Complicated Shadows (67 page)

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Authors: Graham Thomson

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Independent On Sunday
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‘Indoor Fireworks’
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,
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,
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,
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,
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,
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,
ref7

Ingham, John
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‘Instant Karma’
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‘Interlude’
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‘Invasion Hit Parade’
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‘Invisible Man’
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,
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,
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Ireland
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,
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,
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,
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,
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Irish Feile Festival
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,
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Irish Republicanism
ref1

Irving Meadows Amphitheatre
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Island/Def Jam Records
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‘It Started To Come To Me’
ref1
,
ref2

‘It Takes A Lot To Laugh, It Takes A Train To Cry’ (Dylan)
ref1

‘It Tears Me Up’ (Sledge)
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Italy
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,
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,
ref3
,
ref4
,
ref5

‘It’s Time’
ref1
,
ref2
,
ref3

It’s Too Late To Stop Now
(Morrison),
ref1

‘I’ve Been Working’ (Morrison)
ref1

‘I’ve Been Wrong Before’ (Newman)
ref1
,
ref2

‘I’ve Got You Under My Skin’ (Sinatra)
ref1

 

J

J. Geils Band
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‘Jack Of All Parades’
ref1
,
ref2

‘Jackie Wilson Said’ (Morrison)
ref1
,
ref2

Jackson, Jim and Ada (maternal grandparents)
ref1

‘Jacksons, Monk & Rowe’
ref1

Jacobs, Jon
ref1

Jagger, Mick
ref1
,
ref2

Jago, David
ref1
,
ref2

Jakeman, Andrew
see
Riviera, Jake

Jake’s Progress
(Alan Bleasdale TV series)
ref1

James, Wendy
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,
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,
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,
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Japan
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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Jazz Passengers, The
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,
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,
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,
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,
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,
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Jerez
ref1

Jersey
ref1

Jo Jo Zep
ref1

Joe Loss Blue Beats, The
ref1

Joe Loss Orchestra, The
ref1
,
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,
ref3
,
ref4

‘Joe Porterhouse’
ref1

Johansen, David
ref1

John, Elton
ref1
,
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,
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,
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,
ref5

John, Little Willie
ref1

Johnnie Walker Black Label
ref1

Johnson, Wilko
ref1

Jones, Allan
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,
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,
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,
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,
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,
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,
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Jones, George
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,
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,
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,
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,
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,
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,
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,
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,
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Jones, Grace
ref1

Jones, Mick
ref1

Jones, Norah
ref1

Jones, Rick
ref1

Jones, Spike
ref1

‘Judgement, The’
ref1

Juliet Letters, The
ref1
,
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,
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,
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,
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,
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,
ref7
,
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,
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,
ref10

‘Jump Up’
ref1
,
ref2
,
ref3
n

‘Just A Curio’ (Costello/Fleshquartet)
ref1

‘Just A Memory’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

‘Just About Glad’
ref1
,
ref2
,
ref3

 

K

KADI, St Louis
ref1

Kelly, R.
ref1

Keltner, Jim
ref1
,
ref2
,
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,
ref4
,
ref5
,
ref6

Kenmare, Co Kerry
ref1

Kenner, Chris
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Kent, Greg
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Kent, Michael ‘Mich’
ref1
,
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,
ref3
,
ref4

Kent, Nick
ref1
,
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,
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,
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,
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,
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,
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,
ref8
,
ref9

Kern, Jerome
ref1
,
ref2
,
ref3

Kernis, Mark
ref1

‘Kid About It’
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6

Kilburn & The High Roads
ref1
,
ref2
,
ref3

Kilkenny, Nowlan Park at
ref1

Killen, Kevin
ref1
,
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,
ref3
,
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,
ref5
,
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,
ref7
,
ref8
,
ref9

‘Kinder Murder’
ref1
,
ref2
,
ref3

King, Carole
ref1
,
ref2

‘King Heroin’ (Brown)
ref1

‘King Horse’
ref1
,
ref2

King of America
,
ref1n
,
ref2
,
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,
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,
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,
ref6
,
ref7
,
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,
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,
ref10
,
ref11
,
ref12
,
ref13

‘King Of The Unknown Sea’ (Costello/Thomas)
ref1

‘King Of Thieves’
ref1

Kingston, Rhode Island
ref1

Kinks, The
ref1
,
ref2
,
ref3

Knetchel, Larry
ref1
,
ref2
,
ref3
,
ref4

‘Knockin’ On Heaven’s Door’ (Dylan)
ref1

‘Knowing Me, Knowing You’ (Abba)
ref1

Kojak Variety
ref1
,
ref2
,
ref3
,
ref4

Korngold, Erich
ref1

Kraftwerk
ref1

Krall, Diana
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Kramer, Billy J.
ref1

Krauss, Alison
ref1

Krauss, Viktor
ref1

KSHE, St Louis
ref1

Ku Klux Klan
ref1

 

L

La Stampa
ref1

LA Times,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

LA Weekly,
ref1

‘Labelled With Love’ (Squeeze)
ref1

Lahinch, Co Clare
ref1

Lala, Jim
ref1

Lancaster University
ref1

‘Land Of Give And Take’
ref1

Landmine Free World, Concerts For A
ref1

lang, k.d.
ref1

Langer, Clive
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9

Larry Sanders Show, The
(US TV series)
ref1

‘Last Boat Leaving’
ref1
,
ref2
,
ref3

‘Last Post, The’
ref1

Last Resort, The
(Henley/Frey)
ref1n

‘Last Time, The’ (Stones)
ref1

‘Last Time You Were Leaving, The’
ref1

‘Last Town I Painted, The (Jones)
ref1

Lauder, Andrew
ref1
,
ref2
,
ref3

‘Leader Of The Gang’ (Glitter)
ref1

‘Leader Of The Pack
ref1

‘Leave My Kitten Alone’ (John)
ref1
,
ref2
,
ref3
,
ref4

Led Zeppelin
ref1
,
ref2

Lee, Bruce
ref1

Lee, Peggy
ref1
,
ref2

‘Left On Man’ (Wyatt)
ref1

Leicester De Montfort Hall
ref1

Lemper, Ute
ref1
,
ref2

Lennon, John
ref1
,
ref2

Leno, Jay
ref1
,
ref2

Leonard, Sarah
ref1

Leone, Sergio
ref1

Lerwick, Shetland Islands
ref1
,
ref2

‘Less Than Zero’
ref1
,
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,
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,
ref4
,
ref5
,
ref6
,
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,
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,
ref9

‘Less Than Zero (Dallas Version)’
ref1

Let Him Dangle
ref1
,
ref2
,
ref3
,
ref4

‘Let It Be’ (Beatles)
ref1

‘Let Them All Talk’
ref1
,
ref2
,
ref3

‘Let’s Misbehave’ (Porter)
ref1

‘Letter Home, A’
ref1

Letterman, David
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Lewis, Huey
ref1
,
ref2

Lewis, Jerry Lee
ref1

‘Like A Rolling Stone’
ref1

‘Like An Angel Passing Through My Room’ (Costello/Andersson)
ref1
,
ref2

‘Lil’ Darlin’ (Basie)
ref1

‘Lily, Rosemary And The Jack Of Hearts’ (Dylan)
ref1

Lind, Jenny
ref1

Lindersmith, Jim
ref1

‘Lip Service’
ref1n
,
ref2

‘Lipstick Vogue’
ref1n
,
ref2
,
ref3
,
ref4
,
ref5
,
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,
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,
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,
ref9
,
ref10

‘Little Atoms’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Little Feat
ref1
,
ref2

‘Little Goody Two Shoes’
ref1

‘Little Palaces’
ref1
,
ref2
,
ref3
,
ref4

Little Richard
ref1

‘Little Triggers’
ref1
,
ref2
,
ref3

Live Aid
ref1

Liverpool
ref1
,
ref2

Cavern Club
ref1

folk scene in
ref1
,
ref2

Medium Theatre, The
ref1

Royal Court Theatre
ref1

SFX School in
ref1

Temple Bar, Dale Street
ref1

Toxteth
ref1

West Derby
ref1
,
ref2

Liverpool FC
ref1
,
ref2
,
ref3

Liverpool Royal Court
ref1

‘Living In Paradise’
ref1
,
ref2

‘Living In The USA’ (Rondstadt album)
ref1

Lizst, Franz
ref1

Los Lobos
ref1
,
ref2
,
ref3

Loder, Kurt,
ref1

London
ref1

Abbey Road Studios
ref1
,
ref2
,
ref3
,
ref4

AIR Studios
ref1
,
ref2

Albany Theatre
ref1

Alexander Street (Stiff Records)
ref1
,
ref2

Am-Pro Studio, Shepherd’s Bush
ref1

Amadeus Centre, Maida Vale
ref1
,
ref2

Archipelago studios, Pimlico
ref1
,
ref2

Beaulieu Close, Twickenham
ref1
,
ref2
,
ref3

Big One at the Apollo, The
ref1

Brown’s Hotel, Kensington
ref1

Canteen, The
ref1

Chelsea Arts Ball
ref1

Church Studios, Crouch End
ref1
,
ref2

Clarendon, The
ref1

Cypress Avenue, Whitton
ref1
,
ref2
,
ref3

Dingwalls
ref1
,
ref2

Diorama, Euston
ref1
,
ref2

DJM Studios, Holborn
ref1
,
ref2

Dominion Theatre
ref1
,
ref2

Duke of York Theatre
ref1

Eden Studios
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

Eezihire Studios
ref1

Elephant Studios, Wapping
ref1

folk scene in
ref1
,
ref2

Hammersmith Odeon
ref1
,
ref2

Hammersmith Palais
ref1
,
ref2

Hilton Hotel, Mayfair
ref1

Jam Studios,
ref1

Kensington High Street
ref1

Kneller Hall, Twickenham
ref1

Logan Hall
ref1

Marylebone Town Hall
ref1

Matrix Studios
ref1

Mayfair Studios
ref1

Old Vic Theatre
ref1

Olympia, west London
ref1

Olympic Studios, Barnes
ref1
,
ref2

Orangery, The, Holland Park
ref1

Paddington, St Mary’s Hospital at
ref1

Pathway Studio, Islington
ref1
,
ref2
,
ref3
,
ref4
,
ref5

pub-rock in
ref1
,
ref2
,
ref3
,
ref4

Queen Elizabeth Hall
ref1
,
ref2

Rainbow in
ref1
,
ref2

Rock On Record Shop, Camden Town
ref1
,
ref2

Rocks Off Record Shop
ref1

Roundhouse
ref1

Royal Albert Hall
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

Royal College Of Music
ref1

Royal Festival Hall
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Sarm West Studios
ref1

Selfridges department store
ref1

Shepherd’s Bush Empire
ref1
,
ref2
,
ref3

South Bank Centre
ref1
,
ref2
,
ref3

Speaker’s Corner, Hyde Park
ref1

Tally Ho!, Kentish Town
ref1

TW Studios
ref1

Wandsworth Prison
ref1

Wembley Stadium
ref1

Wessex Studios
ref1

Westside Studios
ref1
,
ref2
,
ref3

Wigmore Hall
ref1

Wimbledon Common
ref1

London Brass
ref1

‘London Calling’ (Clash)
ref1

London Palladium
ref1

London Philharmonic Orchestra
ref1

London Records
ref1

London Saxophonic
ref1

London Symphony Orchestra
ref1
,
ref2

‘London’s Brilliant Parade’
ref1
,
ref2

‘Lonesome Town’ (Nelson)
ref1

‘Long Division, The’ (Bacharach/Costello)
ref1
,
ref2
,
ref3

‘Long Honeymoon, The’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

‘Look Of Love, The’ (Bacharach/David)
ref1

‘Looking At The World Through A Windshield’ (Commander Cody)
ref1

Los Angeles
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Beverly Theater
ref1

Cocoanut Grove Club
ref1

Greek Theater
ref1

Long Beach Arena
ref1

Ocean Way Studios, Hollywood
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

Palomino Club
ref1

Royce Hall
ref1

Sound Factory
ref1

Sunset Sound
ref1

Troubadour
ref1

UCLA
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Los Angeles Arena
ref1

Lost Highway Records
ref1
,
ref2

‘Lost In The Stars’ (Weill)
ref1
,
ref2
,
ref3

‘Lovable’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Love, Courtney
ref1

Love, Damien
ref1

‘Love Comes In Spurts’ (Hell)
ref1n

‘Love Field’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

‘Love For Sale’ (Porter)
ref1

‘Love For Tender’
ref1
,
ref2
,
ref3

‘Love That Burns’ (Green)
ref1

‘Love Went Mad’
ref1
,
ref2

‘Loverman’ (Redwing)
ref1

‘Lovers That Never Were, The’ (Costello/McCartney)
ref1

‘Lovers Walk’
ref1
,
ref2

Lovin’ Spoonful, The
ref1n

Low
(Bowie)
ref1

Low Symphony
(Glass)
ref1

Lowe, Nick
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12
,
ref13
,
ref14
,
ref15
,
ref16
,
ref17
,
ref18
,
ref19
,
ref20
,
ref21
,
ref22
,
ref23
,
ref24
,
ref25
,
ref26
,
ref27
,
ref28
,
ref29
,
ref30
,
ref31
,
ref32

production technique of
ref1

Lunny, Donal
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Lusuardi, Nicola
ref1

‘Luxembourg’
ref1n
,
ref2
,
ref3

Lynch, Kieran
ref1
,
ref2

Lynn, Loretta
ref1
,
ref2

Lynott, Phil
ref1

 

M

McCartney, Linda
ref1

McCartney, Paul
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12

MacColl, Ewan
ref1
,
ref2

McCormack, John
ref1

McFee, John
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12

MacGarrigle, Kate and Anna
ref1

MacGowan, Elizabeth
ref1

MacGowan, Shane
ref1
,
ref2
,
ref3
,
ref4

McGuinn, Roger
ref1
,
ref2
,
ref3

MacKenzie, Scott
ref1

McLinton, Delbert
ref1

MacManus, Declan Patrick
ref1

see also
Costello, Elvis

A-levels
ref1

agent provocateur
ref1

aggressive antics
ref1

ambition
ref1

anti-abortion
ref1

athletic physique
ref1

Beatles fan
ref1

becoming Elvis Costello
ref1

Birkenhead, rapport with
ref1

birth
ref1
,
ref2

birth of son Matthew
ref1

brainpower
ref1

broadcast, excitement at
ref1

calling to music, realisation of
ref1

compartmentalising music
ref1

country music interest
ref1

demo tapes
ref1

difference from Elvis Costello
ref1

early compositions
ref1

employment in computers (Elizabeth Arden)
ref1
,
ref2
,
ref3
,
ref4

employment in computers (Midland Bank)
ref1
,
ref2

eyesight problem
ref1

family move to Whitton
ref1

father-son relationship
ref1
,
ref2
,
ref3

first solo public appearance
ref1

football fanatic
ref1
,
ref2

grandmother, rapport with
ref1

guitar work
ref1
,
ref2

immediate family, closeness to
ref1

independence
ref1

jazz as education
ref1

loud and direct
ref1

marriage to Mary
ref1

metamorphosis into Elvis Costello
ref1

mindblowing for John Ciambiotti
ref1

move back to London
ref1

moving on
ref1

musical heritage
ref1
,
ref2

musical self-education
ref1

My Aim Is True
recording
ref1

persona, ready-made
ref1

poet
ref1

pop aficionado
ref1

pub-rock in London
ref1
,
ref2
,
ref3
,
ref4

record collection
ref1

restraint in behaviour
ref1

Rick Danko a hero
ref1n

ridicile, immunity to
ref1
,
ref2

Rusty, background music with
ref1
,
ref2
,
ref3
,
ref4

school experiences
ref1
,
ref2
,
ref3
,
ref4
,
ref5

‘Secret Lemonade Drinker,’ TV ad backing
ref1

self-assurance
ref1

shrewd awareness
ref1

signing for Stiff Records
ref1

social integration
ref1

solo foundations
ref1

songwriting talent
ref1
,
ref2

soulmate, Allan Mayes
ref1

stage name ‘D.P. COS-tello’
ref1

stubborn determination of
ref1

talent, true depths of
ref1

vocal sound
ref1

west London/Middlesex roots
ref1
,
ref2n

working ethos (by father’s example)
ref1

MacManus, Lilian Alda Ablett (mother)
ref1
,
ref2
,
ref3

marriage break-up
ref1
,
ref2

McManus, Mabel (‘Molly’) Josephine Veronica (grandmother)
ref1
,
ref2
,
ref3

MacManus, Mary Martina
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9

see also
Burgoyne, Mary Martina

birth of son Matthew
ref1

reconciliation attempt
ref1

seeking divorce
ref1

MacManus, Matthew (son)
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

McManus, Patrick Matthew (grandfather)
ref1
,
ref2n
,
ref3

MacManus, Ronald Patrick Ross (father)
ref1n
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12
,
ref13

career in music
ref1
,
ref2
,
ref3
,
ref4
,
ref5

marriage break-up
ref1
,
ref2

musical pioneer
ref1

‘off the radar’
ref1

psychedelic phase
ref1

recording career
ref1

son-father relationship
ref1
,
ref2
,
ref3

McTell, Ralph
ref1
,
ref2

Mad About The Wrong Boy
(Attractions)
ref1

Madness
ref1
,
ref2n
,
ref3

Major, John
ref1

‘Make It Easy On Yourself’ (Bacharach/Costello)
ref1

Malaga
ref1

Malher, Gustav
ref1

‘Malicious Observer’ (Woolrich/Costello)
ref1

Malmo, Sweden
ref1

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