Your Face Tomorrow: Poison, Shadow, and Farewell (26 page)

I brushed aside my absurd feelings of bruised patriotism. I had to—not only to carry out my assignment from Tupra (broaching the subject had been much easier than expected; and I could see my boss's grey eyes in the distance, near the head of the table, observing me, intrigued, wondering how I was getting on), but also because there was no sense in clinging on to bruises. Dearlove's comments could have been made by a compatriot of mine, De la Garza to look no further, had he been a pop idol and able to choose on tour from among dozens of girls to sleep with, and I would have been equally put out by such arrogant and disrespectful comments. And yet, and yet . . . there was an added bitterness, I could not deny it, something irrational, disquieting, disagreeable, atavistic. Perhaps Tupra felt the same when, in his presence, people spoke scornfully of Great Britain or of the British, especially when those people were from the Continent or from across the Atlantic or from the green isle of Erin, where such talk is almost the norm. And perhaps for that reason, which would be logical, he had no hesitation in doing what he did, possibly with more dedication and diligence than I thought, and perhaps it was true what he had said to me shortly after we met, albeit tempered with a touch of cynicism: 'Even serving my country, one should if one can, don't you think, even if the service one does is indirect . . .' I understood then, rather late, that he probably served his country ceaselessly as long as it was in his own best interests, and that in time of need, in time of war, or when the moment came, I would be no more to him than another useless Spaniard whom he wouldn't hesitate to have shot, just as, during my burst of patriotic feeling, Dearlove had been for me merely a conceited English bastard I'd happily have slapped.

One of the other guests nearby, a designer of extravagant clothes who was getting on in years (she herself was wearing an incomprehensible jumble of petticoats, feathers and rags) unwittingly gave me a helping hand in keeping that conversation going along the path that most suited me:

'Really?' she said. 'And there I was thinking that it was only in Britain that everyone found you irresistible, Dickie, but it turns out that it's Spain where you've got both bed and bathroom jam-packed.' She used that expression 'jam-packed'—
'de bote en bote'
or
'a reventar
in Spanish.

It was clear that they were friends and knew each other well, or perhaps Dick Dearlove (as also seemed to be the case) spoke openly to almost anyone about even the most intimate things, to me for example; this often happens with the very famous and the constantly praised, they end up thinking that anything they say or do will be well received because it's all part of their ongoing performance, and there comes a point when they can no longer distinguish between public and private (unless there's a photographer or a journalist around, and then they're either more discreet or more exhibitionist depending on the circumstances): if they're so warmly applauded in the first sphere, and so spoiled, why shouldn't they be equally so in the second, given that in both spheres they are the undisputed protagonists every day of their life until the end?

'As you know better than I do, Viva, even though you're a woman,' replied Dick Dearlove, in a tone that was half-ironic and half-regretful, 'at our age, however famous we might be, and I'm much more famous than you are, there are occasions when we have no option but to pay, cash or in kind. There's a certain kind of particularly tasty morsel that I almost always have to pay for here in Britain, I hardly ever get it for free now, although just a few years ago I still did, half the nation has turned into a load of tight-asses; whereas in Spain, you see, I've never had to spend a euro, it's as if the young people in Spain aren't really so interested in the act itself—at my age I'm hardly going to boast about my performance, I mean, my body can no longer keep up with my imagination—that's indefatigable, in fact I rather wish my mind would slow down a bit, oh, if only the two things were more compatible, it's all very badly thought out, at least in my view—no, people are more interested in being able to tell their friends afterwards, or spill the beans on some TV program. It's extraordinary how much people there experience things not because they really want to, it seems, but simply in order to talk about it afterwards, it's a country that really revels in gossip and boasting, isn't it, a country very given to tattle-tales—and absolutely shameless about it.'—These rhetorical questions were directed at me, as someone who knew the territory.—'Everyone tells everything and asks everything, it cracks me up at press conferences and interviews, dodging questions, they're so coarse and brazen and have no sense of shame at all, which is unheard of in a European country. I've fucked a few Spaniards who I could see were simply desperate to get it over with, not because they weren't having a reasonably good time—I haven't entirely lost my touch, you know—but because they couldn't wait to leave and spread the news, I can imagine them striding proudly into their local bar or into school the next day: "I bet you can't guess who's just had me good and hard and every which way too.'" He paused for a moment and smiled rather dreamily, as if he had found the situation so amusing that he was able to retrieve it intact years later, in the middle of a post-concert supper in Edinburgh. But also as if he were recalling something from the past, something lost that might never return. 'I don't know if their friends will believe them, they might not prove that easy to convince, and that could become a problem, because some of them come along now armed with their digital camera or their cell phone, I'm sure they want photographic evidence, although they all say it's because they don't go anywhere without them, so they have to be frisked before I let them in, it would be no joke being photographed in the act. Anyway, now I routinely check them out, I've got one of those gadgets they have at airports, you know a sort of wand-like thing—I touch them up with it in the process, which they love and which makes them laugh like crazy, and you get an idea of what to expect too, although they're all usually pretty well-endowed. And they let you do this, meek as lambs, just to get into your bedroom. In Britain, though, they're much less compliant and less fun too, they don't try to sneak in cameras or anything, but that's the downside: it's not that big a deal, going and telling someone else and boasting about it, though maybe people here have just grown tired of me. That's partly why I have to pay probably, you know how word gets around, and they know I'm a soft touch and that they'll be able to get some money out of me. But sometimes you don't get much even when you pay, we're easy prey—eh, Viva?—in our beloved England, Scotland and Wales. Now don't go depressing me by telling me that you're doing just fine.'

I was the one who was getting depressed. Dick Dearlove was over fifty now, and although he was still extremely famous, he wasn't as famous as he had been at the peak of his career. His concerts were still packed and wildly successful, but perhaps more because of his name and his history than because of his present-day powers, the common fate of most of the enduring British singers from the 1970s and 1980s who continue to perform, from Elton John to Rod Stewart and the Rolling Stones. Dearlove wore his hair pathetically long for a man his age, very blonde and curly, he looked like a former member of Led Zeppelin or King Crimson or Emerson, Lake & Palmer who, thirty years on, was trying to preserve, unchanged, his perennially youthful appearance. From behind, with that almost frizzy mop of hair, he could easily be mistaken for Olivia Newton-John at the end of
Grease,
except that if he turned around or offered his profile, his features were the very opposite of that sweet young Australian or New Zealander or whatever she was: his nose, while still aquiline, had become sharper and more prominent rather than more hooked, growing along the horizontal plane only; his eyes, which had always been small, seemed much bigger, but in a rather strange and creepy way, as if he had managed to emphasize them by resorting to the drastic method of shaving off his eyelashes or having his eyelids surgically reduced or some such barbarity; and his evident efforts not to put on weight had had the unfortunate consequence of leaving him with a scraggy neck and deep lines on cheeks, chin and forehead (perhaps his most recent dose of botox had worn off), and yet these efforts had not, on the other hand, prevented a slight paunch developing in the middle of an otherwise thin and toned body. None of this was apparent from a distance, when he was writhing around on stage, but it became so as soon as he stepped off the stage or in the close-ups on the giant screens, of which there were not that many. He had moved his chair away from the table and was now sitting sideways on so as to be face to face with the designer Genevieve Seabrook and had crossed his extremely long legs, so that I could see with surprise and dismay that he had, at some point, beslippered himself, that is, on the way to the restaurant, he had discarded his trademark musketeer boots—he wore them at every performance and had done so for three decades or more, even in hot weather—and had put on a pair of ridiculous gold and black slippers with a curved pointed toe (his bare heels, I observed queasily, were tattooed), which lent him a domestic or almost summery air that only added to my depression. He seemed as much of a buffoon as the first time I met him and even more repellent, but I also felt very slightly sorry for him because of the candor with which he acknowledged his current amatorial difficulties, having no option now but to chip in some money, at least when it came to his British encounters with those 'tasty morsels.' I hoped not to find out just how tasty they could be during what remained of that aberrant conversation, I certainly didn't intend to investigate further despite being charged by Tupra with that depressing mission. Indeed, I decided not to ask or enquire anything further of Dearlove (after all, I had little opportunity with so many other guests around, admiring, sycophantic and even extremely famous in their own right), what I had heard would be quite enough for me to write a brief report, and I could always invent the rest if Ure insisted or demanded more of me (it occurred to me that Tupra would tend to call himself Ure in Scotland, or perhaps he would prefer to be known as Dundas in Edinburgh).

'No, I won't do that, dear Dickie,' replied Viva Seabrook with a smile that was as affectionate as it was mischievous, at least insofar as I could ascertain, the layers of lurid makeup she applied must have been as thick as an Egyptian, by which I mean a Pharaoh's, death mask. 'You must bear in mind that very young boys will do almost anything as long as they get to dip their wick in some woman. So I'm lucky that way, although they do sometimes cover my face with the sheet or even with my own skirt and that does make me feel pretty bad. Well, not so much now, but the first time one of them stuck a pillow over my face, I hit the roof, and the boy fled, terrified by my insults and cursing. I consider myself rather attractive, but naturally they might associate me with their mothers or their aunts, and that could be a bit of a turn-off and, generally speaking, they're so primitive, so utterly heartless and brutal . . . Well, you know what I mean.'

I found it odd that she, too, should speak so bluntly in front of a complete stranger like me. Perhaps the milieu and their vanity spurred them on; perhaps they didn't notice the people around them, as if only the very famous really connected with each other, and the rest of the world was just a mist that didn't matter or counted only as an audience or a claque who might cheer and applaud, or, in the worst case, maintain a respectful or constrained silence and, as if sitting in the dark of a theater, merely listen to this celebrity dialogue. In a sense, it was as if they were there all alone, just the two of them. And what Dearlove said in reply, having first rested his curls for a few moments on Seabrook's vast decolletage, as if seeking consolation or refuge in the bosom of an old friend, confirmed me in that impression:

'Oh, Viva, how much longer have we got, how much longer have I got? A day will come when I'll be nothing but a memory for the elderly, and that memory will gradually fade as those who keep it alive all die, one after the other—with the number of those who remember me steadily decreasing, with no chance of it ever increasing—after it had been constantly growing for years and years, that's what I can't bear. It's not just that I will grow old and disappear, it's that everyone who might talk about me will gradually disappear too, those who have seen me and heard me and those who have slept with me, however youthful they were at the time, they'll become old and fat and will die too, as if they're all under some kind of curse. It's unlikely that my songs will survive and that future generations will continue to hear them—what will become of my songs when I'm no longer here to defend and repeat them, when I'm no longer up to performing concerts like tonight's? They'll never be played again. I've hardly written a thing in the last fifteen years, great tunes that others might rediscover and sing tomorrow, even if they're in ghastly new versions; I no longer have the energy to sit down and write new ones. Besides, I doubt I could come up with anything very memorable.' And he added disconcertingly. 'I mean if not even Lennon and McCartney have managed to write anything for ages and ages now, how could I? I'll be entirely forgotten, Viva. Not a trace of me will be left.'

There was something rather theatrical about his tone of voice and about the gestures that accompanied these laments, but it was clear that they contained some truth as well. He again stretched his legs, and I leaned forward a little to get a better look at those hideous ink-daubed heels of his, I felt curious to know what design or motto he'd had tattooed on his skin.

'But John Lennon has been dead for thirty years,' I couldn't help saying. 'How the hell
could
he compose anything?'

'That doesn't matter,' Dearlove responded sharply. 'He wasn't much good anyway. If someone hadn't shot him, his songs would probably make people nowadays throw up.'—'Another candidate for the Kennedy-Mansfield brotherhood,' I thought.—'Such a wet, pretentious git, and he couldn't sing either.'—And he shot me a fulminating glance with his once small and now unnaturally large eyes with their cropped lids, as if I were a staunch defender of Lennon, which I never have been and never will be. I rather agreed with former dentist Dearlove's diagnosis, but telling him so would have seemed like the lowest form of sycophancy.