XPD (4 page)

Boyd Stuart pushed open the door of the bedroom. It was the best room in the apartment in many ways: large and light, like so many of these rambling Victorian houses near the river on the unfashionable side of Victoria Station. That was why he had a writing desk in a window space of his bedroom, a corner which Kitty King liked to refer to grandiosely as ‘the study’.

‘Kitty!’ he called.

She came into the bedroom, leaned back against the door and smiled as the latch clicked.

‘Kitty. The lock of my desk is broken.’ He opened the inlaid walnut front of the antique bureau. The lock had been torn away from the wood and there were deep scratches in the polished surface. ‘You didn’t break into it, did you, Kitty?’

‘Of course not, Boyd. I’m not interested in your old love letters.’

‘It’s not funny, Kitty. I have classified material in here.’ Already he was sifting through the drawers and pigeonholes. He found the airline ticket, his passport, the letter to the bank, a couple of contact addresses and an old photo of a man named Bernard Lustig cut from a film trade magazine. There was also a newspaper cutting that he had been given by the department.

An all-expenses-paid trip to the movie capital of the world and the luxury of the exclusive Beverly Hills Hotel.

Veterans of the US Third Army and attached units who were concerned with the movement of material from the Kaiseroda salt mine, Merkers, Thuringia, Germany, in the final days of the Second World War are urgently sought by B. Lustig Productions Inc. The corporation is preparing a major motion picture about this historical episode. Veterans should send full details, care of this newspaper, to Box 2188. Photos and documents will be treated with utmost care and returned to the sender by registered post.

Kitty King watched him search through the items.

‘Nothing seems to have been taken,’ said Stuart. ‘Did you leave the door open when you went down to the dustbin?’

‘There was no one on the stairs,’ she said.

‘Waiting upstairs,’ said Stuart. ‘The same kid who did the burglaries in the other flats, I’ll bet.’

‘Are you going to phone the department?’

‘Nothing’s missing. And the front door has no signs of forced entry.’

‘The papers for your trip were there, weren’t they?’

He nodded.

‘Then you must have known about going last Sunday – when you put the tickets and things in there.’ There was a note of resentment in her voice.

‘I still wasn’t sure until I saw the DG late this afternoon.’

‘I wish you’d discussed it with me, Boyd.’ He looked up sharply. This was a new side of Kitty King. She had always described their relationship as no more than a temporary ‘shack-up’. She was a career woman, she had always maintained, with a good degree in political science from the London School of Economics, and the aim of becoming a Permanent Secretary, the top of the Administrative Class grades.

Stuart said, ‘If I phone the night duty officer, they’ll be all over us. You know what a fuss they’ll make. We’ll be up all night writing reports.’

‘You know best, sweetheart.’

‘A kid probably, looking for cash. When he found only this sort of thing he got out quickly, before you came back upstairs again.’

‘Does your wife still have her key to this place?’ Kitty asked.

‘She wouldn’t break open my desk.’

‘That’s not what I asked you.’

‘It was just some kid looking for cash. Nothing is missing. Stop worrying about it.’

‘She’d like to get you back, Boyd. You realize that, don’t you?’

Boyd put his arms round her tightly and kissed her for a long time.

Chapter 5

The Steins – father and son – lived in a large house in Hollywood. Cresta Ridge Drive provides a sudden and welcome relief from the exhaust fumes and noise of Franklin Avenue. It is one of a tangle of steep winding roads that lead into the Hollywood hills and end at Griffith Park and Lake Hollywood. Its elevation gives the house a view across the city, and on smoggy days when the pale tide of pollution engulfs the city, the sky here remains blue.

By Californian standards these houses are old, discreetly sited behind mature horse-chestnut trees now grown up to the roofs. In the thirties some of them, their gardens blazing with hibiscus and bougainvillea as they were this day, had been owned by film stars. Even today long-lost but strangely familiar faces can be glimpsed at the check-out of the Safeway or self-serving gasoline at Wilbur’s. But most of Stein’s neighbours were corporate lawyers, ambitious dentists and refugees from the nearby aerospace communities.

On this afternoon a rainstorm deluged the city. It was as if nature was having one last fling before the summer.

Outside the Steins’ house there was a white Imperial Le Baron two-door hardtop, one of the biggest cars in the Chrysler range. The paintwork shone in the hard, unnatural light that comes with a storm, and the heavy rain glazed the paintwork and the dark tinted windows. Sitting – head well down – in the back seat was a man. He appeared to be asleep but he was not even dozing.

The car’s owner – Miles MacIver – was inside the Stein home. Stein senior was not at home, and now his son Billy was regretting the courtesy he had shown in inviting MacIver into the house.

MacIver was a well-preserved man in his late fifties. His white hair emphasized the blue eyes with which he fixed Billy as he talked. He smiled lazily and used his large hands to emphasize his words as he strode restlessly about the lounge. Sometimes he stroked his white moustache, or ran a finger along an eyebrow. They were the gestures of a man to whom appearance was important: an actor, a womanizer or a salesman. MacIver possessed attributes of all three.

It was a large room, comfortably furnished with good quality furniture and expensive carpets. MacIver’s restless prowling was proprietorial. He went to the Bechstein grand piano, its top crowded with framed photographs. From the photos of friends and relatives, MacIver selected a picture of Charles Stein, the man he had come to visit, taken at the training battalion at Camp Edwards, Massachusetts, sometime in the early 1940s. Stein was dressed in the uncomfortable, ill-fitting coveralls which, like the improvised vehicle behind him, were a part of America’s hurried preparations for war. Stein leaned close to one side of the frame, his arm seemingly raised as if to embrace it.

‘Your dad cut your Uncle Aram out of this picture, did he?’

‘I guess so,’ said Billy Stein.

MacIver put the photo back on the piano and went to look out of the window. Billy had not looked up from where he was reading
Air Progress
on the sofa. MacIver studied the view from the window with the same dispassionate interest with which he had examined the photo. It was a glimpse of his own reflection that made him smooth the floral-patterned silk tie and rebutton his tartan jacket.

‘Too bad about you and Natalie,’ he said without turning from the window. His voice was low and carefully modulated – the voice of a man self-conscious about the impression he made.

The warm air from the Pacific Ocean was heavy, saturated with water vapour. It built up towering storm clouds, dragging them up to the mountains, where they condensed, dumping solid sheets of tropical rain across the Los Angeles basin. Close to the house, a tall palm tree bent under a cruel gust of wind that tried to snap it in two. Suddenly released, the palm straightened with a force that made the fronds dance and whip the air loudly enough to make MacIver flinch and move from the window.

‘It lasted three months,’ said Billy. He guessed his father had discussed the failure of his marriage and was annoyed.

‘Three months is par for the course these days, Billy,’ said MacIver. He turned round, fixed him with his wide-open eyes and smiled. In spite of himself, Billy smiled too. He was twenty-four years old, slim, with lots of dark wavy hair and a deep tan that continued all the way to where a gold medallion dangled inside his unbuttoned shirt. Billy wore thin, wire-rimmed, yellow spectacles that he had bought during his skiing holiday in Aspen and had been wearing ever since. Now he took them off.

‘Dad told you, did he?’ He threw the anti-glare spectacles on to the coffee table.

‘Come on, Billy. I was here two years ago when you were building the new staircase to make a separate apartment for the two of you.’

‘I remember,’ said Billy, mollified by this explanation. ‘Natalie was not ready for marriage. She was into the feminist movement in a big way.’

‘Well, your dad’s a man’s man, Billy. We both know that.’ MacIver took out his cigarettes and lit one.

‘It was nothing to do with dad,’ Billy said. ‘She met this damned poet on a TV talk show she was on. They took off to live in British Columbia … She
liked
dad.’

MacIver smiled the same lazy smile and nodded. He did not believe that. ‘We both know your dad, Billy. He’s a wonderful guy. They broke the mould when they made Charlie Stein. When we were in the army he ran that damned battalion. Don’t let anyone tell you different. Corporal Stein ran that battalion. And I’ll tell you this …’ he gestured with his large hands so that the fraternity ring shone in the dull light, ‘I heard the colonel say the same thing at one of the battalion reunions. Charlie Stein ran the battalion. Everyone knew it. But he’s not always easy to get along with. Right, Billy?’

‘You were an officer, were you?’

‘Captain. Just for the last weeks of my service. But I finally made captain. Captain MacIver; I had it painted on the door of my office. The goddamned sergeant from the paint shop came over and wanted to argue about it. But I told him that I’d waited too goddamned long for that promotion to pass up the right to have it on my office door. I made the signwriter put it on there, just for that final month of my army service.’ He gestured again, using the cigarette so that it left smoke patterns in the still air.

Billy Stein nodded and pushed his magazine aside to give his full attention to the visitor. ‘Is it true you pitched for Babe Ruth?’

‘Your dad tell you, did he?’ MacIver smiled.

‘That was when you were at Harvard, was it, Mr MacIver?’ There was something in Billy Stein’s voice that warned the visitor against answering. He hesitated. The only sound was the rain; it hammered on the windows and rushed along the gutterings and gurgled in the rainpipes. Billy stared at him but MacIver was giving all his attention to his cigarette.

Billy waited a long time, then he said, ‘You were never at Harvard, Mr MacIver; I checked it. And I checked your credit rating too. You don’t own any house in Palm Springs, nor that apartment you talked about. You’re a phoney, Mr MacIver.’ Billy Stein’s voice was quiet and matter of fact, as if they were discussing some person who was not present. ‘Even that car outside is not yours – the payments are made in the name of your ex-wife.’

‘The money comes from me,’ snapped MacIver, relieved to find at least one accusation that he could refute. Then he recovered himself and reassumed the easy, relaxed smile. ‘Seems like you out-guessed me there, Billy.’ Effortlessly he retrenched and tried to salvage some measure of advantage from the confrontation. The only sign of his unease was the way in which he was now twisting the end of his moustache instead of stroking it.

‘I guessed you were a phoney,’ said Billy Stein. There was no satisfaction in his voice. ‘I didn’t run any check on your credit rating; I just guessed you were a phoney.’ He was angry with himself for not mentioning the money that MacIver had had from his father. He had come across his father’s cheque book in the bureau and found the list of six entries on the memo pages at the back. More than six thousand dollars had been paid to MacIver between 10 December 1978 and 4 April 1979, and every cheque was made out to cash payment. It was that that had encouraged Billy’s suspicion.

‘I ran into a tough period last autumn; suppliers needed fast repayment and I couldn’t meet the deadlines.’

‘The diamonds that you bought here in town and sent to your contact man in Seoul?’ said Billy scornfully. ‘Was it five thousand per cent on every dollar?’

‘You’ve got a good memory, Billy.’ He smoothed his tie. ‘You’d be a tough guy to do business with. I wish I had a partner like you. I listen to these hard-luck stories from guys who owe me money and I melt.’

‘I bet,’ said Billy. Fierce gusts pounded the windows and made the rain in the gutters slop over and stream down the glass. There was a crackle of static like brittle paper being crushed, and a faint flicker of lightning lit the room. The sound silenced the two men.

Billy Stein stared at MacIver. There was no malevolence in his eyes, no violence nor desire for argument. But there was no compassion there either. His private income and affluent life-style had made Billy Stein intolerant of the compromises to which less fortunate men were forced. The exaggerations of the old, the half-truths of the poor and the misdemeanours of the desperate found no mitigation in Billy Stein’s judgement. And so now Miles knew no way to counter the young man’s calm judicial gaze.

‘I know what you’re thinking, Billy … the money I owe your father. I’m going to pay every penny of it back to him. And I mean within the next six weeks or so. That’s what I wanted to see him about.’

‘What happens in six weeks?’

Miles MacIver had always been a careful man, keeping a careful separation between the vague confident announcements of present or future prosperity – which were invariably a part of his demeanour – and the more stringent financial and commercial realities. But, faced with Billy Stein’s calm, patronizing inquiry, MacIver was persuaded to tell him the truth. It was a decision that was to change the lives of many people, and end the lives of several.

‘I’ll
tell
you what happens in six weeks, Billy,’ said MacIver, hitching his trousers at the knees and seating himself on the armchair facing the young man. ‘I get the money for the movie rights of my war memoirs. That’s what happens in six weeks.’ He smiled and reached across to the big china ashtray marked Café de la Paix – Billy’s father had brought it back from Paris in 1945. He dragged the ashtray close to his hand and flicked into it a long section of ash.