Women and Men (12 page)

When you told her you lacked imagination, she said she thought you were instead a recycled man. But then she said to forget she’d said it.

Two became one. This gets unbearable. You’re hard-headed, plodding; real as need be, but you’re invaded lately. Two become one. It might be three, it might be more. Four become one if you make a good enough plate to stand on. Two-become-one seems, here in the future-become-present, to mean people made congruent to fit an aim that’s beyond them yet with which they are in tune and which if viewed wrongly and with alarm recedes, as this flawed witness unable to bear what he has seen would be bent simply (as if he’d had an attack of superfluous gravitation like a head cold) off toward Locus S, Locus G, or N, or P; Locus L.

The spoken
L
lets off L1, L2, L3, L4, L5, from marked memory; and you who kept subjects and faces target-distinct from one another, so as to never seem to know what you figured you did not, can’t tell how you know (but you do) that those Ls with the numerals aren’t
lunar
and aren’t
locus,
yet how you knew locus with all these letters escapes you (but into the friendly void). No. L1, L2, L3, L4, L5 are points in Earth-Moon space, quite comfortable space, yes, that’s it—libration points. What is
libration?
Libration
points
— that’s all you know and plenty more than a man like you needs to know, which is in turn a reassuring conclusion that, as soon as you divest yourself of it, feeds back in its recession some new stuff coming at you obstacle-like, the fact that
at
these libration points you can stay put because the pull of Earth and Moon balance out with another force you were not maybe to know. And around these libration points are gravity valleys; for every school kid knows that gravitation makes valleys in space as well as mountains, vales as well as hills—and wells, too, which is not to say Earth’s the bottom of the bucket, just the bottom of
a
bucket, or of the well of somewhat made-up gravitation like the Moon’s, but far greater: you forgot, you forget, for you’ve really been there—whereas this girl at your elbow (your bicep) in this infra-redneck roadhouse in Cocoa near the Space Center is sure to know, though she has not come from the future (though in turn will have been told by someone at school and/or college that she is the future): but as for you you don’t feel like the future, you feel like your future’s angling past, but this isn’t what you know to be the truth, that some future to come is what you’ve come from, and you’re not persuading yourself of this, you know it’s true and you don’t want to know.

Can’t speak of it. You have to give a simple order.

Through this present gap which is an opportunity. (Team’s fidgeting, squad’s waiting, squad’s right.)

If worse goes to worse you can make a package without knowing all that’s inside it.

Which represents a further economy. Hey, while we’ve got us here, say we make two or more
places
one, so we know where we are, even if in theory we sacrifice a few powers of people, there’s a limit to S.R. (standing room) when you feel you owe it to them to bring them out of frequency back into body. You saw what was happening, that the twosomes out of earshot on the metal plate waiting to be emigrated to libration-point space settlements necessitating unusual economies had not been told just how light they would travel, and you knew the (so to speak) theoretical "joke" was on them though in the interest of survival, and they really did know, somewhere in those beings of themselves that had invited mountains to come to them bearing natural alloys that made them invisible to people living in their vicinity.

Yet the basic economy was borne by those who left as two and arrived as one. So what were
you
to do? Warn others it could happen to them?

Give the order, give it through the vacant, noisy space between two arms.

A left arm and a right arm, of course. ("Shoot, kid," an old voice says in you.)

But the left arm is to the
right
of the noisy vacancy between two arms, and the right arm is on the
left
side of the space. Solution is that left arm and right arm belong to
two
men, not one. The arms pieces of muscle and bone turned by you in a flash into one flesh. You don’t go in for that type of thing, yet you are so much a part of other voices that you can’t hear them
telling
you you’re one type or another, you almost don’t
hear
voices. You are spoken. Like voices that hear
you.
It’s new—did something in you go to pieces light years ago?

Directly across the vacant space on its far side the thick (for lately mortal women hate the word
chunky),
pale woman in charge can’t take the order if she can’t hear it.
{Chunky
I hate
chunky,
comes the abstracted voice (through aether or whatever other is the latest thing in filters of our life together) of a loved, onetime wife; and I
hate pudgy,
too. But you’re not pudgy.
And plump,
I hate that, too, and you may say they’re words but they’re used
instead
of —No, my own dear, they are just instinctively cruel, you mean.) Well, however you describe her, the woman in charge can’t take the order if she can’t hear it. Grins at what someone says but looking straight across this vacant space.

The order’s been given, but are the words wrong? Doesn’t the squad know the word?—’cause nothing happened. Nothing except the two arms slid an inch, narrowing the space—collapsing in. The woman on the far side of the bar flicks her chin up as if to say, "What did you want?"

Well, it might not be worth saying again.

So change it, forgo the firewater, the part that can be changed, your part, the second part of the order. You know in advance what you’ll say.

"If they
have
it," adds the other woman, your near woman, the younger woman, whose fingers are on your arm as if she depended on you, the younger woman for whom the glass of wine has been ordered in this redneck tavern along the Florida highway.

A house passes overhead far out, bearing its appliances lightly. You have only practical words for this vision: a shower, three sleeping stalls, magnets to hold food utensils on the heater-tray, telescopes to gear the eyes, and insulated urine freezers, experimental sunflowers. How many working journalists have already called it a "house" tonight? The house passes overhead but so far is empty of occupants. No need to reach for it, it loops the earth each hour and a half, so at some point it will come by again. And when it does, no need to duck, point it out to a friend, if the light is right. People will credit anything; it’s such a relief from their endless skepticism. You hear inside you a mountain that dreams.

The house awaits its housekeepers, and they it; they dream of it. They’ve rehearsed inside one just like it. But it will pass overhead many times before they take up occupancy.

"If they do," says Mayn.

The young woman beside him may think he means, "Yes, if they
have
white wine." What’s happening with these arms? they’ve moved again, they’ve inched back, opening vacant space before the one vacant bar stool.

"Glass of white wine and a club soda."

Mayn said it through the massed vibes of the juke box, the claims and the clamor of talk. The pale, heavy woman tending bar didn’t hear the first time. And they don’t have any white but they got red. Through the lowish light Mayn makes corrections for color, he’s had experience with barroom light, ships pausing in the night while it passes them; but speaking through this under-light comes hard tonight against sound all around him like fire. It’s doing what other stuff has been doing. Speeding up and slowing down. Trace shells flash gold before the big gun’s quake hits you like the future observer of a blast-off thirty years later at Kape Kennedy, and out of the gold flash comes the tracer’s red dot already one quarter of the way to its target as if the dot in an instant of another time stayed still for the Sicilian darkness to rush past it but then (reversing the rocket of a generation later which lifts so slow it’s afloat on some stalled phase of its burners yet then suddenly is off and far off) the red tracer braked on another track to a speed at which it covers the remaining three quarters. Speeding up, slowing down.

Try and step outside this sense. Maybe Mayn brought it down here with him. Not on assignment. And this simulated vacation—well, the void drifting through him confirms he should be used to it after twenty and more years in motion.

He felt like an ocean voyage. (Don’t look like one!—his father’s one joke, on a rare occasion, these days, when he saw his father.) O.K. then, Mayn, wake up and die right (another expression of Mel’s), wake up and freeze yourself into the Arctic ice pack, take three years to drift from Siberia (near the "real" Choor?) to the Atlantic with his instruments if in return he file a slow-ocean story slowly fleshed-out reports unheard-of up to now, the southern rain falling upwards from the Pole. Time to feel the wind and tell the drift of ages of ice, study the bottom where some have faith it’s being pulled apart, drop your piston-corer through sediments of Arctic Ocean history, a year of leisurely hours to get the full story, the only deadline completion itself—you come out in Choor, for all you know, where things changed as soon as the Princess left in search of New World and monsters you recall reporting to your late mother when she who was not told these stories, except for one where one pistol became two, asked you what about this Choor, but never to the best of your knowledge asked
what
had changed in Choor
(on
Choor?) after the Eastern Princess left. But here he has not often been in Florida and he never understood Florida because it’s way down below the deep South as he thinks by the map, yet whereas they say "the South" (as in "will rise again") but they say "Florida" (like "Texas") and Florida definitely is closer (Fly me) than the deep or shallow South, so put that in your simulated vacation and feel it like you sometimes feel real tweed or real wood under the seat of tweed pants or smell shaving lather drying in the little wooden bowl or coffee once upon a time in Norway where modern meteorology began with fronts but where the coffee is not the least bit diluted but is as good as the prospect of coffee as you slowly get out of bed onto the floor so it takes you an hour of joint contemplation if in company, coffee getting out of bed so slowly it’s the sixties now—in beautiful, rebuilt Warsaw and twenty minutes later passing (not in his sleep) neatly dressed coffee drinkers less comfortable but more entrenched than cafe sitters in Paris (who seem to have more to do outside the cafe in their leisure or business, a teapot or a ruby kir), the Warsaw cafe missing also that fuller grain of (accept it, it’s likable) noise in Paris that slides density through the smells. He was followed and, bearing in mind the trip he was going to try and sandwich in to Cracow south of where his ass was at the moment, courteously led his shadow, a woman with dyed auburn hair, the short way to the Embassy where that morning all they had for him was a story on how China, which had not then begun to open up, had acquired the best collection of Ping-Pong players and railroad trains in the world. A story filed. But recollected. Like a vintage or a fine hobby.

Nor is this simulated Florida vacation of breakfast yesterday and today among the postcards of spacecraft and armadillos, the souvenirs and sunglasses and short sleeves and elusive mind of the media people, like having a drink of pisco with a Chilean-naturalized German beekeeper who wants not to be identified, watching the brandied December sun come up out of some Andean peak two days after fifty thousand middle-class Chilean ladies have banged their empty cookware marching against the Doctor President’s two hundred percent inflation and his alleged hundred pairs of shoes; and Mayn, upon finding some far window all but sinisterly traced inside him from valve to unseen valve of his inner organs by that rich burn lifting the sun out of catastrophe-knew-what mine of mineral information, Mayn, yes, caught himself trying to inject, lend, lard, connect into the loving picture of the simplicity of this rural beekeeping business (presented by his Chil-Kraut host who declined to discuss money he—
paper-montyl
—lost to some Santiago salesman for Investors Overseas Services) inquiries he had made into Du Pont’s preservation of the Delaware coastline from industrial development and his inquiries
into
an inquiry as to a Delaware canal’s potential water supply for two firms other than Du Pont, because the beekeeper has made a lot of money in nitrates and has a bank account in Wilmington like "American Switzerland" and corresponds about bees with a CIA bee-freak scholar in Washington, though such connections have never been Mayn’s yen: his business is get in get out. Of the subject, that is. Which isn’t the same as getting out of your mind, for you don’t want to wind up in that elusive media mind, though doesn’t he find when he gets out of his own there’s the next he’s right in? Where daydreams can’t be
all
his—some ancient trivia, yes—like what happened in Choor after the East Far Eastern Princess left on her mission to find New World and/or monsters—why some started up right in Choor—and did that fact come from Margaret or from her grandson listening?

The Apollo souvenirs—them you can smash. No sweat. Shrapnel facsimiles of themselves mined up a shaft of the future’s shape. Mayn would like to use them while he doesn’t know his multi-spectral scanners, isn’t up this time (nor any time) on peaceful uses of space to be tried out in that house kept orbiting the Earth. What souvenirs? Hard enamel keyrings; hard-baked enamel tie tacks commemorating the three of Apollo 1 which—who—burned together on the ground; Apollo 11 money clip; Lunar Module cufflinks; Apollo trivet, Apollo lighter keyring, Apollo bumper stickers, sterling rocket charms, Sky lab tankards, a Skylab spoon.

Is this simulated-vacation feeling what you get for a free ticket to one of the final spectator sports? He came—he will tell the young woman—here on the dumbest of hunches to find a Chilean gentleman he no doubt could have located if he had used his contacts to put out a trace on the man, whose chance words were a lead into nowhere. Mayn’s stuck in some future stadium lately where lions and gila monsters are being fed to high-strung, professionally itinerant tennis players bronzed into being near-Indianized. Would he cover sports? he was asked by a free-lance diver who did a lot of police department work and was looking for a couple of hard-to-get tickets to a rock concert, ignorant doting father. Mayn gets tickets—"ducats"—when he wants—for sports—sometimes. Never sports assignments; wouldn’t want them. The diver said that that was just what he
would
love to do—cover a great pitcher thinking his way through the late innings, a great outfielder diving to steal a Texas Leaguer, a great third baseman snuffing out a suicide squeeze. Had he ever visited one of those five-thousand-capacity Texas League fields and seen a young centerfielder pass the helmet after knocking the ball over the fence? Yet Mayn would rather
do
it: it’s the trick elbow in his brain that swings free to take him back to a tumble in a gym echoing like a pool under lights on the late afternoon of a dark winter weekday, or to a wild, hard squash-court wall. Or play at wrestling—being covered by two children who jump on him and get a lock on his neck. He could play less easily at being what is wanted of him elsewhere: at being Bureau Chief. He’s been pressured in his time even by a wife who loved him to amount to more, but can’t say this to this young woman he has met here. Let Bureau Chief vanish into a high building where Bureau Chief can wait for Mayn’s utilities pieces from New Mexico, for the follow-up from Iowa on drought prediction, short crops, to cut, (go ahead) edit, totally compress, compound it, turn it into space/money. Pressured once steadily to be Bureau Chief in the inevitable place, did its old-time inventor feel this in him like inspiration?—the Inventor of New York, the phrase finds him, he doesn’t much recall those old things—like, though, it’s now, and Jim still married, with a couple of domiciles to contemplate supporting (and a fine and subtle wife with six thousand a year from a charitable great-aunt), and a pair of dependent kids (the words come), kids (all but grown-up) whose games got more grown-up and less visible like relations at close range year by year. So what does he support now with the money he sends? A sounding down his gullet here in Florida regales the sweet fume of oyster flesh. Oysters that winked between him and his companion—Jean—Barbara-Jean, she prefers not to be called but doesn’t make an issue of it—at a table this night, hearing (the two of them) nearby a Spanish sentence about Castro’s Golden Falcon Skydiving Club in the Everglades (not Fidel because the club is for Cuban Liberation people), oysters reflecting what’s going to happen next, and the dinner companion looks away out the window, Jean, her hand around her glass, watching for a sign that tomorrow’s rocket for the crew of that already launched Skylab is being readied. The light of a jet swings red over the Cape, one-way trapeze. You wait into tomorrow, you have done it so many times you’re looking back at yourself now from irresistible future, a vacuum you fell for; you wait to watch. To watch the shot, the hit, tee-off, coin flip, puff from the starter’s gun, national anthem. And who of those curious folk with press badges got a clue what hands guide the rocket or swing the spent, absent Saturn’s payload at an orbit’s bargain rates around the sky? A plane, a bus, ship, windmill, paid-up home, basic expense: these routine orbits might have been devised by the same men who have measured out to the function of sleep a 12.3 percent wedge of the daily man-hour pie up there in orbit as American as ampule pie, we’ve got a monster-type in our head just saying things like a guardian angel. Dead vacation? His whereabouts are poised to come at him again while elsewhere so is his idea that this dead vacation is a second chance. Here before him at the bar, here it is again in the vacancy in front. Slow down, put on some speed. Is the mind dying? He’s got no business dismissing technical whattage he’s not up on and he wouldn’t hesitate to tell this young woman with him—she’s on assignment, she’s eager, she interviewed the high-school prize winners at the Press Site yesterday, she knows a third stage from a second, she is in her kind but oh so damned intelligent he’s half-stumped. O.K., he’s not on assignment this trip, nor was when down here in December for Apollo.