Women and Men (226 page)

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Authors: Joseph McElroy

BOOK: Women and Men
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The woman opened her blanket and reached and gripped his shoulder to the bone. Tomorrow is what matters, she said.

Will they march from New Jersey? he asked, and wondered if the pale-faced boy who was not his son, yet was, and who he knew watched him here from years ahead in future but might not know he did, saw this night’s scene in his dream of the past or must rely on Margaret to tell him what he knew.

The woman said she did not know. She brought a loaf of bread out and asked if he had any food to go with it and asked him for a knife. The Mexican blue mare rubbed her neck along the shadow of a beech tree. The cloud, the night-lumen cloud, had moved. I have a horse, the Prince said, but then he said what he had meant: I have a woman.

He felt himself grow so sleepy the sounds of his horse were magnified.

What is Easter Sunday? he asked.

He was born on Easter Sunday, the woman said. It doesn’t matter.

The woman looked hungry and he found a potato and an apple in his bag and gave them to her. He got up and bade her goodbye. She was looking at what he had given her. She looked back over her shoulder at the horse, which snorted. You need to sleep, she said.

He changed his mind. He lay down beside her where she sat.

 

We too: that is, along the curve of our resolve to be just lying or just sitting, not think angelic we can do both at once regardless of that same old brother’s-keeper-type interrogator bent on making us toe a line while he painfully (read
painlessly)
unhinges one of our toes each time we say two things at once like that crocodiles when extinct will not be able to grow new teeth: when we already remember it’s best to be all the elements in a dream, the person bravely setting forth, the sea chopping at the gunwales, the pickle sweating in the wax paper on the thwart, the boat itself so regardless of the person said to be sitting hunched amidships that the boat can be seen as empty, all the elements we are, the Moon mistaking itself for the Sun (as Mel mistook Pearl’s telephoned dream for his own), or even the double Sun that the bodiless Anasazi healer on his post-mortal tour was amazed at the last to see when he arrived above the famed fog-towers of northern Maine and felt the sleeping light in the cloud that was his transitory form turn literally liquid to some point of his own happy satisfaction.

Is it feasible (read
bearable)
that we may never see these people again whom we already forget their names? Or may never
have
seen as we may never get to see our own heart? If they are parts and parcels of us, we must be biggish and can’t even see our knee. What
is
(read
was)
length, anyway, another shape of void? We are a function of our habit of periodic one-hood not to be confounded with that last-gasp or between-histories (read B.H.) sans-space sans-time sans-everything Singularity, a trans-essential Absence within, though, a
non-rotating overall
Absence inferable from accelerating activity in its vicinity threatening yet not, in turn, to be confused with Presence so deep, so far inside (± Y) our/your head that one has gone beyond the chance of coming out the other side until the rotation once taken like inertia for granted yields untold other sides coming to and from us: and we would tell the interrogator and his abstract incarnations that sometimes the distance between our eyes is two feet five inches so if he upped and tried to single us out, firing right between the eyes, he wouldn’t go far wrong if we were still there by the time the fire arrived.

For who knows where it will end? who the
hell
knows (
I
certainly don’t, ‘least since Schlesinger blew into Defense from the Atomic Energy Commission in ‘73 and dreamed up selective-strike target packages, says M. as Barbara-Jean has taken to calling him) that is, where this late-century last-minute course-correction reciprocity race will end (we thought) whereby the homed-upon target itself acquires shift capability and an entire town according to our pre-negotiated input can be moved off "Home-Zero" at the eleventh hour screwing up a multiple-reentry vehicle’s target-package program that itself can make multiple random course corrections at will: is this keeping things in balance or is this escalation (read
speculation)!,
especially when with research reaching breathtaking informalities or even small-scale intimacies of in-flight breakthrough, the other side’s disguised improvisations as word of them is fed in are capable of being countered by original "Command-Thought" within a real on-board micro-lab already launched weapon carrier’s and thus countered faster even than old Light itself could have moved with its still very special speed regardless of its late inclination to, incredibly, Change—change traced not only dawn to dusk in two pairs of lancet windows in a cathedral each showing, he was pretty sure, a man on another man’s shoulders with a fifth lancet in the middle with definitely Mary carrying her child on her left arm, but change of light toward Rest, which light heretofore has had none of but now seems ready to be given (given back? given back its original Rest Energy?) yet Mayn will settle for the dawn-to-dusk change of light in that cathedral he will casually visit again in this upcoming "business" trip he has mentioned to B.-J. (sometimes Jeanie)—if he can just get away (well, he has to) on time—it’s a non-official therefore maybe interesting National Technical Means conference (Barbara-Jean surprisingly didn’t know NTM, "means" of surveillance)—para-disarmament, para-national oh god a brains convergence (though for cause) in the French Alps near Grenoble (fly to Geneva), geologists and thinkers and a black CIA executive named Andrew B. (for Blue-sky) Jackson posing as a "close-look" satellite-camera designer,
eee-und
some happy gentlemen and ladies who interpret reflected-microwave signatures like uniquely readable wakes left by all manner of missiles passing through Earth’s already troubled ionosphere—National Technical Means to catch present and unknown future cheating within of course the Balance of Terror. Meanwhile Mayn’s deadline seems brought closer and closer by a prisoner’s message (incidentally floated upon his announcement that he is getting free of his personality in order to exist within his essence) that Mayn had better attend that fringe Shakespeare opera: that he had guessed independently from his daughter’s marginal but stubborn involvement with unreliable elements and his friends’ curious convergence on a local cluster of events including though hardly keying upon the opera production, all this regardless of how close the prisoner in question often had said they two already were through a (what he called) colloidal awareness
(colloidal?
said Barbara-Jean, thinking) mutually multiplying this fragmented dispersion of particles bonding their knowers one to another by this universe of surfaces and their concomitant surface-frictions (Mayn thought it was), but more than the message and the opera (and word from Flick, nee Sarah, that her brother, his implicitly estranged son in outer space up in Boston, had phoned her and was to appear in New York), there were these events surrounding (or surrounded by!) the surfacing of an old high-school teacher, and the nagging interrogations of a person (B.-J., Barbara-Jean, or, by her preferred, Jean, by name) whom he had come to love, plus the street death of a man he had talked deeply with on a pickup ride from Windrow to the City who it had turned out was coming
back
into his life and shifting some key point from Nowhere to a cemetery if not to the home of which it once had been a part or, ‘least, that home by its other name.

 

That was your name for the town? I like it.

My grandmother’s name for it. No, ours.

How do you make up a name together?

You just do it.

You have to be in love.

Well, she did teach me how to whistle.

Did your mother love you?

She said she was so frustrated by her life she could kill herself.

When did she say that to you?

I think more than once. Probably when I was thirteen or fourteen.

And you didn’t say anything?—or you told her not to kill herself?

No: you make me remember: I said it must be terrible to feel that.

What did she say?

I remember. She said, No it wasn’t. Because I said, O.K.

Did she accept that?

She said, Your father doesn’t approve of
O.K.

What did you say?

I think I went out. I don’t remember where. I asked my grandmother Well, what about
O.K.?

You always went to her?

Depended which way the wind was blowing.

What did
she
say?

My grandfather told me what
O.K.
came from, but something else— another meaning some friend of theirs . . .
I
don’t know.

Did
your mother love you?

So much else has happened since then.

Didn’t she?

Yes.

I know she did. How did she?

By being herself. By telling
me
to be.

But she killed herself.

Even if she didn’t, she went away.

I know.

 

But the Interrogator, sleepwalking while on duty among his victims, must trace this albeit idiomatic "O.K." that he has heard. Secure in his victims’ relative dismemberment, he won’t settle for being just in or on someone else’s flesh, feeling himself them while at once himself. Absolutely will not settle for just living their informations, divvied near-sensually by their light, turned double and then back to single by their quaint myths of weather, cosmos, trajectory, charity—myths as gently sexual as

Oh Woman
Old Woman
scrape the sky
clear it up
make it good
all over
with your little knife
the copper one
scrape it down
good

but he must trace this "O.K." that he has heard because he knows in his ignorant heart that it is related to our long-aforementioned "D.K."

Yet in the dark thus, and, his torture workday over, gratefully so (despite games-theory mind-set employed in torture training to simultaneously tap one’s energy secret and auto-relax), he feels through his sleep some half-light coming off his would-be decaying victims as he strays across a next room stepping on our occasional flesh or going out (he smiles) on some strewn limb or steering clear of a passing clutch of bloodlessly extracted nerves beeping like Frau Doppler herself alone and seeing waves from a passing boat gather in frequency as they wash into the shore of a native Austrian lake which seems also to be moving (shore or lake?). Yet the interrogator is at least not talking in his sleep (whatever he might in his heart of hearts think), for we absolutely will not see ourselves as victims of voice-over for your reality is made by youse (the interrogator has heard) and is known as
youse value
or basic unit, nor need we be angels to know this, nor need we give off light to see him start tracing "O.K.":

first, to "O.M." (as in Open Marriage) from the Indian humdinger song about the "Oh Woman" with which the East Far Eastern Princess like Margaret the wife of Alexander was familiar:

thence to "
M.K.
," short for that volcano-of-the-decade that an implicated young friend of Margaret’s grandson James named Larry time-framed (we’d already forgotten) ninety-four years after Krakatoa’s mountainous eruption with the also circa 1883 locoweed-naming spree of the botanist Marcus Jones and the rhythms of his original bike tires congruent to all surfaces through some adjustably cogged memory of any landscape, but also time-and-space-framed in an elastic year with all the weather work that Krakatoa opened up, the new twilight effects, the layers of stratospheric aerosols, the staggered New Mexico sunsets protracted sometimes by the cosmic-cleft synchrony the Anasazi healer explained:

and from "M.K." (with its proven fallout of noctilucent cloud so influencing the Anasazi’s sense of his own resolutely non-reincarnational future that he, who in fact gave us our word "fallout" for a certain kind of mild and generous death, planned on
becoming
such a cloud—(at an experimentally lower level) the interrogator, dreaming on from wherever he is to New York, New Mexico, and from w/zoever he is to being a roving intelligence officer (naval in training like the lover de Talca, high-caste and broadly cultured in origin, individual in personality), double-shifts (codein) to "D.M."—which may be the Dreaded Modulus of Lar’ fame whose meaning the interrogator has temporarily forgotten, though more likely (since lives hang upon it) is
DeMilitarized,
without the "Zone," which has disappeared in a puff of once-up-to-date bomb that rules all acts to be transitive, hence, as a prepositioned hit man "offs" an approaching or receding contract, "disappears" zones (a "zone bomb") much better than simply demilitarizing, or witness the reciprocals P.M. and/or P.R.M. (shorthand), each derivable we now know from the other (like Some People) with or without we disappear the
R
(he knows by rote): he hence leans toward that "old friend" (as he puts it in his second language) the Dreaded Modulus by which one system can be turned like tables to another (though the Friend concept functions more really in terms of the white American males Mayn and Larry, himself the user if not proved discoverer of D.M.) by which the even slightest Nanosecond-degree Rotation normally needed to turn from one pivotal view to another may, in sleep or some alternate refiguring, be bypassed, so that, say, hearing what some bond teaches you to hear can instantly by Modulus mean not the duplicity of answers tortured (or not) out of interrogees, but a woman’s thrilling hunger for her lover in an aria betraying maternal hunger for a son sung by a curvaceous diva to a man in her life listening in a small theater, fellow national at heart who this afternoon arranged the release of her faraway father precisely at a moment when a news flash erroneously had him falling from the roof of his sixth-floor bayview
casa de pisos
—doubtless a victim who only thought he was her father, dreams the interrogator, and anyway in the southern hemisphere we fall upward, we already remember, which gives a lightness and unreality to events and whole centuries—and for a second he knows he is not dreaming but witnessing in his sleep facts and could move with that implicated white male, age eighteen to nineteen, from the
either I or
system-switch of D.M. to the twain egal individualized screens seen
bothland,
and thence to the theory this newly real interrogator can
embody
so why trace it as a dreamed-up substitution (occupying conveniently a position) in the way, which might be calculated for Through and Around, but better instantly (codein) shift M., whatever this constant scrambled or unscrambled equals, and, through the D. of dread and the K. of that volcano thinking through its dream to spread twilight effects into the air we see for years beyond, even unto the present, reach D.K.: but by now he imagines he is no longer himself but solely into the flesh of that other, de Talca, and can leave a Don’t Know, with, inside it, at secret rest, the knowledge that, like information shared, Don’t Know is the answer to two or more questions.

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