Wildfire and the Heritage of the Desert

 

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CONTENTS

COPYRIGHT NOTICE

TITLE PAGE

 

WILDFIRE

     
CHAPTER I

     
CHAPTER II

     
CHAPTER III

     
CHAPTER IV

     
CHAPTER V

     
CHAPTER VI

     
CHAPTER VII

     
CHAPTER VIII

     
CHAPTER IX

     
CHAPTER X

     
CHAPTER XI

     
CHAPTER XII

     
CHAPTER XIII

     
CHAPTER XIV

     
CHAPTER XV

     
CHAPTER XVI

     
CHAPTER XVII

     
CHAPTER XVIII

     
CHAPTER XIX

     
CHAPTER XX

 

THE HERITAGE OF THE DESERT

     
CHAPTER I: THE SIGN OF THE SUNSET

     
CHAPTER II: WHITE SAGE

     
CHAPTER III: THE TRAIL OF THE RED WALL

     
CHAPTER IV: THE OASIS

     
CHAPTER V: BLACK SAGE AND JUNIPER

     
CHAPTER VI: THE WIND IN THE CEDARS

     
CHAPTER VII: SILVERMANE

     
CHAPTER VIII: THE BREAKER OF WILD MUSTANGS

     
CHAPTER IX: THE SCENT OF DESERT-WATER

     
CHAPTER X: RIDING THE RANGES

     
CHAPTER XI: THE DESERT-HAWK

     
CHAPTER XII: ECHO CLIFFS

     
CHAPTER XIII: THE SOMBRE LINE

     
CHAPTER XIV: WOLF

     
CHAPTER XV: DESERT NIGHT

     
CHAPTER XVI: THUNDER RIVER

     
CHAPTER XVII: THE SWOOP OF THE HAWK

     
CHAPTER XVIII: THE HERITAGE OF THE DESERT

     
CHAPTER XIX: UNLEASHED

     
CHAPTER XX: THE RAGE OF THE OLD LION

     
CHAPTER XXI: MESCAL

 

FORGE BOOKS BY ZANE GREY

COPYRIGHT

 

WILDFIRE

 

CHAPTER I

 

For some reason the desert scene before Lucy Bostil awoke varying emotions—a sweet gratitude for the fullness of her life there at the Ford, yet a haunting remorse that she could not be wholly content—a vague loneliness of soul—a thrill and a fear for the strangely calling future, glorious, unknown.

She longed for something to happen. It might be terrible, so long as it was wonderful. This day, when Lucy had stolen away on a forbidden horse, she was eighteen years old. The thought of her mother, who had died long ago on their way into this wilderness, was the one drop of sadness in her joy. Lucy loved everybody at Bostil's Ford and everybody loved her. She loved all the horses except her father's favorite racer, that perverse devil of a horse, the great Sage King.

Lucy was glowing and rapt with love for all she beheld from her lofty perch: the green-and-pink blossoming hamlet beneath her, set between the beauty of the gray sage expanse and the ghastliness of the barren heights; the swift Colorado sullenly thundering below in the abyss; the Indians in their bright colors, riding up the river trail; the eagle poised like a feather on the air, and a mile beneath him in the grazing cattle making black dots on the sage; the deep velvet azure of the sky; the golden lights on the bare peaks and the lilac veils in the far ravines; the silky rustle of a cañon swallow as he shot downward in the sweep of the wind; the fragrance of cedar, the flowers of the spear-pointed mescal; the brooding silence, the beckoning range, the purple distance.

Whatever it was Lucy longed for, whatever was whispered by the wind and written in the mystery of the waste of sage and stone, she wanted it to happen there at Bostil's Ford. She had no desire for civilization, she flouted the idea of marrying the rich rancher of Durango. Bostil's sister, that stern but lovable woman who had brought her up and taught her, would never persuade her to marry against her will. Lucy imagined herself like a wild horse—free, proud, untamed, meant for the desert; and here she would live her life. The desert and her life seemed as one, yet in what did they resemble each other—in what part of this scene could she read the nature of her future?

Shudderingly she rejected the red, sullen, thundering river, with its swift, changeful, endless, contending strife—for that was tragic. And she rejected the frowning mass of red rock, upreared, riven and split and cañoned, so grim and aloof—for that was barren. But she accepted the vast sloping valley of sage, rolling gray and soft and beautiful, down to the dim mountains and purple ramparts of the horizon. Lucy did not know what she yearned for, she did not know why the desert called to her, she did not know in what it resembled her spirit, but she did know that these three feelings were as one, deep in her heart. For ten years, every day of her life, she had watched this desert scene, and never had there been an hour that it was not different, yet the same. Ten years—and she grew up watching, feeling—till from the desert's thousand moods she assimilated its nature, loved her bonds, and could never have been happy away from the open, the color, the freedom, the wildness. On this birthday, when those who loved her said she had become her own mistress, she acknowledged the claim of the desert forever. And she experienced a deep, rich, strange happiness.

Hers always then the mutable and immutable desert, the leagues and leagues of slope and sage and rolling ridge, the great cañons and the giant cliffs, the dark river with its mystic thunder of waters, the pine-fringed plateaus, the endless stretch of horizon, with its lofty, isolated, noble monuments, and the bold ramparts with their beckoning beyond! Hers always the desert seasons: the shrill, icy blast, the intense cold, the steely skies, the fading snows; the gray old sage and the bleached grass under the pall of the spring sand-storms; the hot furnace breath of summer, with its magnificent cloud pageants in the sky, with the black tempests hanging here and there over the peaks, dark veils floating down and rainbows everywhere, and the lacy waterfalls upon the glistening cliffs and the thunder of the red floods; and the glorious golden autumn when it was always afternoon and time stood still! Hers always the rides in the open, with the sun at her back and the wind in her face! And hers surely, sooner or later, the nameless adventure which had its inception in the strange yearning of her heart and presaged its fulfillment somewhere down that trailless sage-slope she loved so well!

*   *   *

Bostil's house was a crude but picturesque structure of red stone and white clay and bleached cottonwoods, and it stood at the outskirts of the cluster of green-inclosed cabins which composed the hamlet. Bostil was wont to say that in all the world there could hardly be a grander view than the outlook down that gray sea of rolling sage, down to the black-fringed plateaus and the wild, blue-rimmed and gold-spired horizon.

One morning in early spring, as was Bostil's custom, he ordered the racers to be brought from the corrals and turned loose on the slope. He loved to sit there and watch his horses graze, but ever he saw that the riders were close at hand, and that the horses did not get out on the slope of sage. He sat back and gloried in the sight. He owned bands of mustangs; nearby was a field of them, fine and mettlesome and racy; yet Bostil had eyes only for the blooded favorites. Strange it was that not one of these was a mustang or a broken wild horse, for many of the riders' best mounts had been captured by them or the Indians. And it was Bostil's supreme ambition to own a great wild stallion. There was Plume, a superb mare that got her name from the way her mane swept in the wind when she was on the run; and there was Two Face, like a coquette, sleek and glossy and cunning; and the huge, rangy bay, Dusty Ben; and the black stallion Sarchedon; and lastly Sage King, the color of the upland sage, a racer in build, a horse splendid and proud and beautiful.

“Where's Lucy?” presently asked Bostil.

As he divided his love, so he divided his anxiety.

Some rider had seen Lucy riding off, with her golden hair flying in the wind. This was an old story.

“She's up on Buckles?” Bostil queried, turning sharply to the speaker.

“Reckon so,” was the calm reply.

Bostil swore. He did not have a rider who could equal him in profanity.

“Farlane, you'd orders. Lucy's not to ride them hosses, least of all Buckles. He ain't safe even for a man.”

“Wal, he's safe fer Lucy.”

“But didn't I say no?”

“Boss, it's likely you did, fer you talk a lot,” replied Farlane. “Lucy pulled my hat down over my eyes—told me to go to thunder—an' then, zip! She an' Buckles were dustin' it fer the sage.”

“She's got to keep out of the sage,” growled Bostil. “It ain't safe for her out there.… Where's my glass? I want to take a look at the slope. Where's my glass?”

The glass could not be found.

“What's makin' them dust-clouds on the sage? Antelope?… Holley, you used to have eyes better'n me. Use them, will you?”

A gray-haired, hawk-eyed rider, lean and worn, approached with clinking spurs.

“Down in there,” said Bostil, pointing.

“Thet's a bunch of hosses,” replied Holley.

“Wild hosses?”

“I take 'em so, seein' how they throw thet dust.”

“Huh! I don't like it. Lucy oughtn't be ridin' round alone.”

“Wal, boss, who could catch her up on Buckles? Lucy can ride. An' there's the King an' Sarch right under your nose—the only hosses on the sage thet could outrun Buckles.”

Farlane knew how to mollify his master and long habit had made him proficient. Bostil's eyes flashed. He was proud of Lucy's power over a horse. The story Bostil first told to any stranger happening by the Ford was how Lucy had been born during a wild ride—almost, as it were, on the back of a horse. That, at least, was her fame, and the riders swore she was a worthy daughter of such a mother. Then, as Farlane well knew, a quick road to Bostil's good will was to praise one of his favorites.

“Reckon you spoke sense for once, Farlane,” replied Bostil, with relief. “I wasn't thinkin' so much of danger for Lucy.… But she lets that half-witted Creech go with her.”

“No, boss, you're wrong,” put in Holley, earnestly. “I know the girl. She has no use fer Joel. But he jest runs after her.”

“An' he's harmless,” added Farlane.

“We ain't agreed,” rejoined Bostil, quickly. “What do you say, Holley?”

The old rider looked thoughtful and did not speak for long.

“Wal, yes an' no,” he answered, finally. “I reckon Lucy could make a man out of Joel. But she doesn't care fer him, an' thet settles thet.… An' maybe Joel's leanin' toward the bad.”

“If she meets him again I'll rope her in the house,” declared Bostil.

Another clear-eyed rider drew Bostil's attention from the gray waste of rolling sage.

“Bostil, look! Look at the King! He's watchin' fer somethin'.… An' so's Sarch.”