Complicated Shadows (64 page)
Read Complicated Shadows Online
Authors: Graham Thomson
Bono
ref1
‘Boogie Oogie Oogie’ (Taste Of Honey)
ref1
Booker T and the MGs
ref1
Boomtown Rats
ref1
Born to Run
(Springsteen)
ref1
Boston, Mass.
ref1
,
ref2
,
ref3
,
ref4
Boston Globe
ref1
Boston Phoenix
ref1
Bournemouth
ref1
Bowie, David
ref1
Boxcar Willie
ref1
Boxes, The
ref1
‘Boys From The County Hell’
ref1
Brahms, Johannes
ref1
Bramlett, Bonnie
ref1
,
ref2
,
ref3
,
ref4
,
ref5
Breakfast Time
(BBC1)
ref1
Bremner, Billy
ref1
‘Bridge I Burned, The’
ref1
,
ref2
‘Bright Blue Times’
ref1
Brighton, Grand Hotel at
ref1
‘Brilliant Disguise’ (Springsteen)
ref1
‘Brilliant Mistake’
ref1
,
ref2
,
ref3
,
ref4
‘Bring It On Home To Me’ (Cooke)
ref1
,
ref2
Brinsley Schwarz
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
Britten, Benjamin
ref1
Brixton, Rock Against Racism concert
ref1
Brixton Academy
ref1
Brodsky, Rudolf
ref1
Brodsky Quartet
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
,
ref12
,
ref13
,
ref14
,
ref15
,
ref16
,
ref17
,
ref18
,
ref19
‘Broken Bicycles’ (Waits)
ref1
Brooklyn Philharmonic Orchestra
ref1
Brookside
(Channel Four)
ref1
Brown, Charles
ref1
Brown, Clifford
ref1
Brown, Des
ref1
Brown, James
ref1
,
ref2
,
ref3
,
ref4
,
ref5
Brown, Ray
ref1
Browning, Boo
ref1
Brutal Youth
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
Bubbles, Barney
ref1
Buell, Bebe
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
Buffalo Springfield
ref1
Bullock Smithy Folk Group
ref1
Burgess, Marianne
ref1
Burgoyne, Mary Martina
ref1
,
ref2
,
ref3
,
ref4
Burgoyne, Patrick Victor ‘Vic’
ref1
Burke, Brian
ref1
Burke, Solomon
ref1
Burnett, John Henry (‘T-Bone’)
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11
‘Burnt Sugar Is So Bitter’
ref1
,
ref2
Burton, James
ref1
,
ref2
,
ref3
,
ref4
‘Busy Bodies’
ref1
‘Button My Lip’
ref1
Buxton, Derbyshire
ref1
By Eleven (management company)
ref1
Bye, Antony
ref1
Byrd, William
ref1
C
Cahn, Sammy
ref1
Callahan, Paddy
ref1
‘Can I Have My Money Back?’ (Rafferty)
ref1
‘Can She Excuse Me Wrongs?’ (Dowland)
ref1
Canada
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
Canning, Tom
ref1
Cap de Ferrat
ref1
‘Captains And The Kings, The’ (Chevron/Costello)
ref1
Caravan
ref1
Cardiff
ref1
Career Review, A
(BBC TV)
ref1
Carmichael, Hoagy
ref1
,
ref2
,
ref3
‘Caroline’ (Wyatt)
ref1
Carr, James
ref1
Carr, Roy
ref1
Carrack, Paul
ref1
Carter, Carlene
ref1
Caruso, Enrico
ref1
Case For Song, A
(Costello provisional album title/BBC TV video)
ref1
,
ref2
,
ref3
Cassidy, Paul
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
CBS (Columbia Broadcasting
System)
ref1
,
ref2
,
ref3
,
ref4n
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
CD Review
ref1
Chamberlain, Matt
ref1
Chance, Michael
ref1
‘Change Is Gonna Come, A’ (Cooke)
ref1
Channel Four TV (UK)
ref1
,
ref2
,
ref3
Channel Islands
ref1
Chaplin, Charlie
ref1
Charles, Prince of Wales
ref1
Charles, Ray
ref1
,
ref2
,
ref3n
,
ref4
,
ref5
Cheech & Chong
ref1
Chelmsford Festival
ref1
‘Chemistry Class’
ref1
,
ref2
,
ref3
, 9114
Chess Records
ref1
Chevron, Philip
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
Chic
ref1
Chicago Tribune
ref1
Chilli Willi
ref1
,
ref2
,
ref3
,
ref4
Chuck Meets Bo
(Berry/Diddley)
ref1
Ciambotti, John
ref1
,
ref2
,
ref3
,
ref4
,
ref5n
,
ref6
,
ref7
Clarke, John Cooper
ref1
Clarkston, Michigan
ref1
Cleese, John
ref1
Cline, Patsy
ref1
Clover
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
‘Clowntime Is Over’
ref1
‘Clubland’
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
‘Coal Train Robberies’
ref1
Cockney Rebel
ref1
Cold Mountain
(Antony Mingella film)
ref1
‘Colour Of The Blues’
ref1
Colson, Glen
ref1
Columbia Records
ref1
,
ref2
,
ref3
,
ref4
,
ref5
end of relationship with
ref1
Columbus
‘Come Away, Death’ (Shakespeare/Costello)
ref1
Come Fly With Me
(Sinatra)
ref1
Commander Cody
ref1
Common Ground
(Lunny album)
ref1
‘Complicated Shadows’
ref1
,
ref2
,
ref3
,
ref4
,
ref5
Composer’s Ensemble
ref1
,
ref2
,
ref3
Concord Pavillion
ref1
Confederates, The
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
‘Congratulations’ (Simon)
ref1
Connolly, Billy
ref1
Conservatives in UK
ref1
,
ref2
,
ref3
,
ref4
Cook, Richard
ref1
Cooper, Alice
ref1
Copeland, Miles
ref1
‘Corpus Christi Carol’ (Britten)
ref1
Corrs, The
ref1
Costello, Elvis
see also
The Attractions; MacManus, Declan Patrick
‘accidental Englishman’
ref1n
acting ability
ref1
affair with Bebe
ref1
,
ref2
,
ref3
America, fascinating enigma
ref1
America, first solo tour
ref1
anti-establishment jibes
ref1
appearance change, dramatic
ref1
arrested for impertinence
ref1
band formation (and bedding in)
ref1
band mode, return to
ref1
band virtuosity (without extravagance)
ref1
‘Barking Cabbage,’ The
ref1
Bebe, break up from
ref1
Bebe, spotted by Mary with
ref1
birth (at twenty-two)
ref1
caustic notices in America
ref1
classical music, attraction of
ref1
classical music, immersion in
ref1
‘Clocking Across America’ tour
ref1
collaborations
ref1
commercial rock, limitations of
ref1
creative impasse
ref1
criticism, reaction to
ref1
death threats against
ref1
Declan MacManus, legal swap back to
ref1
,
ref2
devourer of biographies
ref1
difference from Declan MacManus
ref1
disillusionment and personal low
ref1
diversification to left-field
ref1
divorce from Mary
ref1
drunken talk in Columbus
ref1
,
ref2
emotional cat-and-mouse game (Mary or Bebe)
ref1
epicurean tastes
ref1
European tour
ref1
exploring outer regions of fascinations
ref1
family responsibilities taken seriously
ref1
freedom from touring
ref1
hedonism at a price
ref1
Jake’s last stand with
ref1
legacy of
ref1
‘little black book’ of
ref1
live debut
ref1
Live Stiffs Tour
ref1
‘Lonely World’ tour
ref1
,
ref2
,
ref3
‘Male Artist of the Year 1989,’
ref1
marathon in New York (April Fool’s Day)
ref1
,
ref2
marketing job on
ref1
marriage to Diana
ref1
master (and maniac) of words
ref1
mind-numbing schedules (constant touring)
ref1
misogyny charges
ref1
musical obsessions, changes in
ref1
mystique of early days
ref1
outsider and anti-Elvis feeling
ref1
parting from The Attractions
ref1
populist promotion
ref1
press antagonism
ref1
Pyrrhic victory
ref1
reconciliation attempt with Mary
ref1
reference frame, immensity of
ref1
restlessness
ref1
seduction by rock ‘n’ roll excess
ref1
,
ref2
self-sabotage for artistic integrity
ref1
separation from Cait
ref1
‘spiritual wedding’ to Cait
ref1
studio industriousness
ref1
stymied in Nashville
ref1
thoughts of quitting
ref1
tiring of traditional rock
ref1
United States, first tour
ref1
US, touring in
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
vegetarian
ref1
video promos
ref1
‘Wake Up Canada’ tour
ref1
wardrobe, Al Capone chic
ref1
wardrobe accident
ref1n
wider musical horizons
ref1
‘wound up’
ref1
writing music, complicated process
ref1
