Women and Men (22 page)

And after the successful Kate last night with the stark face of a sailor and diesel dedication to the seriousness beyond power which is political seriousness just as the power is political power—all in pursuit of being Grace’s assistant, when the job was, for the immediate present, taken unofficially by Baby daughter of the revolution Maureen who says that she is paid "in kind," when Kate, smiling under the smoked glasses, asked what she thought the job was worth; and after dear smart Cliff, old old friend Cliff but don’t
say
"old" (who is so full of knowledge who wishes through it all to serve her even were she to try to be First Lady but political beyond politics), with some classical music behind him who had to hear about last night (having offered to chauffeur her out to the Long Island appearance but reneged) and had a buyer (just like a coincidence) for his old white car and Cliff now wanted to have dinner at their Jap place because he was suicidal (or just guilty for having let her down when he had said he would drive her out to her gig on the Island, and covered that feeling with "Are you sure that’s correct? Whose dictionary are you using?—
does
‘witch’ come from victim?") then, in the late shank of the day—"curving" (she wrote in her Sketchbook) "like a road that you know has to stop curving but doesn’t"—there came a streaky-blond-haired foreign woman, Clara, to the threshold of this warm place.

She came in person about the workshops. Grace almost had to get this out of her. The woman had not phoned. The workshops were starting again next week. A woman with an English-type accent and the name Clara Mackenna and a United Nations orbit like what Grace had once felt at a UNESCO nutrition meeting at an Italian woman’s Fifth Avenue pad overlooking the park, it was false composure and a different sense of money, having money that was taken for granted yet also not at all thrown around, foreign money, not Abundance money (which was Only Money), but foreign and vague except that that vagueness was tight like a banker if you got down to it. Was it a home Clara had here? She was actually South American (at least through her husband, whom she cared about and who Grace knew loomed like someone dangerous waiting in some other room). So the politics of marriage mostly unstated in all the words that seemed to state it, felt like capital
P
Politics somebody sleazy being threatened with a gun in a foreign language, standard
men-drama.

In a pleated tartan skirt: a woman with a look in her forehead and hands, fine active hands, warm
backs-of-hands
as thoughtful as the forehead invaded by brittle Upper East Side hair, yet worried hands, worried palms maybe, a smooth rhythm and a classy look of dignified trouble (do we mean, "fright"? Grace heard someone in her, maybe a new self, say)—anxiety over why she had come to Grace Kimball’s apartment. Rocking the boat? Some secret but so predictable terrorism in the home? Unknown lives not yet lost. It took women to get wheels turning, one week you’re seeing your eyes in the window pane and hearing the door opening, the next week you
are
the door (write that down)—through it, trace a curve slung ahead of you scary as some old starfish newly growing in you from a little lump that already knows doctor talk, you hear it in you, -ectomy, -ectomy. Women in Grace’s apartment talked and talked as if their clothes had gagged them for years. And if our Puerto Rican super who you knew only half cared how many good years he had left and responded to eye contact by squinting as friendly as he was astigmatic and to a hand upon his forearm when his building was receiving Kimball criticism, turned upon her to condemn her "friends’ " cigarette butts on the floor by the elevator
{and
Kleenex, and cellophane from a pack of cigarettes), he would come in and sit on her rug with her and have a hit of Morning Thunder, and once half a joint, and
sort
of enjoy slugging it out with her when she said it’s the habit women get into where they’re the hostess who cleans up after others, and he knew she might ... he didn’t know what— but if
he
said the word?—but the words came out in a bit of dirty talk but no come-on, as if the apartment house was too real—this once elegant home of temporary plaster jobs and electrical wiring of a gauge long outdated.

Clara had to get dinner. For a husband. Why was she here? Grace didn’t think she had to ask and didn’t. Yet Clara at last, as if in the backward tilt of her neck quietly getting something out of Grace, brought out that they were from Chile.

Far out,
was what Grace said, off her beat a little seeing the fine face of this woman solve what Grace’s words meant; so Grace mentioned a woman, first name, who’d been she was quite sure in the Peace Corps there seven eight years ago—’68?

Clara, a well-to-do South American girl who had probably married young, surely had children, yet seemed almost not to. She said they were not here, they were grown. But what was this English accent? it was more than a trace.

Something had been happening in Chile, Grace remembered, you might as well read the newspaper the super did, because they all lied. Grace stood in an open place somewhere, helpful, open. This Clara was going at another rate inside. Clara had to think about dinner. All right, then,
really
think about dinner. Where is he on his way down to the plate with his knife and fork? Working. Working for what is best for both of you? Make dinner for a past, present, and future husband, which is promiscuity.

Yet Clara was coming from somewhere Grace didn’t quite feel. Like a type of danger you didn’t need to go through to understand. Grace felt the cramp of Clara’s need, her hands like faces, eyes Grace wouldn’t quite catch; smelt beef grease in her pores responding to her husband’s, and the pure chemical breath of the double Gibson’s crystal ball, the baby onion waiting at the bottom of the martini like a lab vegetable or chilled fluff of cum, it’ll wait; but no, Clara and her husband (he who in the absence of all information, except some hint that he was important, seemed more foreign than she) would be winos, not martini drinkers; and Grace felt husband very foreign, with a moustache rinsed in after-shave. The woman gave no hint of him. Grace maybe like the goddess thought Clara had left and come back.

Get it together: keep generally women and men apart. Nationwide chain of pleasure bath-houses, women to women, bodies loved like selves as selves should be—and are like bodies (write that down).

At some point Clara had asked if Grace had any children.

Not to my knowledge, Honey. Two miscarriages, no abortions, possible sperm-bank option, short list of preferred candidates.

Then Clara made one of these big efforts and Grace felt for her and Grace’s eyes watered, Clara’s effort to both say it and keep from saying it: "I could have another." The eyes staring at Grace, concern across the forehead, the restless one hand held down by her leaning her weight on it, the other clenched on her thigh.

"Do you need that, now?" Grace asked. And, not adding questions and answers but letting it drop seemed to let go in Grace a guess at the truth about this woman. The word "politics" from last night wouldn’t go away. Grace didn’t need to read the newspaper to know. But the word was old, she heard her father say it and he was talking of the Mayor, and she heard the word come out of the mouth of the man she would show, but she
had
shown him already, if he was watching, and what had
he
meant by it? Politics meant men and women now. She didn’t trust this woman not to know something she wouldn’t be able to help her with. Was that it? Their conversation groped gently.

Well, pleasure houses for women maybe, but—"But," Grace’s old friend Cliff had said, "men have always had their gyms and steam rooms, so the idea isn’t new."

Grace projected toward Clara the words "To earn what you have had, empty your hands of it," then, "You are what happens to you." But while she had been projecting these words at Clara, Grace had felt observed.
What will happen has happened:
Grace wrote it down often: not for a talk, not for one of the all-new-workshop sessions beginning next week. She heard her words like feed-back, observing her; they came together back to her like next week was now. She felt Clara’s heart close to her. Clara was interesting; beneath all that international control or smoothness a twist of life tightened and was a mystery for Clara; Grace would help Clara beyond the subtle politics of marriage, the give-and-give and the take-and-take, help her along easy.

You could be a fugitive with nowhere to go and not know it, in a marriage, Grace told her. Clara found humor in this, but did not smile:
Political
fugitives? she suggested.
Refugees,
Grace said. From where? Clara asked. From a patriarchal—Grace began, and Clara said,
Political
refugees; and Grace went along with whatever this trip of Clara’s was and nodded, Right, right, political refugees. Clara said, That is what
we
are. But Grace felt more than one Clara speaking; it was weird. Clara wasn’t the convert type like Maureen. The shoes had come off as soon as she had seen Grace’s boots, sneakers, and moccasins lined up inside the front door under all the coat-hooks. (Pretty good for a foreigner.) Was someone else here, she had wanted to know, stepping down into the living room, the Body Room, and, seeing no furniture, she heard Grace say, "Not a soul."

Grace saw the alarm in the shoulders, the sweep of the eyes, the head tilting to hear. Slender, with that shoulders-forward, lovable apology in the sway of the walk to turn the best of men right on, Clara, her legs did not quite know each other and her stocking feet looked for a place to land. Clara sat on the carpet, legs folded in the mermaid position to one side.

We’re nude: the one requirement of the workshops broached at once. All of us are right here for each other. (Whose words rush forth? Her own?) "Love precedes Energy."

The woman is thinking. And Grace thinks, But Energy equals Love, and Thought precedes Energy—this has been established: it crosses her brain and shunts toward her navel and her quick, silly (she knows), caring (she knows) humor. "Americans are so abstract," Clara says. Grace is giving the abbreviated spiel.

Naked? Clara said—she lowered her gaze from Grace’s eyes yet not her face. A face from Clara’s now great history and travels. Clara was going to ask a question about another person; that was all Grace could guess. A face seen in Grace’s face? A
man’s
face. A man Grace sometimes believed she once had been. An
Indian
man. But it did not come from her fraction of Pawnee according to family lore. She would claim this earlier identity—to Maureen, who weighed it almost equally with the evidence that women ejaculated—Maureen knew Grace had an open
sense
of reincarnation. But, this male face seen in Grace’s and met by Clara in
Clara’s
previous form? Which was another
woman.
Who Grace knew must have journeyed from South America. In search. Why not, then, once, twice, to meet the Indian that Grace then was? Who could call this impossible in the face of powerful intimation? Grace’s
face,
for Grace was already naked when Clara arrived and Grace felt each stitch of cloth on Clara’s legs, along the body of her arms and hands.
Naked
was the word to use, proud of warm skin, gone public so you can really work on yourself. Naked as the night they would meet again. All that that woman meant was
"naked,
not
nude."
She was saying her country had a long coastline and she loved the sea, "so New York is not so bad for us" —and she spoke with real love about creatures of the sea, little ones, very little ones. Civilized was what that woman was. Boy was she! (And Grace would say so later to Maureen, she could hear herself, a long, late-night chat—what it was all about, she sometimes thought: a late-night chat with someone you cared about.)

Then Clara was gone toward suppertime. And Grace was giving herself time. Lying with herself, her hand on the simple plastic of the vibrator, portable energy center, just part of the American household, coolly warm to the hand; and she was smiling at her own words "Not to my knowledge, Honey," but knowing she needed to not look back because as Maureen could say the Past is Past (like she
knew):
but was that a male idea to keep us in 1976-7 from sensing where semen came from?

But soon she is already there. Why would anyone have words for it? The describing has been done, if women would only seduce themselves for real. Why does anyone ever describe it? It is a finer coastline too cunningly made to say. But she wants to ask Cliff, ask him anything, not how famous is she really but anything—like what was going on in Chile, the newspaper will never tell you the truth, and what did Cliff mean that the cosmos was not approaching but really going away from us (and
rather fast!,
she grins, silly). When Clara looked at her, Grace was that other person from long ago except simultaneously the person was present, too. Was reincarnation, therefore, more true than Grace had been saying in her Control Your Rebirth raps?

Cliff
’knew women ejaculated, or said he knew; yet she was above herself flowing to the ends of the goddess’s greatest lakes hanging like gardens and in love.

Someone lay in the bottom of the mirror across the evening room. She saw across the spreading room to the mirror, the carpet-to-ceiling mirror that rose behind the great candle, and, behind the candle like a two-way mirror that was only one, a goddess she was sure. Goddess lying with open mouth between raised knees. Do goddesses get raped ever? Little light rape by the light of the big candle without benefit of man. Or is rape how they get to be goddesses.

Just as angels get to be humans,
came to her.

To music rocking talking underneath her, it found her reaching everywhere along her without trying—the meaning of her day: an unheard-of story approaching: it found her; she had a handle on it. She knew where she was, she was into the secret of her day: she was this someone else who was just her.