Alfred Hitchcock's Mystery Magazine Presents Fifty Years of Crime and Suspense (55 page)

“I'm not sure I want to go home,” Bill answered, then quickly added, “Sorry, I don't mean to be pushy. You've been a great listener. You're probably tired and—”

She reached over then and laid a finger to his lips. She shook her head, and he stopped talking, unsure of what she was saying no to.

S
HE TOOK HIM
back to his apartment, leaving Harry asleep in the car.

“Do you want to come in?” he asked on his doorstep.

She shook her head, an impish smile on her lips. “I know exactly what it looks like—I'm sure you've described it perfectly. Besides, you're very busy. You've got to get a little sleep, and then you'll wake up and write your book. It's going to be terrific, but no one will ever find that out until you write it.” She turned and skipped back to the car.

“Will I see you again?” he called out.

“Stop worrying,” she called back. “Write!”

And he had. He slept about three hours, woke up feeling like he had slept ten, and wondering if he had dreamed the woman in the Rolls-Royce. But dream or no dream, he suddenly knew how to get around that problem in his story and went to work.

Harry appeared a few hours later, a picnic basket in hand. “Miss Eleanor sends her regards, and provisions so that you need not interrupt your work.”

“You can talk!” Bill exclaimed.

“When necessary,” Harry said, and left.

Bill searched through the basket and found an assortment of small sandwiches, a salad, a slice of chocolate cake, and several choices of beverages. He also found an old-fashioned calling card:

Miss Eleanor Wingate

On the back she had inscribed her phone number.

“Delicious,” Bill said, holding it carefully as if it might skip away, disappear as quickly as she had.

A
ND SO HE
went back to writing. Bill saw little of Ellie during the weeks that followed their ride through the hills, but he called her often. If he found himself staring uselessly at the place where the wall behind his computer screen met the ceiling, unsure how to proceed, a brief chat with Ellie inspired him. They played a game with Hitchcock films and Woolrich stories.

“A jaguar,” he would say.

“
Black Alibi
,” she would answer. “A name scrawled on a window.”

“Easy—
The Lady Vanishes
.”

And his writer's block would vanish as well.

When Bill completed his manuscript, Harry took him and the manuscript to her house for the first time. Bill, trying (and failing) not to be overawed by the elegance that surrounded him, handed her the box of pages. She caressed the corners of the box, looking for a moment as if she might cry. But she said nothing, and set it gently aside without opening it. She held out her hand, and he took it. She led him upstairs.

L
ATER, WAKING
in the big bed, he found her watching him. “Did you read it?”

“No,” she said, tracing a finger along his collarbone. “I don't want any misunderstandings about why you're here. It's not because of what's in that manuscript box.”

He savored the implications of that for a moment before insecurities besieged him, “Maybe you'd hate it anyway.”

“I couldn't.”

It was the last time they talked about the manuscript for three days. At the end of those three days, he mailed it to an agent, called his father to say he'd found other work, packed up his belongings, and moved in with Ellie.

The agent called back, took him on as a client, and sold the book within a week. Bill was already at work on his second novel. The first one was a critically acclaimed but modest success. The second spent twenty-five weeks on the best-seller list. When Bill got his first royalty check, he asked Ellie to marry him.

She gently but firmly refused. She also refused after books three, four, and five—all best sellers.

Today, as he finished the chapter he was working on, he wondered if she would ever tell him why. Ellie could be very obstinate, he knew. If she didn't want to give him a straight answer, she would make up something so bizarre and absurd that he would know to stop asking.

“There was a clause in my parents' will,” she said once. “If I marry before my fiftieth birthday, the house must be turned into an ostrich farm.”

“And the courts accepted that?” he played along.

“Absolutely. The trust funds would go to ostriches, and Mir would be very unhappy with you for putting an end to her healthy allowance.”

“Your parents would have left Miriam a pauper?”

“She thinks she's a pauper on what I give her now.”

“A pauper? On ten thousand dollars a month?”

“Pin money for Mir. We grew up rich, remember?”

“Hard to forget. Why not give it all to Miriam and live on my money instead?”

She frowned. “I'd be dependent on you.”

“So what? I was dependent on you when I first lived here.”

“For about four months. And you had your own money, you just didn't need any of it. Do you want to be married for more than four months?”

“Of course.”

“So now you see why we can't be married at all.”

He didn't, but he resigned himself to the situation. She probably would never tell him why she wouldn't marry him, or why she allowed Miriam, who often upset her, to come to the house on a regular basis to plead for more money.

“W
HERE'S
H
ARRY
?” Miriam demanded when Bill answered the doorbell.

“On the phone,” Bill explained as he took her coat. “He's placing ads for a cook and housekeeper.”

“Not again,” Miriam said.

“The last ones managed to stay on for about six weeks,” Bill said easily.

Miriam turned her most charming smile upon him. She was gorgeous, Bill thought, not for the first time. A redhead with china blue eyes and a figure that didn't need all that custom tailoring to show it off. What was she, he wondered? A walking ice sculpture, perhaps? But he discarded that image. After all, sooner or later, ice melted.

“I don't know why you stay with her, Bill,” Miriam purred, misreading his attention.

Bill heard a door open in a hallway above them.

“If you're here for a favor,” he said in a low voice, “you're not being very kind to your benefactor.”

Miriam stood frowning, waiting until she heard the door close again. Still, she whispered when she said, “Even
you
must admit that she drives the entire household to distraction.”

“Yes,” he said, thinking back to the night he met Ellie. “But distraction isn't always such a bad place to go.”

“She's crazy,” Miriam said scornfully. “And a liar!”

“She's neither. What brings you by this afternoon?” They were halfway up the stairs now, and although Bill thought Ellie was probably past being injured by Miriam's remarks, he didn't know how much longer his own patience would last.

Miriam pointed one perfectly shaped red fingernail at him. “How can you say she's not a liar? She once told you Harry was her father.”

“She knew I wouldn't believe it. She never tells me any lie she thinks I might believe. Come on, she's waiting.”

Bill had heard Ellie cross into one of the upstairs staging rooms. This meant, he knew, that she had staged some clues for him, placed objects about the room intended to remind him of specific Hitchcock movies. It was an extension of the old game they played, and one of the reasons that housekeepers didn't last long. The last one left after finding a mannequin, unclad except for Harry's cap, sitting in the bathtub. (“
The Trouble With Harry
,” Bill had said, earning praise from Ellie even as they tried to revive the fainting housekeeper.)

Ellie, knowing Miriam hated the game, always had one ready when her sister came to visit.

Wearing a pair of jeans with holes in the knees, Ellie was sitting cross-legged on top of a large mahogany table, passing a needle and thread through colored miniature marshmallows to make a necklace. She smiled as she moved the needle through a green marshmallow.

“How much this time?” she asked without looking up.

“Ellie darling! So good to see you.”

Ellie glanced at Bill. “Too many Bette Davis movies.” She chose a pink marshmallow next.

“What on earth are you doing? And why are you wearing those horrid clothes?”

“Shhh!” Ellie said, now reaching for a yellow marshmallow.

Bill was looking around the room. As usual in a game, there were many oddball objects and antiques in the room. The trick was to find the clues among the objects. “How many altogether?”

“Three,” Ellie answered.

“Oh! This stupid game. I might have known,” Miriam grumbled.

He saw the toy windmill first.

“
Foreign Correspondent
,” he said.

“One down, two to go,” Ellie laughed. “How much money this time, Mir?”

“I didn't come here to ask for money,” Miriam said, sitting down.

Bill looked over at her in surprise, then went back to the game.

Searching through the bric-a-brac that covered a low set of shelves, he soon found the next clue: three small plaster of Paris sculptures of hands and wrists. A man's hand and a woman's hand were handcuffed together; another male hand, missing part of its little finger, stood next to the handcuffed set. “
The Thirty-Nine Steps
.”

“Bravo, Bill. Of course you came here for money, Mir. You always do.”

“Not this time.”

“What then?” Ellie asked, watching as Bill picked up a music box from a small dressing table.

“I want to move back home.”

Ellie stopped stringing marshmallows. Bill set the music box down.

Don't give in, Ellie
, he prayed silently.

“No,” Ellie said, and went back to work on her necklace. Bill's sigh of relief was audible.

“Ellie, please, I'm your sister.”

“I'll buy you a place to live.”

“I want to live here.”

“Why?”

“It's in the will. I can live here if I want to.”

Ellie looked up. “We had an agreement.”

Miriam glanced nervously toward Bill, then said, “It's my home, too, you know. You've allowed a perfect stranger to live here. Well, I don't deserve any less.”

“Why do you want to come back, Mir? You haven't lived here in years.”

“I think it's time we grew closer as sisters, that's all.”

Ellie only laughed at that. Bill was heartened by the laughter. Ellie was protective of Miriam, had a soft spot for her despite her abuses. But if that sister plea didn't get through to her, maybe there was a chance …

“Look, you've been living up here in grand style,” Miriam said petulantly, “and I just want to enjoy a bit of it myself.”

Bill saw Ellie's mood shifting, saw her glancing over at him. He felt awkwardness pulling ahead of his curiosity by a nose. He decided to leave this discussion to the sisters. It was Ellie's house, after all. She could do as she liked. He started to edge out of the room, but Ellie said, “This concerns you, too, Bill. Don't leave.”

He wasn't put off by what others might have taken to be a commanding tone. In seven years, he had never heard the word “please” come out of her mouth. Although he thought of few things as certain when it came to Ellie, one certainty was that she rarely asked anything of others. Knowing this, he treated any request as if there were an implied “please.”

“This isn't his house!” Miriam shouted.

“Lower your voice. He is my guest and welcome here.”

Bill turned away, forced himself to look again at the objects on the dressing table.

Ellie went on. “You spent all of your inheritance in less than two years, Mir. Grandfather knew you were like our parents.”

Bill knew this part of the story. Their grandfather had raised the girls after their parents—wild, spoiled, and reckless, according to Ellie—were killed in a car wreck. While Miriam received a large inheritance, Ellie's grandfather had left the house and most of his money to Ellie, thinking Miriam too much like his late daughter.

“Don't start speaking ill of the dead,” Miriam protested to Ellie.

“All right, I won't. But the fact remains …”

“That you've made money and I've lost all of mine. Don't rub it in, Ellie. Now I've even lost the condo.”

“I know.”

“You know? Then you understand why I want to live here.”

“Not really. But this time I'll keep the title so you can't mortgage it endlessly.”

“I want to live here. This is my home!”

“Fine. Then you won't get another dime from me.”

Bill watched in the dressing table mirror as Miriam swallowed hard, then lifted her chin. “All right, if that's what you want to do. My bags are in the car. Harry can pick up the rest of my things—”

“No!” Ellie interrupted sharply, clenching her hands, smushing part of her marshmallow necklace. She shook her head, then said more calmly, “You won't badger that man. I swear you won't be allowed to live here if you do. I'll sell this place first.”

“All right, all right. I won't cause trouble, Ellie. You'll see. I'll even bring my cook and housekeeper with me. That will save Harry a lot of work.”

Bill was hardly paying attention by then. He was nettled. So nettled, he didn't offer to help Miriam with her bags as she left the room. He kept his back to Ellie, pretending to be caught up in the game again.

My guest
. It was accurate enough, he supposed. Not “my lover.” Not “my friend.” Not “the man I want to spend my life with.” My guest. He picked up the music box again.

“You've got a burr under your saddle, Bill. What is it?”

He ignored her for a moment, lifting the lid of the music box. It played “The Merry Widow Waltz.”