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Authors: David Foster Wallace

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P
ART
T
WO
. Y
EN
4U

She once, as an adolescent, in an Interstate rest-stop women’s room, on a wall, above and to the right of vending machines for tampons and feminine hygiene products, had seen, surrounded by the coarse declamations and crudely drawn genitalia and the simple and somehow plangent obscenities inscribed there in varied anonymous hands, standing out in both color and force, a single small red felt-tip block-capital rhyme, tiny and precise and seeming somehow—via something about the tiny hand’s precision against all that surrounding scrawl—less coarse or bitter than how simply sad, and had remembered it ever since, and sometimes thought of it, for no apparent reason, in the darkness of her marriage’s immature years, although, to the best of her later recollection, the only real significance she had attached to the memory was that it was funny what stuck with you.

IN DAYS OF OLD
WHEN MEN WERE BOLD
AND WOMEN WEREN’T INVENTED
THEY ALL DRILLED HOLES
IN ROADSIDE POLES
AND STOOD THERE QUITE
CONTENTED[,]

P
ART
T
HREE
. A
DULT
W
ORLD

Meanwhile, back in the present, the immature wife fell deeper and deeper inside herself and inside her worry and became more and more unhappy.

What changed everything and saved everything was that she had an epiphany. She had the epiphany three years and seven months into the marriage.

In secular psychodevelopmental terms, an epiphany is a sudden, life-changing realization, often one that catalyzes a person’s emotional maturation. The person, in one blinding flash, ‘grows up,’ ‘comes of age.’ ‘Put[s] away childish things.’ Releases illusions gone moist and rank from a grip of years’ duration. Becomes, for good or ill, a citizen of reality.

In reality, genuine epiphanies are extremely rare. In contemporary adult life, maturation and acquiescence to reality are gradual processes, incremental and often imperceptible, not unlike the formation of renal calculus. Modern usage usually deploys
epiphany
as a metaphor. It is usually only in dramatic representations, religious iconography, and the ‘magical thinking’ of children that achievement of insight is compressed to a sudden blinding flash.

What precipitated the young wife’s sudden blinding epiphany was her abandonment of mentation in favor of concrete and frantic action.
*
She abruptly (within just hours of deciding) and frantically telephoned the ex-lover whom she’d formerly been in a committed relationship with, now by all accounts a successful associate manager at a local auto dealership, and implored him to agree to meet and talk with her. Placing this call was one of the most difficult, embarrassing things the wife (whose name was Jeni) had ever done. It appeared irrational and risked seeming totally inappropriate and disloyal: she was married, this was her former lover, they had not exchanged a word in almost five years, their relationship had ended badly. But she was in crisis—she feared, as she put it to the ex-lover over the telephone, for the very soundness of her mind, and needed his help, and would, if necessary, beg for it. The former lover agreed to meet the wife for lunch at a fast food restaurant near the auto dealership the following day.

The crisis that had galvanized the wife, Jeni Roberts, into action was itself precipitated by nothing more than another of her bad dreams, albeit one that comprised a kind of compendium of many of the other bad dreams she’d suffered during the early years of her marriage. The dream was not itself the epiphany, but its effect was galvanic. The husband’s car slowly passes his downtown firm and proceeds off down the street in a light rain, its YEN4U license plate receding, followed by Jeni Roberts’ car. Then Jeni Roberts is driving on the heavy-flow expressway that circumscribes the city, trying desperately to catch up with the husband’s car. Her wipers’ beat matches that of her heart. She cannot see the car with its special personalized license plate anywhere up ahead but feels the particular special sort of anxious dream-certainty that it is there. In the dream, every other vehicle on the expressway is symbolically associated with emergency and crisis—all six lanes are filled with ambulances, police cars, paddywagons, fire engines, Highway Patrol cruisers, and emergency vehicles of every conceivable description, sirens all singing their heart-stopping arias and all their emergency lights activated and flashing in the rain so that Jeni Roberts feels as though her car is swimming in color. An ambulance directly in front of her will not let her by; it changes lanes whenever she does. The nameless anxiety of the dream is indescribably horrid—the wife, Jeni, feels she simply must (wiper) must (wiper)
must
catch the husband’s car in order to avert some kind of crisis so horrible it has no name. A river of what looks to be sodden Kleenex flows wind-blown along the expressway’s breakdown lane; Jeni’s mouth feels full of raw hot sores; it is night and wet and the whole road swims with emergency colors—spanked pinks and slapped reds and the blue of critical asphyxia. It is when they are wet that you realize why they call Kleenex
tissue,
flowing by. The wipers match her urgent heart and the ambulance still, in the dream, will not let her pass; she slaps frantically at the steering wheel in desperation. And now in the window at the rear of the ambulance, as if in answer, appears a lone splayed hand at the glass, pressing and slapping at the glass, a hand reaching up from some sort of emergency stretcher or gurney and opening spiderishly out to stroke and slap and press whitely against the rear window’s glass in full view of Jeni Roberts’ Accord’s retractable halogen headlights so that she sees the highly distinctive ring on the ring finger of the male hand splayed frantically against the emergency glass and screams (in the dream) in recognition and cuts hard left without signaling, cutting off various other emergency vehicles, to pull abreast of the ambulance and tell it to please stop because the stochastic husband she loves and must somehow catch up to is inside on a stretcher ceaselessly sneezing and slapping frantically at the window for someone he loves to catch up and help; but then (such is the dream’s motive force that the wife actually
wets the bed,
she discovers on waking) and but then as she pulls abreast on the left of the ambulance and lowers her passenger window with the Accord’s automatic feature in the rain and gesticulates for the ambulance driver to lower his own window so she can implore him to stop it’s (in the dream) the
husband
driving the ambulance, it’s his left profile at the wheel—which the wife has always somehow been able to tell he prefers to his right profile and customarily sleeps on his right side partly with this fact in mind, though they’d never spoken openly about the husband’s possible insecurities about his right profile—and but then as the husband turns his face toward Jeni Roberts through the driver’s window and lit-up rain as she gesticulates it seems to be both
him
and
not him,
her husband’s familiar and much-loved face distorted and pulsed with red light and wearing a facial expression indescribable as anything other than: Obscene.

It was this look on the face that (slowly) turned left to look at her from the ambulance—a face that in the very most enuretic and disturbing way both
was
and
was not
the face of the husband she loved—that galvanized Jeni Roberts awake and prompted her to gather every bit of her nerve together and make the frantic humiliating call to the man she had once thought seriously of marrying, an associate sales manager and probationary Rotarian whose own facial asymmetry—he had suffered a serious childhood accident that subsequently caused the left half of his face to develop differently from the right side of his face; his left nostril was unusually large, and gaped, and his left eye, which appeared to be almost all iris, was surrounded by concentric rings and bags of slack flesh that constantly twitched and throbbed as irreversibly damaged nerves randomly fired—was what, Jeni had decided after their relationship foundered, had helped fuel her uncontrollable suspicion that he had a secret, impenetrable part to his character that fantasized about lovemaking with other women even while his healthy, perfectly symmetrical, and seemingly uninjurable thingie was inside her. The ex-lover’s left eye also faced and scanned a markedly different direction than did his dextral, more normally developed eye, a feature that was somehow advantageous in his auto sales career, he tried to explain.

Galvanic crisis notwithstanding, Jeni Roberts felt awkward and very nearly mortified with embarrassment as she and the ex-lover met and selected their meal options and sat down together in a windowside booth of molded plastic and made radically incongruous small talk while she prepared to try to ask the question that would accidentally precipitate her epiphany and a whole new less innocent and self-deluded stage of her married life. She had decaf in a disposable cup and put in six prepackaged creamers as her former sexual partner sat with his entree’s styrofoam box unopened and gazed both through the window and at her. He had a ring on his pinkiefinger and his sportcoat was unbuttoned, and the white shirt beneath the coat bore the distinctive furrows of an oxfordcloth dress shirt that had only recently been removed from its retail packaging. The sunlight through the big window was noon-colored and made the crowded franchise feel like a greenhouse; it was hard to breathe. The associate sales manager watched as she started the tops of the creamers with her teeth to safeguard her nails and removed them and placed them in the foil ashtray and dumped the thimblefuls of creamer into the disposable cup and stirred them in with a complimentary square-tipped stirrer one after another, the look in his developmentally appropriate eye the puddly look of nostalgia. She was still profligate with the creamer. She had both a wedding band and a diamond engagement ring, and the rock wasn’t cheap by a long shot. The former lover’s stomach hurt and eye-flesh ticced especially bad now because of how now they were in the dreaded last three bank days of the month and Mad Mike’s Hyundai put unbelievable pressure on reps to move units in the last three days so they could go on that month’s books and inflate the books for the clowns in the regional office. The young wife cleared her throat several times in her special way that the man solely responsible for the performance of all Mad Mike’s reps remembered all too well, doing the dry nervous thing with her throat to communicate the fact that she recognized how inappropriate a question like this was going to appear now at this juncture, with them with their unhappy history and now no longer in any way even like marginally connected, and her happily married, and that she felt embarrassed but was also in some kind of she was saying genuine inner-crisis-type situation about something, and desperate—the way usually only serious credit problems made people look desperate and trapped like this—with her eyes with that drowning look in them of she was begging him not to take advantage of her desperate position in any way including judgment or ridicule at her expense. Plus and how she always drank her coffee with two hands around the cup even in a hot environs like this one here. Hyundai-U.S.’s volume, margins, and financing terms were among the countless economic conditions affected by fluctuations in the value of the yen and related Pacific currencies. The young wife had spent an hour at the mirror in order to choose the shapeless blouse and slacks she wore, actually taking her soft contacts back out in order to wear her glasses as well, and nothing on her face in the windowlight but a quick dab-and-blot of gloss. The expressway’s heavy flow glittered through the window that lit up her right side with sun; and through the glass the Mad Mike’s lot, with its plastic pennants and a man in a wheelchair with his wife or like nurse getting worked by fat Kidder in the hospital gown and arrow-through-head-prosthesis the reps all had to wear on the days Messerly was there to keep tabs, lay also within the divided purview of the booth’s former lover—who still loved her, Jeni Ann Orzolek of Marketing 204, and not his current fiancée, he realized with the sickening wince of a mortal wound reopened—and just beyond it, shimmering in the heat, the Adult World lot, with its all makes and classes of vehicle day and night, moving them through like Mad Mike Messerly could only fantasize.

ADULT WORLD (II)

P
ART
: 4

F
ORMAT
: S
CHEMA

T
ITLE
: O
NE
F
LESH

‘As blindingly sudden and dramatic as any question about any man’s sexual imagination is going to appear, it was not the question itself which caused Jeni Roberts’ epiphany and rapid maturation, but what she found herself gazing at as she asked it.’
—PT. 4 epigraph, in same stilted mode as ‘Adult World (I)’ [→ highlights format change from dramatic/stochastic to schematic/ordered]
1a. Question Jeni Roberts asks is whether Former Lover had indeed in their past relationship ever fantasized about other women during lovemaking w/ her.
1a(1) Inserted at beginning of question is participial phrase ‘After apologizing for how irrational and inappropriate it might sound after all this time…’
1b. At some point during J.’s question, J. follows F.L.’s gaze out fast-food window & sees husband’s special vanity license plate among vehicles in Adult World lot: → epiphany. Epiph unfolds more or less independently as facially asymmetric F.L. responds to J.’s question.
1c. Flat narr description of J.’s sudden pallor & inability to hold decaf steady as J. undergoes sddn blndng realization that hsbnd is a Secret Compulsive Masturbator & that insomnia/yen is cover for secret trips to Adult World to purchase/view/masturbate self raw to XXX films & images & that suspicions of hsbnd’s ambivalence about ‘sexlife together’ have in fact been prescient intuitions & that hsbnd has clearly been suffering from inner deficits/psychic pain of which J.’s own self-conscious anxieties have kept her from having any real idea [point of view (1c) all objective, exterior desc only].
2a. Meanwhile F.L. is answering J.’s orig question in vehement neg, tears appearing in eye: holy shit no, god, no, no, never, had loved her always, was never as fully ‘
there
’ as when he & J. were making love [if in J.’s p.o.v., insert ‘together’ after ‘love’].
2a(1) At emotional height of dialogue, tears streaming down
1
⁄2 face, F.L. confesses/declares that he still loves J., has all this time, 5 yrs, in fact sometimes still thinks of J. while making love to his current fiancée, which causes him to feel guilty (i.e. ‘like I’m not really
there
’) drng sex w/ fiancée. [Direct transcription of F.L.’s whole answer/confession → emotional focus of scene is off J. while J. undergoes trauma of sddnly realizing hsbnd is Secret Compulsive Masturbator → avoids nasty problem of trying to convey epiphany in narr expo.]
2b. Coincidence [N.B.: too heavy?]: F.L. confesses that he also still sometimes secretly masturbates to memories of former lovemaking w/ J., sometimes to point of making himself raw/sore. [→ F.L.’s ‘confession’ here both reinforcing J.’s epiph w/r/t male fantasy & providing her w/ much-needed injection of sexual esteem (i.e. it ‘wasn’t her fault’). [N.B. re Theme: implicit sadness of F.L. making soul-rending confession of love while J. is
1
⁄2-distracted by trauma of (1b)/(1c)’s epiph; i.e. = further networks of misconnection, emotional asymmetry.]]
2b(1) Tone of F.L.’s confession trmndsly moving & high-affect, & J. (even tho traumatized w/r/t (1b)/(1c)’s shattering epiphany) never for one nanosec doubts the truth of what F.L. says; feels she ‘really did know this man’ & c.
2b(1a) Narr [
not
J.] notes sudden appearance of red & demonic-looking gleam in hypertrophic iris of F.L.’s left [‘bad’?] eye, which could be either trick of light or genuine demonic gleam [= p.o.v. shift/ narr intrusion].
2c. Mnwhile F.L., interpreting J.’s pallor & digital palsy as requital/positive response to his declarations of enduring love, begs her to leave hsbnd for him, or alternatively (‘
at least
’) to proceed now to Holiday Inn just down the expressway & spend rest of afternoon making passionate love [→ w/ dmnc sinistral gleam & c.].
2d. J. (still gone 100% pale à la Dostoevsky’s Nastasya F.) abruptly acquiesces w/r/t adulterous Holiday Inn interlude [tone flat = ‘“Mm, OK,” she said.’]. F.L. buses tray w/ uneaten entrée & empty cup & creamers & c., follows J. out into fast-food pkng lot. J. waits in Accord while F.L. attempts to sneak own Ford Probe [N.B.: too heavy?] out of M.M. Hyundai lot w/o Messerly or sales reps seeing him leave early on high-pressure end-of-month sales day.
2d(1) J.’s precise mtvation for acquiescing to Holiday Inn interlude left opaque [→ entails that (2d) is in p.o.v. of F.L. only]. Comic dscrptn of F.L. crawling along row of vehicles on hands & knees in attempt to slip into Probe unseen from M.M. showroom has undercurrent of creepiness [→ congruence w/ subthemes of secrecy, creepy incongruity, opaque shame].
3a. J.’s Accord fllws F.L.’s Probe down xprsway toward Hday Inn. Sudden sun-shower forces J. to activate wipers.
3b. F.L. turns into Hday Inn lot, expects to see J.’s Accord turn in behind him. Accord does
not
turn in, continues down xprsway. [Abrupt p.o.v. change →] J., driving across town toward home, imagines F.L. leaping out of Probe & running dsprtly across Hday Inn lot in downpour to stand at roaring edge of xprsway & watch Accord recede, gradually disappearing in traffic. J. imagines F.L.’s wet/forlorn/asymm image dwndlng in rear-view mirror.
3c. Nearly home, J. finds herself weeping for F.L. & F.L.’s dwndlng image instead of for self. Weeps for hsbnd, ‘… how
lonely
his secrets must make him’ [p.o.v.?]. Notes this & speculates on significance of ‘weeping for’ [ = ‘on behalf of’?] men. Bgning (3c), J.’s thoughts & spclations evince new sophistication/comprehension/maturity. Pulls into home’s driveway feeling ‘[…] queerly exultant.’
3d. Narr intrusion, expo on Jeni Roberts [same flat & pedantic tone as ¶s 3, 4 of ‘A.W.(I)’ PT. 3]: While following F.L.’s teal/aqua Probe down xprsway, J. hadn’t ‘changed mind’ about having secret adulterous sex w/ F.L., rather merely ‘… realized it was unnecessary.’ Understands that she has had life-changing epiphany, has ‘… bec[o]me a woman as well as a wife’ & c. & c.
3d(1) J. hereafter referred to by narr as ‘Ms. Jeni Orzolek Roberts’; hsbnd referred to as ‘the Secret Compulsive Masturbator.’
4a(I) Epiloguous expo on J.O.R. → extension of narrative arc: ‘Ms. Jeni Orzolek Roberts, from that day forward, kept the memory of her lover’s desperate,
1
⁄2-wet face faithfully shaped within her’ & c. Realizes hsbnd has ‘interior deficits’ that ‘… ha[ve] nothing to do with her as a wife[/woman]’ & c. Survives this aftershock of epiphany, + various other standard aftershocks. [Possible mentn of psychotherapy, but now in upbeat terms: psychth now ‘freely chosen’ rather than ‘straw dsprtly clutched at.’] J.O.R. establishes separate investment portfolio w/ substantial positions in gold futures & large-cap mining stock. Quits smoking w/ help of transdermal patches. Realizes/gradually accepts that hsbnd loves his secret loneliness & ‘interior deficits’ more than he loves[/is able to love] her; accepts her ‘unalterable powerlessness’ over hsbnd’s secret cmplsions [possible mention of esoteric Support Group for spouses of S.C.M.’s—any such thing? ‘MastAnon’? ‘Co-Jack’? (N.B.:
avoid easy gags
)]. Realizes that true wellsprings of love, security, gratification must originate within self
*
; and w/ this realization, J.O.R. joins rest of adult hmn race, no longer ‘full of herself’/‘immature’/‘irrational’/‘young.’
4a(II) Marriage now enters new, more adult phase [‘honeymoon over’ an easy gag?]. Never once in sbsqnt yrs of marriage do J.O.R. & hsbnd discuss his S.C.M. or interior pain/loneliness/‘deficits’ [N.B.: hammer home fiduciary pun]. J.O.R. doesn’t know whether hsbnd even suspects she knows about his S.C.M. or Discover charges at Adult World; she finds she does not care. J.O.R. reflects w/ amused irony on new ‘significance’ of persistent adlscnt memory of rest-stop graffito. Hsbnd[/‘the S.C.M.’] continues to arise & leave master bdrm in wee hrs; sometimes J.O.R. hears his car start as she ‘… stirs only slightly and returns at once to sleep’ & c. Ceases worrying w/r/t whether hsbnd enjoys ‘sexlife’ w/ her; continues to love [‘ ’?] hsbnd even tho she no longer believes he’s ‘wonderful’ [/‘attentive’?] lvmking partner. Sex between them finds its own level; by 5th yr it’s appr every 2 weeks. Their sex now characterized as ‘nice’—less intense but also less scary [/‘lonely’]. J.O.R. ceases to search hsbnd’s face drng sex [→ metaphor: Theme → eyes closed = ‘eyes open’].
4a(II(1)) Taking ‘authentic responsibility for self,’ J.O.R. ‘… gradually begins exploring masturbation as a wellspring of personal pleasure’ & c. Revisits Adult Wld svrl times; becomes almost a rglr. Purchases 2
nd
dildo [N.B.: ‘dildo’ now not captlzd], then ‘Penetrator!!
®
’ dildo w/ vibrator, later ‘Pink Pistollero
®
Pistol-Grip Massager,’ finally ‘Scarlet Garden MX-1000
®
Vibrator with Clitoral Suction and Fully Electrified 12 Inch Cervical Stimulator’ [‘$179.99 retail’]. Narr inserts that J.O.R.’s new dresser/vanity ensemble contains no sachet drawer. [Ironies: J.O.R.’s new hi-tech mastrbtory appliances are (a) manufactured in Asia & (b) displayed on Adult Wld wall labeled
MARITAL AIDS
(2 hvy/obvious?).] By marriage’s 6
th
yr, hsbnd frqntly away on ‘emergency trips to the Pacific Rim’; J.O.R. mastrbting almost daily.
4a(II(1a)) Narr intr, expo: J.O.R.’s most frequent/pleasurable mastrbtion fantasy in 6
th
yr of marriage = a faceless, hypertrophic male figure who loves but cannot have J.O.R. spurns all other living women & chooses instead to mastrbte daily to fantasies of lvmking w/ J.O.R.
4a(III) Concl ¶: 7
th
, 8
th
yr: Hsbnd mastrbtes secretly, J.O.R. openly. Their now-bimonthly sex is ‘… both a submission to and celebration of certain freely embraced realities.’ Neither appears to mind. Narr: binding them now is that deep & unspoken complicity that in adult marriage is covenant/love → ‘They were now truly married, cleaved,
**
one flesh, [a union that] afforded Jeni O. Roberts a cool, steady joy….’
4b. Concl [embed]: ‘… were ready thus to begin, in a calm and mutually respectful way, to discuss having children [together].’

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