Complete Works of Robert Louis Stevenson (Illustrated) (1115 page)

BOOK: Complete Works of Robert Louis Stevenson (Illustrated)
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Among Fanny’s playmates there was a dark, handsome boy, with large, melancholy eyes, named George Marshall, who was not only exceedingly attractive in looks but had many other graces. He was a born artist, and could dance, and act, and sing like an angel; and, best of all, he was as good as he was charming. These two were close companions in all sorts of strenuous sports, and nothing annoyed them more than to have little teasing Josephine, Fanny’s younger sister, trailing after them and breaking up their games. George finally announced that he would play no more unless Josephine could be kept away. But boys change, and when he grew up he married Josephine.

The Van de Grift residence at the corner of Illinois and Washington Streets, Indianapolis.

All too soon came the time when these days of careless childish joys were brought to a close. A new era opened, and romance, which budded early in that time and place, began to unfold its first tender leaves. Various youths of the town, attracted by the piquant prettiness and sparkling vivacity of the eldest daughter, began to haunt the Van de Grift house. In the sentimental fashion of the day, these sighing swains carved her name on the trees, and so wide was the circle of her fascination that there was scarcely a tree in the place that did not bear somewhere on its long-suffering trunk the name or initials of Fanny Van de Grift. None of these suitors, however, made any impression on the object of their attentions, who was so much of a child that she was walking on stilts in the garden when Samuel Osbourne first called at the house. He was an engaging youth, a Kentuckian by birth, with all the suavity and charm of the Southerner. Behind him lay a truly romantic ancestry, for, through John Stewart, who was stolen and brought up by the Indians, and never knew his parentage, he was a collateral descendant of Daniel Boone.

On December 4, 1857, in a house on Michigan Street, which had already been prepared and furnished for their occupancy, Samuel Osbourne, aged twenty, and Fanny Van de Grift, aged seventeen, were united in marriage. All the notables of the town, including Governor Willard, to whom young Osbourne was private secretary, and the entire staff of State officers, attended. The young bride looked charming in a handsome gown of heavy white satin, of the kind that “could stand alone,” of the “block” pattern then in vogue, and made in the fashion of the day, with full long-trained skirt and tight low-necked bodice trimmed with a rich lace bertha. Her hair was worn in curls, fastened back from the face on each side. The groom, who is seldom mentioned in these affairs, deserves a word or two, for he made a gallant figure in a blue coat with brass buttons, flowered waistcoat, fawn-coloured trousers, strapped under varnished boots, and carrying a bell-topped white beaver hat. One who was a guest at the wedding says, “They looked like two children,” as indeed they were. It was a boy-and-girl marriage of the kind people entered into then with pioneer fearlessness, to turn out well or ill, as fate decreed.

The young couple took up their residence in the same house in which they were married, and before the young husband was twenty-one years old their first child, Isobel, was born. The little mother was so small and young-looking that once when she was on a railroad-train with her infant an old gentleman, looking at her with some concern, asked: “Sissy, where is the baby’s mother?”

It was now that the great black storm-cloud which had been hovering over the nation for years broke in all its fury upon this border State. The Osbournes, together with nearly all their friends and relatives, cast in their lot with the North, and young Osbourne left his family and went to the war as captain in the army.

We must now return to the dark, handsome boy, George Marshall, once the favourite playmate and now the brother-in-law of Fanny Van de Grift. He, too, joined the colours, in command of a company of Zouaves whom he had himself gathered and trained. After a time spent in active service on some of the hardest fought battle-fields of the Civil War, the hardships and exposure of the life told upon a constitution never at any time robust, and he returned to his young wife a victim of tuberculosis. The doctors said his only chance was to get to the milder climate of California, and at the close of the war Samuel Osbourne, who was his devoted friend, gave up position and prospects to accompany him thither. The two young men, leaving their families behind them, took ship at New York for Panama; but the Angel of Death sailed with them, and Captain Marshall breathed his last while crossing the Isthmus.

Osbourne decided to go on to California, and on his arrival there was so pleased with the country that he wrote to his wife to sell her property at once and follow him. Bidding a long farewell to the loving parents who had up to that time stood between her and every trouble, Fanny Osbourne, at an age when most young women are enjoying the care-free life of irresponsible girlhood, took her small daughter Isobel and set forth into a new and strange world.

Crossing the Isthmus by the crookedest railroad ever seen, she stopped at Panama to visit the burial-place of the young soldier, George Marshall, her childhood playmate, beloved friend, and brother-in-law, and over that lonely grave the child for the first time saw her girlish mother shed tears.

 

CHAPTER III

 

ON THE PACIFIC SLOPE

 

When at last the long voyage up the Western coast came to an end and the ship sailed into the broad bay of San Francisco, which lay serene and beautiful under the shadow of its towering guardian, Mount Tamalpais, Fanny Osbourne hung over the rail and surveyed the scene with eager interest. Yet it is altogether unlikely that any realisation came to her then that the lively seaport town that lay before her was to become to her that magic thing we call “home,” for men still regarded California as a place to “make their pile” in and then shake its dust from their feet. Her stay here was very brief, for her husband had gone at once to Nevada in the hope of getting a foothold in the silver-mines, which were then “booming,” and she immediately followed him.

From the level green corn-fields of Indiana, the land of her birth, to the grey sage-brush of the desert and the naked mountains of Nevada was a long step, but regrets were lost in the absorbing interest of the new life.

In a canyon high up in the Toyabee Range, about six miles from Reese River, lay the new mining camp of Austin, then only about a year old. Reese River, though in summer it dries up in places so that its bed is only a series of shallow pools, is nevertheless a most picturesque stream, and Austin is surrounded by mountain scenery of the stupendous, awe-inspiring sort.

In a little cabin on a mountainside Fanny Osbourne took up her new life amidst these strange surroundings, which she found most interesting and exciting. The men, who were generally away from the camp during the day, working in the mines, were all adventurers — young, bold men — and though they wore rough clothes, were nearly all college bred. In Austin and its vicinity there were but six women, and when it was decided to give a party at another camp miles away, a thorough scouring of the whole surrounding country produced just seven of the fair sex. These ladies came in a sleigh, made of a large packing-box put on runners, to beg the newcomer, Mrs. Osbourne, to join them in this festivity. Having some pretty clothes she had brought with her, she hastily dressed by the aid of a shining tin pan which one of the women held up for her, there being no such thing as a mirror in the entire camp. Years afterwards, when Mrs. Osbourne was in Paris, she read in the papers of this woman as having taken the whole first floor of the Splendide Hotel, which led her to remark: “I wonder if she remembers when she held the tin pan for me to do my hair!” At the party there were fifty men and seven women, and no woman danced twice with the same man. Among the men was a clergyman, who made himself very agreeable to Mrs. Osbourne. She asked why she had never heard of him before, and he replied: “You have heard of me, I am sure, but not by my real name. They call me ‘Squinting Jesus’!”

Her pioneer blood now began to show itself in all kinds of inventions with which she mitigated the discomforts of the raw mining camp. As vegetables were exceedingly scarce, the diet of the miners consisted almost exclusively of meat, and Mrs. Osbourne made a great hit by her ingenuity in devising variations of this monotonous fare. She learned how to cook beef in fifteen different ways. Her great achievement, however, was in making imitation honey, to eat with griddle-cakes, out of boiled sugar with a lump of alum in it.

All about in the mountains there were Indians, belonging to the Paiute tribe, and between 1849 and 1882 there was constant trouble with them. They were a better-looking and more spirited race than the “Diggers” of California, and consequently more disposed to resent the frequent outrages put upon them by irresponsible men among the whites. As an instance, in 1861 some white men stole horses from the Indians, who then rose up in retaliation, and all the whites, the innocent as well as the guilty, were compelled to unite for defense, a large number losing their lives in the subsequent fight.

In the mornings, while Mrs. Osbourne was doing her housework in the little cabin on the hillside, Indians would gather outside and press their faces against the window-panes, their eyes following her about the room. There were blinds, but she was afraid to give offense by pulling them down. The absence of the Indians was sometimes even more alarming than their presence, and once when it was noticed that none of them had been seen about the camp for several days, the residents knew that trouble threatened. One night signal fires blazed on the distant mountain tops, and a thrill of fear ran through the little community. The women and children were gathered in one cabin and made to lie on the floor and keep quiet. Even the smallest ones must have felt the danger, for not a whimper escaped them. One of them was a baby called Aurora. Little Isobel Osbourne thought she was called “Roarer” because she bawled all the time, but even “Roarer” was quiet that night.

Among the Austin Indians there was a little boy who named his pony “Fanny.” “Did you name it for me?” my sister asked. He nodded his head. “Why?” she asked, and he said it was because the pony had such little feet.

Near the Osbourne cabin lived a miner named Johnny Crakroft. Mrs. Osbourne never saw him, for he was too shy to speak to a woman, but he left offerings on her door-step or tied to the knob. Johnny had killed a man in Virginia City, not an unusual occurrence in those days, but the circumstances seem to have been such that he did not dare go back there. Yet, with one of those strange contrasts so common in the life of the mines, he was a kind-hearted, domestic soul, and on baking days he made little dogs and cats and elephants out of sweetened dough, with currants for eyes, for his little pal, Isobel Osbourne. One day he bestowed upon the child the rather incongruous present of a bottle of quicksilver and a bowie-knife, which she proudly carried home.

Other neighbours in a cabin on the mountainside were two young Englishmen, mere boys of twenty or thereabout, named John Lloyd and Tom Reid. Wishing to celebrate the Queen’s birthday in true British fashion, they went to Mrs. Osbourne to learn how to concoct a plum pudding. They learned, only the string broke and the pudding had to be served in soup-plates.

Whatever else the life and the society may have been, they were never dull or tame. On one occasion, while crossing the desert in a stage-coach, Mrs. Osbourne met the man said to be the original of Bret Harte’s Colonel Starbottle. When the coach stopped at a little station, this gentleman politely asked his pretty fellow passenger what he could bring her. He was so flowery and pompous that as a little joke she asked for strawberries, thinking them the most impossible thing to be found at the forlorn little place. To her amazement he actually brought her the berries.

On another desert trip she was allowed, as a special favour, to sit on the front seat, between the driver and the express messenger. There had been, not long before, a number of hold-ups by “road agents,” and when the stage came to suspicious-looking turns in the road the messenger made her put her head down on her knees while he laid his gun across her back. She could have gone inside with the other women, of course, but it was like her to prefer the seat with the driver, with its risk and its adventure.

Later the Osbournes moved to Virginia City, where the life, while not quite so primitive as at Austin, was still highly flavoured with all the spice of a wild mining town. Gambling went on night and day, and the killing of men over the games still happened often enough. In the diary of a pioneer of that time, Samuel Orr, of Alameda, who later married one of Mrs. Osbourne’s sisters, Cora Van de Grift, I find this entry: “This is the hardest place I ever struck. I saw two men killed to-day in a gambling fight.” Men engaged at their work or passing along the streets were quite often compelled to duck and dodge to escape sudden fusillades of bullets. There was little regard for the law, and “killings” seldom received legal punishment.

Virginia City, despite its desolate environment of grey, naked mountains and deep, narrow ravines, had its own rugged charm. The air was so crystal-pure that at times one could see as far as one hundred and eighty miles from its lofty seat on the skirts of Mount Davidson. Far to the west and south stretched a wonderful panorama of multicoloured and snow-capped mountains, and in the gap between lay the desert and a fringe of green to mark the course of the Carson River. The town, which lay immediately over the famous Comstock Lode, was built on ground with such a pitch that what was the second story of a house in front became the first in the back. Every winter snow falls to a depth of several feet in the town, and on the summit of Mount Davidson it never melts. At that time Virginia City was described as “a lively place, wherein all kinds of industry as well as vice flourished.”

BOOK: Complete Works of Robert Louis Stevenson (Illustrated)
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