Brave New World (26 page)

When morning came, he felt he had earned the right to inhabit the lighthouse; yet, even though there still
was
glass in most of the windows, even though the view from the platform
was
so fine. For the very reason why he had chosen the lighthouse had become almost instantly a reason for going somewhere else. He had decided to live there because the view was so beautiful, because, from his vantage point, he seemed to be looking out on to the incarnation of a divine being. But who was he to be pampered with the daily and hourly sight of loveliness? Who was he to be living in the visible presence of God? All he deserved to live in was some filthy sty, some blind hole in the ground. Stiff and still aching after his long night of pain, but for that very reason inwardly reassured, he climbed up to the platform of his tower, he
looked out over the bright sunrise world which he had regained the right to inhabit. On the north the view was bounded by the long chalk ridge of the Hog’s Back, from behind whose eastern extremity rose the towers of the seven skyscrapers which constituted Guildford. Seeing them, the Savage made a grimace; but he was to become reconciled to them in course of time; for at night they twinkled gaily with geometrical constellations, or else, flood-lighted, pointed their luminous fingers (with a gesture whose significance nobody in England but the Savage now understood) solemnly towards the plumbless mysteries of heaven.

In the valley which separated the Hog’s Back from the sandy hill on which the lighthouse stood, Puttenham was a modest little village nine stories high, with silos, a poultry farm, and a small vitamin-D factory. On the other side of the lighthouse, towards the South, the ground fell away in long slopes of heather to a chain of ponds.

Beyond them, above the intervening woods, rose the fourteen-story tower of Elstead. Dim in the hazy English air, Hindhead and Selborne invited the eye into a blue romantic distance. But it was not alone the distance that had attracted the Savage to his lighthouse; the near was as seductive as the far. The woods, the open stretches of heather and yellow gorse, the clumps of Scotch firs, the shining ponds with their overhanging birch trees, their water lilies, their beds of rushes—these were beautiful and, to an eye accustomed to the aridities of the American desert, astonishing. And then the solitude! Whole days passed during which he never saw a human being. The lighthouse was only a quarter of an hour’s flight from the Charing-T Tower; but the hills of Malpais
were hardly more deserted than this Surrey heath. The crowds that daily left London, left it only to play Electromagnetic Golf or Tennis. Puttenham possessed no links; the nearest Riemann-surfaces were at Guildford. Flowers and a landscape were the only attractions here. And so, as there was no good reason for coming, nobody came. During the first days the Savage lived alone and undisturbed.

Of the money which, on his first arrival, John had received for his personal expenses, most had been spent on his equipment. Before leaving London he had bought four viscose-woollen blankets, rope and string, nails, glue, a few tools, matches (though he intended in due course to make a fire drill), some pots and pans, two dozen packets of seeds, and ten kilogrammes of wheat flour. “No,
not
synthetic starch and cotton-waste flour-substitute,” he had insisted. “Even though it is more nourishing.” But when it came to pan-glandular biscuits and vitaminized beef-surrogate, he had not been able to resist the shopman’s persuasion. Looking at the tins now, he bitterly reproached himself for his weakness. Loathsome civilized stuff! He had made up his mind that he would never eat it, even if he were starving. “That’ll teach them,” he thought vindictively. It would also teach him.

He counted his money. The little that remained would be enough, he hoped, to tide him over the winter. By next spring, his garden would be producing enough to make him independent of the outside world. Meanwhile, there would always be game. He had seen plenty of rabbits, and there were waterfowl on the ponds. He set to work at once to make a bow and arrows.

There were ash trees near the lighthouse and, for arrow shafts, a whole copse full of beautifully straight hazel saplings. He began by felling a young ash, cut out six feet of unbranched stem, stripped off the bark and, paring by paring, shaved away the white wood, as old Mitsima had taught him, until he had a stave of his own height, stiff at the thickened centre, lively and quick at the slender tips. The work gave him an intense pleasure. After those weeks of idleness in London, with nothing to do, whenever he wanted anything, but to press a switch or turn a handle, it was pure delight to be doing something that demanded skill and patience.

He had almost finished whittling the stave into shape, when he realized with a start that he was singing—
singing
! It was as though, stumbling upon himself from the outside, he had suddenly caught himself out, taken himself flagrantly at fault. Guiltily he blushed. After all, it was not to sing and enjoy himself that he had come here. It was to escape further contamination by the filth of civilized life; it was to be purified and made good; it was actively to make amends. He realized to his dismay that, absorbed in the whittling of his bow, he had forgotten what he had sworn to, himself he would constantly remember—poor Linda, and his own murderous unkindness to her, and those loathsome twins, swarming like lice across the mystery of her death, insulting, with their presence, not merely his own grief and repentance, but the very gods themselves. He had sworn to remember, he had sworn unceasingly to make amends. And there was he, sitting happily over his bow-stave, singing, actually singing.…

He went indoors, opened the box of mustard, and put some water to boil on the fire.

Half an hour later, three Delta-Minus land-workers from one of the Puttenham Bokanovsky Groups happened to be driving to Elstead and, at the top of the hill, were astonished to see a young man standing outside the abandoned lighthouse stripped to the waist and hitting himself with a whip of knotted cords. His back was horizontally streaked with crimson, and from weal to weal ran thin trickles of blood. The driver of the lorry pulled up at the side of the road and, with his two companions, stared open-mouthed at the extraordinary spectacle. One, two three—they counted the strokes. After the eighth, the young man interrupted his self-punishment to run to the wood’s edge and there be violently sick. When he had finished, he picked up the whip and began hitting himself again. Nine, ten, eleven, twelve …

“Ford!” whispered the driver. And his twins were of the same opinion.

“Fordey!” they said.

Three days later, like turkey buzzards settling on a corpse, the reporters came.

Dried and hardened over a slow fire of green wood, the bow was ready. The Savage was busy on his arrows. Thirty hazel sticks had been whittled and dried, tipped with sharp nails, carefully nocked. He had made a raid one night on the Puttenham poultry farm, and now had feathers enough to equip a whole armoury. It was at work upon the feathering of his shafts that the first of the reporters found him. Noiseless on his pneumatic shoes, the man came up behind him.

“Good-morning, Mr. Savage,” he said. “I am the representative of
The Hourly Radio
.”

Startled as though by the bite of a snake, the Savage sprang to his feet, scattering arrows, feathers, glue-pot and brush in all directions.

“I beg your pardon,” said the reporter, with genuine compunction. “I had no intention …” He touched his hat—the aluminum stove-pipe hat in which he carried his wireless receiver and transmitter. “Excuse my not taking it off,” he said. “It’s a bit heavy. Well, as I was saying, I am the representative of
The Hourly
…”

“What do you want?” asked the Savage, scowling. The reporter returned his most ingratiating smile.

“Well, of course, our readers would be profoundly interested …” He put his head on one side, his smile became almost coquettish. “Just a few words from you, Mr. Savage.” And rapidly, with a series of ritual gestures, he uncoiled two wires connected to the portable battery buckled round his waist; plugged them simultaneously into the sides of his aluminum hat; touched a spring on the crown—and antennae shot up into the air; touched another spring on the peak of the brim—and, like a jack-in-the-box, out jumped a microphone and hung there, quivering, six inches in front of his nose; pulled down a pair of receivers over his ears; pressed a switch on the left side of the hat—and from within came a faint waspy buzzing; turned a knob on the right—and the buzzing was interrupted by a stethoscopic wheeze and cackle, by hiccoughs and sudden squeaks. “Hullo,” he said to the microphone, “hullo, hullo …” A bell suddenly rang inside his hat. “Is that you, Edzel? Primo Mellon speaking. Yes, I’ve got hold of him. Mr. Savage will now take the microphone and say a few words. Won’t you, Mr. Savage?”
He looked up at the Savage with another of those winning smiles of his. “Just tell our readers why you came here. What made you leave London (hold on, Edzel!) so very suddenly. And, of course, that whip.” (The Savage started. How did they know about the whip?) “We’re all crazy to know about the whip. And then something about Civilization. You know the sort of stuff. ‘What I think of the Civilized Girl.’ Just a few words, a very few …”

The Savage obeyed with a disconcerting literalness. Five words he uttered and no more—five words, the same as those he had said to Bernard about the Arch-Community-Songster of Canterbury. “
Háni! Sons éso tse-ná
!” And seizing the reporter by the shoulder, he spun him round (the young man revealed himself invitingly well-covered), aimed and, with all the force and accuracy of a champion foot-and-mouth-baller, delivered a most prodigious kick.

Eight minutes later, a new edition of
The Hourly Radio
was on sale in the streets of London. “H
OURLY
R
ADIO
R
EPORTER HAS
C
OCCYX
K
ICKED BY
M
YSTERY
S
AVAGE
,” ran the headlines on the front page. “S
ENSATION IN
S
URREY
.”

“Sensation even in London,” thought the reporter when, on his return, he read the words. And a very painful sensation, what was more. He sat down gingerly to his luncheon.

Undeterred by that cautionary bruise on their colleague’s coccyx, four other reporters, representing the New York
Times
, the Frankfurt
Four-Dimensional Continuum, The Fordian Science Monitor
, and
The Delta Mirror
, called that afternoon at the lighthouse and met with receptions of progressively increasing violence.

From a safe distance and still rubbing his buttocks, “Benighted fool!” shouted the man from
The Fordian Science Monitor
, “why don’t you take
soma
?”

“Get away!” The Savage shook his fist.

The other retreated a few steps then turned round again. “Evil’s an unreality if you take a couple of grammes.”

“
Kohakwa iyathtokyai
!” The tone was menacingly derisive.

“Pain’s a delusion.”

“Oh, is it?” said the Savage and, picking up a thick hazel switch, strode forward.

The man from
The Fordian Science Monitor
made a dash for his helicopter.

After that the Savage was left for a time in peace. A few helicopters came and hovered inquisitively round the tower. He shot an arrow into the importunately nearest of them. It pierced the aluminum floor of the cabin; there was a shrill yell, and the machine went rocketing up into the air with all the acceleration that its super-charger could give it. The others, in future, kept their distance respectfully. Ignoring their tiresome humming (he likened himself in his imagination to one of the suitors of the Maiden of Mátsaki, unmoved and persistent among the winged vermin), the Savage dug at what was to be his garden. After a time the vermin evidently became bored and flew away; for hours at a stretch the sky above his head was empty and, but for the larks, silent.

The weather was breathlessly hot, there was thunder in the air. He had dug all the morning and was resting, stretched out along the floor. And suddenly the thought of Lenina was a real presence, naked and tangible, saying “Sweet!” and “Put your
arms round me!”—in shoes and socks, perfumed. Impudent strumpet! But oh, oh, her arms round his neck, the lifting of her breasts, her mouth! Eternity was in our lips and eyes. Lenina… No, no, no, no! He sprang to his feet and, half naked as he was, ran out of the house. At the edge of the heath stood a clump of hoary juniper bushes. He flung himself against them, he embraced, not the smooth body of his desires, but an armful of green spikes. Sharp, with a thousand points, they pricked him. He tried to think of poor Linda, breathless and dumb, with her clutching hands and the unutterable terror in her eyes. Poor Linda whom he had sworn to remember. But it was still the presence of Lenina that haunted him. Lenina whom he had promised to forget. Even through the stab and sting of the juniper needles, his wincing flesh was aware of her, unescapably real. “Sweet, sweet … And if you wanted me too, why didn’t you …”

The whip was hanging on a nail by the door, ready to hand against the arrival of reporters. In a frenzy the Savage ran back to the house, seized it, whirled it. The knotted cords bit into his flesh.

“Strumpet! Strumpet!” he shouted at every blow as though it were Lenina (and how frantically, without knowing it, he wished it were), white, warm, scented, infamous Lenina that he was flogging thus. “Strumpet!” And then, in a voice of despair, “Oh, Linda, forgive me. Forgive me, God. I’m bad. I’m wicked. I’m … No, no, you strumpet, you strumpet!”

From his carefully constructed hide in the wood three hundred metres away, Darwin Bonaparte, the Feely Corporation’s most expert big game photographer had watched
the whole proceedings. Patience and skill had been rewarded. He had spent three days sitting inside the bole of an artificial oak tree, three nights crawling on his belly through the heather, hiding microphones in gorse bushes, burying wires in the soft grey sand. Seventy-two hours of profound discomfort. But now the great moment had come—the greatest, Darwin Bonaparte had time to reflect, as he moved among his instruments, the greatest since his taking of the famous all-howling stereoscopic feely of the gorillas’ wedding. “Splendid,” he said to himself as the Savage started his astonishing performance. “Splendid!” He kept his telescopic cameras carefully aimed—glued to their moving objective; clapped on a higher power to get a close-up of the frantic and distorted face (admirable!); switched over, for half a minute, to slow motion (an exquisitely comical effect, he promised himself); listened in, meanwhile, to the blows, the groans, the wild and raving words that were being recorded on the sound-track at the edge of his film, tried the effect of a little amplification (yes, that was decidedly better); was delighted to hear, in a momentary lull, the shrill singing of a lark; wished the Savage would turn round so that he could get a good close-up of the blood on his back—and almost instantly (what astonishing luck!) the accommodating fellow did turn round, and he was able to take a perfect close-up.