Woman Chased by Crows (59 page)

She was still clutching the chair leg with the jagged stub sticking out of the middle. It felt good in her hand. She knew she could use it. She would not hesitate. No more inattention, no more blind trust.

She had not heard any barking all afternoon. That was good. They did not have a dog. People with dogs are rooted. These people were transient, they would not linger. Once they had what they wanted, once she was out of the picture, they would be gone. And she would most likely be buried in the wetland behind the barn with a chorus of frogs to sing her death song.

Someone was coming out of the house. A man with a flashlight. He was striding to the barn door and he was not bringing water or food, he was carrying a rifle. Have they decided to end it, finally?

The man went inside, lights were turned on. She heard the man moving around, cursing, heading for the door. There was almost enough time for him to yell that she was gone before she hit him, hard, behind his head, where the neck meets the skull. He fell like dead weight. She poked him in the kidney, twice. He did not move.

Dead weight is hard to move so she did not drag him far, just back inside the door. She found the ropes they had used on her and she tied his hands behind his back and his ankles tightly together. She checked to make sure he was breathing and then pulled off a shoe and stuffed his mouth with one of his own socks. The rifle was close to where he had fallen. It was tempting to think she could shoot people with it, but she did not know how it worked and the idea was offensive. Better to just bury it under the straw, douse the barn lights, pick up her trusty chair leg and return to her hiding place behind the silo to plan her next move.

They pulled up in front of the gate and looked at the farmhouse. Lights were on in what was likely the kitchen at the rear and in one upstairs window. There were two cars parked outside, one of them was the dark blue Chevy with Mrs. Brewster's license plates, the other was an older model Ford that looked like it had seen better days.

“Drive in? Walk in?” Adele asked.

“Let's leave it parked right here,” Stacy said. “Then nobody drives out without the password.”

They got out and started down the lane.

“Hey cowboy,” Adele said. “Around the other side of the house, cover the back.”

“Yo.”

Adele's head swung around. “Yo?”

“Sorry. I mean, yes, Detective.”

“No, fuck, ‘yo' was cool, just wasn't expecting it. Go.”

Maitland angled away from them. Stacy and Adele continued past the front of the house. There were lights at the back. They put distance between each other, kept their eyes open. Stacy had a quick look into the Chevy as she walked. Adele signalled her to stop. Someone was coming out of the kitchen. They heard a woman's voice, “Haro! What are you doing?! Haro! Bring her in here!” The woman walked into a patch of light.

“Dr. Ruth!” Stacy called out. “Hi there. Detective Stacy Crean, Dockerty
PD
. Like to talk to you for a minute.”

Lorna Ruth froze for a second, tried to smile. “Oh, hello. What are you doing here?”

“We're looking for Anya Zubrovskaya. We understand the two of you took a drive this afternoon.”

“Oh. Yes. We did. She needed a lift.” She looked over her shoulder to see Adele behind her, looking into the kitchen. “Excuse me. What's going on?”

Stacy kept moving forward carefully. “That's what we're trying to find out. Who were you calling to? Who's in the barn? Who is it you wanted them to ‘bring out'?”

“This is private property, you know. And you are nowhere near Dockerty, Detective.”

“These are simple questions, Dr. Ruth. Or is it Dr. Wisneski?”

“Goodness gracious, Stace. Look who's here! It's my old friend Serge. How you doing, pal?”

Stacy said, “Why don't you take the doctor inside with Mr. Siziva while I check on who might be in the barn?”

“Sure thing, partner. Toss me your cuffs. I only brought one set.”

Stacy handed her cuffs to Adele, then crossed the lane, heading for the barn. Halfway there a figure emerged from the shadows carrying something that looked dangerous. Stacy's hand immediately went to the butt of her weapon. Then Anya came into the light.

“Anya, you all right?”

“My favourite detective. Yes, thank you. I am fine. My wrists are bloody and I do not smell very nice, but I am otherwise all right. There is a man tied up inside the barn. I hit him with this.”

“Would you mind putting it down now, Anya, please?”

“Oh, of course, I have been clutching it so tight. My hands are not working very well.” She needed to use her free hand to pry the chair leg loose. She dropped it on the ground. “The man inside had a rifle. I pushed it under some straw.”

“Good. Why don't you come and sit in our car? We'll take care of things from here.”

“Yes. That's a good idea. I am a little weary.” She began to fall and Stacy caught her before she hit the ground.

Stacy carried Anya into the kitchen and got her seated, got her a glass of water, had a look at her bleeding wrists. Adele was keeping her eyes on Dr. Ruth and Sergei who were sitting with their backs to each other. Whenever either one opened their mouth to speak, Adele told them, “Shut the fuck up!”

“There's a man tied up in the barn I should check on,” Stacy said. “And a rifle somewhere.”

“Go ahead, partner,” said Adele. “We're all just going to sit here quietly and wait for a bus to take all these assholes to the slammer.”

“Detectives!” Constable Maitland was coming through the door holding a man by the arm. “This guy was trying to slip out the back. He wasn't running very fast.”

“Way to go, cowboy,” Adele said. “Who have we here?” Charlie pushed the man into the room and Adele slapped both hands to her face in complete surprise. “Holy fuck!” she said. “Marty!” She shook her head. “In a bazillion years I wasn't expecting you, and that's a fucking fact.”

Martin Grova shrugged. “I have nothing to do with these people.”

“That's okay Marty. I'll make sure you get your own cell.”

When it came to theatre, Orwell tended to favour sung drama such as
Madame Butterfly
or
The Music Man
, but he granted that Thornton Wilder's old chestnut
Our Town
was a relatively painless theatrical affair, folksy, mildly amusing, and proceeding without flubs, miscues or undue coughing from the audience. When the curtain fell and the applause died down, the crowd heading for the lobby appeared to be in a uniformly good mood.

Orwell and family spent the first few minutes fielding compliments about the impressive stage presence of the youngest member of the Brennan clan.

“She's great, isn't she?” Diana was proud of her kid sister.

“Her voice carries very well,” said Erika.

Sam Abrams was easing his way in their direction through the crowded lobby. “Mrs. Brennan,” he said, nodding politely. “Chief. And . . .” he did an elegant quarter turn, “. . . the new law partner of the redoubtable Georgie Rhem, Diana Daily.” His bow was courtly.

“Hello, Sam,” she said. “It's been a while.”

“Not a bad show, don't you think? Leda's very good.”

“I hear they might take it to Peterborough in a couple of weeks,” Sam said.

“Leda on tour,” Diana laughed. “Watch out, world.”

“I need some air,” Orwell said.

Erika looked over her shoulder as she and Orwell made their way to the exit. Sam and Diana were chatting comfortably. “He's married?” she asked.

“Sam? To the paper, maybe.”

“She likes him.”

“He's a nice fellow.”

There were small groups of people on the sidewalk, a few clouds of smoke. Mayor Donna Lee Bricknell was coming toward them.

“Good evening, Chief. Mrs. Brennan. How nice to see you.” She motioned Orwell to stand a bit closer. “By the way,” she said. “I was speaking with a friend of mine on the Newry Township Acreage Preservation Assembly. Your petition for a severance should go through without any problem.”

“Well now,” Orwell said. “That is good news, Madam Mayor. I was sure I'd be going there hat in hand.”

“These things can usually be accomplished smoothly, when we all work together.” The
Register
's ace photographer, Kathy somebody, was pointing a camera in their direction. “One hand washes the other, as they say,” said Donna Lee. “Now, let's have one of those big Orwell Brennan smiles.”

Orwell bent his knees slightly and smiled at his friend, the Mayor of Dockerty.

Sam and Diana passed by. “We're going across the street for a quick coffee,” she said.

Orwell watched them cross the street, Diana in her high heels, Sam holding her elbow. “She giggled,” he said. “I distinctly heard a giggle.”

“Don't you interfere,” Erika said.

“Wouldn't think of it,” he said. His pocket began to vibrate.

April

Orwell Brennan was not by nature a whimsical man, but April 1st was for him a High Holiday. He considered April Fool's Day an appropriate date on which to begin a baseball season, since it was the one day a year that fans could be sure their team had a legitimate shot at winning the World Series. In most cases this hope would either be dashed or severely pummelled before the month was out, but for this brief moment at least, universal optimism was in the air.

The date was also a gentle reminder that however carefully he dealt with life, and with whatever attention to detail, the ultimate resolution of events would forever be outside his forecast or control. A clear case in point was the matter of the missing Russian ruby, a situation so complicated that the Blue Jays would be nicely settling into their yearly battle for third place in the tough American League East before even the first of the principal players made a court appearance.

Orwell was sincerely grateful that most, if not all, of the various crimes, had taken place far outside his purview, and that his personal involvement in the laborious untangling of personalities and circumstances was minimal. Stacy Crean was making frequent trips into the city for identifications, interviews, statements, depositions and discoveries and she provided him with regular reports, which occasionally made sense of what was going on, but, he had to admit, often confused the hell out of him.

First there was the question of exactly how many crimes Dylan O'Grady had been personally responsible for. Since the accused was conveniently (or
inconveniently
, depending on one's point of view) dead, the Crown was having a tough time assigning blame and framing charges to bring against the still-living participants. It appeared that O'Grady was the most
likely
murderer of one Ludmilla Dolgushin in Montreal some twenty-nine years previous, the
probable
murderer of one Vassili Abramov, eight years in the past, the
presumable
killer of one Viktor Nimchuk, in March, and at least
partly
responsible for the demise of one Louis Grova, some days later. The allocation of responsibility in these separate but obviously connected deaths was of serious concern. If a strong case could be made by a defence team that O'Grady was in all instances the
lone
culprit, then pending cases concerning Lorena Wisneski (a.k.a. Lorna Ruth), Haro Ruta (a.k.a. Harold Ruth), Sergei Siziva, Yevgeni Grenkov and Martin Grova would be greatly simplified. There was, alas, the matter of Dylan O'Grady's own death, for which he quite obviously was
not
guilty. While the Crown had a wealth of circumstantial evidence and theory, placing any
one
of the suspects definitively inside O'Grady's car on the night he sustained
two
gunshot wounds to the head, was proving to be very difficult. They were convinced that it had to be one of the principal players, but which one?

Framing conspiracy charges against the six was also going to be hard, since it appeared that in many cases they had acted independently and often at cross purposes. It seemed likely that Martin Grova, in concert with his brother Louis, had been blackmailing Dylan O'Grady by threatening to release proof that he had murdered Ludmilla Dolgushin long ago. Martin Grova was refusing to release whatever proof he was holding until he had secured a deal from the Crown that he would not be charged with anything at all. Lorena Wisneski maintained that she had never even
heard
of Martin Grova until he had contacted her following his brother's death. The Crown believed their connection went further back than that, but were still trying to piece together when, and how, they were introduced. It was possible that Sergei Siziva had brought them together, but Sergei maintained that he had been acting alone and perfectly within the law for many years on behalf of the Soviet (and eventually Russian) government to effect the return of a national treasure known to have been in the possession of members of a ballet company who defected in 1981.

The eventual allocation of blame and disposition of the various cases being cobbled together by the Crown in Toronto would, in the fullness of time, reach some kind of resolution, he knew, perhaps in six months, or longer, it didn't much matter. The only case that had directly impacted the town and its citizens was the odd and coincidental (and no doubt for all miscreants involved,
inconvenient
) murder of Toronto Homicide Detective Paul Delisle, and in that instance Orwell Brennan could point with a measure of pride to how well his force had resolved the matter. Edwin Kewell was convicted of second-degree murder in the death of Paul Delisle. He was sentenced to life, which would likely mean he'd be out in fifteen years. Doreen informed Mr. Kewell that under no circumstances would she be waiting for him.

That his daughter, Diana, had rather efficiently effected the freedom of a man who turned out at a later date to be part of an international and highly publicized (alleged) criminal conspiracy, was a topic of much entertainment value around the Brennan dinner table for much of April. Through it all, Diana maintained her sense of humour and bore the various japes and gibes with good grace. She wasn't in the least abashed, but she was a bit testy on the matter of Harold Ruth's bill, which might go unpaid for some time.

Anya Zubrovskaya, the only one of the alleged smugglers still alive, was initially considered by the Crown to be an invaluable asset in building their cases, but ultimately it became clear that she would be no help at all. Her sole concern, it seemed, was that Dylan O'Grady be posthumously convicted of the murder of her dear friend Ludmilla Dolgushin. Beyond that she had no interest. She maintained that since the disappearance of her friend, she had been on the run from people who were trying to kill her. People who were trying to obliterate any trace of the initial theft of Empress Feodorovna's priceless crucifix, since it pointed directly to still-living persons high up in the Russian government. As to the centrepiece of the crucifix, the fabled “Sacred Ember,” Ms. Zubrovskaya maintained (an opinion supported by many in the gemstone world) that the ruby was a fake all along, and that the real one had disappeared long ago when the freshly triumphant Communists sold off a fortune in treasures looted from the assassinated Tsar Nicolas and family. Sotheby's was still going through their records and so far hadn't turned up a specific reference to the Ember, but it was quite clear that Stalin and friends had sold enough treasure to finance their Revolution and provide them with a few good meals besides.

A positive development was the complete exoneration of Detective Paul Delisle and a posthumous commendation for his invaluable contribution to the investigation. It was determined that his revolver had been stolen by Dr. Ruth on the night he was killed, and that the gun in question had been subsequently stolen by someone, probably Yevgeni Grenkov during a break-in of the doctor's offices and returned to Detective Adele Moen by Sergei Siziva. The doctor denied having anything to do with the theft of Delisle's gun. Nonetheless, any question that Detective Delisle was involved in a crime was dismissed, his pension and insurance were secure and his picture went up on a number of walls of Fallen Heroes.

This made Adele Moen very happy. On Orwell's recommendation she had secured the services of Rhem & Dailey to establish a trust fund and expense account for Danielle Delisle, which would be solid, protected and probably enough to put her through university and give her a solid start in life. While it was also necessary to maintain regular support payments to the ex–Mrs. Delisle, these would cease upon Danielle's eighteenth birthday.

Rather than go through the horror of moving, selling or disposing of everything in Paul Delisle's apartment, Adele, with Danielle's total blessing, simply sold off or gave away the contents of her own sparse and underfurnished apartment and moved into the place. She felt comfortable there, surrounded by Paul's stuff, the record collection, sound system, furniture, memories. It wasn't bad. Some nights it was a little sad when the music and the wine got to her, but mostly it was a comfort.

It was clear that the trials would be lengthy, and in some cases at least, avoided entirely by the possible deportations of Siziva, Wisneski and Ruta, although it had yet to be determined exactly to what country Haro Ruta belonged. Grova and Grenkov were both Canadian citizens and, in all probability, not involved with each other. Grenkov was free, pending developments. It was doubtful that he would be charged with anything. He was still considering a civil suit against Stacy Crean for grievous assault, but it was highly doubtful that would even be considered. He was advised to leave the matter alone and to be more careful in his choice of associates.

Martin Grova, on the other hand, was believed by many to have been the driving force behind subsequent developments, but as yet there was nothing substantial they could pin on him. His contention that the “old diamonds” in the crucifix were more trouble than they were worth and that he had refused to touch them was dubious to say the least. According to Sergei Siziva, Martin Grova had taken possession of, and sold at great profit, over one hundred and fifty carats of high quality stones. This information, however, was entirely hearsay, since it was supposedly passed on to Sergei by the dead Louie Grova and as such, worthless as evidence. Martin Grova maintained that he had never touched the diamonds, had encouraged (nothing more) Dylan O'Grady to search hard for the four Kashmiri sapphires, but that he had never been presented with even one. He, too, believed that the ruby everyone was interested in was a fake and of no interest to him whatsoever. And he still refused to help the police in their investigation of Ludmilla's murder until he was given a complete discharge. It seemed likely that he would get his wish.