We Were Liars (15 page)

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Authors: E. Lockhart

BOOK: We Were Liars
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“We were being stupid,” says Gat.

“Showing off,” says Johnny.

“Come down, please.” Mirren is crying now.

I do not come down. I am sitting, knees to my chest, on the ledge from which the boys jumped. I look at the sea churning beneath me. Dark shapes lurk beneath the surface of the water, but I can also see an open space. If I position my jump right, I will hit deep water.

“Always do what you are afraid to do!” I call out.

“That’s a stupid-ass motto,” says Mirren. “I told you that before.”

I will prove myself strong, when they think I am sick.

I will prove myself brave, when they think I am weak.

It’s windy on this high rock. Mirren is sobbing. Gat and Johnny are shouting at me.

I close my eyes and jump.

The shock of the water is electric. Thrilling. My leg scrapes a rock, my left leg. I plunge down,

down to rocky rocky bottom, and

I can see the base of Beechwood Island and

my arms and legs feel numb but my fingers are cold. Slices

of seaweed go past as I fall.

And then I am up again, and breathing.

I’m okay,

my head is okay,

no one needs to cry for me or worry about me.

I am fine,

I am alive.

I swim to shore.

SOMETIMES I WONDER
if reality splits. In
Charmed Life
, that book I gave Gat, there are parallel universes in which different events have happened to the same people. An alternate choice has been made, or an accident has turned out differently. Everyone has duplicates of themselves in these other worlds. Different selves with different lives, different luck. Variations.

I wonder, for example, if there’s a variation of today where I die going off that cliff. I have a funeral where my ashes are scattered
at the tiny beach. A million flowering peonies surround my drowned body as people sob in penance and misery. I am a beautiful corpse.

I wonder if there’s another variation in which Johnny is hurt, his legs and back crushed against the rocks. We can’t call emergency services and we have to paddle back in the kayak with his nerves severed. By the time we helicopter him to the hospital on the mainland, he’s never going to walk again.

Or another variation, in which I don’t go with the Liars in the kayaks at all. I let them push me away. They keep going places without me and telling me small lies. We grow apart, bit by bit, and eventually our summer idyll is ruined forever.

It seems to me more than likely that these variations exist.

55

THAT NIGHT I
wake, cold. I’ve kicked my blankets off and the window is open. I sit up too fast and my head spins.

A memory.

Aunt Carrie, crying. Bent over with snot running down her face, not even bothering to wipe it off. She’s doubled over, she’s shaking, she might throw up. It’s dark out, and she’s wearing a white cotton blouse with a wind jacket over it—Johnny’s blue-checked one.

Why is she wearing Johnny’s wind jacket?

Why is she so sad?

I get up and find a sweatshirt and shoes. I grab a flashlight and head to Cuddledown. The great room is empty and lit by
moonlight. Bottles litter the kitchen counter. Someone left a sliced apple out and it’s browning. I can smell it.

Mirren is here. I didn’t see her before. She’s tucked beneath a striped afghan, leaning against the couch.

“You’re up,” she whispers.

“I came looking for you.”

“How come?”

“I had this memory. Aunt Carrie was crying. She was wearing Johnny’s coat. Do you remember Carrie crying?”

“Sometimes.”

“But summer fifteen, when she had that short haircut?”

“No,” says Mirren.

“How come you’re not asleep?” I ask.

Mirren shakes her head. “I don’t know.”

I sit down. “Can I ask you a question?”

“Sure.”

“I need you to tell me what happened before my accident. And after. You always say nothing important—but something must have happened to me besides hitting my head during a nighttime swim.”

“Uh-huh.”

“Do you know what it was?”

“Penny said the doctors want it left alone. You’ll remember in your own time and no one should push it on you.”

“But I am asking, Mirren. I need to know.”

She puts her head down on her knees. Thinking. “What is your best guess?” she finally says.

“I—I suppose I was the victim of something.” It is hard to say these words. “I suppose that I was raped or attacked or some godforsaken something. That’s the kind of thing that makes people have amnesia, isn’t it?”

Mirren rubs her lips. “I don’t know what to tell you,” she says.

“Tell me what happened,” I say.

“It was a messed-up summer.”

“How so?”

“That’s all I can say, my darling Cady.”

“Why won’t you ever leave Cuddledown?” I ask suddenly.

“You hardly ever leave except to go to the tiny beach.”

“I went kayaking today,” she says.

“But you got sick. Do you have that fear?” I ask. “That fear of going out? Agoraphobia?”

“I don’t feel well, Cady,” says Mirren, defensive. “I am cold all the time, I can’t stop shivering. My throat is raw. If you felt this way, you wouldn’t go out, either.”

I feel worse than that all the time, but for once I don’t mention my headaches. “We should tell Bess, then. Take you to the doctor.”

Mirren shakes her head. “It’s just a stupid cold I can’t shake. I’m being a baby about it. Will you get me a ginger ale?”

I cannot argue anymore. I get her a ginger ale and we turn on the television.

56

IN THE MORNING,
there is a tire swing hanging from the tree on the lawn of Windemere. The same way one used to hang from the huge old maple in front of Clairmont.

It is perfect.

Just like the one Granny Tipper spun me on. Dad.

Granddad.

Mummy.

Like the one Gat and I kissed on in the middle of the night.

I remember now, summer fifteen, Johnny, Mirren, Gat, and I squashed into that Clairmont swing together. We were much too big to fit. We elbowed each other and rearranged ourselves. We giggled and complained. Accused each other of having big asses. Accused each other of being smelly and rearranged again.

Finally we got settled. Then we couldn’t spin. We were jammed so hard into the swing, there was no way to get moving. We yelled and yelled for a push. The twins walked by and refused to help. Finally, Taft and Will came out of Clairmont and did our bidding. Grunting, they pushed us in a wide circle. Our weight was such that after they let us go, we spun faster and faster, laughing so hard we felt dizzy and sick.

All four of us Liars. I remember that now.

THIS NEW SWING
looks strong. The knots are tied carefully.

Inside the tire is an envelope.

Gat’s handwriting:
For Cady
.

I open the envelope.

More than a dozen dried beach roses spill out.

57

ONCE UPON A
time there was a king who had three beautiful daughters. He gave them whatever their hearts desired, and when they grew of age their marriages were celebrated with grand festivities. When the youngest daughter gave birth to a baby girl, the king and queen were overjoyed. Soon afterward, the middle daughter gave birth to a girl of her own, and the celebrations were repeated
.

Last, the eldest daughter gave birth to twin boys—but alas, all was not as one might hope. One of the twins was human, a bouncing baby boy; the other was no more than a mouseling
.

There was no celebration. No announcements were made
.

The eldest daughter was consumed with shame. One of her children was nothing but an animal. He would never sparkle, sunburnt and blessed, the way members of the royal family were expected to do
.

The children grew, and the mouseling as well. He was clever and always kept his whiskers clean. He was smarter and more curious than his brother or his cousins
.

Still, he disgusted the king and he disgusted the queen. As soon as she was able, his mother set the mouseling on his feet, gave him a small satchel in which she had placed a blueberry and some nuts, and sent him off to see the world
.

Set out he did, for the mouseling had seen enough of courtly life to know that should he stay home he would always be a
dirty secret, a source of humiliation to his mother and anyone who knew of him
.

He did not even look back at the castle that had been his home
.

There, he would never even have a name
.

Now, he was free to go forth and make a name for himself in the wide, wide world
.

And maybe
,

just maybe
,

he’d come back one day
,

and burn that

fucking

palace

to the ground
.

58

LOOK.

A fire.

There on the southern tip of Beechwood Island. Where the maple tree stands over the wide lawn.

The house is alight. The flames shoot high, brightening the sky. There is no one here to help.

Far in the distance, I can see the Vineyard firefighters, making their way across the bay in a lighted boat.

Even farther away, the Woods Hole fire boat chugs toward the fire that we set.

Gat, Johnny, Mirren, and me.

We set this fire and it is burning down Clairmont.

Burning down the palace, the palace of the king who had three beautiful daughters.

We set it.

Me, Johnny, Gat, and Mirren.

I remember this now,

in a rush that hits me so hard I fall,

and I plunge down,

down to rocky rocky bottom, and

I can see the base of Beechwood Island and my arms and legs feel numb but my fingers are cold. Slices of seaweed go past as I fall.

And then I am up again, and breathing,

And Clairmont is burning.

* * *

I AM IN
my bed in Windemere, in the early light of dawn.

It is the first day of my last week on the island. I stumble to the window, wrapped in my blanket.

There is New Clairmont. All hard modernity and Japanese garden.

I see it for what it is, now. It is a house built on ashes. Ashes of the life Granddad shared with Gran, ashes of the maple from which the tire swing flew, ashes of the old Victorian house with the porch and the hammock. The new house is built on the grave of all the trophies and symbols of the family: the
New Yorker
cartoons, the taxidermy, the embroidered pillows, the family portraits.

We burned them all.

On a night when Granddad and the rest had taken boats across the bay,

when the staff was off duty

and we Liars were alone on the island,

the four of us did what we were afraid to do.

We burned not a home, but a symbol.

We burned a symbol to the ground.

59

THE CUDDLEDOWN DOOR
is locked. I bang until Johnny appears, wearing the clothes he had on last night. “I’m making pretentious tea,” he says.

“Did you sleep in your clothes?”

“Yes.”

“We set a fire,” I tell him, still standing in the doorway.

They will not lie to me anymore. Go places without me, make decisions without me.

I understand our story now. We are criminals. A band of four.

Johnny looks me in the eyes for a long time but doesn’t say a word. Eventually he turns and goes into the kitchen. I follow. Johnny pours hot water from the kettle into teacups.

“What else do you remember?” he asks.

I hesitate.

I can see the fire. The smoke. How huge Clairmont looked as it burned.

I know, irrevocably and certainly, that we set it.

I can see Mirren’s hand, her chipped gold nail polish, holding a jug of gas for the motorboats.

Johnny’s feet, running down the stairs from Clairmont to the boathouse.

Granddad, holding on to a tree, his face lit by the glow of a bonfire.

No. Correction.

The glow of his house, burning to the ground.

But these are memories I’ve had all along. I just know where to fit them now.

“Not everything,” I tell Johnny. “I just know we set the fire. I can see the flames.”

He lies down on the floor of the kitchen and stretches his arms over his head.

“Are you okay?” I ask.

“I’m fucking tired. If you want to know.” Johnny rolls over
on his face and pushes his nose against the tile. “They said they weren’t speaking anymore,” he mumbles into the floor. “They said it was over and they were cutting off from each other.”

“Who?”

“The aunties.”

I lie down on the floor next to him so I can hear what he’s saying.

“The aunties got drunk, night after night,” Johnny mumbles, as if it’s hard to choke the words out. “And angrier, every time. Screaming at each other. Staggering around the lawn. Granddad did nothing but fuel them. We watched them quarrel over Gran’s things and the art that hung in Clairmont—but real estate and money most of all. Granddad was drunk on his own power and my mother wanted me to make a play for the money. Because I was the oldest boy. She pushed me and pushed me—I don’t know. To be the bright young heir. To talk badly of you as the eldest. To be the educated white hope of the future of democracy, some bullshit. She’d lost Granddad’s favor, and she wanted me to get it so she didn’t lose her inheritance.”

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