Where Serpents Lie (Revised March 2013) (12 page)

In the den was a collection of pornography that surprised me by its size. I walked in and found Frances with a profoundly sickened expression on her fair face as she listed the confiscated glossies on her evidence log, then slipped the pictures into a cardboard box.

She was sitting at a desk littered with magazines and loose stills. She looked at me when I walked in, then slid some pictures back into a big bright pink envelope and closed the flap. She seemed unsure of what to do with it, then set it carefully on the stack of photographs in front of her. I can honestly say that I’d never seen such an odd expression on her face before. Sure, there was the disgust you would anticipate, and the revulsion, and plenty of anger. Frances is a tough cop. But along with those predictable emotions there was something else that didn’t seem to fit—shock, disbelief, confusion. She looked at me, shook her head as if trying to clear it, then stared at me some more.

“What,” I said.

“Nothing,” she answered, and her gaze fell to the stacks of obscene pictures before her. “Well, that’s obviously not true, is it? Everything, Terry. Everything vulgar and wrong with humanity is what.”

I took a stack of glossies and looked at them briefly. Chet’s collection went far beyond his own daughter, but his tastes ran to the juvenile, the innocent, the helpless. A lot of it was the old European stuff that used to be legal to make and sell in Holland, Denmark, Germany. When you work sex crimes against youth, you get to know the players. But a lot of it was recent and some of it was even new.

“Swine,” I muttered.

“Pigs wouldn’t do that,” she said sharply.

“Then you think of a word for it.”

“There is no word for it, Naughton.”

When I dropped the photos back to the desk, Frances was looking at me again with the same baffling expression on her handsome, intelligent face.

“Well,
I
didn’t take these damned pictures,” I said. “You all right?”

“No,” she said, smiling an utterly false smile. “I mean, no. You didn’t take them. I’m sorry. I just … shit … maybe I should just walk these out to the car, get some fresh air. This is hard stuff to take.”

I offered her a hand but she tossed the pink envelope in her evidence box and carried it past me. There were tears in her eyes. The tough thing about crimes against youth—especially sex crimes—is that it’s difficult to employ the gallows humor that cops use as a way to keep things from getting to you. You just can’t say much about a picture of a nine-year-old girl being entered by an adult male. There’s nothing humorous in it; there’s nothing pathetic in it; there’s nothing just or fair in it. There’s only damage and sickness and more damage, and there’s not much you can say to deflect that sickness and damage away from you. You take it straight, head on, like you would a punch with your arms tied behind your back. Try as you might not to, when you look at pictures of things like that, you become part of the continuing story. You become part conspirator, part victim. It stains your soul. If it doesn’t, you are in trouble.

I moved a curtain and looked through the window at Frances as she jammed the box into the trunk of her car, slammed the door shut, then wiped the sleeve of her coat under her eyes. She stood there for a moment, looking at the house—looking back at me, in fact—with a furious confusion on her face. Frances is the mother of two teenage daughters. It was easy to wonder if she might have had enough of crimes against youth. There were plenty of other places in the department that could use a cop like Frances. I let the curtain fall back into place.

I decided to let her work alone with her disgust. Sometimes things are worse when someone else is right there to witness it.

So I helped Johnny go through the garage and tried to keep Zant satisfied that we were getting everything he needed. He’s a good prosecutor, but I’d rather he didn’t hang around my crime scenes and searches. He’s never contaminated anything I know of, but there’s a first time for everything. Zant is a young go-getter, and like a lot of young go-getters, he’s gotten more crime scene training from movies than from the district attorney’s office.

Two hours later we were finished. Frances took me aside while the others walked down the driveway toward their cars.

She still hadn’t lost that look of disbelief.

“Frances, are you all right?”

“I’m all right, Terry. Are you?”

She waited, staring at me.

“I believe so.”

“Well, good then. I’m going to drop this stuff off in evidence, and take a half day off. You mind?”

“Not at all.”

She set her briefcase on the hood of her department sedan and opened it She handed me a list of names and addresses, computer generated, double spaced, two sheets.

“These people listed houses for sale over the last two months in Orange County. They’ve all got detached buildings on the lots—granny flats, maid’s quarters, studios. I skipped anything over half a million, on the strength of Strickley’s profile. We’re looking for a working guy, middle class, maybe. Anyhow, there are eighteen of them, but six of the listing parties are women. That leaves twelve. They’re the ones with the stars by them. I haven’t had time to get ages, or anything else on the owners. The listing agents aren’t too keen on giving up that kind of information. Maybe you should give this to Johnny.”

I glanced down the list: Alberhill … Chavez … Fitzgerald … Evans … Johnson … Nguyen … Scalfia … Tuvell.

“Thanks, Frances.”

That damned look again.

“Is there anything I can—”

“—I just need some time to think, Terry.”

“Take all you need, Frances. We’ll hold the fort for you.”

When I got back to the Sheriff building, one of my underclass friends was loitering outside, near the steps. I hadn’t seen him for a couple of weeks and had thought of him more than once. His name is Charlie Carter, but a lot of the county employees call him Shopping Carter, because he pushes around a supermarket cart that contains his livelihood. The city of Santa Ana runs off the homeless every once in a while, due to a no-camping ordinance passed not long ago by the city council. They disappear for a few days, then reemerge again, only to be run off again.

Charlie Carter is small and black and worked as a janitor years ago here in Santa Ana until he was shot in the head by a student robber. He’s never been “right” since, and though he gets disability pay, no one knows what he does with it. I’ve wondered if he was pushing his janitor’s cart when he got hit, but I’ve never asked him. I wonder if it might help explain the way he lives now. Charlie pushes his cart in the streets of Santa Ana, weathering storms in whatever shelter or church will have him, plying his trade around the county and city hall buildings downtown. He’s always on the move. He vanishes, then he reappears.

His trade is information. There’s a tattered pasteboard sign that hangs off one side of his cart, announcing
“KNOWLEDGE
$1 ($4 Deposit).” Neatly arranged in the cart is a clip file of fairly astonishing depth. Charlie gets most of it from the papers and magazines, which he picks up for free when they’re thrown out. He makes the file dividers from cardboard boxes. The last time I talked to him he was saving up for a set of
Encyclopaedia Britannica
so he could add history to his store of Knowledge. Of course, he’d need a separate cart just for those. We once talked about the difficulty of managing two carts instead of one. But he was adamant at the time. “Without history,” he said, “information’s meaningless.”

I shook his dirty hand and studied his dirty face.

“You’re looking fit, Charlie.”

“I don’ fit. Don’ want to.”

“Still want some encyclopedias?”

“Got a set picked out over at the thrift store on Fourth. Nineteen-eighty-fours, black vinyl, good shape. Comes with the Great Ideas books, all fifty-four volumes. Plato to Freud. Hundred bucks.”

“You’re going to need a double-decker cart for all that.”

“I applied for a vendor’s license from the city. They denied it.”

“Why?”

“They don’ tell you why. Maybe ‘cause they think I stole this cart”

“Didn’t you?”

“Found it abandoned, Naughton. I don’ steal things. I’m an educator. How about some
knowledge
today?”

“I need knowledge today,” I said, which was true. I often buy knowledge from Shopping Carter. Some of it, I’ve actually used.

“What’s the topic?” he asked.

I thought for a second. Charlie doesn’t handle biography, opinion, entertainment reviews or editorials, because he thinks they’re all “meaningless.”
Meaningless
is one of Shopping Carter’s favorite words. And he doesn’t handle technology because it changes too fast and his cart’s too small to handle it. For some reason, I couldn’t get Frances’s expression out of my mind, or the image of that bright pink envelope that seemed to disturb her so much.

“I want to know about … um … burnout. Occupational burnout.”

“Law enforcement or other?”

“Law enforcement.”

Charlie nodded as he always does, then looked down at his neatly packed cart. “
Time
had a decent piece on that just a few months back.”

He ran his dirty hands along the tops of the files, bending them back to read his labels. The late April sunshine bore down on us and I noted his heavy sweaters and filthy pants; his shoes that looked so large; his Angels cap jammed down close to his eyes, touching his sunglasses. I could see the dirt in his hair and smell the odor coming off his clothes. His few personal items were arranged on the bottom level of the cart, where you’d put your case of beer or your economy-size detergent.

He produced the article. It was a photocopied one, which meant that he had sold the original and received in return a clean copy. He likes the copies because they’re uniform in size and arrange easier. They don’t tear as readily. That’s what the $4
deposit is for—when you bring back a fresh copy of your piece, you get your money back, and Charlie gets the good replica. If you don’t come back with a copy, you rob Charlie of some Knowledge and yourself of $4. The title was:

          
Burnout On The Streets
When Cops Can’t Take It Anymore

“This looks good,” I said.

“It is good.” He studied me through his dark, smudged glasses. I got out my wallet, found a five and gave it to him.

“You gettin’ close to that Horridus yet?”

I considered before I spoke. “Closer.”

“He’ll be on the Web, you know. Pedophiles love talking to each other on the Web.”

“That’s what they say.”

“Help each other out. Trade pictures and stories. Get moral support from other people like themselves. Kind of like a self-esteem workshop.”

“I’d think that was funny if it wasn’t so sick,” I said.

“Fetishes.”

“What’s that, Charlie?”

“Fetishes is where it starts for the pervs. In childhood. They get attached to whatever they’re lookin’ at when their penises feel funny. Then later in life, they’re still attached. That’s why men dig women’s shoes and underwear—see a lot of their mother’s shoes and underwear. Because they’re small and down low when they’re babies, so those things are right in their sight line. Scientific fact, that is. Great piece in
Esquire
a couple of years back.”

“I’ll take it.”

It was an original, tattered and limp with the years of storage in Shopping Carter’s portable knowledge bin. I got out my wallet for another five, but Charlie waived the deposit.

“You’re good for it,” he said.

“Thanks.”

I read the callout, blocked out in red in the middle of the page:

A
FETISH IS A

STORY

MASQUERADING

AS AN OBJECT—

I felt my breath catch and my eyes get sharp. I thought: a little girl enrobed in white netting. A serpent’s scale inserted into the web of the net. The girl. The snake. The web. The net. What is the story here? What is the narrative behind these objects?

I shook Charlie’s hand again and started up the stairs with my new knowledge.

At my work station I checked messages on the phone and computer and called Joe Reilly to see how the clearance was going. He said he had three more sets of prints to compare with the print on the snake scale, and still had to print the woman who had originally found Courtney wandering in the wilderness of Caspers Wilderness Park.