What You Make It (34 page)

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Authors: Michael Marshall Smith

BOOK: What You Make It
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I stepped back into the house through the front door, the right door, and shut it behind me. I walked carefully and quietly into the living room, and then the kitchen. Everything was fine, everything was normal. It was just a nice normal house. If you came in through the right door.

The wrong door was in about a thousand pieces. I thought about that for some time, with another cup of tea and what felt like my first cigarette in months. I saw with frank disbelief that less than half an hour had elapsed since I'd first come downstairs. The back door. The
wrong
door. It was coming in through there that took me to wherever it was that the house became. Coming in through the
front
door brought me back to where I normally lived. So presumably I was safe, so long as I didn't leave the house and come back in through the back door. They couldn't get me. Presumably.

But I didn't like having that door in pieces. Being safe was only half of the issue. I wasn't going to feel
secure
until that portal was well and truly closed.

I walked into the back hall and looked nervously out through the wreckage onto the drive. Everything was fine. There was
nothing I needed protecting from. But I still didn't like it. Did it have to be me who came through the door, or what if a falling leaf or maybe even just a soft breeze came inside? Would that be enough?

Could I take the risk?

As I stood there indecisively, I noticed once more the pile of firewood propped up against the outside wall of the back hall. I probably still wouldn't have put two and two together had not a very large proportion of the pile been thick old floorboards – a donation from a neighbour. I looked at the tool shelf on the inside wall and saw a hammer and a big box of good long nails. Then I looked at the wood again.

I could nail the damn thing shut.

I flicked my cigarette butt out onto the drive and rolled up my sleeves. The hammer was big and heavy, which was just as well because when I nailed the planks across the door frame I'd be hammering into solid brickwork. I was going to have to board right the way up, but that was all right as there were loads of planks, and if I reinforced it enough it should be well-nigh impregnable.

Feeling much better, I set to work. I may even have hummed. Kneeling just inside the door, I reached out and began pulling the floorboards in, taking care to select the thickest and least weathered. I judged that I'd need about fifteen to make the doorway really secure, although that was largely guesswork as I'd never tried to turn the back hall into a fortress before. Pulling them in was heavy work. I had to stretch out to reach them, and I began to get hot and tired, and anxious to begin the nailing. Outside it was getting darker as the evening began, and the air was very cool and still.

As the pile in the back hall increased in size it became more difficult, and I had to lean further and further out to reach the next plank. This made me nervous. I was still inside, and my feet were still on the ground in the back hall. I wasn't ‘coming back in’. I was just leaning out and then, well,
sort
of coming back in but not really, because my feet never left the back hall. But it
made me nervous, and I began to work quicker and quicker, perspiration running down my face as, clinging to the doorframe with my left hand, I stretched out to bring the last few boards in. Eleven, twelve. Just a couple more. Now the last one I could possibly reach: that would have to be enough. Hooking my left foot behind the frame and gripping it hard with my left hand, I stretched out towards the plank, waving fingers little more than an inch from the end. Just a little further… I let my hooking foot slide slightly, allowed my fingers to slip round half an inch, and tried to extend my back as far as it would go. My fingers just scraping the end, I tried a last yearning lunge.

And then suddenly a stray thought struck me. Here I was, pulled out as if on some invisible rack. Why hadn't I just gone out of the front door, picked up piles of wood, and brought them back into the house through the front door? It would have been easier, it would have been quicker, and it wouldn't have involved all this monkeying around at the wrong door. Not that it mattered now, because as it happened even if I didn't get this last plank I'd probably have plenty, but I wouldn't have been so hot and tired. It was also worrying that in my haste I'd been putting myself in needless danger. I'd better slow down, calm down, take a rest.

It was an unimportant, contemplative thought, but one that distracted me for a fraction of a second too long. As I finally got the tips of my fingers round the plank I realized with horror that the hand on the doorframe was slipping. Desperately I tried to scrabble back, but my hands were too sweaty and the doorframe itself was slippery now. I felt the tendons in my hand stretch as I tried to defy my centre of gravity and think my weight backwards, and then suddenly my forehead walloped onto the ground and I was lying flat on my face.

I was up in a second, and I swear to God that both feet never left the hall floor at once. I leapt back into the hallway, grabbing that last bloody piece of wood without even noticing it.

I crouched in the doorframe, panting hysterically. Everything looked normal outside. The driveway was quiet, the pebbles were
still and there was none of the faint deadening of sound that I associated with the other place. I was furious with myself for having taken the risk, for not having thought to bring them in through the front door – and especially for falling, which had been painful quite apart from anything else. But I hadn't fallen out, not really. I hadn't come back in, as such. The drive was fine, the kitchen was fine. Everything was okay.

Soothed by the sounds of early evening traffic in the distance, my heart gradually slowed to only about twice its normal rate. I forced myself to take a break, and had a quiet cigarette, perched on the pile of planks. During the fall my right foot had caught the tool shelf, and there were nails all over the place, both inside and outside the door. But there were plenty left and the ones outside could stay there. I wasn't going to make the same damn fool mistake twice.

Gathering up the hammer and a fistful of nails, I laid a plank across the door and started work. Getting the nails through the wood and into the masonry was even harder than I'd expected, but within a couple of minutes it was in place, and felt reassuringly solid. I heaved another plank into position and set about securing it. This was actually going to work.

After half an hour I was into the swing of it and the wood now reached almost halfway up the doorframe. My arms were aching and my head ringing from the hammering, which was very loud in the confined space of the back hall. I had a break leaning on the completed section, staring blankly out onto the drive. I was jolted back from reverie by the realization that a piece of dust or something must have landed in my eye, distorting my vision. I blinked to remove it, but it didn't disappear. It didn't hurt, just made a small patch of the drive up near the road look a bit ruffled. I rubbed and shut both eyes individually, and discovered with mounting unease that the distortion was present in both.

I stood upright. Something was definitely going on at the top of the drive. The patch still looked crumpled, as if seen through a heat haze, and whichever way I turned my head the patch
stayed in the same place. It was flickering very slightly now too, like a bad quality film print, although the flecks weren't white, they were dark. I rubbed my eyes hard again, but once I'd stopped seeing stars I saw that the effect was still there. I peered at it, trying to discern something that I could interpret. The flecks seemed to organize into broken and shifting vertical lines as I watched, as if something was hidden behind a curtain of rain, rain so coloured as to make up a picture of that patch of the drive. This impression gradually strengthened until it was like looking at one of those plastic strip doors, where you walk through the hanging strips. It was as if there was one of those at the top of the drive, a patch of driveway pictured on it in living three dimensions. With something moving just the other side.

Then suddenly the balance shifted, like one of those drawings made up of black and white dots where if you stare at it long enough you can see a Dalmatian. I dropped to my knees behind the partially completed barrier.

They were back.

Standing at the top of the drive, their images both underlying and superimposed on it as if woven together, were the two men. They were standing in a frozen and unnatural position, like a freeze-frame. Their faces looked pallid and washed out, the colours uneven and the image flickering and dancing in front of my eyes. And still they stood, not there, and yet in some sense there.

As I stared, transfixed, I noticed that the suited man's foot appeared to be moving. It was hard to focus on, and happening incomprehensibly slowly, but it was moving, gradually leaving the ground. Over the course of a minute it was raised and then lowered back onto the ground a couple of feet in front of its original position, leaving the man's body leaning slightly forward.

I realized what I was seeing. In extraordinary and flickering slow motion, somehow projected onto the drive like an old home movie, the suited man was beginning to walk towards the house.
The image wasn't flickering so much anymore, the colours were getting stronger, and I could no longer see the driveway through them. Somehow they were coming back through. I thought I'd got away with it, but I hadn't. I'd fallen out. Not very far by anyone's standards, but far enough. Far enough to have come back in through the wrong door. And now they were tearing their way back into the world, or hauling me back towards theirs. And very slowly they were getting closer.

Fighting to stay calm, I grabbed a plank, put it into position above the others and nailed it into place. Then another, and another, not pausing for breath or thought. Through the narrowing gap I could see them getting closer. They didn't look two-dimensional any longer, and they were moving more quickly too. As I leaned towards the kitchen for a plank I saw that there was a single dusty carton on the floor. It had started.

I smacked another plank into place and hammered it down. The men were real again, and they were also much nearer to the house, though still moving at a weirdly graceful tenth of normal speed. Hammering wildly, ignoring increasingly frequent whacks on the fingers, I cast occasional wild glances aside into the kitchen. The fridge was beginning to look strange, the stark 1990s geometry softening, regressing, and the rubbish was gathering. I never saw any of it arrive, but each time I looked there was another piece of cardboard, a few more scraps, one more layer of grime. It had only just started, and was still happening very slowly, maybe because I'd barely fallen out. But it was happening. The house was going over.

I kept on hammering. I knew that what I had to do at some point was run to the front door, go out and come back in again, come in through the right door. But that could wait, would
have
to wait. It was coming on very slowly this time, and I still felt completely clear-headed. What I had to do first was seal off the back door, and soon. The two men, always at the vanguard of the change, were well and truly here, and getting closer all the time. I had to make sure that the back door was secure against anything those two could do to it, for long enough for me to
get to the front door and jump out. I had no idea what the front hall would be like by the time I got there, and if I left the back door unfinished and got lost trying to get to the front door, I'd be in real trouble.

I slammed planks into place as fast as I could. Outside they got steadily closer and closer, and inside another carton appeared in the kitchen. As I jammed the last horizontal board into place the suited man and the blond man were only a couple of yards away, now moving at full pace. I'd barely nailed it in before the first blow crashed into it, bending it and making me leap back with shock. I hurriedly picked up more wood and slapped planks over the barrier in vertical slats and crosses, nailing them in hard, reinforcing and making sure that the barrier was securely fastened to the wall on all sides, furiously hammering and building.

After a while I couldn't feel the ache in my back or see the blood on my hands: all I could hear was the beating of the hammer, and all I could see were the heads of the nails as I piled more and more wood onto the barrier. I had wood to spare – I hadn't even needed that last bloody plank – and by the time I finished it was four pieces thick in some places, with the reinforcing strips spread several feet either side of the frame. I used the last three pieces as bracing struts, forcing them horizontally across the hallway, one end of each lodged in niches in the barrier, the other jammed tight against the opposite wall.

Finally it was finished, and I stood back and looked at it. It looked pretty damn solid. ‘Let's see you get through
that,’
I shouted, half sitting and half collapsing to the ground. After a moment I noticed how quiet it was. At some point they must have stopped banging against the door. I'd been making far too much noise to notice, and my head was still ringing. I put my ear against the barrier and listened. Silence.

I lit a cigarette and let tiredness and a blessed feeling of safeness wash over me. The sound of the match striking was slightly muted, but that could've been the ringing in my ears
as much as anything, and the kitchen looked pretty grubby but no more than that. I felt fine. I wondered what the two outside were up to, and whether there was any chance that they might have given up and be waiting for the change to take its course – not realizing that I understood about the right door and the wrong door. For a few minutes I actually savoured the sensation of being balanced between two worlds, secure in the knowledge that in a moment I would just walk out that front door and the house would come back and none of it would matter at all.

Eventually I stood up, wincing in pain. I was really going to ache tomorrow. I stepped into the kitchen, narrowly avoiding a large black spider that scuttled out of one of the cartons. The floor was getting very messy now, strewn with scraps of dried-up meat covered with the corpses of dead maggots, interspersed with small piles of stuff I really didn't want to look too closely at. I threaded my way over to the door, past the now bizarrely misshapen fridge, and into the front hall.

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