Challis - 02 - Kittyhawk Down (16 page)

Skip seemed decent, plausible, and Larrayne was clearly fond of him, so Ellen wished she could tell him not to burden himself with guilt for what his father had done. Instead she asked if he'd like to come to dinner. There was a pause, then he said yes in a rush and hung up.

She sighed, poured herself a mug of coffee and called to see if the search warrant for Ian Munro's farm was ready.

Tessa Kane had seen the unmarked police car leave the Waterloo aerodrome, Challis in the back seat, Ellen Destry and Scobie Sutton in the front. They'd been conversing animatedly and failed to see her or recognise her car. It had given her a quite peculiar feeling to see Challis like that, unexpectedly, with his colleagues, working, talking about the things he talked about when he worked. When last she'd seen him he hadn't been animated but miserable-looking. Her fault, kind of.

And kind of not her fault. It wasn't as if she wanted to move in with him or anything. She wasn't putting pressure on him. She was simply tired of the baggage he carried around with him, that's all. It seemed to make him a degree or two remote from her when they were together, and she was tired of it. Though God knows it wasn't simple baggage he was carrying around. His own wife had connived with her lover to murder him, after all, and it had almost happened. He was trying to put it behind him but had a way to go yet. She was prepared to wait, but only up to a point.

All in all, she felt put upon today. Just before she'd left the office there'd been an angry caller who'd said he'd been the man with the ferret and until then a loyal friend to the
Progress
, but now it was no holds barred and she'd better watch her step. It could come at any time, day or night, but it would come, and it wouldn't be pretty. She'd flung the phone down as if it had bitten her.

And more flack about her asylum seekers article. In part she'd been arguing about the power of labels to create and channel public opinion. When an 'asylum seeker' became a 'terrorist', a 'queue jumper', an 'illegal immigrant' or a 'fanatic' he was no longer seeking shelter but an opportunity to destroy, undermine or cheat. He didn't deserve pity but fear and hatred. And now she was learning about labels at first hand. Just a few months ago she'd been an admired critic of the authorities' inability to jail Bradley Pike, a 'seeker-out of the truth', a 'champion' of the Peninsula. Now she was a 'traitor', a 'do-gooding bitch', a 'dyke', a 'fucking intellectual' and too big for her boots.

However, a couple of friends—not Challis, or not yet— had called to say she was 'fearless', so that was all right, though being fearless had nothing to do with it. She was just doing what was right, that's all.

But at the forefront of her mind now, as she drove away from the aerodrome, was the interesting deviation her taped interview with Janet Casement had taken. She'd been after a simple human interest story about a local woman whose plane had unaccountably been rammed by a drunken maniac, putting said woman's life in danger, and at the end, out of nowhere, had come the remark: 'It's not as if I even
know
this Munro character.'

And then she'd clammed up.

Anne Jeffries lived on two acres of dog kennels on a back road inland of Penzance Beach. It took Challis ten minutes to drive there from the Waterloo police station, and he found himself in familiar territory, a dirt road full of potholes and erupted tree roots. Even with his window up he could hear the kennelled dogs, an ever-present yip and yelp and deeper barking. He pulled up at a box hedge and got out. The property was in an airless hollow and the smell of caged dogs hung heavily around him. He stretched his back. He could see the distant ridge that was Upper Penzance, and orchards, vines and grazing cattle in the middle distance.

In the foreground was Anne Jeffries, coming through an old paint-caked wire gate in the hedge.

'You must be Inspector Challis.'

They shook hands. She was aged about sixty, weather-beaten, white-haired, in overalls, rubber boots and an army surplus forage hat. He couldn't see her eyes, for she wore Anti-Cancer Council wraparound sunglasses with very dark, almost black, lenses.

Then, as if she'd read his mind, she removed the sunglasses, wiped pink-rimmed watery eyes with a handkerchief, and hid behind the lenses again.

'Trouble with the old eyes,' she said. 'Can't stand bright lights of any kind.'

Challis nodded. He had an answer now for the dark tint that had been applied to all of the Land Rover's windows. Convenient for whoever had rammed Kitty's Cessna, he thought. No way of knowing if it had been a man or a woman or even someone known to Kitty.

He got down to business. It didn't take long. Anne Jeffries was in the habit of never locking the Land Rover.

'I mean, this is the Peninsula,' she explained.

Challis wanted to tell her that the old Peninsula was long gone.

She'd gone to bed on Saturday night, heard nothing, woken to find the Land Rover gone.

Hadn't reported it because she tended to be forgetful. Might have left it somewhere and taken a taxi home. Wouldn't have been the first time. Last month she'd parked it at the Bittern railway station and taken a train to Frankston and from there up to the city, and on the way back had got off in Frankston and taken the bus home. 'I'm a silly old moo,' she said. 'Short-term memory all over the place.'

'The dogs didn't alert you?'

She put her head to one side and regarded Challis amusedly, as if to say: use your noggin, Inspector. 'The flaming dogs bark twenty-four hours a day,' she said.

That was all. He drove back to Waterloo.

This wasn't a homicide, so what was Challis doing there? That's what Ellen Destry read in the faces of Pam Murphy and John Tankard as the two police vehicles met at the entrance to Ian Munro's farm. They were only uniformed constables, so it wasn't a question she was obliged to answer, but it was a useful reminder to her that this was her case and Challis was along for the ride.

The driveway, a narrow track between fenced paddocks, opened onto a broad, flat area scattered with gumtrees, hedges and farm outbuildings. The house itself was set further back in the dank, gloomy shade of massive pine trees. The driveway was the only apparent exit, so Ellen directed John Tankard to seal it off with the divisional van.

Scobie Sutton knocked on the screen door. The man who opened it had the coiled look that many men get when cornered. He eyed them assessingly his gaze flicking from one to the other then resting on Challis as the senior man. 'What do you want and why send in an army?'

Ellen saw Challis shake his head and step to one side. She took over. 'Ian Munro?'

Munro ignored her. He turned to Pam Murphy and John Tankard and said, 'Let me guess—you two stuffed up earlier, so your bosses had to come along and show you how it's done.'

'Are you Ian Munro?' Ellen said.

He shifted his gaze to her with an air of weariness and contempt for her gender. 'So what if I am?'

'I have here a warrant to search your property. That includes all—'

He plucked it from her hands, screwed in into a ball and tossed it underhand to John Tankard. 'Catch, fat boy.'

Ellen stiffened. She didn't want Munro to take control or distract her in any way. She said, 'You have been properly served with a copy of the warrant and now my officers and I will search your property. Do you understand?'

But she felt a tightness inside her and perhaps they all did, for Munro was lithe and full of barely contained power. His eyes glittered, looking for the core of her and easily dismissing it. She read a kind of animal intelligence in him and knew she shouldn't trust or attempt to outguess him.

He grinned. And, grinning, stepped back into the house, slamming the screen door in their faces.

Ellen immediately turned to the others. 'Take out your weapons. He may have a gun in the house. Pam, stay here with Inspector Challis. Tank, around the back. Scobie, come with me.'

She opened the screen door. The interior of the house smelt closed-in and stale. No sun ever penetrated the windows and the walls and linoleum floors looked dingy. No dirt anywhere, just an atmosphere of unhappy use and disappointment. No toys or childish crayons displayed, though she knew there were children in the family. Ellen scoped the front room on the right, Scobie the one on the left, and they met in the hallway again with brief headshakes before proceeding in the dim light to other empty rooms. In the kitchen they found a tired-looking woman who was slumped at the table like a sackful of river stones, moodily playing with a cup of tea and a cigarette in an ashtray. She barely registered their presence.

'Mrs Munro, where did your husband go?'

She didn't answer. She was rawboned and sullen and stared at the window above the sink. An incongruously brand new Miele dishwasher sat white and gleaming under the bench. The benchtop was a dark, pitted laminate, scarcely visible in the weak light coming through the window above the sink. Pine needles hung here and there in the insect screen.

'We know he's somewhere inside. Is he armed?'

Then Ellen heard a shout somewhere at the rear of the house.

It was an old place, the style reminding Ellen of her childhood. The back door opened onto a screened porch, with sleepout bedrooms at either end behind fibro walls. A screen door on a return spring opened onto a couple of mossy concrete steps and a back yard choked with oleander bushes. It was the kind of backroads farmhouse that needed bulldozing, and the Peninsula was full of them.

But what mattered right now was John Tankard. He lay curled up on the ground, gasping for breath.

Ellen crouched with Scobie. 'Tank? You all right?'

'The bastard come at me with a shotgun. Never saw him coming.'

'He shot you?'

'Clubbed me in the guts with it.'

Ellen glanced up and across the yard, trying to spot Munro. A rickety hayshed, an implement shed, a chook shed, a bulk-fuel tank on steel legs, a rusting truck cabin, splintered pallets, bricks, empty apple crates, an incinerator, two bony, chained dogs hurling themselves at her on their chains across the ravaged yard.

Her gaze returned to the implement shed and a hint of movement from the shadowy reaches inside it. A starter motor ground once, twice, and a heavy engine snarled into life.

A Toyota traytop utility fishtailed out of the shed, solid-looking, its heavy steel tray swinging as the big tyres bit into the dirt. An empty drum bounced on the tray and toppled out, and in watching it Ellen almost lost her life, for Munro held the shotgun out of the open window with one hand and fired it at her.

There was nothing they could do. The Toyota disappeared around the front of the house, there was a grinding crash and then another crash, and when Ellen got there and began mentally preparing for a manhunt, she found that the divisional van had been rammed and pushed against the fence.