Delphi Complete Works of the Brontes Charlotte, Emily, Anne Brontë (Illustrated) (320 page)

‘It is striking four,’ I answered.  ‘You want a candle to take up-stairs: you might have lit one at this fire.’

‘No, I don’t wish to go up-stairs,’ he said.  ‘Come in, and kindle
me
a fire, and do anything there is to do about the room.’

‘I must blow the coals red first, before I can carry any,’ I replied, getting a chair and the bellows.

He roamed to and fro, meantime, in a state approaching distraction; his heavy sighs succeeding each other so thick as to leave no space for common breathing between.

‘When day breaks I’ll send for Green,’ he said; ‘I wish to make some legal inquiries of him while I can bestow a thought on those matters, and while I can act calmly.  I have not written my will yet; and how to leave my property I cannot determine.  I wish I could annihilate it from the face of the earth.’

‘I would not talk so, Mr. Heathcliff,’ I interposed.  ‘Let your will be a while: you’ll be spared to repent of your many injustices yet!  I never expected that your nerves would be disordered: they are, at present, marvellously so, however; and almost entirely through your own fault.  The way you’ve passed these three last days might knock up a Titan.  Do take some food, and some repose.  You need only look at yourself in a glass to see how you require both.  Your cheeks are hollow, and your eyes blood-shot, like a person starving with hunger and going blind with loss of sleep.’

‘It is not my fault that I cannot eat or rest,’ he replied.  ‘I assure you it is through no settled designs.  I’ll do both, as soon as I possibly can.  But you might as well bid a man struggling in the water rest within arms’ length of the shore!  I must reach it first, and then I’ll rest.  Well, never mind Mr. Green: as to repenting of my injustices, I’ve done no injustice, and I repent of nothing.  I’m too happy; and yet I’m not happy enough.  My soul’s bliss kills my body, but does not satisfy itself.’

‘Happy, master?’ I cried.  ‘Strange happiness!  If you would hear me without being angry, I might offer some advice that would make you happier.’

‘What is that?’ he asked.  ‘Give it.’

‘You are aware, Mr. Heathcliff,’ I said, ‘that from the time you were thirteen years old you have lived a selfish, unchristian life; and probably hardly had a Bible in your hands during all that period.  You must have forgotten the contents of the book, and you may not have space to search it now.  Could it be hurtful to send for some one — some minister of any denomination, it does not matter which — to explain it, and show you how very far you have erred from its precepts; and how unfit you will be for its heaven, unless a change takes place before you die?’

‘I’m rather obliged than angry, Nelly,’ he said, ‘for you remind me of the manner in which I desire to be buried.  It is to be carried to the churchyard in the evening.  You and Hareton may, if you please, accompany me: and mind, particularly, to notice that the sexton obeys my directions concerning the two coffins!  No minister need come; nor need anything be said over me. — I tell you I have nearly attained
my
heaven; and that of others is altogether unvalued and uncoveted by me.’

‘And supposing you persevered in your obstinate fast, and died by that means, and they refused to bury you in the precincts of the kirk?’ I said, shocked at his godless indifference.  ‘How would you like it?’

‘They won’t do that,’ he replied: ‘if they did, you must have me removed secretly; and if you neglect it you shall prove, practically, that the dead are not annihilated!’

As soon as he heard the other members of the family stirring he retired to his den, and I breathed freer.  But in the afternoon, while Joseph and Hareton were at their work, he came into the kitchen again, and, with a wild look, bid me come and sit in the house: he wanted somebody with him.  I declined; telling him plainly that his strange talk and manner frightened me, and I had neither the nerve nor the will to be his companion alone.

‘I believe you think me a fiend,’ he said, with his dismal laugh: ‘something too horrible to live under a decent roof.’  Then turning to Catherine, who was there, and who drew behind me at his approach, he added, half sneeringly, — ‘Will
you
come, chuck?  I’ll not hurt you.  No! to you I’ve made myself worse than the devil.  Well, there is
one
who won’t shrink from my company!  By God! she’s relentless.  Oh, damn it!  It’s unutterably too much for flesh and blood to bear — even mine.’

He solicited the society of no one more.  At dusk he went into his chamber.  Through the whole night, and far into the morning, we heard him groaning and murmuring to himself.  Hareton was anxious to enter; but I bid him fetch Mr. Kenneth, and he should go in and see him.  When he came, and I requested admittance and tried to open the door, I found it locked; and Heathcliff bid us be damned.  He was better, and would be left alone; so the doctor went away.

The following evening was very wet: indeed, it poured down till day-dawn; and, as I took my morning walk round the house, I observed the master’s window swinging open, and the rain driving straight in.  He cannot be in bed, I thought: those showers would drench him through.  He must either be up or out.  But I’ll make no more ado, I’ll go boldly and look.’

Having succeeded in obtaining entrance with another key, I ran to unclose the panels, for the chamber was vacant; quickly pushing them aside, I peeped in.  Mr. Heathcliff was there — laid on his back.  His eyes met mine so keen and fierce, I started; and then he seemed to smile.  I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still.  The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark!

I hasped the window; I combed his black long hair from his forehead; I tried to close his eyes: to extinguish, if possible, that frightful, life-like gaze of exultation before any one else beheld it.  They would not shut: they seemed to sneer at my attempts; and his parted lips and sharp white teeth sneered too!  Taken with another fit of cowardice, I cried out for Joseph.  Joseph shuffled up and made a noise, but resolutely refused to meddle with him.

‘Th’ divil’s harried off his soul,’ he cried, ‘and he may hev’ his carcass into t’ bargin, for aught I care!  Ech! what a wicked ’un he looks, girning at death!’ and the old sinner grinned in mockery.  I thought he intended to cut a caper round the bed; but suddenly composing himself, he fell on his knees, and raised his hands, and returned thanks that the lawful master and the ancient stock were restored to their rights.

I felt stunned by the awful event; and my memory unavoidably recurred to former times with a sort of oppressive sadness.  But poor Hareton, the most wronged, was the only one who really suffered much.  He sat by the corpse all night, weeping in bitter earnest.  He pressed its hand, and kissed the sarcastic, savage face that every one else shrank from contemplating; and bemoaned him with that strong grief which springs naturally from a generous heart, though it be tough as tempered steel.

Mr. Kenneth was perplexed to pronounce of what disorder the master died.  I concealed the fact of his having swallowed nothing for four days, fearing it might lead to trouble, and then, I am persuaded, he did not abstain on purpose: it was the consequence of his strange illness, not the cause.

We buried him, to the scandal of the whole neighbourhood, as he wished.  Earnshaw and I, the sexton, and six men to carry the coffin, comprehended the whole attendance.  The six men departed when they had let it down into the grave: we stayed to see it covered.  Hareton, with a streaming face, dug green sods, and laid them over the brown mould himself: at present it is as smooth and verdant as its companion mounds — and I hope its tenant sleeps as soundly.  But the country folks, if you ask them, would swear on the Bible that he
walks
: there are those who speak to having met him near the church, and on the moor, and even within this house.  Idle tales, you’ll say, and so say I.  Yet that old man by the kitchen fire affirms he has seen two on ’em looking out of his chamber window on every rainy night since his death: — and an odd thing happened to me about a month ago.  I was going to the Grange one evening — a dark evening, threatening thunder — and, just at the turn of the Heights, I encountered a little boy with a sheep and two lambs before him; he was crying terribly; and I supposed the lambs were skittish, and would not be guided.

‘What is the matter, my little man?’ I asked.

‘There’s Heathcliff and a woman yonder, under t’ nab,’ he blubbered, ‘un’ I darnut pass ’em.’

I saw nothing; but neither the sheep nor he would go on so I bid him take the road lower down.  He probably raised the phantoms from thinking, as he traversed the moors alone, on the nonsense he had heard his parents and companions repeat.  Yet, still, I don’t like being out in the dark now; and I don’t like being left by myself in this grim house: I cannot help it; I shall be glad when they leave it, and shift to the Grange.

‘They are going to the Grange, then?’ I said.

‘Yes,’ answered Mrs. Dean, ‘as soon as they are married, and that will be on New Year’s Day.’

‘And who will live here then?’

‘Why, Joseph will take care of the house, and, perhaps, a lad to keep him company.  They will live in the kitchen, and the rest will be shut up.’

‘For the use of such ghosts as choose to inhabit it?’ I observed.

‘No, Mr. Lockwood,’ said Nelly, shaking her head.  ‘I believe the dead are at peace: but it is not right to speak of them with levity.’

At that moment the garden gate swung to; the ramblers were returning.

‘
They
are afraid of nothing,’ I grumbled, watching their approach through the window.  ‘Together, they would brave Satan and all his legions.’

As they stepped on to the door-stones, and halted to take a last look at the moon — or, more correctly, at each other by her light — I felt irresistibly impelled to escape them again; and, pressing a remembrance into the hand of Mrs. Dean, and disregarding her expostulations at my rudeness, I vanished through the kitchen as they opened the house-door; and so should have confirmed Joseph in his opinion of his fellow-servant’s gay indiscretions, had he not fortunately recognised me for a respectable character by the sweet ring of a sovereign at his feet.

My walk home was lengthened by a diversion in the direction of the kirk.  When beneath its walls, I perceived decay had made progress, even in seven months: many a window showed black gaps deprived of glass; and slates jutted off here and there, beyond the right line of the roof, to be gradually worked off in coming autumn storms.

I sought, and soon discovered, the three headstones on the slope next the moor: the middle one grey, and half buried in the heath; Edgar Linton’s only harmonized by the turf and moss creeping up its foot; Heathcliff’s still bare.

I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.

A portrait of Anne made by Charlotte Brontë, 1845

This is Anne’s debut novel, first published in 1847, and republished in a second edition in 1850. The novel follows the eponymous governess, as she works in several bourgeois families. Scholarship and comments by Anne’s sister Charlotte Brontë suggest the novel is largely based on Anne Brontë’s own experiences as a governess for five years. Like her sister Charlotte’s novel
Jane Eyre,
it addresses what the precarious position of governess entailed and how it affected a young woman.
 
The choice of central character allows Anne to deal with issues of oppression and abuse of women and governesses, isolation and ideas of empathy.
Agnes Grey
also mimics some of the stylistic approaches of bildungsromans, employing ideas of personal growth and coming to age, but representing a character who in fact does not gain in virtue.