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Authors: Al Sarrantonio

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Well … that remains to be seen.

It might prove instructive to examine the past before predicting the future.

Part Four: You Guessed It, the Past

By the early 1980s, the horror field seemed to be driving a steamroller over every other form of imaginative fiction. The number of science fiction, fantasy, and mystery writers who climbed up into the steamroller’s cab—not to mention the occasional mainstream or romance writer such as Anne Rivers Siddons, author of the brilliant (if clunkily written) novel of haunting
The House Next Door
—only proved the field’s sudden viability (not only was it exciting, there was money to be made). The newly ghettoed genre became a repository for stories that couldn’t be published anywhere else (a very good thing, and I’m not the first one to notice this). It coalesced out of nearly nothing into something vibrant, exciting, and controversial—remember the heated arguments over “quiet horror” and “splatterpunk"?—and then ultimately, by the end of the decade, began to deflate and nearly disappear.

Why?

It’s tempting to blame the mindless, self-destructive, and bone-headed policies of a publishing industry that never understood the field to begin with, didn’t know poop from popcorn as far as what belonged therein, never gave a thought to anything beyond the bottom line, and then crap-published the genre nearly out of existence.

But that’s way too easy—publishers
always
follow trends and fads,
always
overpublish, and
always
, because of their inherent wish to make a profit (publishing is, after all, a business—and always was, despite what some of us remember as a kinder, gender industry before the corporations took over), tend to kill the goose that laid the golden egg.

Let’s look deeper.

There is a theory that the core readership of the horror field was always small, and that it ballooned in the 1980s with faddists: these were readers (and even those who don’t read very much) brought in by the promise of thrills like those given them by the horror bestsellers: books like
‘Salem’s Lot, The Shining
, and
Ghost Story
. These clowns were on the roller coaster only so long as it gave ‘em a good ride, and then they took their big feet elsewhere.

The definition of the end of a fad is, of course: death.

Or it may be that the visual entertainment industry—television, the movies, video games, more recently CD-ROM and other computer technology—did what it always does to something hot: chewed it up, spit it out, then lapped up the regurgitation and repeated the exercise—and, in the process, co-opted the field.

(Despite all of Harlan Ellison’s good and great efforts, isn’t this what happened in the science fiction field? Anyone remember
Star Wars
, which was released within five years of
Again, Dangerous Visions?)

And then there is also flight to the suburbs to consider: many of the most successful writers in the horror ghetto moved out of it into the mainstream as fast as possible, leaving mainly the junk behind (there is no blame involved here; remember, we’re talking about a
ghetto);
couple this with the fact that the so-called mid-list in publishing (traditionally the industry’s AAA farm system, readying the next generation of sluggers for the big leagues) was in the process of being killed off at the same time, and it ain’t hard to figure out what might have happened.

Part Five: The Future

Are we headed for the Great Third Golden Age of Horror Fiction?

There are signs and portents, lately.

For one thing, the small press phenomenon—in particular, the limited edition business, which had constricted a few years ago nearly to the point of winking out of existence—has shown a robustness lately that is encouraging. Since small presses are a mixture of labor of love and moneymaking operation, this is indicative. The same thing happened at the beginning of the second Golden Age. The small publishers are jackals (I don’t use this term pejoratively); they come in at sharp angles and snap at the meal until the lions (the big publishers) amble over and put their jaws into it. The small publishers now are making bucks on projects the lions wouldn’t touch, but there are signs (this book is one of them) that the lions are beginning to get hungry again.

And though there still might be no professional magazines devoted to horror fiction, there are now numerous smaller journals dedicated to the field, as well as an explosion of on-line magazines publishing the fiction of new and established writers.

Finally, and most important, there seems to be a new generation of readers, growing now beyond the core audience,
*
clamoring for

this stuff. These readers were kids or fetuses during the last boom; they discovered the writers of the 1970s and 1980s in reprints and secondhand editions and now want more—and
new
.

We might, actually, be on the rising crest of a new boom.

Part Six: This Book

As for me, I can’t lose. If this book turns out to be revolutionary, helps to revive the field, kills the ghetto, and starts a third Golden Age, so be it. If it doesn’t, my backup story is that
**
is merely a celebration of the success the field has already achieved—final proof, between two covers, that it
is
a literary genre.

Actually, I’ll be the happiest editor in the world if you see fit to put this volume on your shelf between
Dark Forces
and
Great Tales of Terror and the Supernatural
.

Revolution or celebration? You choose.

But as I said at the top of this screed, this book
is
a feast.

Time to dive in.

Al Sarrantonio

May 1999

Kim Newman

AMERIKANSKI DEAD AT THE MOSCOW MORGUE

When I casually contacted Kim ‘Newman by E-mail to ask if he had anything he’d be interested in showing me for
999,
he politely wrote hack, almost instantly, that most of what he was working on these days was in a longer length than what I seemed to be looking for. When I gently persisted, asking him to show me something longer, I almost instantly received the following tale, about American “invaders” in Communist Russia, by return E-mail
.
I was flabbergasted at how good it was—not because Kim Newman, the vampire-expert author of
Anno Dracula
and
The Bloody Red Baron,
wrote it, since I already knew that he’s quietly and systematically become one of the best writers in the field, but because I just couldn’t believe that something so wonderful could instantly appear on my computer screen just because I asked for it. Ask and ye shall receive, indeed!
Kim Newman is also known as a sometime actor, film critic, and broadcaster; more of his fictive magic can be found in such work as
Bad Dreams, The Night Mayor,
and, with Eugene Byrne
, Back in the USSA.

A
t the railway station in Borodino, Evgeny Chirkov was separated from his unit. As the locomotive slowed, he hopped from their carriage to the platform, under orders to secure, at any price, cigarettes and chocolate. Another unknown crisis intervened and the steam-driven antique never truly stopped. Tripping over his rifle, he was unable to reach the outstretched hands of his comrades. The rest of the unit, jammed halfway through windows or hanging out of doors, laughed and waved. A jet of steam from a train passing the other way put salt on his tail, and he dodged, tripping again. Sergeant Trauberg found the pratfall hilarious, forgetting he had pressed a thousand rubles on the private. Chirkov ran and ran but the locomotive gained speed. When he emerged from the canopied platform, seconds after the last carriage, white sky poured down. Looking at the black-shingled track-bed, he saw a flattened outline in what was once a uniform, wrists and ankles wired together, neck against a gleaming rail, head long gone under sharp wheels. The method, known as “making sleepers,” was favored along railway lines. Away from stations, twenty or thirty were dealt with at one time. Without heads, Amerikans did no harm.

Legs boiled from steam, face and hands frozen from winter, he wandered through the station. The cavernous space was subdivided by sandbags. Families huddled like pioneers expecting an attack by Red Indians, luggage drawn about in a circle, last bullets saved for women and children. Chirkov spat mentally; America had invaded his imagination, just as his political officers warned. Some refugees were coming from Moscow, others fleeing to the city. There was no rule. A wall-sized poster of the New First Secretary was disfigured with a blotch, red gone to black. The splash of dried blood suggested something had been finished against the wall. There were Amerikans in Borodino. Seventy miles from Moscow, the station was a museum to resisted invasions. Plaques, statues and paintings honored the victories of 1812 and 1944. A poster listed those local officials executed after being implicated in the latest counter-revolution. The air was tangy with ash, a reminder of past scorched earth policies. There were big fires nearby. An army unit was on duty, but no one knew anything about a time-table. An officer told him to queue and wait. More trains were coming from Moscow than going to, which meant the capital would eventually have none left.

He ventured out of the station. The snow cleared from the forecourt was banked a dozen yards away. Sunlight glared off muddy white. It was colder and brighter than he was used to in the Ukraine. A trio of Chinese-featured soldiers, a continent away from home, offered to share cigarettes and tried to practice Russian on him. He understood they were from Amgu; from the highest point in that port, you could see Japan. He asked if they knew where he could find an official. As they chirruped among themselves in an alien tongue, Chirkov saw his first Amerikan. Emerging from between snow banks and limping towards the guard post, the dead man looked as if he might actually be an American. Barefoot, he waded spastically through slush, jeans legs shredded over thin shins. His shirt was a bright picture of a parrot in a jungle. Sunglasses hung around his neck on a thin string. Chirkov made the Amerikan’s presence known to the guards. Fascinated, he watched the dead man walk. With every step, the Amerikan crackled: there were deep, ice-threaded rifts in his skin. He was slow and brittle and blind, crystal eyes frozen open, arms stiff by his sides.

Cautiously, the corporal circled around and rammed his rifle-butt into a knee. The guards were under orders not to waste ammunition; there was a shortage. Bone cracked and the Amerikan went down like a devotee before an icon. The corporal prodded a colorful back with his boot-toe and pushed the Amerikan onto his face. As he wriggled, ice shards worked through his flesh. Chirkov had assumed the dead would stink but this one was frozen and odorless. The skin was pink and unperished, the rips in it red and glittery. An arm reached out for the corporal and something snapped in the shoulder. The corporal’s boot pinned the Amerikan to the concrete. One of his comrades produced a foot-long spike and worked the point into the back of the dead man’s skull. Scalp flaked around the dimple. The other guard took an iron mallet from his belt and struck a professional blow.

It was important, apparently, that the spike entirely transfix the skull and break ground, binding the dead to the earth, allowing the last of the spirit to leave the carcass. Not official knowledge, this was something every soldier was told at some point by a comrade. Always, the tale-teller was from Moldavia or had learned from someone who was. Moldavians claimed to be used to the dead. The Amerikan’s head came apart like a rock split along fault lines. Five solid chunks rolled away from the spike. Diamond-sparkles of ice glinted in reddish gray inner surfaces. The thing stopped moving at once. The hammerer began to unbutton the gaudy shirt and detach it from the sunken chest, careful as a butcher skinning a horse. The jeans were too deeply melded with meat to remove, which was a shame; with the ragged legs cut away, they would have made fine shorts for a pretty girl at the beach. The corporal wanted Chirkov to have the sunglasses. One lens was gone or he might not have been so generous with a stranger. In the end, Chirkov accepted out of courtesy, resolving to throw away the trophy as soon as he was out of Borodino.

Three days later, when Chirkov reached Moscow, locating his unit was not possible. A dispatcher at the central station thought his comrades might be reassigned to Orekhovo Zuevo, but her superior was of the opinion the unit had been disbanded nine months earlier. Because the dispatcher was not disposed to contradict an eminent Party member, Chirkov was forced to accept the ruling that he was without a unit. As such, he was detailed to the Spa. They had in a permanent request for personnel and always took precedence. The posting involved light guard duties and manual labor; there was little fight left in Amerikans who ended up at the Spa. The dispatcher gave Chirkov a sheaf of papers the size of a Frenchman’s sandwich and complicated travel directions. By then, the rest of the queue was getting testy and he was obliged to venture out on his own. He remembered to fix his mobility permit, a blue luggage tag with a smudged stamp, on the outside of his uniform. Technically, failure to display the permit was punishable by summary execution.

Streetcars ran intermittently; after waiting an hour in the street outside the central station, he decided to walk to the Spa. It was a question of negotiating dunes of uncleared snow and straggles of undisciplined queue. Teams of firemen dug methodically through depths of snow, side-by-side with teams of soldiers who were burning down buildings. Areas were cleared and raked, ground still warm enough to melt snow that drifted onto it. Everywhere, posters warned of the Amerikans. The Party line was still that the United States was responsible. It was air-carried biological warfare, the Ministry announced with authority, originated by a secret laboratory and disseminated in the Soviet Union by suicidal infectees posing as tourists. The germ galvanized the nervous systems of the recently deceased, triggering the lizard stems of their brains, inculcating in the Amerikans a disgusting hunger for human meat. The “news” footage the Voice of America put out of their own dead was staged and doctored, footage from the sadistic motion pictures that were a symptom of the West’s utter decadence. But everyone had a different line: it was … creeping radiation from Chernobyl … a judgment from a bitter and long-ignored God … a project Stalin abandoned during the Great Patriotic War … brought back from
Novy Mir
by cosmonauts … a plot by the fomenters of the Counter-Revolution … a curse the Moldavians had always known.

Fortunately, the Spa was off Red Square. Even a Ukrainian sapling like Evgeny Chirkov had an idea how to get to Red Square. He had carried his rifle for so long the strap had worn through his epaulette. He imagined the outline of the buckle was stamped into his collarbone. His single round of ammunition was in his inside breast pocket, wrapped in newspaper. They said Moscow was the most exciting city in the world, but it was not at its best under twin siege from winter and the Amerikans. Helicopters swooped overhead, broadcasting official warnings and announcements: comrades were advised to stay at their workplaces and continue with their duly delegated tasks; victory in the struggle against the American octopus was inevitable; the crisis was nearly at an end and the master strategists would soon announce a devastating counter-attack; the dead were to be disabled and placed in the proper collection points; another exposed pocket of traitors would go on trial tomorrow.

In an onion-domed church, soldiers dealt with Amerikans. Brought in covered lorries, the shuffling dead were shifted inside in ragged coffles. As Chirkov passed, a dead woman, bear-like in a fur coat over forbidden undergarments, broke the line. Soldiers efficiently cornered her and stuck a bayonet into her head. The remains were hauled into the church. When the building was full, it would be burned: an offering. In Red Square, loudspeakers shouted martial music at the queues. John Reed at the Barricades. Lenin’s tomb was no longer open for tourists. Sergeant Trauberg was fond of telling the story about what had happened in the tomb when the Amerikans started to rise. Everyone guessed it was true. The Spa was off the Square. Before the Revolution of 1918, it had been an exclusive health club for the Royal Family. Now it was a morgue.

He presented his papers to a thin officer he met on the broad steps of the Spa and stood frozen in stiff-backed salute while the man looked over the wedge of documentation. He was told to go inside smartly and look for Lyubashevski. The officer proceeded, step by step, down to the Square. Under the dusting of snow, the stone steps were gilded with ice: a natural defense. Chirkov understood Amerikans were forever slipping and falling on ice; many were so damaged they couldn’t regain their footing and were consequently easy to deal with. The doors of the Spa, three times a man’s height, were pocked with bullet holes new and old. Unlocked and unoiled, they creaked alarmingly as he pushed inside. The foyer boasted marble floors, and ceilings painted with classical scenes of romping nymphs and athletes. Busts of Marx and Lenin flanked the main staircase; a portrait of the New First Secretary, significantly less faded than neighboring pictures, was proudly displayed behind the main desk.

A civilian he took to be Lyubashevski squatted by the desk reading a pamphlet. A half-empty vodka bottle was nestled like a baby in the crook of his arm. He looked up awkwardly at the new arrival and explained that last week all the chairs in the building had been taken away by the Health Committee. Chirkov presented papers and admitted he had been sent by the dispatcher at the railway station, which elicited a shrug. The civilian mused that the central station was always sending stray soldiers for an unknown reason. Lyubashevski had three days of stubble and mismatched eyes. He offered Chirkov a swallow of vodka—pure and strong, not diluted with melted snow like the rat poison he had been sold in Borodino—and opened up the lump of papers, searching for a particular signature. In the end, he decided it best Chirkov stay at the Spa. Unlocking a cabinet, he found a long white coat, muddied at the bottom. Chirkov was reluctant to exchange his heavy greatcoat for the flimsy garment but Lyubashevski assured him there was very little pilferage from the Spa. People, even parasites, tended to avoid visiting the place unless there was a pressing reason for their presence. Before relinquishing his coat, Chirkov remembered to retain his mobility permit, pinning it to the breast of the laboratory coat. After taking Chirkov’s rifle, complementing him on its cleanliness, and stowing it in the cabinet, Lyubashevski issued him with a revolver. It was dusty and the metal was cold enough to stick to his skin. Breaking the gun open, Chirkov noted three cartridges. In Russian roulette, he would have an even chance. Without a holster, he dropped it into the pocket of his coat; the barrel poked out of a torn corner. He had to sign for the weapon.

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