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Kugelmass, Jack, and Jonathan Boyarin, eds. and trans.
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Lambert, Philip.
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Landmark Symposium:
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Lester, Julius.
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Luzenski, Jim, and Steve Levin.
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Lynn, Karyl Charna.
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Marianowicz, Antoni.
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From Continuity to Contiguity: Toward a New Jewish Literary Thinking,
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______
. The Image of the Shtetl and Other Studies of Modern Jewish Literary Imagination.
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Nahshon, Edna.
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______
.
Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925–1940
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Nasaw, David.
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Perl, Arnold. “The Empty Noose.”
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______
.
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______
. “To Secure These Rights.”
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.
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Pilbrow, Richard.
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Piro, Richard.
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Podair, Jerald E.
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Prideaux, Tom.
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Prince, Harold.
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Pritchett, Wendell.
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Ravitch, Diane.
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Rich, Frank.
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Rich, Frank, and Lisa Aronson.
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. New York: Alfred A. Knopf, 1987.

Rieder, Jonathan.
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Rosenfeld, Lulla Adler.
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Rosenthal, Jean.
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Roskies, David.
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______
.
Bridge of Longing: The Lost Art of Yiddish Storytelling
. Cambridge, MA: Harvard University Press, 1996.

______
.
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______
. “Sholem Aleichem: Mythologist of the Mundane.”
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______
.
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Samuel, Maurice.
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______
.
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______
.
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. Little Did I Know.
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______
. Prince of the Ghetto.
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______
. The World of Sholom Aleichem.
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______
.
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Schwartz, Maurice. “Is New York Ready for a New Yiddish Theater?”
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Sefer-zikaron li-khehilot shts’uts’in, vasilishki, ostrin, novidvor, roz’anke / ha-‘orekh, l. losh.
Rozhanka section (in Yiddish) edited by Avraham Lis. Tel Aviv: Hotsa’ah meshutefet shel yots’e ha-kehilot ha-n.l. be-yiśra’el, 1966. Rozhanka portion translated into English as “Community of Rozhanka” by William Cohen for
jewishgen.org
,
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.

Segel, Harold B.
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Segev, Tom.
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______
.
The Seventh Million: The Israelis and the Holocaust.
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Shandler, Jeffrey.
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______
. “Reading Sholem Aleichem from Left to Right.” In Deborah Dash Moore, ed.,
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20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 305–32.

______
. “‘The Time of Vishniac’: Photographs of Pre-War East European Jewry in Post-War Contexts.” In Michael Steinlauf and Anthony Polansky, eds.,
Polin: Studies in Polish Jewry
, vol. 16 (Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003), 313–33.

______
.
While America Watches: Televising the Holocaust
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Shapiro, Edward S.
The Jewish People in America.
Vol. 5:
A Time for Healing: American Jewry since World War II
. Baltimore: Johns Hopkins University Press, 1992.

Shmeruk, Khone. “Sholem Aleichem and America.” In Deborah Dash Moore, ed.,
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Shohat, Ella.
Israeli Cinema: East/West and the Politics of Representation.
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Sholem-Aleichem.
The Bloody Hoax.
Translated by Aliza Sherrin. Bloomington: Indiana University Press, 1991.

______
.
Briv fun sholem-aleichem 1879–1916
. Tel Aviv: Y. L. Perets farlag, 1995.

______
.
Funem yarid.
Warsaw: Yidishbukh, 1966; National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, No. 10435.

______
.
Gantz tevye der milkhiker
,
ale verk fun sholem-aleykhem
8. New York: Sholem-aleykhem foksfond oysgabe, 1925.

______
.
The Great Fair: Scenes from My Childhood.
Translated by Tamara Kahana. New York: Noonday Press, 1955.

______
.
It’s Hard to Be a Jew
. Translated by Mark Schweid, in
Sholem Aleichem Panorama
, ed. Melech Grafstein. London, ON: Jewish Observer, 1948.

______
.
The Old Country
. Translated by Frances and Julius Butwin. New York: Crown, 1946.

______
.
Oysgeveylte briv
. Edited by I. Mitlman and Khatski Nadel. Moscow: 1941.

______
.
Stempenyu.
The play script used by Thomashefsky can be found in the Boris Thomashefsky papers at YIVO: a handwritten bound notebook titled
Yidishe tekhter oder Stempenyu
, transcribed February 3, 1907.

______
.
Stempenyu: A Jewish Romance
. Translated by Hannah Berman. Hoboken, NJ: Melville House, 2007.