wings.

Scene 15:

Garden.

Scene 16:

Lilli’s dressing room.

Scene 17:

Exterior church.

 

Finaletto: “Kiss Me, Kate” (Petruchio, Katharine, Bianca, Lucentio, and Company) [lyrics yet to be written]

Act II

Scene 1:

Theatre alley.

 

“Too Darn Hot” (Negroes) [crossed out]

Scene 2:

Shrew curtain.

 

Background music: “Where Is the Life That Late I Led?”

Scene 3:

Main room in Petruchio’s house.

 

“Where Is the Life That Late I Led?” (Petruchio)

Scene 4:

Back stage.

 

“I’ve Been Faithful to You, Darlin’ in my Fashion” (Lois) [p. 2–4–16 missing in typescript]

Scene 5:

Lilli’s dressing room.

 

“A Woman’s Career” (Fred) [p. 2–5–27 missing in typescript]

Scene 6:

Iron staircase.

 

Reprise: “We Shall Never Be Younger”

Scene 7:

Garden of Baptista’s house.

 

Reprise: “I Sing of Love” (Shrew players) [no text included in typescript]

 

“I Am Ashamed That Women Are So Simple” [entirely spoken]

 

Reprise: “Were Thine That Special Face” [crossed out]

 

Reprise: Finaletto. First Act Finale. New lyrics.

Appendix N:
Guys and Dolls (1950)
 

Act I

Scene 1:

Broadway.

 

Opening (Runyonland) (Ensemble)

 

“Fugue for Tinhorns” (Nicely-Nicely Johnson, Benny Southstreet, and Rusty Charlie)

 

“Follow the Fold” (Sarah, Arvide, Agatha, and Mission Group)

 

“The Oldest Established” (Nathan, Nicely-Nicely, Benny, Brandy-Bottle Bates, and the Crapshooters)

Scene 2:

Interior of the Save-A-Soul Mission.

 

“I’ll Know” (Sarah and Sky)

Scene 3:

A Phone Booth.

Scene 4:

The Hot Box, Nightclub.

 

“A Bushel and a Peck” (Adelaide and the Hot Box Girls)

 

“Adelaide’s Lament” (Adelaide)

Scene 5:

A Street Off Broadway.

 

“Guys and Dolls” (Nicely-Nicely and Benny)

Scene 6:

Exterior of the Mission. Noon, the next day.

Scene 7:

A Street Off Broadway.

Scene 8:

Havana, Cuba—El Café Cubana.

 

Dance: Havana

Scene 9:

Outside El Café Cubana. Immediately following.

 

“If I Were a Bell” (Sarah)

Scene 10:

Exterior of the Mission.

 

“My Time of Day” (Sky)

 

“I’ve Never Been in Love Before” (Sky and Sarah)

 

Incidental music: The Raid

Act II

Scene 1:

The Hot Box Nightclub.

 

“Take Back Your Mink” (Adelaide and Dolls)

 

“Adelaide’s Second Lament” (Adelaide)

Scene 2:

Forty-Eighth Street.

 

“More I Cannot Wish You” (Arvide)

Scene 3:

Crap Game in the Sewer.

 

“Luck Be a Lady” (Sky and the Crapshooters)

Scene 4:

A Street Off Broadway.

 

“Sue Me” (Adelaide and Nathan)

Scene 5:

Interior of the Save-A-Soul Mission.

 

“Sit Down, You’re Rockin’ the Boat” (Nicely-Nicely and the Crapshooters)

Scene 6:

Near Times Square.

 

“Marry the Man Today” (Adelaide and Sarah)

Scene 7:

Broadway.

 

Reprise: “Guys and Dolls” (Ensemble)

Appendix O:
The Most Happy Fella (1956)
 

Act I

OVERTURE

Scene 1:

A restaurant in San Francisco; January, 1927.

 


OOH
! my feet!” (Cleo)

 

“… I know how it is” (Cleo)

 

“… Seven million crumbs” (Cleo)

 

“… I don’t know” (Rosabella)

 

“… Maybe he’s kind crazy” (Rosabella)

 


SOMEBODY, SOMEWHERE
” (Rosabella)

Scene 2:

Main Street, Napa, California; in April.

 


THE M
ost
HAPPY FELLA
” (Townspeople)

 

“… A long time ago” (Marie)

 


STANDING ON THE CORNER
” (Herman, Jake, Clem, and Al)

 


JOEY
,
JOEY
,
JOEY
” (Joe)

 

“… Soon you gonna leave me, Joe” (Tony)

 


ROSABELLA
” (Tony)

Scene 3:

Tony’s barn; a few weeks later.

 


ABBONDANZA
” (Giuseppe, Ciccio, and Pasquale)

 

“… Plenty bambini” (Tony)

Scene 4:

Tony’s front yard.

 


SPOSALiZiO
” (Townspeople)

 

“… I seen her at the station” (Postman)

 


BENVENUTA
” (Giuseppe, Ciccio, and Pasquale)

 

“… Aren’t you glad” (Rosabella)

 

“… No home, no job” (Rosabella)

 


DON

T CRY
” (Joe)

Act II

PRELUDE

Scene 1:

The vineyards; in May.

 


FRESNO BEAUTIES
” (Vineyard Workers)

 

“… Cold and dead” (Joe and Rosabella)

 

“… Love and kindness” (Doc)

 


HAPPY TO MAKE YOUR ACQUAINTANCE
” (Rosabella and Tony)

 

“… I don’t like this dame” (Cleo)

 


BIG D
” (Cleo and Herman)

Scene 2:

Late in May.

 


HOW BEAUTIFUL THE DAYS
” (Tony, Rosabella, Marie, and Joe)

Scene 3:

The vineyards; in June.

 


YOUNG PEOPLE
” (Marie)

 


WARM ALL OVER
” (Rosabella)

 

“… Old people gotta” (Tony)

Scene 4:

The barn.

 


I LIKE EV

RYBODY
” (Herman)

Scene 5:

The vineyards; in July.

 

“… I love him” (Rosabella)

 

“… I know how it is” (Cleo)

 

“… Like a woman loves a man” (Rosabella)

 


MY HEART IS SO FULL OF YOU
” (Tony and Rosabella)

 


MAMMA
,
MAMMA
” (Tony)

Act III

PRELUDE

Scene 1:

The barn; an hour later.

 

“… Good-bye darlin’” (Cleo and Herman)

 

“… I like ev’rybody” (Duet) (Cleo and Herman)

 


SONG OF A SUMMER NIGHT
” (Doc and the Townspeople)

 


PLEASE LET ME TELL YOU
” (Rosabella)

Scene 2:

Napa Station; A little later.

 

“… Tell Tony and Rosabella good-bye for me” (Joe)

 

“… She gonna come home wit’ me” (Tony)

 

“… Nobody’s ever gonna love you” (Trio) (Marie, Tony, and Cleo)

 

“… I made a fist!” (Herman)

 

Finale (Ensemble)

Other books

The Summoning by Denning, Troy
The Song of Achilles by Madeline Miller
Innocent Blood by James Rollins, Rebecca Cantrell
Conway's Curse by Patric Michael
Improper Advances by Margaret Evans Porter
The Baby Experiment by Anne Dublin
Tyrant: King of the Bosporus by Christian Cameron