Drop City (35 page)

“Or a book,” Maya said. “A book compared to a movie.”

“I don't know, I think I'd listen to Norm,” Merry said, leaning back on the twin props of her elbows and stretching her legs out into the roadway as if she were sinking into an easy chair. Her pupils were dilated to the size of a cat's. She was wearing a serape over her jeans and a flop-brimmed vaquero's hat and her feet were bare and dirty and fringed with mosquitoes. Marco saw that she'd painted each of her toenails a different color, and though he wasn't stoned—not yet, anyway—he thought he'd never seen anything so beautiful, and why didn't all women paint their toenails like that? All men, for that matter? “I mean, what's the hurry?” she said. “Can't we just groove on this sky, the wildflowers, the river? I mean, look at it. Just look.”

Marco took it as an injunction and looked off down the sunstruck tunnel of the road, and there was the Studebaker and there the Bug, pulled up on the shoulder, but there was no Dale Murray on his motorcycle, and where was he when you needed him? It would be
nothing to horse the thing into Boynton and back, see the river, ride right into it, snuff the breeze, all hail and hallelujah, Boynton or Bust. But Dale Murray had turned back the day after they'd crossed into Canada to see what had become of Lester and Franklin and Sky Dog, and he'd never reappeared. Marco didn't feel one way or the other about it, because when you came right down to it he hardly knew the guy and he certainly couldn't write any recommendations for the people he associated with. But Dale Murray had two legs and two arms and a pair of hands and they were going to need every pair of hands they could muster to put this thing together—it would be a long dark age before any runaways or weekend hippies found their way up here to swell their ranks, that was for sure.

There was some noise from the direction of the bus, a lively debate between Mendocino Bill and Norm as to the viability of the spare—“There's no doubt in my mind,” Norm was saying, “no doubt whatsoever, so go ahead, put it on”—and then Star was pressing the pill into his hand. He accepted it, accepted it in the way he'd been conditioned to—if somebody gave you drugs, you took them, no questions asked—and he even went so far as to bring his hand to his mouth and make the motions of swallowing. Burnt punk rose to his nostrils. The sun cupped a hand at the back of his neck. No one was watching him—their gazes were fixed across the road, on the bus, on Norm, on the black wheel laid out like a corpse in the dirt. They weren't there yet, that was what he was thinking, and he wasn't going to celebrate until they were. He slipped the pill into the bloodstained pocket of his ruined vest.

Star let out a laugh in response to something Jiminy had said, and then they were all laughing—even him, even Marco, though he had no idea what he was laughing about or for or whether laughing was the appropriate response to the situation. No matter. The smoke rose from the joss sticks, the Frisbee hung in the air like a brick in a wall and they were stretched out on the side of the road and laughing, just laughing, and you would have thought the cabins had
already been built, the wood split for the stove, the gold panned, the furs stretched and the larder stocked, because nobody here had a care in the world. Merry handed a roach to Star and she held it to her lips till the stub of it glowed red and then she handed it to Marco, who pinched it from her fingers and held it to his own lips a moment, sucking in the sweet seep of smoke as he'd done a thousand times before. Everything seemed to slow down, as if the earth were transfixed on its axis and the fragment of sky overhead was all they would ever need. And then, out of the corner of his eye, the laziest, slowest movement in the world: the dogs were emerging from the strip of blue shadow beneath the bus and stirring themselves with a dainty flex and release of their rear paws. They both gazed intently up the road, and Freak, his hackles rising, let out a low woof of inquiry.

A dog had appeared round the far bend—or no, it was a wolf, with the rawboned legs that seemed to veer away from its body as if they'd been put on backward, a wolf trotting down a road in Alaska. Marco was on his feet. “Look,” he said, “look, it's a—” He caught himself. There were two figures coming round the bend now, a man and a woman striding along easily under the weight of their backpacks, and this was no wolf, or no wild wolf anyway. The Frisbee slid back down its arc, people eased to their feet. “Norm,” somebody said, “hey, Norm.”

The man was tall, hard-muscled, lean. He was wearing a weather-bleached flannel shirt with the sleeves rolled up and a pair of jeans so knee-sprung and tattered they made Marco's look new. His hair was short, thick, and it stood up straight from his head. He was walking as if walking were a competitive event, the steady pump of his legs and the clip of his boots reeling in the road before him, a man moving in silhouette against the bright splash of the day, and Marco couldn't tell what he was, a bum, a gas station attendant, the Scholar Gypsy himself. The woman—she was in her twenties, her blond hair tied back in a ponytail like a cheerleader's, her shorts showing off the muscles of her calves and the clean working lines of her buttocks and thighs—raised a hand to shade her eyes as if she couldn't quite decide
whether the bus was a mirage or not. Up the road shot a yellow blur, paws gathering, muscles straining, and Freak and Frodo were on them, but the man never broke stride and his dog never wavered either—it just ducked its head and followed at his heels. For a moment the yellow dogs bobbed round them, dust rose, and then the gap closed to nothing and the man and woman were standing right there amongst them on the deserted road.

Tom Krishna had been busy with the axle, with the big ridged tire and the stubborn wheel that just that moment slid forward to kiss the spare. He looked up into the silence and saw the hikers standing there with their swollen backpacks and the dogs moiling around and the road dust rising. “Hey,” he said, coming up out of his crouch, “what's happening, brother,” and he reached out a greasy hand for the soul shake that never came.

The man just looked at them with an amused grin, looked at them all, while the sun glanced off Norm's glasses and Marco stood suspended at the side of the road and Merry and Maya exchanged a giggle. “You people aren't—” the man began, and then caught himself. There was flat incredulity in his tone. “You aren't
hippies,
are you?”

Norm came forward, boxy in his overalls, rings glittering on his fingers. The bell tinkled at his neck. From the goats atop the bus, a forlorn bleat of disenchantment: they wanted down, they wanted out, they wanted to graze their way to Boynton. Norm bellowed out his name—“Norm Sender!”—and pumped the man's hand in a conventional handshake before turning to the woman and showing the gold in his rotting teeth. “We're Drop City, is what we are, avatars of peace, love and the
higher
consciousness, come all the way up from California to reclaim my uncle Roy's place—Roy Sender's?—on the sweet, giving and ever-clear Thirtymile. And we're all of us pleased to meet you.”

The man scratched the back of his head and tossed his gaze like a beanbag from face to face. “I'll be damned,” he said. “You
are
hippies.”

The girls giggled. The dogs danced. Mendocino Bill said, “That's right. And we're proud of it.”

And then the man in the worn flannel shirt seemed to think of something else altogether, some new concern that disarmed him totally, and Marco watched him shift his feet in the pale tan dirt of the road. Watched the brow furrow and the grin vanish. The man's gaze flitted around again and finally came back to Norm. “Did you say
Roy Sender
?”

21

That was what he'd said,
Roy Sender—Roy Sender's place
—and Sess tried to control his facial muscles, but his body betrayed him. He took a step back to disengage himself, ran a hand through his hair. This was crazy, purely crazy, a page torn out of one of the newsmagazines—“The Woodstock Nation,” “Sex, Drugs and Rock and Roll” or some such—torn out and given three dimensions and flesh, acres of flesh, because these hippie women sitting on the side of the road were the stuff of the wild hair's winter fantasies, and two of them, the little blonde and the brunette in the cowgirl hat with her legs stretched out in the road, could have made the pages of another kind of magazine altogether. He was thinking
Playboy,
thinking
Dude,
thinking
The Thirtymile? Did he say the Thirtymile?
when the big greasy character with the gold-plated teeth—the nephew—loomed up on him with a whole string of questions: Who were they? Where were they headed? Had they ever been to Boynton? Did they know if the salmon were running yet, and what about the berries? Were the berries ripe out there?

Sess gave Pamela a glance. She'd stiffened up like some neophyte anthropologist set down amongst the wrong tribe—headhunters when she'd been expecting basket-weavers—and she wasn't giving them anything, not even a half a smile. And Lucius, Lucius wasn't giving in either—he just backed himself up against Sess's legs while the two yellow dogs pawed the dirt and poked their snouts at him.
People were coming down off the bus now, a whole weird Halloween procession in mismatching colors, bells, beads, headbands, pants so wide you couldn't see their feet and hair like a river so you couldn't tell the men from the—oh, but you could, unless you were blind, and he guessed they must have all gone ahead and burned their brassieres.

Sess took hold of the nephew's hand for the second time, but this time on his own initiative, and of course he was half-lit, drinking all day and full of the hellfire exuberance of dunking Joe Bosky's car for him, and so he worked up a smile and introduced himself. “Sess Harder,” he heard himself say, and wasn't this a riot, wasn't it? “And this is my wife, Pamela. And my new dog, Lucius.” To this point he'd just answered with a grunt or a nod to the questions thrown at him, but he felt expansive suddenly and he told them that the kings were running and the berries ripening and that he'd been with Roy Sender the day he left the country. Helped him move, in fact.

“Really? Like no shit? You knew my uncle?”

He didn't tell him that Roy Sender was a father to him when he had no father of his own left breathing on this planet or that Roy Sender had taught him everything he knew or that Roy Sender was no hippie and never could be because he believed in making it on his own, in his own way, no matter how poor the odds, and that he was the kind of man who'd lie down and rot in his own skin before he'd take a government handout. He didn't tell him about the solace of the Thirtymile, the clarity of the air, the eternal breathless silence of forty below and the snow spread like a strangler's hand across the throat of the river. All he said was, “Yeah,” and Pamela, silent to this point, said, “Washo Unified? You're some kind of school group, is that what it is?”

A woman had got off the bus, dark hair in pigtails, a sharp decisive face, eyes that took you in and spat you back out again. She was thirty, thirty at least, wearing a faded denim shirt and some sort of improvised leggings that weren't exactly pants and weren't exactly a skirt either. Her feet were bare. And dirty. “We're a family,” she said,
coming right up to Pamela and holding out both her hands. “Just a family, that's all.”

Pamela—and this made him smile because she was so good-natured and sweet, not a malicious bone in her body—took the woman's hands in her own a moment and held them till etiquette dictated she let go.

“See that man over there?” the woman said, and they all turned their heads to where a skinny shirtless dark-skinned man with a full oily patriarch's beard stood on the bank of the river skipping stones. “That's my husband. And over there”—she indicated a pair of half-naked children bobbing and weaving along the water's edge in two matching squalls of mosquitoes—“those are my kids. And these others, everybody else here? These are my brothers and sisters.”

The nephew could barely keep still during all this, jerking his head back and forth and doing a little dance in his sandaled feet. “Listen,” he said, “I don't know what your trip is or where you're going to camp tonight or like any of that, but what I mean is a friend of Uncle Roy's is a friend of mine, and you people are welcome, I mean more than welcome, to ride into town with us, and let me
extend
an invitation right now to the first annual celebratory communal feast of the Drop City North pilgrims and fellow travelers, to be prepared on the banks of the mighty Yukon this very evening while the sun shines and the birds twitter and the hip and joyful music rides right on up into the
trees.
”

Pamela said she didn't think so. “We've got things to do,” she said. “And the walk's nothing, really, just a couple of miles.”

It was then that one of the hippie men, a guy in a bandanna with what looked to be blood on his shirt, handed Sess a wineskin and Sess threw back his head and took a long arcing swallow before passing it to Pamela. He looked round him. All the hippies were grinning. The nephew looked as if he'd been dipped in cream, the wildflowers jerked at their leashes, the river sang. Joe Bosky's car was flotsam now—or was it jetsam? Pamela's lips shone with sweet wine.

“Sure,” Sess said. “Sure, we'll take a ride with you.”

The Three Pup featured the usual human backdrop—Skid Denton mumbling French poetry into a shot glass, Lynette propped behind the bar with her arms locked across her breasts and no key in sight, Richie Oliver and his consolation prize drinking themselves into another dimension and grinding beer nuts between their teeth in a slow sure cud-like way. Iron Steve was bent over the pool table with a heavyset, sharp-beaked man who must have been a tourist because Sess didn't recognize him, and Tim Yule, the tip of his nose still bright with a dab of fresh mucus and the paper carnation he'd worn at the wedding still tucked into his button hole, stood there beside them, clinging to his cue stick as if it were bolted to the floor. The place smelled the way it always did, like an old boot stuffed with ground beef, fried onions and stove ash and left out in the sun to fester for a couple of days. The usual drone of mid-Appalachian self-pity spewed out of the jukebox and the usual embattled mosquitoes hung in the air.

Sess blew through the door like a hurricane, all clatter and gusto, and he had Pamela by one hand and the hippie wineskin by the other, feeling dense and lighter than air at the same time, and so what if the big greasy sack of a nephew was right on his heels and all the rest of them too? They were people, weren't they, just like anybody else? Dirtier, maybe. Lazier. They smoked drugs and screwed like dogs. But the world was changing—men had hair like women, women wore pants like men and let their tits hang loose, and who was going to argue with that? Wake up, Boynton, that was what he was thinking, wake up and join the modern world. But he wasn't really thinking too clearly and Pamela would never nag—one beer, that was all, one beer and they'd stay in the shack tonight and go upriver first thing in the morning and let Wetzel Setzler and the rest of the town fathers scratch their heads over a busload of hippies who wouldn't know a moose from a caribou. Or a hare from a parky squirrel, for that matter.

Tammy Wynette gave way to Roger Miller on the jukebox—“King of the Road,” a song Sess hated so utterly and intensely it made him want to punch things every time it came on and it came on perpetually—and in the brief hissing caesura between records everybody in the room, even Tim Yule, turned to the door. In came the nephew, roaring, and then the one with the blood on his shirt and the little blonde and then a bleached-out monster in a greasy pair of overalls and a whole spangled chittering parade that filled the room before Roger Miller could limp from one mind-numbing verse to the next. “Drinks for everybody in the house!” the nephew boomed, laying a bill on the bar. “The first round's on Roy Sender—the
legendary
Roy Sender! Anybody here know Roy Sender?”

Nobody said a word. Nobody moved. They all concentrated on Roger Miller as if they were at Carnegie Hall listening to Oistrakh. Tim Yule cleared his throat. “These people friends of yours, Sess?”

In answer, Sess crossed the room to the jukebox and gave it a kick that sent the needle skidding across the record with a long protracted hiss of static. Then he dug out a quarter, inserted it, and hit B-9, “Mystic Eyes,” three times running. Lynette, who'd seen everything, or at least pretended she had, began cracking beers and lining them up on the bar, and by the time Van Morrison came in after the mouth harp with his black-hearted vocal everybody was talking at once.

It was a short song, no more than two minutes or so, but by the second run-through a couple of the hippies had begun to sway their shoulders and shuffle their feet; by the third time around they were dancing, throwing out their elbows and letting their arms writhe over their heads. The nephew had got hold of a thin blond girl in stacked-up shoes who looked like Twiggy's American twin, and a little five-foot girl with a missing tooth and a tie-dyed shirt grabbed Iron Steve by the hand and started pogo-ing around the room with him. Sess put another quarter in, hit the tune three more times. Skid Denton let out a groan, Richie Oliver put a finger to his temple and pulled an imaginary trigger, and still more hippies poured through the door and spilled back out into the parking lot where somebody
cranked up the big speakers in the bus and a whole shimmering spangle of weird hippie guitar music drifted out into the muskeg. There'd been nothing like this here since the last alien visitation, and Sess was too young to remember that.

“Sess!” Skid Denton was shouting over the uproar, waving a full shot glass as if he were proposing a toast. “Where'd you find these freaks, anyway—the Ringling Brothers' circus?”

“And Barnum and Bailey,” Sess shouted back. He snaked his arm between a chinless character with a beard so sparse it was barely there and a big-shouldered girl—woman, Pamela's age at least—whose breasts were on full display in some sort of leotard thing, and said, “Excuse me,” as he reached for his second beer. But the woman reached for it simultaneously and got there first. She let the neck of the bottle sprout between her thumb and forefinger before bringing it to her lips for a long calculated swallow and then handing it to him. “Hi,” she said, and he could see the mascara caked on her eyelashes, definitely a downtown sort of girl and what was she doing in the Three Pup? “I'm Lydia,” she said. “And you're Norm's friend, right?”

Norm? Who the hell was Norm? He just smiled, and the guy with the nonexistent beard smiled, and she smiled too. “Yeah,” he heard himself say, “that's right.”

And now her face really lit up. “Well, I just wanted to thank you, that's all, on behalf of all of us, I mean, because we really didn't know how our whole trip was going to go down up here—I mean, we didn't know if it was going to be like
Easy Rider
or
Joe
or what.”

“Trepidatious, that's what we were,” the guy said, but he was a kid, really, twenty, twenty-one maybe, with a head that was too big and shoulders that were too narrow and a pair of eyes that were a vast delta of broken veins. He slipped his wrist inside Sess's and attempted some sort of secret hippie handshake, but the beer bottle got in his way, so he leaned back and made the victory sign with two fingers. “Peace, man,” he said, and then he started off on a monologue about how he'd always wanted to shoot a moose and skin it and a bear too
and have a bear rug on the floor and maybe catch a king salmon and have it stuffed at the taxidermist's—for over the fireplace, you know what I mean?—and did he, Sess, have any idea where the moose were this time of year, like up in the hills or down by the river or what?