William Shakespeare: The Complete Works 2nd Edition (249 page)
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Authors: William Shakespeare
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BOOK: William Shakespeare: The Complete Works 2nd Edition
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SIR JOHN I am glad, though you have ta’en a special stand to strike at me, that your arrow hath glanced.
PAGE
Well, what remedy? Fenton, heaven give thee joy I
What cannot be eschewed must be embraced.
What cannot be eschewed must be embraced.
SIR JOHN
When night-dogs run, all sorts of deer are chased.
MISTRESS PAGE
Well, I will muse no further. Master Fenton,
Heaven give you many, many merry days!
Good husband, let us every one go home,
And laugh this sport o’er by a country fire,
Sir John and all.
Heaven give you many, many merry days!
Good husband, let us every one go home,
And laugh this sport o’er by a country fire,
Sir John and all.
FORD Let it be so, Sir John.
To Master Brooke you yet shall hold your word,
For he tonight shall lie with Mistress Ford. Exeunt
For he tonight shall lie with Mistress Ford. Exeunt
2 HENRY IV
2
Henry IV
, printed in 1600 as
The Second Part of Henry the Fourth
, was not reprinted until it was included in somewhat revised form in the 1623 Folio, with the same title. Shakespeare may have started to write it in 1597, directly after
I Henry IV
, but have laid it aside while he composed
The Merry Wives of Windsor.
As in
I Henry IV
, he drew on
The Famous Victories of Henry the Fifth
, Holinshed’s
Chronicles,
and Samuel Daniel’s
Four Books of the Civil Wars,
along with other, minor sources; but the play contains a greater proportion of non-historical material apparently invented by Shakespeare. In this play Shakespeare seems from the start to have accepted the change of Sir John’s surname to Falstaff which had been enforced upon him in
I Henry IV.
Henry IV
, printed in 1600 as
The Second Part of Henry the Fourth
, was not reprinted until it was included in somewhat revised form in the 1623 Folio, with the same title. Shakespeare may have started to write it in 1597, directly after
I Henry IV
, but have laid it aside while he composed
The Merry Wives of Windsor.
As in
I Henry IV
, he drew on
The Famous Victories of Henry the Fifth
, Holinshed’s
Chronicles,
and Samuel Daniel’s
Four Books of the Civil Wars,
along with other, minor sources; but the play contains a greater proportion of non-historical material apparently invented by Shakespeare. In this play Shakespeare seems from the start to have accepted the change of Sir John’s surname to Falstaff which had been enforced upon him in
I Henry IV.
Like
I Henry IV
, Part Two draws on the techniques of comedy, but its overall tone is more sombre. At its start, the Prince seems to have regressed from his reformed state at the end of Part One; his father still has many causes for anxiety, has not made his expiatory pilgrimage to the Holy Land, and is again the victim of rebellion, led this time by the Earl of Northumberland, the Archbishop of York, and the Lords Hastings and Mowbray. Again Henry’s public responsibilities are exacerbated by anxieties about Prince Harry’s behaviour; the climax of their relationship comes after Harry, discovering his sick father asleep and thinking him dead, tries on his crown; after bitterly upbraiding him, Henry accepts his son’s assertions of good faith, and, recalling the devious means by which he himself came to the throne, warns Harry that he may need to protect himself against civil strife by pursuing ‘foreign quarrels’-the campaigning against France depicted in
Henry V.
The King dies in the Jerusalem Chamber of Westminster Abbey, the closest he will get to the Holy Land.
I Henry IV
, Part Two draws on the techniques of comedy, but its overall tone is more sombre. At its start, the Prince seems to have regressed from his reformed state at the end of Part One; his father still has many causes for anxiety, has not made his expiatory pilgrimage to the Holy Land, and is again the victim of rebellion, led this time by the Earl of Northumberland, the Archbishop of York, and the Lords Hastings and Mowbray. Again Henry’s public responsibilities are exacerbated by anxieties about Prince Harry’s behaviour; the climax of their relationship comes after Harry, discovering his sick father asleep and thinking him dead, tries on his crown; after bitterly upbraiding him, Henry accepts his son’s assertions of good faith, and, recalling the devious means by which he himself came to the throne, warns Harry that he may need to protect himself against civil strife by pursuing ‘foreign quarrels’-the campaigning against France depicted in
Henry V.
The King dies in the Jerusalem Chamber of Westminster Abbey, the closest he will get to the Holy Land.
In this play the Prince spends less time than in Part One with Sir John, who is shown much in the company of Mistress Quickly and Doll Tearsheet at the Boar’s Head tavern in Eastcheap and later in Gloucestershire on his way to and from the place of battle. Shakespeare never excelled the bitter-sweet comedy of the passages involving Falstaff and his old comrade Justice Shallow. The play ends in a counterpointing of major and minor keys as the newly crowned Henry V rejects Sir John and all that he has stood for.
THE PERSONS OF THE PLAY
Induction
Enter Rumour
⌈
in a robe
⌉
painted full of tongues
Enter Rumour
⌈
in a robe
⌉
painted full of tongues
RUMOUR
Open your ears; for which of you will stop
The vent of hearing when loud Rumour speaks?
I from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace, while covert enmity
Under the smile of safety wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepared defence
Whiles the big year, swoll’n with some other griefs,
Is thought with child by the stern tyrant war,
And no such matter?Rumour is a pipe
Blown by surmises, Jealousy’s conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav’ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry’s victory,
Who in a bloody field by Shrewsbury
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels’ blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur’s sword,
And that the King before the Douglas’ rage
Stooped his anointed head as low as death.
This have I rumoured through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of raggèd stone,
Where Hotspur’s father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour’s
tongues
They bring smooth comforts false, worse than true
wrongs. Exit
1.1The vent of hearing when loud Rumour speaks?
I from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace, while covert enmity
Under the smile of safety wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepared defence
Whiles the big year, swoll’n with some other griefs,
Is thought with child by the stern tyrant war,
And no such matter?Rumour is a pipe
Blown by surmises, Jealousy’s conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav’ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry’s victory,
Who in a bloody field by Shrewsbury
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels’ blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur’s sword,
And that the King before the Douglas’ rage
Stooped his anointed head as low as death.
This have I rumoured through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of raggèd stone,
Where Hotspur’s father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour’s
tongues
They bring smooth comforts false, worse than true
wrongs. Exit
Enter Lord Bardolph at one door.
⌈
He crosses the stage to another door
⌉
LORD BARDOLPH
Who keeps the gate here, ho?
Enter Porter ⌈
above
⌉
Where is the Earl?
PORTER
What shall I say you are?
LORD BARDOLPH Tell thou the Earl
That the Lord Bardolph doth attend him here.
PORTER
His lordship is walked forth into the orchard.
Please it your honour knock but at the gate,
And he himself will answer.
Please it your honour knock but at the gate,
And he himself will answer.
Enter the Earl Northumberland
⌈
at the other door
⌉
, as sick, with a crutch and coif
LORD BARDOLPH Here comes the Earl.
⌈
Exit Porter
⌉
NORTHUMBERLAND
What news, Lord Bardolph? Every minute now
Should be the father of some stratagem.
The times are wild; contention, like a horse
Full of high feeding, madly hath broke loose,
And bears down all before him.
Should be the father of some stratagem.
The times are wild; contention, like a horse
Full of high feeding, madly hath broke loose,
And bears down all before him.
LORD BARDOLPH Noble Earl,
I bring you certain news from Shrewsbury.
NORTHUMBERLAND
Good, an God will.
LORD BARDOLPH As good as heart can wish.
The King is almost wounded to the death;
And, in the fortune of my lord your son,
Prince Harry slain outright; and both the Blunts
Killed by the hand of Douglas; young Prince John
And Westmorland and Stafford fled the field;
And Harry Monmouth’s brawn, the hulk Sir John,
Is prisoner to your son. O, such a day,
So fought, so followed, and so fairly won,
Came not till now to dignify the times
Since Caesar’s fortunes!
And, in the fortune of my lord your son,
Prince Harry slain outright; and both the Blunts
Killed by the hand of Douglas; young Prince John
And Westmorland and Stafford fled the field;
And Harry Monmouth’s brawn, the hulk Sir John,
Is prisoner to your son. O, such a day,
So fought, so followed, and so fairly won,
Came not till now to dignify the times
Since Caesar’s fortunes!
NORTHUMBERLAND How is this derived?
Saw you the field? Came you from Shrewsbury?
LORD BARDOLPH
I spake with one, my lord, that came from thence,
A gentleman well bred and of good name,
That freely rendered me these news for true.
A gentleman well bred and of good name,
That freely rendered me these news for true.
Enter Travers
NORTHUMBERLAND
Here comes my servant Travers, who I sent
On Tuesday last to listen after news.
On Tuesday last to listen after news.
LORD BARDOLPH
My lord, I overrode him on the way,
And he is furnished with no certainties
More than he haply may retail from me.
And he is furnished with no certainties
More than he haply may retail from me.
NORTHUMBERLAND
Now, Travers, what good tidings comes with you?
TRAVERS
My lord, Lord Bardolph turned me back
With joyful tidings, and being better horsed
Outrode me. After him came spurring hard
A gentleman almost forspent with speed,
That stopped by me to breathe his bloodied horse.
He asked the way to Chester, and of him
I did demand what news from Shrewsbury.
He told me that rebellion had ill luck,
And that young Harry Percy’s spur was cold.
With that he gave his able horse the head,
And, bending forward, struck his armed heels
Against the panting sides of his poor jade
Up to the rowel-head; and starting so,
He seemed in running to devour the way,
Staying no longer question.
With joyful tidings, and being better horsed
Outrode me. After him came spurring hard
A gentleman almost forspent with speed,
That stopped by me to breathe his bloodied horse.
He asked the way to Chester, and of him
I did demand what news from Shrewsbury.
He told me that rebellion had ill luck,
And that young Harry Percy’s spur was cold.
With that he gave his able horse the head,
And, bending forward, struck his armed heels
Against the panting sides of his poor jade
Up to the rowel-head; and starting so,
He seemed in running to devour the way,
Staying no longer question.
NORTHUMBERLAND Ha? Again:
Said he young Harry Percy’s spur was cold?
Of Hotspur, ‘Coldspur’ ? that rebellion
Had met ill luck?
Of Hotspur, ‘Coldspur’ ? that rebellion
Had met ill luck?
LORD BARDOLPH My lord, I’ll tell you what:
If my young lord your son have not the day,
Upon mine honour, for a silken point
I’ll give my barony. Never talk of it.
Upon mine honour, for a silken point
I’ll give my barony. Never talk of it.
NORTHUMBERLAND
Why should the gentleman that rode by Travers
Give then such instances of loss?
Give then such instances of loss?
LORD BARDOLPH Who, he?
He was some hilding fellow that had stol’n
The horse he rode on, and, upon my life,
Spoke at a venture.
The horse he rode on, and, upon my life,
Spoke at a venture.
Enter Morton
Look, here comes more news.
NORTHUMBERLAND
Yea, this man’s brow, like to a title leaf,
Foretells the nature of a tragic volume.
So looks the strand whereon the imperious flood
Hath left a witnessed usurpation.
Say, Morton, didst thou come from Shrewsbury?
Foretells the nature of a tragic volume.
So looks the strand whereon the imperious flood
Hath left a witnessed usurpation.
Say, Morton, didst thou come from Shrewsbury?
MORTON
I ran from Shrewsbury, my noble lord,
Where hateful death put on his ugliest mask
To fright our party.
Where hateful death put on his ugliest mask
To fright our party.
NORTHUMBERLAND How doth my son and brother?
Thou tremblest, and the whiteness in thy cheek
Is apter than thy tongue to tell thy errand.
Even such a man, so faint, so spiritless,
So dull, so dead in look, so woebegone,
Drew Priam’s curtain in the dead of night,
And would have told him half his Troy was burnt;
But Priam found the fire ere he his tongue,
And I my Percy’s death ere thou report‘st it.
This thou wouldst say: ‘Your son did thus and thus,
Your brother thus; so fought the noble Douglas’,
Stopping my greedy ear with their bold deeds;
But in the end, to stop my ear indeed,
Thou hast a sigh to blow away this praise,
Ending with ‘Brother, son, and all are dead.’
Is apter than thy tongue to tell thy errand.
Even such a man, so faint, so spiritless,
So dull, so dead in look, so woebegone,
Drew Priam’s curtain in the dead of night,
And would have told him half his Troy was burnt;
But Priam found the fire ere he his tongue,
And I my Percy’s death ere thou report‘st it.
This thou wouldst say: ‘Your son did thus and thus,
Your brother thus; so fought the noble Douglas’,
Stopping my greedy ear with their bold deeds;
But in the end, to stop my ear indeed,
Thou hast a sigh to blow away this praise,
Ending with ‘Brother, son, and all are dead.’
MORTON
Douglas is living, and your brother yet;
But for my lord your son—
But for my lord your son—
NORTHUMBERLAND Why, he is dead.
See what a ready tongue suspicion hath!
He that but fears the thing he would not know
Hath by instinct knowledge from others’ eyes
That what he feared is chanced. Yet speak, Morton.
Tell thou an earl his divination lies,
And I will take it as a sweet disgrace,
And make thee rich for doing me such wrong.
He that but fears the thing he would not know
Hath by instinct knowledge from others’ eyes
That what he feared is chanced. Yet speak, Morton.
Tell thou an earl his divination lies,
And I will take it as a sweet disgrace,
And make thee rich for doing me such wrong.
MORTON
You are too great to be by me gainsaid,
Your spirit is too true, your fears too certain.
Your spirit is too true, your fears too certain.
NORTHUMBERLAND
Yet for all this, say not that Percy’s dead.
I see a strange confession in thine eye—
Thou shak‘st thy head, and hold’st it fear or sin
To speak a truth. If he be slain, say so.
The tongue offends not that reports his death;
And he doth sin that doth belie the dead,
Not he which says the dead is not alive.
Yet the first bringer of unwelcome news
Hath but a losing office, and his tongue
Sounds ever after as a sullen bell
Remembered knolling a departing friend.
I see a strange confession in thine eye—
Thou shak‘st thy head, and hold’st it fear or sin
To speak a truth. If he be slain, say so.
The tongue offends not that reports his death;
And he doth sin that doth belie the dead,
Not he which says the dead is not alive.
Yet the first bringer of unwelcome news
Hath but a losing office, and his tongue
Sounds ever after as a sullen bell
Remembered knolling a departing friend.
LORD BARDOLPH
I cannot think, my lord, your son is dead.
MORTON (
to Northumberland
)
to Northumberland
)
I am sorry I should force you to believe
That which I would to God I had not seen;
But these mine eyes saw him in bloody state,
Rend‘ring faint quittance, wearied and out-breathed,
To Harry Monmouth, whose swift wrath beat down
The never-daunted Percy to the earth,
From whence with life he never more sprung up.
In few, his death, whose spirit lent a fire
Even to the dullest peasant in his camp,
Being bruited once, took fire and heat away
From the best-tempered courage in his troops;
For from his metal was his party steeled,
Which once in him abated, all the rest
Turned on themselves, like dull and heavy lead;
And, as the thing that’s heavy in itself
Upon enforcement flies with greatest speed,
So did our men, heavy in Hotspur’s loss,
Lend to this weight such lightness with their fear
That arrows fled not swifter toward their aim
Than did our soldiers, aiming at their safety,
Fly from the field. Then was that noble Worcester
Too soon ta’en prisoner; and that furious Scot
The bloody Douglas, whose well-labouring sword
Had three times slain th’appearance of the King,
Gan vail his stomach, and did grace the shame
Of those that turned their backs, and in his flight,
Stumbling in fear, was took. The sum of all
Is that the King hath won, and hath sent out
A speedy power to encounter you, my lord,
Under the conduct of young Lancaster
And Westmorland. This is the news at full.
That which I would to God I had not seen;
But these mine eyes saw him in bloody state,
Rend‘ring faint quittance, wearied and out-breathed,
To Harry Monmouth, whose swift wrath beat down
The never-daunted Percy to the earth,
From whence with life he never more sprung up.
In few, his death, whose spirit lent a fire
Even to the dullest peasant in his camp,
Being bruited once, took fire and heat away
From the best-tempered courage in his troops;
For from his metal was his party steeled,
Which once in him abated, all the rest
Turned on themselves, like dull and heavy lead;
And, as the thing that’s heavy in itself
Upon enforcement flies with greatest speed,
So did our men, heavy in Hotspur’s loss,
Lend to this weight such lightness with their fear
That arrows fled not swifter toward their aim
Than did our soldiers, aiming at their safety,
Fly from the field. Then was that noble Worcester
Too soon ta’en prisoner; and that furious Scot
The bloody Douglas, whose well-labouring sword
Had three times slain th’appearance of the King,
Gan vail his stomach, and did grace the shame
Of those that turned their backs, and in his flight,
Stumbling in fear, was took. The sum of all
Is that the King hath won, and hath sent out
A speedy power to encounter you, my lord,
Under the conduct of young Lancaster
And Westmorland. This is the news at full.
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