About Grace (4 page)

The convergences of a life: Winkler on an airplane, fifty-nine years old, St. Vincent receding behind him; Winkler waist-deep in a flood, his chin at the gunwale of a rowboat, men prying his drowned daughter from his arms; and Winkler again at thirty-three, speeding toward Cleveland with someone else's wife—this, perhaps, is how lives are measured, a series of abandonments that we hope beyond reason will eventually be reconciled.

Vast tracts of country reflected off that big hood: the Coast Mountains, Hazelton's lava beds. Alberta's steel-blue granaries. Every hour he was seeing new things, wiping his glasses clean: Saskatoon, Winnipeg. An awe at the size of the continent swelled in Winkler's chest—here was the water in his cells, moving at last, cycling between states. He could not resist pointing out neatly everything they passed: a jack-knifed truck, a sagging billboard barn, a tractor bucking like a lifeboat in the ruts of a field.

Sandy hardly said anything. Her entire countenance was pale and several times they had to stop so she could go to the bathroom. At meals she ordered dry cereal or nothing.

Three days out, he summoned the nerve to ask: “Did you leave him a note?” They were in Minnesota, or maybe Illinois. A roadkilled doe, dragged to the shoulder, flashed past in the headlights—a gory snapshot—and was gone.

He waited. Maybe she was asleep.

“I told him,” she eventually said. “I said I was pregnant, that it
wasn't his child, and that I was leaving. He thought I was joking. He said, ‘Are you feeling okay, Sandy?'”

Winkler kept his hands on the wheel. The center stripe whisked beneath them; the headlights pushed their cone of light forward.

Eventually: northeast Ohio, a grid of brick and steel nestled against Lake Erie. Smelter fires burned on mill stacks. Huge Slavic-looking policemen stalked the sidewalks in crisp uniforms. A wind hurled particles of sleet through the streets.

They stayed in an eastside motel, looked at real estate: University Heights, Orange, Solon. Sandy tiptoed through rooms, trailed her fingers over countertops, interested in nothing. In a ravine they found a subdivision called Shadow Hill, the Chagrin River sliding along at the end of a cul-de-sac, a feeder creek beside the road in a landscaped trench. Above the street on both sides the walls of the ravine rose up like the berms of a ditch.

The house was built on a form and each of the neighbors' was identical. Two floors, two bedrooms upstairs, an unfinished basement. A pair of mournful saplings in tubs flanked the front steps. A brass knocker shaped like a goose was bolted to the door.

“Your own little paradise,” the Realtor said, sweeping an arm to take in the hillsides, the trees, the wide stripe of clouds churning above.

“Paradise,” Sandy said, her voice far-off. “We'll take it,” Winkler said.

His job was straightforward enough: he pored through Weather Service data, studied the station's radar output, and compiled forecasts. Some days they sent him into gales to stand in front of a camera: he clung to an inverted umbrella shouting from beneath his rain hood; he sat three hours in a spotter's shack on top of Municipal Stadium predicting game-time weather.

Sandy stayed indoors. They had hardly any furniture, the dining room empty, nothing in the kitchen but a card table encircled by
stools. He bought a TV and they propped it on two milk crates and she'd lie in front of it for hours, watching whatever came on, her forehead wrinkled as if puzzling through it. In the basement her box of welding supplies waited untouched. Every few days she threw up into the kitchen sink.

At four in the morning she'd wake hungry, and he'd tramp downstairs and feel his way through the kitchen in the dark to get her a bowl of Apple Jacks, measure a half cup of whole milk into it. She'd eat with her head propped against the pillows, her whole body lean and warm. “Tell me no one can find us here, David,” she'd whisper. “Tell me that right now, nobody in the world knows where we are.”

He watched her chew; he watched her swallow. In nearly every way they were still strangers, trying to learn each other.

“You sleepwalk,” she told him once, her head off the pillow.

“I do not.”

“You do. Last night I found you in the kitchen standing at the window. I said, ‘David, what are you doing?' but you didn't say anything. Then you came back in here, put on socks, took them off, and climbed back into bed.”

But it was Sandy, Winkler thought, who woke and disappeared from the bed several times a night, walking the house or descending into the basement, and although she told Winkler it was pregnancy keeping her up, he guessed it was Herman. She didn't want to answer the phone or doorbell; she never got the mail. At dusk her eyes went to the windows. As if from the growing shadows, at any moment, Herman might clamber onto the porch, aflame with retribution.

“My Crock-Pot,” she'd say, staring into a cupboard. “I left my Crock-Pot.”

“We'll get you a new Crock-Pot, Sandy.”

She looked at him but did not answer.

Eventually she regained color and energy. She scrubbed the sinks; she cleaned out the basement. One evening he came home and found new dishes in the cupboards.

“Where did you get these?”

“Higbee's.”

“Higbee's? That's twenty miles from here.”

“I hitched.”

He stared at her. She shrugged. That night she served him lasagna, the first meal she'd cooked since they'd moved.

“This is delicious,” he said.

“Marry me,” she said.

He said yes. Of course. Tremors of happiness rose through his chest. He kept his imagination fixed on the future: the child, the thousand small rewards and punishments he imagined fatherhood would bring. There were the customary preparations: painting the upstairs room, shopping for a crib. The questions were obvious: “Are you going to divorce Herman? Won't you be technically married to two men?” But she was washing dishes, or staring at the TV, and he was afraid to ask.

In the basement she began welding, cannibalizing sheets of metal from the house itself: the furnace cover, the front of a kitchen cabinet. Weekends he drove her to salvage yards and garage sales to claim anything metal: the hood of a Ford Fairlane; forty feet of copper pipe; a brass captain's wheel. At night he'd hear her banging around down there, the clangor of the aluminum hammer, the hiss and pop of the welding torch, a smell of singed metal rising; it was like living on top of a foundry. And at night she'd slide into bed, sweating and wide-eyed, her whole body hot, her coveralls hanging on the closet door. She'd splay her legs on top of the comforter. “The TV says the blood volume of a pregnant woman increases fifty percent,” she said. “Same body, fifty percent more blood.”

“Are you being careful?” he'd whisper. “Do you know what you're doing?”

She'd nod; he'd feel the heat pour off her.

A six-foot-six Indian magistrate married them; a half dozen Channel 3 employees sidearmed rice at them on their way out. For a honeymoon—Sandy insisted they have one—she filled the empty dining room with
houseplants she'd bought at a moving sale: ficus, philodendron, a dozen hanging ferns. He took four days off and they went to sleep each night on a blanket in the center of the floor, surrounded by plants. “We're in the jungle,” she whispered. “We're on a raft on the Amazon.” When they had sex, she wept. Each morning he brought her eggs, scrambled and chopped, and a bowl of Apple Jacks with a half cup of milk. Inside her now the fetus had eyes, four chambers to its heart, neuroelectric pulses riding the arc of its spine.

By July, Sandy was spending five or six hours at a time downstairs in her workshop. She had settled on a project, she said, a “Paradise Tree,” something he sneaked downstairs one morning to glimpse: a single, nine-foot pole, partially rusted, with the beginnings of shapes fused onto it: sections of coat hangers and unfurled springs for branches; flattened lamp finials and metal scrap for leaves.

For Winkler each hour was another hour between Cleveland and Anchorage, between who they were becoming and who they had been. That summer was the first truly hot weather he had ever experienced; he hiked the riverbank, watching fishermen, inhaling the aroma of warm soil, feeling the humidity wrap his body like a net. A pair of mallards paddled shyly through an eddy. A plastic bag came rafting down.

Ohio, he decided, bore less of the everyday vulnerabilities: there wasn't as sharp an edge to the air, or the threat of winter always hovering beyond the horizon; there were no tattered prospectors or pipeliners mumbling into their beards in the grocery stores. Life here was sane, predictable, explicable. The backyards had fences; the neighborhood had covenants. Each night, with the burgeoning, hot shape of Sandy sweating beside him, he found himself entering a mild and dreamless sleep. If he dreamed of things to come, he did not remember them when he woke. There were days when he could almost pretend that he had never even had such dreams, that his nights had always been like anyone else's, that there wasn't anything more Sandy could know about him.

Each morning, leaving to drive to Channel 3, he'd stop at the door and glance above the roof at the slope of the ravine. The light seemed to
bring a stabbing clarity: the edges of clouds, the illumined leaves, early shadows playing beneath the trees—Ohio teemed with small miracles. Standing there some mornings he imagined he could glimpse the architecture of the entire planet, like an enormous grid underlying everything, perfectly obvious all along—the code of the universe, a matrix of light.

I have never, he thought, seen things so clearly.

A robin hopped through the blades, hunting worms. The woods beside the river rang with singing insects. Tears gathered at the backs of Winkler's eyes.

Soon Sandy would descend to the basement, the child inside her waking from its own fetal dreams, the bones in its ears hardening, its hooded eyes peering into the flaring darkness.

Winkler remembered his mother as a supremely pale woman: hands like they had been dipped in milk, hair a creamy silver. Even her eyes were almost pure white, the irises pale, the sclera devoid of visible capillaries, as though the color had been rinsed out of them, or else her blood ran clear.

She had lived her first thirteen years in Finland before coming to the New World with a grandfather who promptly died of pneumonia. She finned salmon on a floating fish processor, then waitressed for Lido's Café, then washed sheets at the Engineering Commission Hospital; she worked her way through nursing school, joined the Women's League, married the milkman. In 1941 they moved into a bankrupt furrier's storehouse converted to apartments, a small fourth-floor flat blessed with a trio of huge parlor windows that overlooked the pharmacy across the street, the rail yard, and Ship Creek beyond. All during the Second World War P-36 Hawks descended across those windows left to right and disappeared behind Government Hill to land at the airfield at Elmendorf. And every summer thereafter those windows buzzed with the comfortable drone of passing two- and four-seaters, hunters and prospectors, gliding in and out of the bush. Men bent on gold, oil, wilderness. She would live in that apartment the rest of her life.

The rooms existed in his memory as clearly now as they always had: the big-beamed ceilings, the smells of fur still lingering in the corners, as though invisible foxes and marmots moved silently inside the
walls. His bedroom was a broom closet with a door that opened inward—he had to fold back his mattress each morning to get out. The smell in there, he decided one night, was of caribou, and he imagined their ghosts snuffling in the sitting room, nosing through the pantry.

His mother loved the building: its drafts and big-paned windows; the way the floors, no matter how much you scrubbed, smelted permanently of tannins. She walked barefoot over the cold boards, and dragged open the curtains, and showed David how if they scratched their names into the panes with a pin, winter frost would freeze around the letters. On the roof she'd gather palmfuls of snow and press them into her mouth and make pronouncements on their quality: sweet or pure, grainy or velvety. “Back home,” she'd say, “there is a snow my grandfather called
santa lunta.
It came one night a year, always around Christmas. He'd pack it into little tin funnels and pour fruit juice on it and we'd eat it for dessert. Like ice cream. Only better.”

His mother the Ice Queen. The only thing he still had of hers was a book:
Snow Crystals
, by W. A. Bentley. Inside were thousands of carefully prepared micrographs of snowflakes, each image reproduced in a two-inch square, the crystals white against a field of black, arrayed in a grid, four-by-three, twelve per page. Bound in cloth, it was a 1931 first edition her grandfather had bought at a rummage sale. She would page through it carefully, almost devotedly, occasionally calling David over to ask him his favorites. She'd hold his finger and trace the outlines of whatever shapes lay hidden within: six hippos' heads, six dragons' eyes, six tiny sea horses in profile.

Eight-year-old Winkler would wrap a board in black felt and climb to the roof to catch snowflakes as they floated down. He studied them with a Cracker Jack plastic hand-magnifier. Only rarely was he able to capture an individual crystal, undamaged in its journey from the clouds, and he'd sit with a pencil and a damp notebook, trying to sketch it before it melted: the corollas, the interstices, the kaleidoscopic blades. When he'd accumulated twenty or so drawings, he'd take the damp pages downstairs, staple them together, and present the book to his mother with grave ceremony.

“It's beautiful, David,” she'd say. “I will treasure it.” She'd set the little booklet on top of Bentley's
Snow Crystals
, on the shelf beneath the coffee table.

In grade school he read about irrigation, ice fields, clouds. He could still remember a poster on the wall of his fourth-grade classroom:
THE WATER CYCLE
—oceanic clouds creeping over a town, dropping rain on steeples and rooftops, rainwater pooling in a river, the river charging through a dam's spillway, easing back into the ocean, a smiling sun evaporating seawater into tufts of cartoon vapor, the vapor condensing into clouds.

By high school he was beginning to understand that the study of water and its distribution phenomena yielded again and again to sets of reassuring patterns—Hadley cells, cycling air in the troposphere, dark bands of nimbostratus. To consider water on any scale was to confront a boundless repetition of small events. There were the tiny wonders: raindrops, snow crystals, grains of frost aligned on a blade of grass; and there were the wonders so immense it seemed impossible to get his mind around them: global wind, oceanic currents, storms that broke like waves over whole mountain ranges. Rapt, seventeen years old, he mail-ordered posters of seas, lakes, calving glaciers. He caught raindrops in pans of flour to study their shape; he charted the sizes of captured snow crystals on a handmade grid.

His first week in college he met with a counselor and made earth sciences his major. A chemistry unit on the hydrologic cycle that had other students yawning seemed to him a miracle of simplicity: condensation, precipitation, infiltration, runoff, evapotranspiration—water moved around and through us at every moment; it leached from our cells; it hung invisibly in front of our eyes. Theoretically, water was inexhaustible, endless, infinitely recycled. The ice in his mother's freezer was millions of years old. The Egyptian Sphinx was carved from the compressed skeletons of sea animals.

But in graduate school the opportunities to study water, particularly snow, were limited. Professors wanted to teach hydraulics; students wanted curricula with engineering applications. And when he was allowed to study snow it was often in the most mundane ways:
stream flow forecasts, precipitation assessments; snow as resource, snow as a reservoir of meltwater.

Winkler was not popular at school. Parties blazed in A-frames set back in the spruce, and couples strolled arm in arm along the boggy paths, and leaves fell, and snow, and rain, and he went on in a state of more or less permanent solitude. He carted around stacks of books; he examined drops of Lake Spenard under a microscope. Water was a sanctuary—not only hot showers or condensation on his window or the sight of Knik Arm on a fall day, but reading about it, collecting it in an eyedropper, freezing it, sublimating it. Two hydrogen atoms bonded to one oxygen—always—at a 104.5 degree angle. The distances between atoms was—always—.095718 of a nanometer. Every thirty-one hundred years a volume of water equivalent to all the oceans passed through the atmosphere. These were facts, bounded by inviolable laws: water was elastic and adhesive, it held its temperature longer than air, it was perpetually in motion.

But he sensed, even then, that any real understanding would continue to exist beyond the range of his capacities. The more he studied water, the more he examined snow, the more mystified he became. Ice could be unpredictable and baffling. Unforeseen variables could set the entire hydrological cycle reeling: an unsuspected front, riding an unexpected event (a deep ocean current, a shearing microburst), could transform a clear, blue noon into an afternoon deluge. A predicted blizzard—snowplows rumbling on highway shoulders, workers in roadside salt huts braced over their shovels—did not arrive. Rain threw itself at the windosw while the radio burbled out a forecast for sunshine. Scientists had engineered elaborate models, radar, radio beacons—now satellites coasted above the atmosphere, peering in—and still it was nearly impossible to gauge the size and shape of a raindrop. No one knew exactly why an ice crystal bothered with such elaborate geometry; no one knew why liquid water was able to carry so much heat; no calculation was able to account qualitatively for the surface tension on top of a simple puddle.

Water was a wild, capricious substance: nothing solid, nothing permanent, nothing as it appeared.