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Authors: Ann Beattie

The New Yorker Stories (44 page)

BOOK: The New Yorker Stories
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A
nnie brings a hand-delivered letter to her father. They stand together on the deck that extends far over the grassy lawn that slopes to the lake, and he reads and she looks off at the water. When she was a little girl she would stand on the metal table pushed to the front of the deck and read the letters aloud to her father. If he sat, she sat. Later, she read them over his shoulder. Now she is sixteen, and she gives him the letter and stares at the trees or the water or the boat bobbing at the end of the dock. It has probably never occurred to her that she does not have to be there when he reads them.

Dear Jerome,
Last week the bottom fell out of the birdhouse you hung in the tree the summer Annie was three. Or something gnawed at it and the bottom came out. I don’t know. I put the wood under one of the big clay pots full of pansies, just to keep it for old times’ sake. (I’ve given up the fountain pen for a felt-tip. I’m really not a romantic.) I send to you for a month our daughter. She still wears bangs, to cover that little nick in her forehead from the time she fell out of the swing. The swing survived until last summer when—or maybe I told you in last year’s letter—Marcy Smith came by with her “friend” Hamilton, and they were so taken by it that I gave it to them, leaving the ropes dangling. I mean that I gave them the old green swing seat, with the decals of roses even uglier than the scraggly ones we grew. Tell her to pull her bangs back and show the world her beautiful widow’s peak. She now drinks spritzers. For the first two weeks she’s gone I’ll be in Ogunquit with Zack. He is younger than you, but no one will ever duplicate the effect of your slow smile. Have a good summer together. I will be thinking of you at unexpected times (unexpected to me, of course).
Love,
Anita

 

He hands the letter on to me, and then pours club soda and Chablis into a tall glass for Annie and fills his own glass with wine alone. He hesitates while I read, and I know he’s wondering whether the letter will disturb me—whether I’ll want club soda or wine. “Soda,” I say. Jerome and Anita have been divorced for ten years.

In these first few days of Annie’s visit, things aren’t going very well. My friends think that it’s just about everybody’s summer story. Rachel’s summers are spent with her ex-husband, and with his daughter by his second marriage, the daughter’s boyfriend, and the boyfriend’s best friend. The golden retriever isn’t there this summer, because last summer he drowned. No one knows how. Jean is letting her optometrist, with whom she once had an affair, stay in her house in the Hamptons on weekends. She stays in town, because she is in love with a chef. Hazel’s the exception. She teaches summer school, and when it ends she and her husband and their son go to Block Island for two weeks, to the house they always rent. Her husband has his job back, after a year in A.A. I study her life and wonder how it works. Of the three best friends I have, she blushes the most easily, is the worst dressed, is the least politically informed, and prefers AM rock stations to FM classical music. Our common denominator is that none of us was married in a church and all of us worried about the results of the blood test we had before we could get a marriage license. But there are so many differences. Say their names to me and what comes to mind is that Rachel cried when she heard Dylan’s
Self Portrait
album, because, to her, that meant that everything was over; Jean fought off a man in a supermarket parking lot who was intent on raping her, and still has nightmares about the arugula she was going to the store to get; Hazel can recite Yeats’s “The Circus Animals’ Desertion” and bring tears to your eyes.

Sitting on the deck, I try to explain to Annie that there
should
be solidarity between women, but that when you look for a common bond you’re really looking for a common denominator, and you can’t do that with women. Annie puts down
My Mother/My Self
and looks out at the water.

Jerome and I, wondering when she will ever want to swim, go about our days as usual. She’s gone biking with him, so there’s no hostility. She has always sat at the foot of the bed while Jerome was showering at night and talked nonsense with me while she twisted the ends of her hair, and she still does. At her age, it isn’t important that she’s not in love, and she was once before anyway. When she pours for herself, it’s sixty-forty white wine and club soda. Annie—the baby pushed in a swing. The bottom fell out of the birdhouse. Anita really knows how to hit below the belt.

Jerome is sulky at the end of the week, floating in the Whaler.

“Do you ever think that Anita’s thinking of you?” I ask.

“Telepathy, you mean?” he says. He has a good tan. A scab by his elbow. Somehow, he’s hurt himself. His wet hair is drying in curly strands. He hasn’t had a haircut since we came to the summer house.

“No. Do you ever wonder if she just might be thinking about you?”

“I don’t think about her,” he says.

“You read the letter Annie brings you every year.”

“I’m curious.”

“Just curious for that one brief minute?”

Yes, he nods. “Notice that I’m always the one that opens the junk mail, too,” he says.

According to Jerome, he and Anita gradually drifted apart. Or, at times when he blames himself, he says it’s because he was still a child when he married her. He married her the week of his twentieth birthday. He says that his childhood wounds still weren’t healed; Anita was Mama, she was the person he always felt he had to prove himself to—the stuff any psychiatrist will run down for you, he says now, trailing his hand in the water. “It’s like there was a time in your life when you believed in paste,” he says. “Think how embarrassed you’d be to go buy paste today. Now it’s rubber cement. Or at least Elmer’s glue. When I was young I just didn’t know things.”

I never had any doubt when things ended with my first husband. We knew things were wrong; we were going to a counselor and either biting our tongues or arguing because we’d loosened them with too much alcohol, trying to pretend that it didn’t matter that I couldn’t have a baby. One weekend Dan and I went to Saratoga, early in the spring, to visit friends. It was all a little too sun-dappled. Too
House Beautiful
, the way the sun, in the early morning, shone through the lace curtains and paled the walls to polka dots of light. The redwood picnic table on the stone-covered patio was as bright in the sunlight as if it had been waxed. We were drinking iced tea, all four of us out in the yard early in the morning, amazed at what a perfect day it was, how fast the garden was growing, how huge the heads of the peonies were. Then some people stopped by, with their little girl—people new to Saratoga, who really had no friends there yet. The little girl was named Alison, and she took a liking to Dan—came up to him without hesitation, the way a puppy that’s been chastised will instantly choose someone in the room to cower by or a bee will zero in on one member of a group. She came innocently, the way a child would come, fascinated by . . . by his curly hair? The way the sunlight reflected off the rims of his glasses? The wedding ring on his hand as he rested his arm on the picnic table? And then, as the rest of us talked there was a squealing game, with the child suddenly climbing from the ground to his lap, some whispering, some laughing, and then the child, held around her middle, raised above his head, parallel to the ground. The game went on and on with cries of “Again!” and “Higher!” until the child was shrill and Dan complained of numb arms, and for a second I looked away from the conversation the rest of us were having and I saw her raised above him, smiling down, and Dan both frowning and amused—that little smile at the edge of his lips—and the child’s mouth, wide with delight, her long blond hair flopped forward. He was keeping her raised off the ground, and she was hoping that it would never end, and in that second I knew that for Dan and me it was over.

We took a big bunch of pink peonies back to the city with us, stuck in a glass jar with water in the bottom that I held wedged between my feet. I had on a skirt, and the flowers flopped as we went over the bumpy road and the sensation I felt was amazing: it wasn’t a tickle, but a pain. When he stopped for gas I went into the bathroom and cried and washed my face and dried it on one of those brown paper towels that smell more strongly than any perfume. I combed my hair. When I was sure I looked fine I came back to the car and sat down, putting one foot on each side of the jar. He started to drive out of the gas station, and then he just drifted to a stop. It was still sunny. Late afternoon. We sat there with the sun heating us and other cars pulling around our car, and he said, “You are impossible. You are so emotional. After a perfect day, what have you been crying about?” Then there were tears, and since I said nothing, eventually he started to drive: out into the merging lane, then onto the highway, speeding all the way back to New York in silence. It was already over. The only other thing I remember about that day is that down by Thirty-fourth Street we saw the same man who had been there the week before, selling roses guaranteed to smell sweet and to be everlasting. There he was, in the same place, his roses on a stand behind him.

We swim, and gradually work our way back to the gunwale of the Whaler: six hands, white-knuckled, holding the rim. I slide along, hand over hand, then move so that my body touches Jerome’s from behind. With my arms around his chest, I kiss his neck. He turns and smiles and kisses me. Then I kick away and go to where Annie is holding on to the boat, her cheek on her hands, staring at her father. I swim up to her, push her wet bangs to one side, and kiss her forehead. She looks aggravated, and turns her head away. Just as quickly, she turns it back. “Am I interrupting you two getting it on out here?” she says.

“I kissed both of you,” I say, between them again, feeling the weightlessness of my legs dangling as I hold on.

She continues to stare at me. “Girls kissing girls is so dumb,” she says. “It’s like the world’s full of stupid hostesses who graduated from Sweet Briar.”

Jerome looks at her silently for a long time.

“I guess your mother’s not very demonstrative,” he says.

“Were you ever?” she says. “Did you love Anita when you had me?”

“Of course I did,” he says. “Didn’t you know that?”

“It doesn’t matter what I know,” she says, as angry and petulant as a child. “How come you don’t feed me birdseed?” she says. “How come you don’t feed the carrier pigeon?”

He pauses until he understands what she is talking about. “The letters just go one way,” he says.

“Do you have too much
dignity
to answer them, or is it too risky to reveal anything?”

“Honey,” he says, lowering his voice, “I don’t have anything to say.”

“That you loved her and now you don’t?” she says. “That’s what isn’t worth saying?”

He’s brought his knees up to his chin. The scab by his elbow is pale when he clasps his arm around his knees.

“Well, I think that’s bullshit,” she says. She looks at me. “And I think you’re bullshit, too. You don’t care about the bond between women. You just care about hanging on to him. When you kissed me, it was patronizing.”

There are tears now. Tears that are ironic, because there is so much water everywhere. Today she’s angry and alone, and I float between them knowing exactly how each one feels and, like the little girl Alison suspended above Dan’s head, knowing that desire that can be more overwhelming than love—the desire, for one brief minute, simply to get off the earth.

Girl Talk

B
arbara is in her chaise. Something is wrong with the pool—everything is wrong with the pool—so it has not been filled with water. The green-painted bottom is speckled with goldenrod and geranium petals. The neighbor’s cat sits licking a paw under the shade of the little mimosa tree planted in one of the raised boxes at one corner of the pool.

“Take a picture of that,” Barbara says, putting her hand on top of her husband Sven’s wrist. He is her fourth husband. They have been married for two years. She speaks to him exactly the way she spoke to her third husband. “Take a picture of a kitty licking its paw, Sven.”

“I don’t have my camera,” he says.

“You usually always have it with you,” she says. She lights an Indonesian cigarette—a
kretek
—waves out the match and drops it in a little green dish full of cherry pits. She turns to me and says, “If he’d had his camera last Friday, he could have photographed the car that hit the what-do-you-call-it—the concrete thing that goes down the middle of the highway. They were washing up the blood.”

Sven gets up. He slips into his white thongs and flaps down the flagstone walk to the kitchen. He goes in and closes the door.

“How is your job, Oliver?” Barbara asks. Oliver is Barbara’s son, but she hardly ever sees him.

“Air-conditioned,” Oliver says. “They’ve finally got the air-conditioning up to a decent level in the building this summer.”

BOOK: The New Yorker Stories
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