Who Fears Death (5 page)

When the first stone hit Najeeba’s chest, she was too shocked to run. It hurt. It wasn’t a warning. When the second hit her thigh, she had flashbacks of a year ago, when she died. When instead of stones, a man’s body had slammed against her. When the third stone hit her on the cheek, she knew that if she didn’t run, her daughter would die.

She ran as she should have run when the Nurus attacked that day. Stones hit her shoulder blades, neck, and legs. She heard Onyesonwu screeching and crying. She ran until she burst from the market into the safety of the desert. Only after scaling the third sand dune did she slow down. They probably thought they’d driven her to her death. As if woman and child couldn’t survive alone in the desert.

Once safely away from Diliza, Najeeba unwrapped Onyesonwu. She gasped and sobbed. There was blood running from just above the child’s eyebrow where a stone had hit her. The baby feebly rubbed at her face, smearing the blood. Onyesonwu continued to fight as Najeeba held her tiny hands back. The wound was shallow. That night, though Onyesonwu slept well, the medicine having broken her fever, Najeeba cried and cried.

For six years, she raised Onyesonwu alone in the desert. Onyesonwu grew into a strong feisty child. She loved the sand, winds, and desert creatures. Though Najeeba could only whisper, she laughed and smiled whenever Onyesonwu shouted. When Onyesonwu shouted the words Najeeba taught her, Najeeba kissed and hugged her. This was how Onyesonwu learned to use her voice without having ever heard one.

And a lovely voice Onyesonwu had. She learned to sing by listening to the wind. She often stood facing the wide open land and sang to it. Sometimes, if she sang in the evening, she attracted owls from far away. They’d land in the sand to listen. This was the first sign Najeeba had that her daughter was not just
Ewu
but very special, unusual.

In that sixth year, a realization came to Najeeba: Her daughter needed other people. In her heart, Najeeba knew that whatever this child would become, she could only become it within civilization. And so she used her map and compass and the stars to take her daughter there. What place sounded more promising for her sand colored daughter than Jwahir, which meant “Home of the Golden Lady”?

According to Jwahirian legend, seven hundred years ago there lived a giant Okeke woman made of gold. Her father took her to the fattening hut and weeks later she emerged fat and beautiful. She married a rich young man and they decided to move to a large town. However, along the way, because of her immense weight (she was very fat
and
made of gold), she grew tired, so tired that she had to lie down.

The Golden Lady couldn’t get up, so this was where the couple had to settle. For this reason, the flattened land she left was called Jwahir and those who lived there prospered. It was built long ago by some of the first Okekes to flee the West. The ancestors of Jwahirians were of a special breed, indeed.

Najeeba prayed that she’d never have to tell her strange daughter the story of her conception. But Najeeba was a realist, too. Life was not easy.

 

I could have killed someone after my mother told me this story.

“I’m sorry,” my mother said. “You’re so young. But I promised myself that the minute
anything
began happening to you, I would tell you this. Knowing may be of some use to you. What happened to you today . . . in that tree . . . it’s just the beginning, I think.”

I was shaking and sweating. My throat felt raw as I spoke. “I . . . I remember that first day,” I said, rubbing the sweat from my brow. “You chose that spot in the market to sell some cactus candy.” I paused, frowning as it came back to me. “And that bread seller forced us to move. He shouted at you. And he looked at me like . . .” I touched and pressed the tiny scar on my forehead.
I’m going to burn my copy of the Great Book
, I thought.
It’s the cause of all this.
I wanted to drop to my knees and beg Ani to burn the West to the ground.

I knew a little about sex. I was even a little curious about it . . . well, maybe more suspicious than curious. But I didn’t know about
this
—sex as violence, violence that produced children . . . produced me, that happened to my mother. I stifled an urge to vomit, and then an urge to tear at my skin. I wanted to hug my mother but at the same time I didn’t want to touch her. I was poison. I had no right. I couldn’t quite bring myself to grasp what that . . . man, that monster, had done to her. Not at eleven years old.

The man in the photo, the only man I’d ever seen for the first six years of my life, wasn’t my father. He wasn’t even a good person.
Betraying bastard
, I thought, tears stinging my eyes.
If I ever find you, I’ll cut off your penis.
I shuddered, thinking how I wanted to do worse to the man who’d raped my mother.

Up to this point, I’d thought I was Noah. Noahs had two Okeke parents, yet they were the color of sand. I’d ignored the fact that I didn’t have the usual red eyes and sensitivity to sunshine. And that aside from their skin color, Noahs basically
looked
Okeke. I ignored the fact that other Noahs had no problem making friends with “normal looking” children. They weren’t outcast as I was. And Noahs looked at me with the same fear and disgust as Okekes of a darker shade. Even to
them
, I was other. Why hadn’t my mother burned that picture of her husband Idris? He’d betrayed her to protect his stupid honor. She’d told me he died . . . he
should
have died—been KILLED—violently!

“Does Papa know?” I hated the sound of my voice.
When I sing,
I wondered
, whose voice is she hearing?
My biological father could also sing sweetly.

“Yes.”

Papa knew from the moment he saw me,
I realized.
Everyone knew but me.

“
Ewu
,” I said slowly. “This is what it means?” I’d never asked.

“Born of pain,” she said. “People believe the
Ewu-
born eventually become violent. They think that an act of violence can only beget more violence. I know this isn’t true, as you should.”

I looked at my mother. She seemed to know so much. “Mama,” I said. “Has anything like what happened to me in the tree ever happened to you?”

“My dear, you think too hard,” was all she said. “Come here.” She stood up and wrapped me in her arms. We cried and sobbed and wept and bled tears. But when we were finished, all we could do was continue living.

YES, THE ELEVENTH YEAR OF MY LIFE WAS ROUGH.

My body developed early, so by this time I had breasts, my monthlies, and a womanly figure. I also had to deal with stupid leering and grabbing by both men and boys. Then came that rainy day I mysteriously ended up naked in the iroko tree and my mother being so shaken that she felt it time to tell me the repulsive truth of my origins. A week later came the time for my Eleventh Rite. Life rarely let up for me.

The Eleventh Rite is a two thousand-year-old-tradition held on the first day of rainy season. It involves the year’s eleven-year-old girls. My mother felt the practice was primitive and useless. She didn’t want me to have anything to do with it. In her village, the practice of the Eleventh Rite had been banned years before she was born. So I grew up sure that all the circumcising would happen to the other girls, girls
born
in Jwahir.

After a girl goes through her Eleventh Rite, she’s worthy of being spoken to as an adult. Boys don’t get this privilege until they’re thirteen. So the ages between eleven and sixteen are happiest for a girl because she’s both child and adult. Information about the rite wasn’t withheld. There were plenty of books about the process in the school’s book house. Still, no one was required or encouraged to read them.

So us girls knew that a piece of flesh was cut from between our legs and that circumcision didn’t literally change who we were or make us better people. But we didn’t know what that piece of flesh
did
. And because it was an old practice, no one really remembered
why
it was done. So the tradition was accepted, anticipated, and performed.

I didn’t want to do it. No numbing medicine was used. That was part of the ritual. I had seen two freshly circumcised girls the previous year and I remembered how they walked. And I didn’t like the idea of cutting off a part of my body. I didn’t even like cutting my hair, thus my long braids. And I certainly wasn’t one to do anything for the sake of tradition. I didn’t come from that kind of background.

But as I sat on the floor staring into space, I knew something had changed in me last week when I ended up in that tree. Whatever it was caused a slight shake to my step that only I noticed. I’d heard more from my mother than the story of my conception. She’d said nothing about the hope she had in me. The hope that I would avenge her suffering. She hadn’t been detailed about the rape, either. All of this was
between
her words.

I had many questions that couldn’t be answered. But when it came to my Eleventh Year Rite, I knew what I had to do. That year there were only four of us who were eleven years old and girls. There were fifteen boys. The three girls in my group would no doubt tell everyone how I wasn’t present at the rite. In Jwahir, to be uncircumcised past eleven brought bad luck and shame to your family. No one cared if you weren’t born in Jwahir. You, the girl growing up in Jwahir, were expected to have it done.

I brought dishonor to my mother by existing. I brought scandal to Papa by entering his life. Where before he had been a respected and eligible widower, now people laughingly said he was bewitched by an Okeke woman from the bloody West, a woman who’d been used by a Nuru man. My parents carried enough shame.

On top of all this, at eleven, I still had hopes. I believed that I could be normal. That I could be
made
normal. The Eleventh Rite was old and it was respected. It was powerful. The rite would put a stop to the strangeness happening to me. The next day, before school, I went to the home of the Ada, the priestess who would perform the Eleventh Rite.

“Good morning,
Ada-m
,” I respectfully said when she opened the door.

She met my eyes with a frown. She might have been a decade older than my mother, maybe two. I stood almost her height. Her long green dress was elegant and her short Afro was perfectly shaped. She smelled of incense. “What is it,
Ewu?
”

I winced at the word. “I’m sorry,” I said, stepping back. “Am I disturbing you?”

“I’ll decide that,” she said, crossing her arms over her small chest. “Come in.”

I stepped in, briefly noting that I’d be late for school.
I’m really going to do this,
I thought.

On the outside, her house was a small sand brick dwelling and inside it remained small. Yet somehow it was able to harbor a work of art that was gigantic in visual power. The mural that splashed over the walls was unfinished, but the room already looked as if it were submerged in one of the Seven Rivers. Painted near the door was a human-sized fish-man with a strikingly lifelike face. His ancient eyes were full of primordial wisdom.

Books told of huge bodies of water. But I’d never seen a drawing of one, let alone a giant colorful painting.
This can’t really exist
, I thought. So much water. And in it were silvery insects, turtles with green flat legs and shells, water plants, gold, black, and red . . . fish. I stared around and around. The room smelled of wet paint. The Ada’s hands were stained with it, too. I had interrupted her.

“You like it?” she asked.

“Never seen anything like it,” I said quietly, staring.

“My favorite kind of reaction,” she said, looking genuinely pleased.

I sat down and she sat across from me, waiting. “I . . . I’d like to put my name on the list,
Ada-m
,” I said. I bit my lip. To speak this request made it true, especially when spoken to this woman.

She nodded. “I wondered when you would come.”

The Ada knew what was happening with everyone in Jwahir. She was the one who made sure the proper traditions were performed for deaths, births, menstrual celebrations, the party thrown when a boy’s voice drops, the Eleventh Year Rite, the Thirteenth Year Rite, all of life’s markers. She’d planned my parents’ wedding and I’d hidden from her whenever she came by. I hoped she didn’t remember me.

“I’ll add your name. The list will be submitted to the Osugbo,” she said.

“Thank you,” I said.

“Be here at two a.m. a week from today. Wear old clothes. Come alone.” She looked me over. “Your hair—unbraid it, brush it out and rebraid it loosely.”

 

A week later, I snuck out of my bedroom window at twenty minutes to two in the morning.

The door to the Ada’s house was open when I arrived. I slowly stepped inside. The living room was decorated with candles, all the furniture cleared away. The Ada’s mural, mostly finished, looked more alive than ever in the candlelight.

The three other girls were already there. I quickly joined them. They looked at me with surprise, and some relief. I was one more person to share their fear. We didn’t speak, not even a greeting, but we stood close together.

Besides the Ada, there were five other women present. One of them was my great-aunt, Abeo Ogundimu. She’d never liked me. If she realized I was here without the consent of Papa, her nephew, I’d be in real trouble. I didn’t know the other four women, but one of them was very old and her presence demanded respect. I shivered with guilt, suddenly unsure of whether I should be there.

I glanced at a small table in the center of the room. Set on it were gauze, bottles of alcohol, iodine, four scalpels, and other items I didn’t recognize. My stomach rolled with nausea. A minute later, the Ada began. They must have been waiting for me.

“We are the women of the Eleventh Rite,” the Ada said. “We six guard the crossroads between womanhood and girlhood. Only through us can you move freely between the two. I am the Ada.”