Zorro (20 page)

On one of his courtesy visits to Eulalia de Callis’s palace, Diego ran into Rafael Moncada. He called on Her Excellency from time to time, more the result of his parents’ requests than his own initiative. Her mansion was on Calle Eulalia, and at first Diego believed that the street had been named for his family’s old friend. It was a year before he found out that the mythic Eulalia was the favorite saint of Catalonia, a virgin martyr whose torturers, according to legend, cut off her breasts and made her roll in a tunnel of slivers of glass before they crucified her. The mansion of the former governor of California’s wife, one of the city’s architectural jewels, was decorated inside with an excess that shocked the sober Catalans, for whom ostentation was an inarguable sign of bad taste. Eulalia had lived in Mexico for a long time and had been infected with that country’s taste for the baroque. In her personal retinue were several hundred people whose livelihood came primarily from chocolate. Before he died of apoplexy in Mexico, Dona Eulalia’s husband had set up an operation in the Antilles to supply the chocolate shops of Spain, and the family fortune ballooned. Eulalia’s titles were neither very old nor very impressive, but her money more than compensated for what she lacked in bloodlines. While the nobility were losing their income, privileges, lands, and sinecures, Eulalia was growing increasingly wealthy thanks to the aromatic river of chocolate flowing from America directly into her coffers. In other times the most aristocratic nobles, those who could prove that their blue blood dated from before

1400, had sneered at Eulalia, who belonged to the self-made peerage, but these were not times to quibble. What counted now, more than ancestors, was money, and she had plenty of that. Other landowners complained that their campesinos refused to pay taxes and rents, but she did not have that problem she entrusted a carefully selected group of thugs with collections. Another factor in her favor was that most of her income came from outside the country. Eulalia had become one of the most recognizable citizens of the city. She made a grand entrance wherever she went, including church, with several carriage loads of servants and dogs, her retainers outfitted in sky-blue livery and plumed hats that she herself, finding her inspiration at the opera, had designed. Over the years she had gained weight and lost originality, and she was now a gluttonous matriarch robed in eternal black mourning and surrounded by priests, pious old women, and Chihuahua dogs, horrid little beasts that looked like skinned rats and relieved themselves on the draperies. She was completely divorced from the fine passions that had tormented her during her resplendent youth, when she colored her hair red and luxuriated in milk baths. Now her interests had dwindled to defending her lineage, selling chocolate, ensuring a place in paradise after she died, and working every way she could to obtain the return of Fernando VII to the throne of Spain. She loathed the liberal reforms.

Because of his father’s orders, and in gratitude for how well Her Excellency had treated his mother Regina, Diego de la Vega tried to visit Eulalia on a regular basis, even though that obligation seemed like a major sacrifice. He had nothing to say to the widow, except for three or four formulas of courtesy, and he never knew in what order to use the forks and spoons at his place at table. He knew that Eulalia de Califs strongly disliked Tomas de Romeu, for two reasons: first, because he admired all things French, and second, because he was the father of Juliana, with whom, to her chagrin, Rafael Moncada, her favorite nephew and principal heir, was in love. Eulalia had seen Juliana at mass and had to admit that she was far from ugly, but she had much more ambitious plans for her nephew. She was discreetly negotiating an alliance with one of the daughters of the duke of Medinacelli. The desire to prevent Rafael from marrying Juliana was the one thing she and Diego had in common.

On Diego’s fourth visit to Dona Eulalia’s palace, several months after the incident of the serenade beneath Juliana’s window, he had occasion to get to know Rafael Moncada better. He had come across him several times at social and sporting events, but except for nodding to him in greeting had had no further relations. Moncada thought that Diego was a humdrum young fellow. Except that he lived beneath the same roof as Juliana de Romeu, nothing else made him stand out from the design of the carpet. That night Diego was surprised to find that Dona Eulalia’s palace was extravagantly lighted, and dozens of carriages were lined up in the courtyards. Until then, she had invited him only to gatherings of artists and to one intimate dinner, during which she questioned him about Regina. Diego thought she was ashamed of him, not so much because he came from the colonies as because he was a mestizo. Eulalia had treated his mother very well in California, even though Regina was more Indian than white, but after living a while in Spain, she had been infected with the scorn the Spanish felt for the people of the New World. The widely held opinion was that because of the climate and contact with Indians, criollos the Spanish born there had a natural predisposition toward barbarism and perversion. Before introducing Diego to her select friends, Eulalia wanted to have a very good sense of who he was, so she ran a few trials to be sure that he looked white, dressed well, and had passable manners.

That night Diego was shown to a splendid salon where the cream of Catalan nobility was gathered, presided over by the matriarch dressed, as always, in black velvet as a sign of her unrelieved mourning for Pedro Fages, but dripping with diamonds, and seated in a huge chair with a bishop’s canopy. Other widows buried themselves in life beneath a dark veil that covered them from the combs in their hair to their elbows, but not Dona Eulalia. Her jewels were displayed on the opulent bosom of a well-fed hen, her decolletage revealing the beginnings of enormous breasts as smooth and round as summertime melons. Diego could not tear his eyes away, dizzied by the glitter of the diamonds and the abundance of flesh. Her Excellency offered a plump hand, which he kissed as required; she asked about his parents and without waiting for the answer waved him away.

In the adjoining salons, most of the gentlemen discussed politics and business, while young couples, overseen by the mothers of the young ladies, danced to the strains of an orchestra. There were gaming tables in one of the rooms, gambling being the most popular entertainment in European courts, where there was no other way to combat tedium, aside from intrigue, hunting, and brief affairs.

Fortunes were bet, and professional players traveled from one grand home to another to fleece the idle nobles, who, if they could find no players of their own class to lose money to, enriched unsavory characters in gambling dens and dives. And there were hundreds of those in Barcelona. At one of the tables Diego saw Rafael Moncada playing blackjack with a group of caballeros, one of whom was Count Orloff. Diego recognized him immediately by his magnificent bearing and those blue eyes that had inflamed the imagination of so many women during his visit to Los Angeles, but he did not expect the Russian nobleman to recognize him. He had seen him only once, when he was a boy. “De la Vega!” Orloff called out, getting to his feet and embracing him enthusiastically. Surprised, Rafael Moncada looked up from his cards and for the first time truly registered the fact that Diego existed. He looked him over from head to foot as the handsome count recounted to one and all how this young man had captured several bears when he was barely a pup. This time Alejandro de la Vega was not present to correct the count’s epic version of events. The men applauded amiably and turned back to their cards. Diego stationed himself near the table to observe the particulars of the game, not daring, though the men were only mediocre players, to ask whether he could join in because he did not have the funds to match their bets.

His father sent him money regularly, but he was not generous: he believed that privation shaped character. After only five minutes, Diego realized that Rafael Moncada was cheating, as he knew perfectly well how to do that himself. In another five he decided that although he could not show Moncada up without causing a scandal that Dona Eulalia would never forgive, he could at least put a spoke in his wheels. The temptation to humiliate his rival was irresistible. He planted himself beside Moncada and watched him so insistently that the man became uncomfortable.

“Why don’t you go dance with the pretty young things in the other room?” asked Moncada, making no attempt to veil his insolence.

“Because, caballero, I am intensely interested in your very peculiar style of playing. I have no doubt that I can learn a great deal from you,” Diego replied, smiling with equal insolence.

Count Orloff immediately caught the intent of those words, and nailing Moncada with his gaze, he let him know, in a tone as icy as the steppes of his country, that his luck with cards was truly miraculous. Rafael Moncada did not answer, but from that moment he was unable to pull any tricks, since the other players were watching him with conspicuous attention. For an hour Diego did not move from Moncada’s side but stood looking over his shoulder until the game was over. Count Orloff saluted, clicking his heels together, and retired with a small fortune in his purse, prepared to spend the rest of the night dancing, well aware that not a single woman at the party had failed to take notice of his elegant bearing, his sapphire eyes, and his spectacular imperial uniform.

It was one of those leaden Barcelona nights, cold and damp. Bernardo was waiting for Diego in the courtyard, sharing his wineskin and hard cheese with Juanillo, one of the many lackeys attending the carriages.

The two had been keeping warm by dancing on the brick paving. Juanillo, an irrepressible talker, had finally found a person who would listen without interrupting him. He identified himself as the servant of Rafael Moncada something Bernardo already knew, the reason in fact that he had approached him and launched into an endless story filled with gossip, the details of which Bernardo classified and stored in his memory. He had proved before that any information, even the most trivial, could at some point become useful. He was still talking when Rafael Moncada, in a foul humor, came out and called for his carriage.

“I have forbidden you to speak with the other servants!” he spit at Juanillo.

“He’s just an Indian from the Americas, Excellency, the servant of Don Diego de la Vega.”

Following an impulse to avenge himself upon Diego, who had put him on the spot at the table, Rafael Moncada whirled around, lifted his cane, and brought it down hard across Bernardo’s shoulders, dropping him to his knees, more surprised than hurt. Bernardo heard him order Juanillo to get Pelayo, but Moncada did not make it into his carriage because Diego had come out into the courtyard in time to see what happened. He pushed Moncada’s footman aside, grabbed the door of the coach, and confronted Moncada.

“What do you want?” the latter asked, taken aback.

“You struck Bernardo!” Diego exclaimed, livid with rage.

“Who? Are you referring to that Indian? He was disrespectful, he raised his voice to me.”

“Bernardo could not raise his voice to the devil himself he’s mute. You owe him an apology, sir,” Diego demanded.

“Have you lost your mind?” Moncada cried, incredulous.

“When you struck Bernardo, sir, you injured me. You must apologize, or my seconds will call on you,” Diego replied.

Rafael Moncada burst out laughing. He could not believe that this criollo who had neither education nor class would challenge him to a duel. He slammed the door and ordered the coachman to leave. Bernardo took Diego by the arm and held him back, pleading with his eyes for him to calm down, that it wasn’t worth making such a fuss, but Diego was beside himself, trembling with indignation. He shook off his brother’s grip, mounted his horse, and galloped off toward the home of Manuel Escalante.

Ignoring the inappropriateness of the hour, Diego beat on Manuel Escalante’s door with his cane until it was answered by the same aged retainer who served coffee after his lessons. The servant led Diego to the second floor, where he had to wait half an hour before the maestro appeared. Escalante had been in bed for some time, but when he presented himself he was, as always, trim: spotless dressing gown, his mustache neatly slicked with pomade. Diego poured out what had happened and asked Escalante to serve as his second. He had twenty-four hours in which to formalize the duel, and it had to be done discreetly, behind the back of the authorities, because the penalty was the same as for any homicide. Only members of the aristocracy could duel without consequence; their crimes were treated with an impunity Diego did not enjoy.

“A duel is a serious matter that concerns a gentleman’s honor. It has a very strict etiquette and norms. A caballero does not fight a duel over a servant,” said Manuel Escalante.

“Bernardo is my brother, maestro, not my servant. But even if he were, it isn’t fair to mistreat someone who is unarmed.”

“Not fair, you say? Do you truly believe that life is fair, Senor de la Vega?”

“No, maestro, but I plan to do everything in my power to make it so.”

Diego replied.

The procedure turned out to be more complex than Diego had imagined.

First Manual Escalante had him write a letter asking for an explanation, which he personally carried to the home of the offender.

From that moment on, the maestro dealt with Moncada’s seconds, who did everything they could to prevent the duel, as was their duty, but neither of the adversaries wanted to back down. In addition to seconds for both parties, a discreet physician and two impartial witnesses were required who had cool heads and familiarity with the rules. Manuel Escalante was responsible for finding those parties.

“Just how old are you, Don Diego?” the maestro asked.

“Almost seventeen.”

“Then you are not old enough to fight a duel.”

“Maestro, I beg you, let us not make a mountain out of that grain of sand. What difference do a few months make? My honor is at stake, and that is not limited by age.”

“Very well, but Don Tomas de Romeu must be informed. It would be insulting not to tell him, considering that he has honored you with his confidence and hospitality.”