After the Plague (21 page)

But nobody was listening. The sky hung there like a tattered curtain, shreds of cloud draped over the high green crown of the pepper tree he'd planted forty years ago, the day his son was born, and he could hear the superamplified rumble of the TV from behind the shut and locked windows and the roar of the air conditioner, and where was the damn dog, anyway? That was it. He remembered now. The dog. He'd come out to look for the dog—
she'd been gone too long, too long about her business, and Eunice had turned her parched old lampshade of a head away from the TV screen and said, “Where's the dog?” He didn't know where the dog was, though he knew where his first bourbon and water of the day was—right there on the TV tray in front of him—and it was 11:00 A.M. and plenty late enough for it. “How the hell would I know,” he'd said, “you were the one let her out,” and she'd come right back at him with something smart, like “Well you'd better just get yourself out there in the yard and see, hadn't you?”

He hadn't actually been out in the yard in a long while—years, it seemed—and when he went out the back door and down the steps he found himself gaping at the bushes all in flower, the trumpet vine smothering the back of the house, and he remembered a time when he cared about all that, about nature and flowers, steer manure and potting soil. Now the yard was as alien to him as the Gobi Desert. He didn't give a damn for flowers or trees or the stucco peeling off the side of the house and all the trim destroyed with the blast of the sun or anything else. “Booters!” he'd called, angry suddenly, angry at he didn't know what. “Booters! Here, girl!”

And that was when he fell.

Maybe the lawn dipped out from under him, maybe he stepped in a gopher hole or tripped over a sprinkler head—that must have been it—but the long and short of it was that he was here, on the grass, stretched out like a corpse under the pepper tree, and he couldn't for the life of him seem to get up.

I've never wanted anybody more in my life, from the minute I came home from Rutgers and laid eyes on you, and I don't care if you are my father's wife, I don't care about anything anymore… .
Eunice sipped at her drink—vodka and soda, bland as all get-out, but juice gave her the runs—and nodded in complete surrender as the former underwear model–turned–actress fell into the arms of the clip-jawed actor with the ridge of glistening hair that stood up from his crown like a meat loaf just turned out of the pan. The screen faded for the briefest nanosecond before opening on a cheery ad
for rectal suppositories, and she found herself drifting into a reverie about the first time Walt had ever taken her in his arms.

They were young then. Or younger. A whole lot younger. She was forty-three and childless, working the checkout desk at the library while her husband ran a slowly failing quick-printing business, and Walt, five years her junior and with the puffed-up chest and inflated arms of the inveterate body builder, taught phys ed at the local high school. She liked to stop in at the Miramar Hotel after work, just to see who was there and unwind a bit after a day of typing out three-by-fives for the card catalogue and collecting fifteen- and twenty-cent fines from born-nasty rich men's wives with beauty parlor hair and too much time on their hands. One day she came in out of the flaming nimbus of the fog and there was Walt, sitting at the bar like some monument to manhood, his tie askew and the sleeves of his white dress shirt rolled up to reveal the squared-off blocks of his forearms. She sat at one of the tables, ordered a drink—it was vodka and grapefruit in those days, tall—and lit a cigarette. When she looked up, he was standing over her. “Don't you know smoking's bad for your health?”

She took her time, crossed her legs under the table and squirmed her bottom around till she was comfortable. She'd seen Ava Gardner in the movies. And Lauren Bacall too. “Tell me that,” she said, slow and languid, drawing it out with the smoke, “when I'm an old lady.”

Well, he laughed and sat down and they got to talking and before long he was meeting her there every afternoon at five while her husband moaned and fretted over last-minute rush jobs and his wife drank herself into oblivion in her own kitchen. And when that moment came—their first embrace—she reached out for his arms as if she were drowning.

But now the screen flickered and
The Furious Hours
gave way to
Riddle Street
and she eased back in her chair, the vodka and soda at her lips like recirculated blood flowing back into her, and watched as the heroine—one of the towering sluts of daytime television—carved up another man.

The funny thing was that nothing hurt, or not particularly or any more than usual, what with the arthritis in both knees and the unreconstructed hernia that felt as if some animal was living under his skin and clawing to get out—no, he hadn't broken anything, he was pretty sure of that. But there was something wrong with him. Desperately wrong. Or why else would he be lying here on his back listening to the grass grow while the clouds became ghosts in winding sheets and fled away to nothing and the sun burned the skin right off his face?

Maybe he was dying, maybe that was it. The thought didn't alarm him, not especially, not yet, but it was there, a hard little bolus of possibility lodged in his brain. He moved the fingers of his right hand, one by one, just to see if the signals still carried that far, and then he tried the other side, the left, and realized after a long moment that there was nothing there, nothing he could feel, anyway. Something whispered in his ear—a single word,
stroke
—and that was when he began to be afraid. He heard a car go by on the street out front of the house, the soughing of the tires, the clank of the undercarriage, the smooth fuel-injected suck of the engine. “Help!” he cried. “Somebody help!”

And then he was looking up into the lace of the pepper tree and remembering a moment on a bus forty-five years ago, some anonymous stop in Kansas or Nebraska, and he on his way to California for the first time and every good thing awaiting him. An old man got on, dazed and scrawny and with a long whittled pole of a neck and a tattered straw hat set way back on his head, and he just stood there in the middle of the aisle as if he didn't know where he was. Walt was twenty-nine, he'd been in the service and college too, and he wasn't acquainted with any old people or any dead people, either—not since the war, anyway. He lifted weights two hours every morning, rain or shine, hot or cold, sick or well, and the iron suffused him with its power like some magic potion.

He looked up at the old man and the old man looked right through him. That was when the driver, oblivious, put the bus in gear and the old man collapsed in his shiny worn suit like a
puppet with the strings cut. No one seemed to know what to do, the mother with her mewling baby, the teenager with the oversized shoes, the two doughy old hens with the rolled-in-butter smiles fixed on their faces, but Walt came up out of his seat automatically and pulled the old man to his feet, and it was as if the old guy wasn't even there, nothing more than a suit stuffed with wadding—he could have propped up ten old men, a hundred, because he was a product of iron and the iron flowed through his veins and swelled his muscles till there was nothing he couldn't do.

Eunice refreshed her drink twice during
Riddle Street
, and then she sat through the next program with her eyes closed, not asleep—she couldn't sleep anymore, sleep was a dream, a fantasy, the dimmest recollection out of an untroubled past—but in a state suspended somewhere between consciousness and its opposite. The sound of a voice, a strange voice, speaking right to her, brought her out of it—
It was amazing, just as if she knew me and my whole life and she told me I was going to come into some money soon, and I did, and the very next day I met the man of my dreams
—and the first thing she focused on was her husband's empty chair. Now where had he got himself off to? Maybe he'd gone to lie down, maybe that was it. Or maybe he was in the kitchen, his big arms that always seemed to be bleeding pinioning the wings of the newspaper, a pencil in his big blunt fingers, his drink like liquid gold in the light through the window and the crossword all scratched over with his black, glistening scrawl. Those were skin cancers on his arms, she knew that, tiny dots of fresh wet blood stippling the places where his muscles used to be, but he wouldn't do anything about it. He didn't care. It was like his hernia. “I'm going to be dead soon, anyway,” he said, and that got her down, it did, that he should talk like that. “How can you talk like that?” she'd say, and he'd throw it right back at her. “Why not? What have I got to live for?” And she'd blink at him, trying desperately to focus, because if she couldn't focus she couldn't give him a look, all pouty and frowning,
like Marlene Dietrich in
Destry Rides Again
. “For me, baby,” she'd say. “For me.”

The idea of the kitchen sent her there, a little shaky on her feet after sitting so long, and her ankles weren't helping, not at all—it felt as if somebody'd snuck in and wrapped truck tires around them while she sat watching her programs. The kitchen was glowing, the back windows glazed with sun, and all the clutter of their last few half-eaten meals invested with a purity and beauty that took her breath away and made her feel like crying, the caramel of the maple syrup bottle and the blue of the Windex and red of the ketchup as vibrant and natural there as flowers in a field. It was a pretty kitchen, the prettiest kitchen in the world. Or it had been once. They'd remodeled in '66—or was it '69? Double aluminum sink, self-cleaning oven, cabinets in solid oak and no cheap lamination, thank you very much. She'd loved that kitchen. It was a kitchen that made her feel loved in return, a place she could retreat to after all the personal nastiness and gossip at the library and wait for her man to come home from coaching football or basketball or whatever it was, depending on the season.

The thought came to her then—or not a thought, actually, but a feeling because feelings were what moved her now, not thoughts—that she ought to maybe fix a can of tomato soup for lunch, and wouldn't it be nice, for a change, to fix some for Walt too? Though she knew what his reaction would be. “I can't eat that,” he'd say, “not with my stomach. What do you think, I'm still thirty-eight?”

Well, yes, she did, as a matter of fact. And when he was thirty-eight and he took her away from Stan Sadowsky and blackened both of his eyes for him when he tried to get rough about it, he'd eat anything she put down on the table in front of him, shrimp cocktail in horseradish sauce right out of the jar, pickled cherry peppers, her special Tex-Mex tamales with melted cheese and Tabasco. He loved her then too. Loved her like she'd never been loved before. His fingers—his fingers were magic, the fingers of a masseur, a man who knew what a deep rub was, who
knew muscle and ligament and the finer points of erectile tissue and who could manipulate her till she was limp as a rag doll and tingling all over.

Sure, sure he could. But where in Lord's name was he?

The sun had moved. No doubt about it. He'd been asleep, unconscious, delirious, dehydrated, sun-poisoned—pick an adjective—and now he was awake again and staring up at that yellow blot in the sky that went to deep blue and then black if you stared at it too long. He needed water. He needed bourbon. Aspirin. Ibuprofen. Two of those little white codeine tablets the doctor gave him for the pain in his knees. More than anything, though, he needed to get up off this damn lawn before the grass grew through the back of his head. Furious suddenly, raging, he gave it everything he had and managed to lift his right shoulder and the dead weight of his head from the ground—and hold it there, hold it there for a full five seconds, as if he were bench-pressing his own body—before he sank back down again. It wasn't going to work, he could see that now, nothing was going to work, ever again, and he felt himself filling up with despair, a slow dark trickle of it leaking into the black pool that was already inside him.

With the despair came Jimmy. That was the way it always was. When he felt blue, when he felt that life was a disease and not worth the effort of drawing the next contaminated breath, Jimmy was there. Seven years, six months, and fourteen days old, sticks for legs, his head too big for his body and his hair like something you'd scour pans with. Jimmy. His son. The boy who grew up teething on a catcher's mitt and was already the fastest kid in the second grade. Walt had been at school the day he was killed, spotting for the gymnastics club as they went through their paces on the parallel bars. Somebody said there was smoke up the street—the paint store was on fire, the whole block going up, maybe even the bank—and the vaulted cathedral of the gym went silent. Then they smelled the smoke, musty and sharp at the same time, and then they heard the sirens. By the time Walt got out to the street, his gymnasts leading the way in a blur of flying
heels, the fire engine was skewed across the sidewalk in the oddest way, three blocks at least from the fire, and he remembered thinking they must have been drunk or blind, one or the other. When he got there, to where the fire company was, smoke crowding the sky in the distance and the taste of it, acid and bitter, on his tongue, he asked the first person he saw—Ed Bakey, the assistant principal—what was the matter. “One of the kids,” Ed said, and he was shaking so badly he could hardly get the words out, “one of the kids got hit by the truck.”

He drifted off again, mercifully, and when he came to this time the sun was playing peekaboo with the crown of the pepper tree, and the field of shade, healing redemptive shade, spread almost to his feet. What time was it, anyway? Three, at least. Maybe four. And where the hell was Eunice? Inside, that's where she was, where time was meaningless, a series of half-hour slices carved out of the program guide, day melding into night, breakfast into dinner, the bright electrons dancing eternally across the screen. He dug his elbows into the lawn then, both of them, and yes, he could feel his left side all of a sudden and that was something, and he flexed every muscle in his body, pecs, delts, biceps, the long striated cords of his back and the lump of nothing that was his left leg, but he couldn't sit up, couldn't so much as put an inch between him and the flattened grass. That frustrated him. Made him angry. And he cried out again, the driest, faintest bleat of rage and bewilderment from the desert throat of a man who'd never asked anybody for anything.