Complete Fictional Works of Washington Irving (Illustrated) (84 page)

A few days sufficed to show me my mistake. My scanty purse was exhausted, and for the first time in my life I experienced the sordid distress of penury. I had never known the want of money, and had never adverted to the possibility of such an evil. I was ignorant of the world and all its ways; and when first the idea of destitution came over my mind its effect was withering. I was wandering pensively through the streets which no longer delighted my eyes, when chance led my stops into the magnificent church of the Annunciata.

A celebrated painter of the day was at that moment superintending the placing of one of his pictures over an altar. The proficiency which I had acquired in his art during my residence in the convent had made me an enthusiastic amateur. I was struck, at the first glance, with the painting. It was the face of a Madonna. So innocent, so lovely, such a divine expression of maternal tenderness! I lost for the moment all recollection of myself in the enthusiasm of my art. I clasped my hands together, and uttered an ejaculation of delight. The painter perceived my emotion. He was flattered and gratified by it. My air and manner pleased him, and he accosted me. I felt too much the want of friendship to repel the advances of a stranger, and there was something in this one so benevolent and winning that in a moment he gained my confidence.

I told him my story and my situation, concealing only my name and rank. He appeared strongly interested by my recital; invited me to his house, and from that time I became his favorite pupil. He thought he perceived in me extraordinary talents for the art, and his encomiums awakened all my ardor. What a blissful period of my existence was it that I passed beneath his roof. Another being seemed created within me, or rather, all that was amiable and excellent was drawn out. I was as recluse as ever I had been at the convent, but how different was my seclusion. My time was spent in storing my mind with lofty and poetical ideas; in meditating on all that was striking and noble in history or fiction; in studying and tracing all that was sublime and beautiful in nature. I was always a visionary, imaginative being, but now my reveries and imaginings all elevated me to rapture.

I looked up to my master as to a benevolent genius that had opened to me a region of enchantment. I became devotedly attached to him. He was not a native of Genoa, but had been drawn thither by the solicitation of several of the nobility, and had resided there but a few years, for the completion of certain works he had undertaken. His health was delicate, and he had to confide much of the filling up of his designs to the pencils of his scholars. He considered me as particularly happy in delineating the human countenance; in seizing upon characteristic, though fleeting expressions and fixing them powerfully upon my canvas. I was employed continually, therefore, in sketching faces, and often when some particular grace or beauty or expression was wanted in a countenance, it was entrusted to my pencil. My benefactor was fond of bringing me forward; and partly, perhaps, through my actual skill, and partly by his partial praises, I began to be noted for the expression of my countenances.

Among the various works which he had undertaken, was an historical piece for one of the palaces of Genoa, in which were to be introduced the likenesses of several of the family. Among these was one entrusted to my pencil. It was that of a young girl, who as yet was in a convent for her education. She came out for the purpose of sitting for the picture. I first saw her in an apartment of one of the sumptuous palaces of Genoa. She stood before a casement that looked out upon the bay, a stream of vernal sunshine fell upon her, and shed a kind of glory round her as it lit up the rich crimson chamber. She was but sixteen years of age — and oh, how lovely! The scene broke upon me like a mere vision of spring and youth and beauty. I could have fallen down and worshipped her. She was like one of those fictions of poets and painters, when they would express the
beau ideal
that haunts their minds with shapes of indescribable perfection.

I was permitted to sketch her countenance in various positions, and I Fondly protracted the study that was undoing me. The more I gazed on her the more I became enamoured; there was something almost painful in my intense admiration. I was but nineteen years of age; shy, diffident, and inexperienced. I was treated with attention and encouragement, for my youth and my enthusiasm in my art had won favor for me; and I am inclined to think that there was something in my air and manner that inspired interest and respect. Still the kindness with which I was treated could not dispel the embarrassment into which my own imagination threw me when in presence of this lovely being. It elevated her into something almost more than mortal. She seemed too exquisite for earthly use; too delicate and exalted for human attainment. As I sat tracing her charms on my canvas, with my eyes occasionally riveted on her features, I drank in delicious poison that made me giddy. My heart alternately gushed with tenderness, and ached with despair. Now I became more than ever sensible of the violent fires that had lain dormant at the bottom of my soul. You who are born in a more temperate climate and under a cooler sky, have little idea of the violence of passion in our southern bosoms.

A few days finished my task; Bianca returned to her convent, but her image remained indelibly impressed upon my heart. It dwelt on my imagination; it became my pervading idea of beauty. It had an effect even upon my pencil; I became noted for my felicity in depicting female loveliness; it was but because I multiplied the image of Bianca. I soothed, and yet fed my fancy, by introducing her in all the productions of my master. I have stood with delight in one of the chapels of the Annunciata, and heard the crowd extol the seraphic beauty of a saint which I had painted; I have seen them bow down in adoration before the painting: they were bowing before the loveliness of Bianca.

I existed in this kind of dream, I might almost say delirium, for upwards of a year. Such is the tenacity of my imagination that the image which was formed in it continued in all its power and freshness. Indeed, I was a solitary, meditative being, much given to reverie, and apt to foster ideas which had once taken strong possession of me. I was roused from this fond, melancholy, delicious dream by the death of my worthy benefactor. I cannot describe the pangs his death occasioned me. It left me alone and almost broken-hearted. He bequeathed to me his little property; which, from the liberality of his disposition and his expensive style of living, was indeed but small; and he most particularly recommended me, in dying, to the protection of a nobleman who had been his patron.

The latter was a man who passed for munificent. He was a lover and an encourager of the arts, and evidently wished to be thought so. He fancied he saw in me indications of future excellence; my pencil had already attracted attention; he took me at once under his protection; seeing that I was overwhelmed with grief, and incapable of exerting myself in the mansion of my late benefactor, he invited me to sojourn for a time in a villa which he possessed on the border of the sea, in the picturesque neighborhood of Sestri de Ponenti.

I found at the villa the Count’s only son, Filippo: he was nearly of my age, prepossessing in his appearance, and fascinating in his manners; he attached himself to me, and seemed to court my good opinion. I thought there was something of profession in his kindness, and of caprice in his disposition; but I had nothing else near me to attach myself to, and my heart felt the need of something to repose itself upon. His education had been neglected; he looked upon me as his superior in mental powers and acquirements, and tacitly acknowledged my superiority. I felt that I was his equal in birth, and that gave an independence to my manner which had its effect. The caprice and tyranny I saw sometimes exercised on others, over whom he had power, were never manifested towards me. We became intimate friends, and frequent companions. Still I loved to be alone, and to indulge in the reveries of my own imagination, among the beautiful scenery by which I was surrounded.

The villa stood in the midst of ornamented grounds, finely decorated With statues and fountains, and laid out into groves and alleys and shady bowers. It commanded a wide view of the Mediterranean, and the picturesque Ligurian coast. Every thing was assembled here that could gratify the taste or agreeably occupy the mind. Soothed by the tranquillity of this elegant retreat, the turbulence of my feelings gradually subsided, and, blending with the romantic spell that still reigned over my imagination, produced a soft voluptuous melancholy.

I had not been long under the roof of the Count, when our solitude was enlivened by another inhabitant. It was a daughter of a relation of the Count, who had lately died in reduced circumstances, bequeathing this only child to his protection. I had heard much of her beauty from Filippo, but my fancy had become so engrossed by one idea of beauty as not to admit of any other. We were in the central saloon of the villa when she arrived. She was still in mourning, and approached, leaning on the Count’s arm. As they ascended the marble portico, I was struck by the elegance of her figure and movement, by the grace with which the
mezzaro
, the bewitching veil of Genoa, was folded about her slender form.

They entered. Heavens! what was my surprise when I beheld Bianca before me. It was herself; pale with grief; but still more matured in loveliness than when I had last beheld her. The time that had elapsed had developed the graces of her person; and the sorrow she had undergone had diffused over her countenance an irresistible tenderness.

She blushed and trembled at seeing me, and tears rushed into her eyes, for she remembered in whose company she had been accustomed to behold me. For my part, I cannot express what were my emotions. By degrees I overcame the extreme shyness that had formerly paralyzed me in her presence. We were drawn together by sympathy of situation. We had each lost our best friend in the world; we were each, in some measure thrown upon the kindness of others. When I came to know her intellectually, all my ideal picturings of her were confirmed. Her newness to the world, her delightful susceptibility to every thing beautiful and agreeable in nature, reminded me of my own emotions when first I escaped from the convent. Her rectitude of thinking delighted my judgment; the sweetness of her nature wrapped itself around my heart; and then her young and tender and budding loveliness, sent a delicious madness to my brain.

I gazed upon her with a kind of idolatry, as something more than mortal; and I felt humiliated at the idea of my comparative unworthiness. Yet she was mortal; and one of mortality’s most susceptible and loving compounds; for she loved me!

How first I discovered the transporting truth I cannot recollect; I believe it stole upon me by degrees, as a wonder past hope or belief. We were both at such a tender and loving age; in constant intercourse with each other; mingling in the same elegant pursuits; for music, poetry, and painting were our mutual delights, and we were almost separated from society, among lovely and romantic scenery! Is it strange that two young hearts thus brought together should readily twine round each other?

Oh, gods! what a dream — a transient dream! of unalloyed delight then passed over my soul! Then it was that the world around me was indeed a paradise, for I had a woman — lovely, delicious woman, to share it with me. How often have I rambled over the picturesque shores of Sestri, or climbed its wild mountains, with the coast gemmed with villas, and the blue sea far below me, and the slender Pharo of Genoa on its romantic promontory in the distance; and as I sustained the faltering steps of Bianca, have thought there could no unhappiness enter into so beautiful a world. Why, oh, why is this budding season of life and love so transient — why is this rosy cloud of love that sheds such a glow over the morning of our days so prone to brew up into the whirlwind and the storm!

I was the first to awaken from this blissful delirium of the affections. I had gained Bianca’s heart: what was I to do with it? I had no wealth nor prospects to entitle me to her hand. Was I to take advantage of her ignorance of the world, of her confiding affection, and draw her down to my own poverty? Was this requiting the hospitality of the Count? — was this requiting the love of Bianca?

Now first I began to feel that even successful love may have its bitterness. A corroding care gathered about my heart. I moved about the palace like a guilty being. I felt as if I had abused its hospitality — as if I were a thief within its walls. I could no longer look with unembarrassed mien in the countenance of the Count. I accused myself of perfidy to him, and I thought he read it in my looks, and began to distrust and despise me. His manner had always been ostentatious and condescending, it now appeared cold and haughty. Filippo, too, became reserved and distant; or at least I suspected him to be so. Heavens! — was this mere coinage of my brain: was I to become suspicious of all the world? — a poor surmising wretch; watching looks and gestures; and torturing myself with misconstructions. Or if true — was I to remain beneath a roof where I was merely tolerated, and linger there on sufferance? “This is not to be endured!” exclaimed I; “I will tear myself from this state of self-abasement; I will break through this fascination and fly — Fly? — whither? — from the world? — for where is the world when I leave Bianca behind me?”

My spirit was naturally proud, and swelled within me at the idea of being looked upon with contumely. Many times I was on the point of declaring my family and rank, and asserting my equality, in the presence of Bianca, when I thought her relatives assumed an air of superiority. But the feeling was transient. I considered myself discarded and contemned by my family; and had solemnly vowed never to own relationship to them, until they themselves should claim it.

The struggle of my mind preyed upon my happiness and my health. It seemed as if the uncertainty of being loved would be less intolerable than thus to be assured of it, and yet not dare to enjoy the conviction. I was no longer the enraptured admirer of Bianca; I no longer hung in ecstasy on the tones of her voice, nor drank in with insatiate gaze the beauty of her countenance. Her very smiles ceased to delight me, for I felt culpable in having won them.