Complete Submission: (The Submission Series, Books 1-8) (6 page)

“Did you sit her at the piano?”

“Yeah, that worked. We need something to happen for her.”

“She’ll still be who she is,” I said. “She could play the Staples Center, and she’d be this way.”

“But she could afford to get care, the right meds, maybe therapy. Something.” I nodded. He was right. They were stymied by poverty. “And Vinny? I haven’t heard a damn thing from that guy. I tried calling him and his mailbox is full.” He was losing his shit, standing there with a coffee cup in his hand.

“We have six more months on our contract with him and we’re out,” I said.

“She doesn’t have six months, Mon.”

“Okay, I get it.” I held him by the biceps and looked him in the face.

“She’s like she was the last time, when you found her. I don’t want—”

“Darren! Stop!”

But it was too late. The stress of the evening had gotten to him. He blinked hard and tears dripped down his cheeks. I put my arms around him, and we held each other in the middle of the kitchen until the coffeemaker beeped. He wiped his eyes with his sleeve, still holding the empty cup. “I’m working the music store this morning. Will you stay with her until rehearsal?”

“Yeah.”

“Can I shower here? My water heater’s busted.”

“Knock yourself out. Just hang the towel.”

He strode out of the kitchen, and I was left there with our dripping sink and filthy floor. The roof leaked, and the foundation was cracked from the last earthquake swarm. It had been nice to sit in that Mercedes and drive around with someone who never spent a minute agonizing about money. It had been nice to not worry about anything but physical pleasure and what to do with it for a couple of hours. Real nice.

Darren’s laptop was on the kitchen table, set to some Pro Tools thing he probably hadn’t gotten a chance to touch in the middle of taking care of Gabby. I fixed my coffee and slid into the chair, opening the internet browser. We stole bandwidth from the Montessori school during off hours, so I checked my email. I remembered my conversation with Jonathan about his ex-wife, so I did a search for her: Jessica Carnes.

I got a different set of pictures than Darren had shown us the other day. Jessica was an abstract and conceptual artist. Searching under Google Images brought back a treasury of pictures of the artist and her art, which despite Kevin schooling me in the vocabulary of the visual arts, I didn’t get at all.

Jessica had long blond hair and an Ivory Girl complexion. She might have worn a stitch of makeup and maybe used hot rollers. She wore nice flats, but flats nonetheless. Her skirts were long and her demeanor was modest. She was my exact opposite. I had long brown hair and black eyes. I wore makeup, tight jeans, short skirts, and the highest heels I could manage. And black. I wore a lot of black, a color I hadn’t given a thought to until I saw Jessica in every cream, ecru, and pastel on the palette.

On page three, I came across a wedding photo. I clicked through.

The page had been built by her agent, and it showed a beachside extravaganza the likes of which I could only aspire to waitress. I scrolled down, looking for his face. I found him here and there with people I didn’t know or side-by-side with his bride. A picture at the bottom stopped me. I sighed as if the air had been forced out of my lungs by an outside force. Jessica and Jonathan stood together, separated from the crowds. Her back was three-quarters to the camera, and he faced her. He was speaking, his eyes joyous, happy, his face an open book about love. He looked like a different man with his fingertips resting on Jessica’s collarbone. I knew exactly how that touch felt, and I envied that collarbone enough to snap the laptop closed.

I
 tapped my foot. Studio time was bought by the hour and not cheap, yet Gabby and I were the only ones there. She was at the piano, of course, running her fingers over the keys with her usual brilliance, but it was only therapy, not real practice. Darren’s drums took twenty minutes to set up. The chitchat and apologies would take another fifteen minutes, and I still had to practice some dumb standards for the solo gig at Frontage that night.

I sat on a wooden bench facing the glass separating the studio from the control room. The room stank of cigarettes and human funk. The soundproofing on the walls and ceiling was foam, porous by necessity, and thus holding cells for germs and odor. Though I thought I’d rubbed away the ache Jonathan had caused, I woke up with it, and a good scrub and an arched back in the shower did nothing to dispel the feel of him. I needed to get to work. Letting this guy under my skin was counterproductive already.

I whispered, “I’ve got you, under my skin.” Then I groaned the rest of the lyrics like I was in heat. No. But yes. It was a good song. It was missing how I really felt: frustrated and angry. So I belted out the last line of the chorus without Sinatra’s little snappy croon, but a longing, accusatory howl.

“Hang on,” Gabby said. She took a second to find the melody, and I sang the chorus the way I wanted it played.

“Wow, that’s not how Sinatra did it,” she said.

“Play it loungey, like we’re seducing someone.” I tapped her a slower rhythm, and she caught onto it. “Right, Gabs. That’s it.”

I stood up and took the rest of the song, owning it, singing as if the intrusion was unacceptable, as if insects crawled inside me, because I didn’t want anyone under my skin. I wanted to be left alone to do my work.

Having the guys here to record it so I could hear it would have been nice, but I could tell I was onto something. The back room at Frontage was small, so I needed less rage and more discomfort. More sadness. More disappointment in myself for letting it happen, and begging the pain away. If I could nail that, I might actually enjoy singing a few standards at a restaurant. Or I might get fired for changing them. No way to know.

I did it again, from the top. The first time I sang the word, “skin,” I felt Jonathan’s hands on me and didn’t resist the pleasure and warmth. I sang right through it, and when Gabby accompanied, she put her own sadness into it. I felt it. It was my song now.

My phone rang: Darren.

“Where the hell are you?”

“Harry just called me. His mother is sick in Arizona. He’s out. For good.”

I would have said something like,
so no bassist, no band
, but Gabby would have heard, and she wasn’t ready for any kind of upset.

“And you’re not here because?”

He sighed. “I got held up at work. I’ll be there in twenty. Tomorrow night, I have a favor to ask.”

“Yeah?”

“I have a date. Can you get her home after your gig and make sure she takes her meds?”

“Yeah.”

“Thanks, Mon.”

“Go get laid.”

I clicked the phone off and used the rest of the time to work on our performance.

T
hursday afternoon shift at the Stock was slow by Saturday night standards. I earned less money, but the atmosphere was more relaxed. There was always a minute to chill with Debbie at the service bar. I liked her more and more all the time. I tried to keep it light and hold my energy up. Just because this gig tonight wasn’t my own songwriting, I still wanted to do a good job. But after Darren’s call and the sputtering dissolution of the band, I lost the mojo, and I just sounded like Sinatra on barbiturates. I had no idea how to get that heat back.

Debbie got off her phone as I slid table ten’s ticket across the bar. Robert snapped it up and poured my rounds.

“I think he likes you,” Debbie said, indicating Robert. He was hot in his black T-shirt and Celtic tattoos.

“Not my type.”

“What is your type?”

I shrugged. “Nonexistent.”

“Okay, well, finish with this table and go on your break. Could you go down to Sam’s office and make a copy of next week’s schedule?” She handed me a slip of paper with the calendar. The waitstaff hung around waiting for it every week as our station placement and hours determined not only how much money we’d make over the next seven days, but our social and family plans as well. And here she was giving it to me two hours early. She smiled and patted my arm before walking off to greet three men in suits.

I went to the bathroom and freshened up, then headed for Sam’s office.

It wasn’t a warm, fabulously decorated place like Jonathan’s at K. It was totally utilitarian, with a linoleum floor and metal filing cabinets. The copy machine was in there, and I put the schedule on the glass without turning the lights on. The windows gave enough afternoon light.

The energy saver was on, meaning the copier was ice cold. I tapped start and waited. Lord knew how long it would take. I stretched my neck and hummed, then whispered, the lyrics to
Under My Skin
.

I gasped when I smelled his dry scent. When I turned, Jonathan stood in the doorway with his arms crossed. That was the first time I’d seen him in daylight, and the sunlight made him look more human, more substantial, more present, and more gorgeous, if that was even possible.

“Jonathan.”

“Hi.”

I realized the deal with the schedule copying just then. “Debbie sent me up here.”

“You didn’t know she was a yenta?”

“You’re very persistent.”

“I just kept telling myself I didn’t want you, but we said no lies, and I think that includes lying to myself. How about you?”

I didn’t know what to say. I had shut out thoughts of him for almost a week. I thought about baseball, chord progressions, and getting a new manager whenever he came into my mind. So having him in front of me was like opening a closet door and having all the stuff come tumbling out.

I took a step forward, and he did, too. We were in each other’s arms in a second, mouths attached, tongues twisting. He reached back and closed the door.

Okay, I was going to get this over with now. Me and him. Right there. Just get it done so I could move on. He thrust me onto the desk and I opened my legs, wrapping them around his waist. He was pushing against me again, like on the hood of the Mercedes, a million years ago.

He put his hands up my shirt, across my stomach and to my breasts.

“Yes?” he gasped.

“Yes,” I whispered. “Yes to everything.”

“Yes,” he whispered in my ear, then pushed my bra up and cupped my tits, finding my nipples and rubbing them with his thumbs. My hips levitated from the desk, and I made some noise deep in my throat. Damn, he was good. Lots of practice. He knew exactly what to do.

He looked down at my chest, nipples hardening from his touch and the cool air. “My God, Monica, you are magnificent.”

I laughed, because being admired like that made me nervous, but he shut me up when he put his mouth on one nipple and his fingers on the other, pressing and twisting. My legs tightened around him, hitching my skirt up to my waist. With only my panties between me and his jeans, he felt harder and more forceful. He pushed against me, and I flowed with him, my hips to his rhythm as I gripped his hair. I’d almost come like that, eons ago, with some guy in freshman year I couldn’t even remember now, and it felt like it might happen again.

As if reading my mind, he pulled away. His own breathing was heavy as he looked at me, not as if he was undressing me with his eyes, but as if he was making plans for the body in front of him. He moved his hands down my sides and pulled my skirt up, bunching it at the waist. My underwear bottoms, which I hadn’t given a thought to when I’d dressed in the morning, were the only thing between me and the world.

“Listen,” I started, “I don’t know if Sam would think this is ok.”

He put his fingertips to my mouth, and I shushed. Let him explain to Sam. Let me get fired. I parted my lips and took two of his fingers in my mouth, sucking them down to the back.

“Ah, Monica,” was all he said as he pulled them out, slowly, and pushed them back in at the same pace. I cupped my tongue around them and sucked. Not too hard, just enough. I knew I was doing it right when his eyelids closed just a little, and he opened his mouth for something between a gasp and an
aah
. He rubbed them over my bottom lip, curling it back, then put them back in my mouth. I took them eagerly, tasting his skin, feeling his warm breath on my face.

He slid his fingers out and stepped back, taking his crotch away from mine. I suddenly felt exposed and started to close my legs, but he pressed them apart. I reached for his buckle, but he pulled away.

“I want to touch you,” I said.

“Not yet.”

“I’m going crazy.”

“No, you’re not. Not enough.”

With that, he moved the crotch of my panties to the side and put the finger he’d just removed from my mouth onto my wet folds. We both gasped. Then he slid two fingers into me. Slowly.

“Oh, God,” I whispered.

He slipped them out without a word and put his thumb on the thin strip of cotton covering my clit. Lightly. Barely touching it. Just enough so I knew it was there, and he leaned over to kiss me, flicking his tongue in time with his thumbnail as it gently scratched the fabric of my underwear.

I thrust my hips forward. His fingers went deep into me, but the thumb wouldn’t press down any harder. It just grazed the cotton as he glided his two fingers in and out.

“What do you want?” he asked.

“I want you to fuck me.”

“What’s the magic word?”

“Now?”

His fingers worked my body while he bent down to whisper into my ear. “You have three minutes of break left.”

“I don’t care.”

“I’m going to spend hours fucking you.”

My hips pushed against his hand, but he kept control: a light touch of the thumb and a slow grind with the fingers. I was on fire. I thought I had known what that meant, but I didn’t.

“After your shift.”

“I have a gig right after. We have to do it now.” He might have considered it for the next three thrusts, but he didn’t give my clit more than a stroke through fabric. I couldn’t decide if that was pleasure or torture.

“After your gig,” he said. “I have a dinner meeting anyway. Meet me at the hotel tonight. Room 3423.”

“I have to take care of my roommate.”