Welcome to the monkey house (29 page)

On and on he strode, his mind seething with information: Flammer, Building 31; deer, -metallurgy lab; photographer, Al Tappin. No. Al Tappin in Ashtabula. Flenny the hack photographer. No. McCammer. No. McCammer is new supervisor. Fifty-six per cent eagle scouts. Deer by viscometer laboratory. No. Viscometer in Ashtabula. Call Danner, new supervisor, and get instructions right. Three weeks' vacation after fifteen years. Danner not new supervisor. Anyway, new supervisor in Building 319. No. Fanner in Building 39981983319.

David stopped, blocked by a grimy window at the end of a blind alley. All he knew was that he'd never been there before, that his memory had blown a gasket, and that the deer was not on the payroll. The air in the alley was thick with tango music and the stench of scorched insulation. David scrubbed away some of the crust on the window with his handkerchief, praying for a glimpse of something that made sense.

Inside were ranks of women at benches, rocking their heads in time to the music, and dipping soldering irons into great nests of colored wires that crept past them on endless belts. One of them looked up and saw David, and winked in tango rhythm. David fled.

At the mouth of the alley, he stopped a man and asked him if he'd heard anything about a deer in the Works. The man shook his head and looked at David oddly, making David aware of how frantic he must look. "I heard it was out by the lab," David said more calmly.

"Which lab?" said the man.

"That's what I'm not sure of," said David. "There's more than one?"

"Chemical lab?" said the man. "Materials testing lab? Paint lab? Insulation lab?"

"No—I don't think it's any of those," said David.

"Well, I could stand here all afternoon naming labs, and probably not hit the right one. Sorry, I've got to go. You don't know what building they've got the differential analyzer in, do you?"

"Sorry," said David. He stopped several other people, none of whom knew anything about the deer, and he tried to retrace his steps to the office of his supervisor, whatever his name was. He was swept this way and that by the currents of the Works, stranded in backwaters, sucked back into the main stream, and his mind was more and more numbed, and the mere reflexes of self-preservation were more and more in charge.

He chose a building at random, and walked inside for a momentary respite from the summer heat, and was deafened by the clangor of steel sheets being cut and punched, being smashed into strange shapes by great hammers that dropped out of the smoke and dust overhead. A hairy, heavily muscled man was seated near the door on a wooden stool, watching a giant lathe turn a bar of steel the size of a silo.

David now had the idea of going through a company phone directory until he recognized his supervisor's name. He called to the machinist from a few feet away, but his voice was lost in the din. He tapped the man's shoulder. "Telephone around here?"

The man nodded. He cupped his hands around David's ear, and shouted. "Up that, and through the—" Down crashed a hammer. "Turn left and keep going until you—" An overhead crane dropped a stack of steel plates. "Four doors down from there is it. Can't miss it."

David, his ears ringing and his head aching, walked into the street again and chose another door. Here was peace and air conditioning. He was in the lobby of an auditorium, where a group of men were examining a box studded with dials and switches that was spotlighted and mounted on a revolving platform.

"Please, miss," he said to a receptionist by the door, "could you tell me where I could find a telephone?"

"It's right around the corner, sir," she said. "But I'm afraid no one is permitted here today but the crystallographers. Are you with them?"

"Yes," said David.

"Oh—well, come right in. Name?"

He told her, and a man sitting next to her lettered it on a badge. The badge was hung on his chest, and David headed for the telephone. A grinning, bald, big-toothed man, wearing a badge that said, "Stan Dunkel, Sales," caught him and steered him to the display.

"Dr. Potter," said Dunkel, "I ask you: is that the way to build an X-ray spectrogoniometer, or is that the way to build an X-ray spectrogoniometer?"

"Yes," said David. "That's the way, all right."

"Martini, Dr. Potter?" said a maid, offering a tray.

David emptied a Martini in one gloriously hot, stinging gulp.

"What features do you want in an X-ray Spectrogoniometer, Doctor?" said Dunkel.

"It should be sturdy, Mr. Dunkel," said David, and he left Dunkel there, pledging his reputation that there wasn't a sturdier one on earth.

In the phone booth, David had barely got through the telephone directory's A's before the name of his supervisor miraculously returned to his consciousness: Flammer! He found the number and dialed.

"Mr. Flammer's office," said a woman.

"Could I speak to him, please? This is David Potter."

"Oh—Mr. Potter. Well, Mr. Flammer is somewhere out in the Works now, but he left a message for you. He said there's an added twist on the deer story. When they catch the deer, the venison is going to be used at the Quarter-Century Club picnic."

"Quarter-Century Club?" said David.

"Oh, that's really something, Mr. Potter. It's for people who've been with the company twenty-five years or more. Free drinks and cigars, and just the best of everything. They have a wonderful time."

"Anything else about the deer?"

"Nothing he hasn't already told you," she said, and she hung up.

David Potter, with a third Martini in his otherwise empty stomach, stood in front of the auditorium and looked both ways for a deer.

"But our X-ray spectrogoniometer is sturdy, Dr. Potter," Stan Dunkel called to him from the auditorium steps.

Across the street was a patch of green, bordered by hedges. David pushed through the hedges into the outfield of a softball diamond. He crossed it and went behind the bleachers, where there was cool shade, and he sat down with his back to a wire-mesh fence which separated one end of the Works from a deep pine woods. There were two gates in the fence, but both were wired shut.

David was going to sit there for just a moment, long enough to get his nerve back, to take bearings. Maybe he could leave a message for Flammer, saying he'd suddenly fallen ill, which was essentially true, or—

"There he goes!" cried somebody from the other side of the diamond. There were gleeful cries, shouted orders, the sounds of men running.

A deer with broken antlers dashed under the bleachers, saw David, and ran frantically into the open again along the fence. He ran with a limp, and his reddish-brown coat was streaked with soot and grease.

"Easy now! Don't rush him! Just keep him there. Shoot into the woods, not the Works."

David came out from under the bleachers to see a great semicircle of men, several ranks deep, closing in slowly on the corner of fence in which the deer was at bay. In the front rank were a dozen company policemen with drawn pistols. Other members of the posse carried sticks and rocks and lariats hastily fashioned from wire.

The deer pawed the grass, and bucked, and jerked its broken antlers in the direction of the crowd.

"Hold it!" shouted a familiar voice. A company limousine rumbled across the diamond to the back of the crowd. Leaning out of a window was Lou Flammer, David's supervisor. "Don't shoot until we get a picture of him alive," commanded Flammer. He pulled a photographer out of the limousine, and pushed him into the front rank.

Flammer saw David standing alone by the fence, his back to a gate. "Good boy, Potter," called Flammer. "Right on the ball! Photographer got lost, and I had to bring him here myself."

The photographer fired his flash bulbs. The deer bucked and sprinted along the fence toward David. David unwired the gate, opened it wide. A second later the deer's white tail was flashing through the woods and gone.

The profound silence was broken first by the whistling of a switch engine and then by the click of a latch as David stepped into the woods and closed the gate behind him. He didn't look back.

(1955)

THE LIE

IT WAS EARLY SPRINGTIME. Weak sunshine lay cold on old gray frost. Willow twigs against the sky showed the golden haze of fat catkins about to bloom. A black Rolls-Royce streaked up the Connecticut Turnpike from New York City. At the wheel was Ben Barkley, a black chauffeur.

"Keep it under the speed limit, Ben," said Doctor Remenzel. "I don't care how ridiculous any speed limit seems, stay under it. No reason to rush—we have plenty of time."

Bon eased off on the throttle. "Seems like in the springtime she wants to get up and go," he said.

"Do what you can to keep her down—O.K.?" said the doctor.

"Yes, sir!" said Ben. He spoke in a lower voice to the thirteen-year-old boy who was riding beside him, to Eli Remenzel, the doctor's son. "Ain't just people and animals feel good in the springtime," he said to Eli. "Motors feel good too."

"Um," said Eli.

"Everything feel good," said Ben. "Don't you feel good?"

"Sure, sure I feel good," said Eli emptily.

"Should feel good—going to that wonderful school," said Ben.

The wonderful school was the Whitehill School for Boys, a private preparatory school in North Marston, Massachusetts.

That was where the Rolls-Royce was bound. The plan was that Eli would enroll for the fall semester, while his father, a member of the class of 1939, attended a meeting of the Board of Overseers of the school.

"Don't believe this boy's feeling so good, doctor," said Ben. He -wasn't particularly serious about it. It was more genial springtime blather.

"What's the matter, Eli?" said the doctor absently. He was studying blueprints, plans for a thirty-room addition to the Eli Remenzel Memorial Dormitory—a building named in honor of his great-great-grandfather. Doctor Remenzel had the plans draped over a walnut table that folded out of the back of the front seat. He was a massive, dignified man, a physician, a healer for healing's sake, since he had been born as rich as the .Shah of Iran. "Worried about something?" he asked Eli without looking up from the plans.

"Nope," said Eli.

Eli's lovely mother, Sylvia, sat next to the doctor, reading the catalogue of the Whitehill School. "If I were you," she said to Eli, "I'd be so excited I could hardly stand it. The best four years of your whole life are just about to begin."

"Sure," said Eli. He didn't show her his face. He gave her only the back of his head, a pinwheel of coarse brown hair .above a stiff white collar, to talk to.

"I wonder how many Remenzels have gone to Whitehill," said .Sylvia.

"That's like asking how many people are dead in a cemetery," said the doctor. He gave the answer to the old joke, and to Sylvia's question too. "All of 'em."

"If all the Remenzels who went to Whitehill were numbered, what number would Eli be?" said Sylvia. "That's what I'm getting at."

The question annoyed Doctor Remenzel a little. It didn't seem in very good taste. "It isn't the sort of thing you keep score on," he said.

"Guess," said his wife.

"Oh," he said, "you'd have to go back through all the records, all the way back to the end of the eighteenth century, even, to make any kind of a guess. And you'd have to decide whether to count the Schofields and the Haleys and the MacLellans as Remenzels."

"Please make a guess—" said Sylvia, "just people whose last names were Remenzel."

"Oh—" The doctor shrugged, rattled the plans. "Thirty maybe."

"So Eli is number thirty-one!" said Sylvia, delighted with the number. "You're number thirty-one, dear," she said to the back of Eli's head.

Doctor Remenzel rattled the plans again. "I don't want him going around saying something asinine, like he's number thirty-one," he said.

"Eli knows better than that," said Sylvia. She was a game, ambitious woman, with no money of her own at all. She had been married for sixteen years, but was still openly curious and enthusiastic about the ways of families that had been rich for many generations.

"Just for my own curiosity—not so Eli can go around saying what number he is," said Sylvia, "I'm going to go wherever they keep the records and find out what number he is. That's what I'll do while you're at the meeting and Eli's doing whatever he has to do at the Admissions Office."

"All right," said Doctor Remenzel, "you go ahead and do that."

"I will," said Sylvia. "I think things like that are interesting, even if you don't." She waited for a rise on that, but didn't get one. Sylvia enjoyed arguing with her husband about her lack of reserve and his excess of it, enjoyed saying, toward the end of arguments like that, "Well, I guess I'm just a simple-minded country girl at heart, and that's all I'll ever be, and I'm afraid you're going to have to get used to it."

But Doctor Remenzel didn't want to play that game. He found the dormitory plans more interesting.

"Will the new rooms have fireplaces?" said Sylvia. In the oldest part of the dormitory, several of the rooms had handsome fireplaces.

"That would practically double the cost of construction," said the doctor.

"I want Eli to have a room with a fireplace, if that's possible," said Sylvia.

"Those rooms are for seniors."

"I thought maybe through some fluke—" said Sylvia.

"What kind of fluke do you have in mind?" said the doctor. "You mean I should demand that Eli be given a room with a fireplace?"

"Not demand—" said Sylvia.

"Request firmly?" said the doctor.

"Maybe I'm just a simple-minded country girl at heart," said Sylvia, "but I look through this catalogue, and I see all the buildings named after Remenzels, look through the back and see all the hundreds of thousands of dollars given by Remenzels for scholarships, and I just can't help thinking people named Remenzel are entitled to ask for a little something extra."

"Let me tell you in no uncertain terms," said Doctor Remenzel, "that you are not to ask for anything special for Eli—not anything."

"Of course I won't," said Sylvia. "Why do you always think I'm going to embarrass you?"

"I don't," he said.