Writing Home (2 page)

I was both surprised and gratified by the success of this book when it was first published in October 1994 though there were, of course, drawbacks. It is standard form nowadays that,
bringing out a book, one has to go on a promotional tour. That autumn I was escorted round a good many bookshops in the provinces signing copies of
Writing Home
, these public signing sessions invariably followed by an even longer stint doing what is called ‘signing stock’. One was seldom allowed to sign stock in the shop, presumably because the public would be outraged at the speed and indifference with which one did it. Instead I was taken into a back room where, unfeeling and unobserved, I could polish off four hundred copies an hour.

Waterstone’s don’t seem to have many back rooms so I usually ended up signing stock in the staff room. Bath, Cambridge, Manchester, Leeds … these staff rooms are the same: one goes in and there is a nylon shirt hanging up to dry, some socks over the radiator, half a pizza three days old and a bicycle wheel.

I was following round the Australian novelist Peter Carey. He was more Calvinist in his approach than I was, so when fans asked him if he would sign their book ‘To Mum and Dad’ he refused on the semantically quite proper grounds that they weren’t
his
Mum and Dad. Lacking his Antipodean grit I put down whatever the purchasers wanted; since they’d paid
£
17.50 I felt they were entitled to it.

Still, readers do ask one to write some very peculiar things in their books. One youth said, ‘Could you put “To Christine. I’m sorry about last night and it won’t happen again!”’ This I dutifully did and then had to sign it ‘Alan Bennett’. If I’m ever deemed worthy of a biography I’d like to see what Andrew Motion or Humphrey Carpenter will make of that.

Alan Bennett

‘What you want to be’, Mam said to my brother and me, ‘is gentlemen farmers. They earn up to
£
10 a week.’ This was in Leeds some time in the early years of the war, when my father, a butcher at Armley Lodge Road Co-op, was getting
£
6 a week and they thought themselves not badly off. So it’s not the modesty of my mother’s aspirations that seems surprising now but the direction. Why gentlemen farmers? And the answer, of course, was books.

We had, it’s true, had some experience of a farm. I was five when the war started, and Monday 4 September 1939 should have been my first day at school; but that was not to be. I wish I could record our family as gathered anxiously round the wireless, as most were at eleven o’clock that Sunday morning, but I already knew at the age of five that I belonged to a family that without being in the least bit remarkable or eccentric yet managed never to be quite like other families. If we had been, my brother and I would have been evacuated with all the other children the week before, but Mam and Dad hadn’t been able to face it. So, not quite partaking in the national mood and, as ever, unbrushed by the wings of history, Mr Chamberlain’s broadcast found us on a tram going down Tong Road into Leeds. Fearing the worst, my parents had told my brother and me that we were all going out into the country that day and we were to have a picnic – something I had hitherto only come across in books. So
on that fateful Sunday morning what was occupying my mind was the imminent conjunction of life with literature; that I should remember nothing of the most momentous event in the twentieth century because of the prospect of an experience found in books was, I see now, a melancholy portent.

Nor was the lesson that life was not going to live up to literature slow in coming, since the much-longed-for picnic wasn’t eaten as picnics were in books, on a snowy tablecloth set in a field by a stream, but was taken on a form in the bus station at Vicar Lane, where we waited half that day for any bus that would take us out of the supposedly doomed city.

Early that afternoon a bus came, bound for Pateley Bridge, the other side of Harrogate. Somewhere along the way and quite at random the four of us got off and our small odyssey was ended. It was a village called Wilsill, in Nidderdale. There were a few houses, a shop, a school and a church and, though we were miles from any town, even here the stream had been dammed to make a static water tank in readiness for the firefighters and the expected bombs. Opposite the bus-stop was a farm. My father was a shy man and, though I’m sure there were many larger acts of bravery being done elsewhere that day, to knock at the door of the farm and ask some unknown people to take us in still seems to me to be heroic. Their name was Weatherhead and they did take us in and without question, as people were being taken in all over England that first week of the war.

That night Dad took the bus back to Leeds, my mother weeping as if he were returning to the front, and there at Wilsill we stayed – but for how long? My brother, then aged eight, says it was three weeks; to me, three years younger, it seemed months; but, weeks or months, very happy it was until, once it became plain nothing was going to happen for a while, we went back home, leaving Byril Farm (which is now, alas, not a farm and has carriage lamps) standing out in my mind as the one
episode in my childhood that lived up to the story-books.

I had read quite a few story-books by this time, as I had learned to read quite early by dint, it seemed to me, of staring over my brother’s shoulder at the comic he was reading until suddenly it made sense. Though I liked reading (and showed off at it), it was soon borne in upon me that the world of books was only distantly related to the world in which I lived. The families I read about were not like our family (no family ever quite was). These families had dogs and gardens and lived in country towns equipped with thatched cottages and mill-streams, where the children had adventures, saved lives, caught villains, and found treasure before coming home, tired but happy, to eat sumptuous teas off chequered tablecloths in low-beamed parlours presided over by comfortable pipe-smoking fathers and gentle aproned mothers, who were invariably referred to as Mummy and Daddy.

In an effort to bring this fabulous world closer to my own, more threadbare, existence, I tried as a first step substituting ‘Mummy’ and ‘Daddy’ for my usual ‘Mam’ and ‘Dad’, but was pretty sharply discouraged. My father was hot on anything smacking of social pretension; there had even been an argument at the font because my aunties had wanted my brother given two Christian names instead of plain one.

Had it been only stories that didn’t measure up to the world it wouldn’t have been so bad. But it wasn’t only fiction that was fiction. Fact too was fiction, as textbooks seemed to bear no more relation to the real world than did the story-books. At school or in my
Boy’s Book of the Universe
I read of the minor wonders of nature – the sticklebacks that haunted the most ordinary pond, the newts and toads said to lurk under every stone, and the dragonflies that flitted over the dappled surface. Not, so far as I could see, in Leeds. There were owls in hollow trees, so the nature books said, but I saw no owls – and hollow
trees were in pretty short supply too. The only department where nature actually lined up with the text was frog-spawn. Even in Leeds there was that, jamjars of which I duly fetched home to stand beside great wilting bunches of bluebells on the backyard window-sill. But the tadpoles never seemed to graduate to the full-blown frogs the literature predicted, invariably giving up the ghost as soon as they reached the two-legged stage when, unbeknownst to Mam, they would have to be flushed secretly down the lav.

It was the same when we went on holiday. If the books were to be believed, every seashore was littered with starfish and delicately whorled shells, seahorses in every rockpool and crabs the like of which I had seen only in Macfisheries’ window. Certainly I never came across them at Morecambe, nor any of the other advertised treasures of the seashore. There was only a vast, untenanted stretch of mud and somewhere beyond it the sea, invisible, unpaddleable and strewn with rolls of barbed wire to discourage any parachutist undiscerning enough to choose to land there.

These evidences of war and the general shortage of treats and toys made me somehow blame the shortcomings of the natural world on the current hostilities. I don’t recall seeing a magnolia tree in blossom until I was fifteen or so, and when I did I found myself thinking ‘Well, they probably didn’t have them during the war.’ And so it was with shells and starfish and all the rest of Nature’s delights: she had put these small treasures into storage for the duration, along with signposts, neon lights and the slot machines for Five Boys chocolate that stood, invariably empty, on every railway platform.

This sense of deprivation, fully developed by the time I was seven or eight, sometimes came down to particular words. I had read in many stories, beginning I suppose with
Babes in the
Wood
, how the childish hero and heroine, lost in the forest, had
nevertheless spent a cosy night bedded down on
pine needles
. I had never come across these delightfully accommodating features and wondered where they were to be found. Could one come across them in Leeds? It was not short of parks after all – Gott’s Park, Roundhay Park – surely one of them would have pine needles.

And then there was
sward
, a word that was always cropping up in
Robin Hood
. It was what tournaments and duels were invariably fought on. But what was sward? ‘Grass,’ said my teacher, Miss Timpson, shortly; but I knew it couldn’t be. Grass was the wiry, sooty stuff that covered the Rec in Moorfield Road where we played at night after school. That was not sward. So once, hearing of some woods in Bramley, a few miles from where we lived, I went off on the trail of sward, maybe hoping to come across pine needles in the process. I trailed out past the rhubarb fields at Hill Top, over Stanningley Road then down into the valley that runs up from Kirkstall Abbey. But all I found were the same mouldy old trees and stringy grass that we had at Armley. Pine needles, sward, starfish and sticklebacks – they were what you read about in books.

Books are where the gentlemen farmers must have come from too, from Winifred Holtby’s
South Riding
perhaps, or something by Phyllis Bentley, both novelists my mother favoured – local celebrities (as much later was John Braine), writers who had escaped the mill or the mine and made good, the making good invariably taking the form of going Down South. These books, and those my brother and I read, would be borrowed from Armley Library at the bottom of Wesley Road, a grand turn-of-the-century building with a marble staircase and stained-glass swing doors.

The Junior Library was in a room of its own, and an institution more intended to discourage children from reading could not have been designed. It was presided over by a fierce
British Legion commissionaire, a relic of the Boer War, who, with his medals and walrus moustache was the image of Hindenburg as pictured on the German stamps in my brother’s album. The books were uniformly bound in stout black or maroon covers, so whether they were Henty, Captain Marryat or (my favourite) Hugh Lofting, they looked a pretty unenticing read.

In contrast the Adults’ Library was a bright and cheerful place, where Dad would be looking for something funny by Stephen Leacock or what he called ‘a good tale’, and Mam would be in Non-Fiction seeking her particular brand of genteel escape – sagas of couples who had thrown up everything to start a smallholding (gentlemen farmers in the making) or women like Monica Dickens who had struck out on their own. A particular favourite was William Holt, whose
I Haven’t
Unpacked
was one of the few books Mam ever bought, and again it was escape – the story of someone brought up, as she had been, in a mill town but who had bought a horse and gone off on his travels.

This theme of escape, very strong in Wells and Priestley, tantalized my parents for much of their lives. Dreams of leaving I suppose they had, and I now share them, feeling myself as nailed to my table as ever my Dad was to his shop counter. They never did escape quite, though they made a shot at it just once when, towards the end of the war, my father gave up his job at the Co-op, answered an advert in the
Meat Trades Journal
and got a job working for a private butcher in Guildford. And in Guildford for a year we lived. Down South. And there were thatched cottages and mill-streams and children who called their parents ‘Mummy’ and ‘Daddy’ – the world I had read about in my books, and the world Mam and Dad had read about in theirs.

But, thatched cottages or no thatched cottages, they were not
happy, and one miserable December night in 1945 the four of us got off the train at Holbeck and trailed disconsolately back to my grandma’s house and reality. It was another lesson that you should not believe what you read in books.

From time to time after this my mother’s hands would be covered in terrible eczema, the joints cracked open, the skin scaling away. ‘My hands have broken out again,’ she would say, and put it down to the wrong soap. But it was as if she was now caged in and this the only ‘breaking out’ she was capable of.

The few books we owned were largely reference books, bought by subscription through magazines:
Enquire Within
,
What Everybody Wants to Know
and, with its illustrations of a specimen man and woman (minus private parts and pubic hair),
Everybody’s Home Doctor
. No book, whether from the library or otherwise, was ever on view. Anthony Powell’s ‘Books do furnish a room’ was not my mother’s way of thinking. ‘Books untidy a room’ more like, or, as she would have said, ‘Books upset.’ So if there were any books being read they would be kept out of sight, generally in the cabinet that had once held a wind-up gramophone, bought when they were first married and setting up house.

This undercover attitude to books persisted long after I had grown up and had accumulated books of my own. I worked in the spare room, though it was never dignified as such and just known as the junk room. That was where the books were kept now, and there among the broken lampshades and bits of old carpet and hemmed in by the sewing-machine and the family suitcases I would set up a table and work. To begin with it was for my degree, then it was research in medieval history, and finally writing proper. But to my mother it was all the same: to her my life had not changed since I was fourteen and doing School Certificate, so degree, research or writing plays was always called ‘your swotting’.

As a young man my father had some literary ambitions, going in for competitions in magazines such as
Tit-Bits
and even sending in little paragraphs and being paid. By the forties his efforts were concentrated on one competition, Bullets, a feature of the magazine
John Bull
, the point of which was to come up with a telling phrase on a given topic, the phrase to be witty, ironic or ambiguous – in effect a verbal cartoon. Once he had regularly won small prizes, but though he went on plugging away during the war, and until the magazine folded in the late forties, he won only a few pounds.

I couldn’t get the hang of Bullets or see the point or the humour of the entries that won; they seemed like Tommy Handley’s jokes – everybody said they were funny, but they never made you laugh. If I missed
John Bull
when it closed down it was for its cover paintings, in particular the landscapes of Rowland Hilder – idyllic downland farms, beech trees against a winter sky – or the townscapes of deaf and dumb artist A. R. Thomson, as English as Norman Rockwell was American.

In later life my father was often ill and this started him reading again, only now his taste was much more eclectic and he would try any book he found on my shelves. Knowing nothing of reputation and just judging a book by whether he could ‘get into it’ or not, he lapped up Evelyn Waugh and Graham Greene, revelled in Nancy Mitford, but couldn’t take (at opposite extremes) Buchan or E. F. Benson; Orwell he just about managed (‘though there’s not much of a tale to it’), and he liked Gavin Maxwell and especially Wilfred Thesiger. When he came to the episode in
Ring of Bright Water
where a Scots road-mender casually kills one of Maxwell’s pet otters with a spade he burst out, ‘Why, the bad sod!’