Always Running (36 page)
Authors: Luis J. Rodriguez
El Loco Con La Bárbara,
P/V: Loco with Barbara, for life (P/V is short for
por vida).
El mero chingón:
The top dog (the biggest, meanest fucker).
El pie:
The foot.
Engabachados:
To be anglicized.
Escamao:
Caló term for “losing it;” shaken up or panicky.
Ése:
A greeting among
vatos;
“hey you.” In L.A., African American street youth use this term to mean any Mexican gang-banger, pronounced as “essay.”
Eso, así:
Yes, like that …
Ese malvado, deje que se pudra:
That no-good, let him rot.
Esqüintar:
To leave, derived from “making our squints.”
Está bien:
It’s okay.
Está derecho:
He’s straight; on the mark.
Feria:
Money; Spanglish from “fare.”
Fíjese:
Check this out.
Firme:
Caló term for hip, cool; the best. Also the name of a lowrider culture magazine in the 1970s and 1980s.
Flaquillo:
A skinny little dude.
Folklórico:
Traditional Mexican/Spanish dance and music.
Frajo:
Cigarette.
Gabacho/Gaba:
A white American; Anglo.
Grifa:
A reefer of marijuana.
Gritos:
Referring to the long, deep Mexican soul yells.
Güacha:
Pay attention; watch out.
Güantes:
Gloves; slang for throwing blows.
Güerita:
A little blonde or light-skinned girl.
Hablen en español, ya saben aye no entiendo inglés:
Speak in Spanish, you know I don’t understand English.
Hijo: A
term of exclamation. Short for “the son of …
Híjole:
A term of exclamation.
Hipócrita:
Hypocrite.
Huapango:
A popular folk music of Mexico.
Huevos estrellados:
A serving of eggs, sunny-side up.
Huevos rancheros:
Ranch-style eggs, over a tortilla with rice and beans.
Jaina:
A girlfriend.
Jale: A
job, also refers to doing “work” for the barrio.
Jambas:
Robberies; stealing.
Jaspia:
Hunger.
Jura:
The police.
La carga:
Heroin.
La Casa:
“The house;” the community center serving the Sangra barrio.
La Colonia:
The colony. Also the name of the main Chicano barrio in Watts.
La Gerahty Loma:
Major barrio in the hills of East L.A., situated on county territory.
La gota gorda:
“The fat drop.”
La Llorona:
The weeping woman, a widespread legend among the Mexican people in the United States and Mexico.
La marqueta:
Spanglish for “the market.”
Lambe/Lambiche:
A kiss-ass, literally “licker.”
La pinta:
Prison.
La Vida Loco/Mi Vida Loca:
The Crazy Life/My Crazy Life, symbolizing the barrio/pinto gang experience.
La Torcida:
Jail, prison time.
Las Lomas:
The Hills; a barrio east of Los Angeles on county territory.
La Raza:
The Mexican people. In the late 1960s and early 1970s, the name of a leading Chicano
movimiento
magazine.
La Santísima Madré de Dios:
The Holy Mother of God.
Lo chingaré:
I’ll fuck him up.
Loco(s)/loca(s):
The crazies. Another term for barrio youth.
Locura:
Craziness; referring to a state of being, not so much a state of mind, among barrio gangs.
Los Cuatro del Barrio:
The Barrio Four.
Maldad:
Meanness.
Masa Harina:
A popular brand of flour sold in heavy cloth sacks and used to make tortillas.
Más Firmota:
A total fox.
Marrano:
A pig. To be filthy.
Mechista:
A member of MEChA (Movimiento Estudiantil Chicano de Aztlán), a Chicano student activist organization.
¿Me quieres?:
Do you like me?
Mescal:
Mexican spirits produced from the maguey cactus plant. Liquor known for the worm at the bottom of the bottle.
M’ija/m’ijo:
Shortened and affectionate version of
mi hija(o)—
my daughter/my son.
Movimiento:
The Movement; the Chicano Movement.
Mujer:
Woman.
Nadie se mueve:
Nobody move.
Nayarit:
A northern state of Mexico. Many immigrants to Los Angeles originated in the north of Mexico.
Norteños(as):
Music of northern Mexico, also known as
conjunto
music.
Orale:
Hello. Hey. Okay.
Pachuco:
Mexican youth of the 1930s and 1940s who developed their own style and language in the barrios of America; linked to the urban youth style of major Mexican cities.
Párenle:
Stop.
Pedo:
A fart; term used for anything that’s a waste of time.
Pégale:
Hit him.
Pendejo(a):
A stupid person.
Pensamientos:
Thoughts; ideas.
Pinche:
Damned.
Pinto:
An ex-con.
Placa:
One’s barrio name.
Pleito:
A fight.
Poblana:
A traditional dress from Puebla, Mexico.
Pobreza:
Poverty.
Por el amor de Dios:
For the love of God.
Prendida(o):
Slang for “lit up” or eager.
Prieto:
Dark one.
Puto/puta:
A male whore/a prostitute.
Puta madre:
Mother whore.
¡Qué cábula!:
What a kick!
Cábula
also means to mock, jest or joke.
¡Que desmadre!:
What a holy mess!
¿Qué está pasando?:
What’s happening?
¿Qué hubo?:
What’s up? (sometimes written as Q-vo).
¡Qué jodida(o)!:
What a fucked-up situation.
¡Qué Maravilla!:
What a marvel!
¿Qué pasa, hombre?:
What’s happening, man?
¿Qué pasó aquí:
What happened here?
¿Qué pues?:
What’s up?
Querido(a):
My dear one.
Qué Rifa:
We rule.
¿Qué se yo?:
What do I know?
¿Qué traes tú
What’s up with you?
¡Que viva La Raza!:
Long live the Mexican people.
¡Que viva South San Gabriel!:
Long live South San Gabriel!
¿Quién se murìó?:
Who died?
Quieres algo conmigo, pues aquí estoy:
You want something with me, well here I am.
Quinceñera:
A coming-out celebration for a 15-year-old girl.
Ranchera:
The music and style of the “ranch,” equivalent to country music in the United States.
Ranfla:
A cherried-out lowrider car.
Refín:
Food.
Regeneracíon:
Rebirth. Name of an early 1900s magazine published by the Flores-Magon brothers, two leading Mexican revolutionaries. Later it was “regenerated” during the Chicano Movement by activists linked to the growing public arts movement in East L.A.
Rifa:
The best of all.
Río Grande (Río Bravo)
: A river which partly serves as the borderline between the United States and Mexico.
Ruca(s):
Barrio woman, literally means “old lady.”
Ruquitas de aquellas:
Fine, foxy women.
Salsa:
Latino Caribbean-based rhythms popular in major American cities.
Sangra:
The barrio surrounding the San Gabriel Mission church.
Señor(a):
Mister, missis.
Sonora: A northern state of Mexico.
Sinaloa: A northern state of Mexico.
Simón:
Caló term for “yes.”
Soldados:
Soldiers, those linked to
La Eme,
known as
soldados azules,
blue soldiers. Members of
La Familia
prison gang were linked to the color red.
Sombrero:
Hat. Popularly used to describe the wide brim Mexican hats used by mariachi bands.
Suerte:
Good luck.
Tarahumara: A native tribe of Mexico, whose ancestral home is the mountain range in southern Chihuahua. They are among several tribes known to have never succumbed to the Spanish. They continue in the old traditions and today are extremely impoverished in Mexico.
Teatro:
Street theater in the tradition of the Teatro Campesino of the United Farm Workers Union movement.
Tecato:
Heroin addict.
Telnovelas:
Spanish soap operas.
Tijuanera(o):
Somebody from the border city of Tijuana, Mexico. A derogatory term for newly arrived immigrants.
Tina:
A vessel to hold liquids.
Totacho:
Our talk, slang. Aso refers to the English language.
Trago:
A drink.
Trapo:
A rag.
Trenzas:
Braids.
Trucha:
Caló term meaning to watch out, be alert.
Un camarada de aquellas:
A real down dude.
Un chingo:
A whole lot.
Vatito:
Little dude.
Vato Loco:
A crazy dude. This is what certain barrio members with intense street reputations were called.
Vatos:
Dudes or guys.
Vecindad:
A complex of linked homes around a common courtyard, widespread in parts of Mexico and the Southwest.
Veracruz: A state in Mexico on the Caribbean coast. Known for its African-based population and influence. Home of the standard rock song, “La Bamba.”
Veteranos:
Veterans of barrio street warfare. The African American gang equivalent is “Original Gangster.” Among Mexicans, some of these veterans go back two or more generations.
¡Ya!:
Now!
¡Ya basta!:
That’s enough! Popular slogan during the Chicano Movement.
Ya estuvo:
That’s it. It’s finished, done with.
Yesca:
Slang for marijuana.
¿Y qué?:
What of it? Usually follows one’s barrio designation; a challenge.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
Some of the material in this book has appeared as poetry and prose in
Poems Across the Pavement
(1989, Tía Chucha Press, Chicago),
The Concrete River
(1991, Curbstone Press, Willimantic, Conn.), and in the following publications (often in versions different than contained here):
Puerto del Sol
,
Cambio
,
TriQuarterly
,
The Chicago Review
,
201: Homenaje a La Ciudad de Los Angeles
(anthology by the LA Latino Writers Association),
Left Curve
,
Milestones
,
Obras
,
ChismeArte
,
El Grito
, and
When I Was a Child
(anthology published by the Children’s Literature Association). Parts of the preface and the epilogue originally appeared in
Los Angeles Times
,
Centro de Estudios Puertorriqueños Bulletin
, and
The National Catholic Reporter.
The author wishes to thank the Illinois Arts Council for their support with an Artists Fellowship Award. The epigram in Chapter 8 comes from “Tin Tan Tan,” a story in
Woman Hollering Creek
, copyright © 1991 by Sandra Cisneros. Published in the United States by Vintage Books, a division of Random House, Inc. Originally published in hardcover by Random House, Inc., New York, in 1991. Reprinted by permission of Susan Bergholz Literary Services, New York.
copyright © 1993, 2005 by Luis J. Rodríguez
cover design by Michel Vrana
978-1-4532-5908-5
This edition published in 2012 by Open Road Integrated Media
180 Varick Street
New York, NY 10014
FROM OPEN ROAD MEDIA
